The Origin of State Societies in South America
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Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps University of California, Los Angeles, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln PreColumbian Textile Conference VII / Jornadas de Centre for Textile Research Textiles PreColombinos VII 11-13-2017 Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps University of California, Los Angeles, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/pct7 Part of the Art and Materials Conservation Commons, Chicana/o Studies Commons, Fiber, Textile, and Weaving Arts Commons, Indigenous Studies Commons, Latina/o Studies Commons, Museum Studies Commons, Other History of Art, Architecture, and Archaeology Commons, and the Other Languages, Societies, and Cultures Commons Phipps, Elena, "Andean Textile Traditions: Material Knowledge and Culture, Part 1" (2017). PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII. 10. http://digitalcommons.unl.edu/pct7/10 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps In PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII, ed. Lena Bjerregaard and Ann Peters (Lincoln, NE: Zea Books, 2017), pp. 162–175 doi:10.13014/K2V40SCN Copyright © 2017 by the author. Compilation copyright © 2017 Centre for Textile Research, University of Copenhagen. 8 Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps Abstract The development of rich and complex Andean textile traditions spanned millennia, in concert with the development of cul- tures that utilized textiles as a primary form of expression and communication. -
Resumen Final 2010 Restos De Fauna Y Vegetales De Huaca Prieta Y
RESUMEN FINAL 2010 RESTOS DE FAUNA Y VEGETALES DE HUACA PRIETA Y PAREDONES, VALLE DE CHICAMA Por Víctor F. Vásquez Sánchez1 Teresa E. Rosales Tham2 1 Biólogo, Director del Centro de Investigaciones Arqueobiológicas y Paleoecológicas Andinas – “ARQUEOBIOS”, Apartado Postal 595, Trujillo-PERÚ- URL: www.arqueobios.org 2 Arqueólogo. Director del Laboratorio de Bioarqueología de la Facultad de Ciencias Sociales de la Universidad Nacional de Trujillo, Perú. E-mail: [email protected] - Trujillo, Septiembre 2010 - 1 CONTENIDO Pág. 1. INTRODUCCIÓN 3 2. MÉTODOS DE ESTUDIO 4 a. DESCRIPCIÓN Y FILIACIÓN CULTURAL DE LA MUESTRAS 4 b. ANÁLISIS ARQUEOZOOLÓGICO 4 i. Identificación Taxonómica: Invertebrados 4 ii. Distribuciones Geográficas y Ecología 6 iii. Abundancia Taxonómica mediante NISP, NMI y Peso, Biometría y Estadísticas Descriptivas 6 iv. Alometria: Cálculo de la biomasa de Donax obesulus 8 v. Paleoecología: Especies Bioindicadoras 10 b. ANÁLISIS ARQUEOBOTÁNICO 10 i. Restos Macrobotánicos: Identificación Taxonómica, Frecuencia y Cantidad de Restos, Clasificación Paleoetnobotánica 10 ii. Restos Microbotánicos: Flotación Manual Simple, Acondicionamiento e identificación taxonómica, frecuencia y cantidad de restos. Carpología biometría de semillas, estadísticas descriptivas y análisis paleoetnobotánico. 11 iii. Antracalogía 12 3. RESULTADOS 13 a. ARQUEOZOOLOGÍA 13 i. MOLUSCOS 23 Sistemática y Taxonomía, Distribuciones Geográficas y Ecología, Abundancia Taxonómica mediante NISP, NMI y peso, Biometría y estadísticas descriptivas, Alometría de Donax obesulus, Diversidad y Equitatividad ii. CRUSTÁCEOS, EQUINODERMOS Y ASCIDIAS 37 Cuantificación: NISP y Peso 38 ii. PECES, AVES Y MAMÍFEROS: 41 Sistemática y Taxonomía 41 Distribuciones Geográficas y Ecología 44 Abundancia Taxonómica mediante NISP y Peso 46 2 b. ARQUEOBOTÁNICA 58 i. SISTEMÁTICA Y TAXONOMÍA 58 ii. MACRORESTOS: Frecuencia y Cantidad de Restos 60 iii. -
Daily Life at Cerro León, an Early Intermediate Period Highland Settlement in the Moche Valley, Peru
DAILY LIFE AT CERRO LEÓN, AN EARLY INTERMEDIATE PERIOD HIGHLAND SETTLEMENT IN THE MOCHE VALLEY, PERU Jennifer Elise Ringberg A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Anthropology. Chapel Hill 2012 Approved by: Brian R. Billman Vincas Steponaitis C. Margaret Scarry Patricia McAnany John Scarry Jeffrey Quilter UMI Number: 3545543 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3545543 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 © 2012 Jennifer Elise Ringberg ALL RIGHTS RESERVED ii ABSTRACT JENNIFER ELISE RINGBERG: Daily Life at Cerro León, an Early Intermediate Period Highland Settlement in the Moche Valley, Peru (Under the direction of Brian R. Billman) In this dissertation I examine the cultural identity and social dynamics of individuals in households through the activities and objects of daily life. The households I study are at Cerro León, an Early Intermediate period (EIP) (400 B.C. to A.D. 800) settlement in the middle Moche valley, Peru. -
Juzgados De Paz 2021
66 ESTADÍSTICAS DE LOS JUZGADOS DE PAZ, 2007-21 JUZGADOS DE PAZ GERENCIA GENERAL GERENCIA DE PLANIFICACIÓN SUBGERENCIA DE ESTADÍSTICA Enero - Marzo 2021 66 ESTADÍSTICAS DE LOS JUZGADOS DE PAZ, 2007-21 PODER JUDICIAL GERENCIA GENERAL JUZGADOS DE PAZ Al 31 de Marzo de 2021 ELVIA BARRIOS ALVARADO PRESIDENTA DEL PODER JUDICIAL LUCY MARGOT CHAFLOQUE AGAPITO GERENTE GENERAL ANTONIO MIRRIL RAMOS BERNAOLA GERENTE DE PLANIFICACIÓN SUBGERENCIA DE ESTADÍSTICA Econ. WALTER JOE LÓPEZ MENESES SUBGERENTE Lic. ANTONIO BALTODANO AVENDAÑO ANALISTA Marzo 2021 66 ESTADÍSTICAS DE LOS JUZGADOS DE PAZ, 2007-21 ÍNDICE PRESENTACIÓN ........................................................................................................ 5 RESUMEN EJECUTIVO ............................................................................................. 6 FICHA TÉCNICA ......................................................................................................... 7 I. ANTECEDENTES ................................................................................................. 8 II. MARCO LEGAL .................................................................................................. 10 III. LOS JUZGADOS DE PAZ .................................................................................. 11 3.1. EJERCICIO 2021 ....................................................................................................... 11 3.2. JUZGADOS DE PAZ 2007 21 ................................................................................ 13 IV. CONCLUSIONES Y -
The Evolution and Changes of Moche Textile Style: What Does Style Tell Us About Northern Textile Production?
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 The Evolution and Changes of Moche Textile Style: What Does Style Tell Us about Northern Textile Production? María Jesús Jiménez Díaz Universidad Complutense de Madrid Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Jiménez Díaz, María Jesús, "The Evolution and Changes of Moche Textile Style: What Does Style Tell Us about Northern Textile Production?" (2002). Textile Society of America Symposium Proceedings. 403. https://digitalcommons.unl.edu/tsaconf/403 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE EVOLUTION AND CHANGES OF MOCHE TEXTILE STYLE: WHAT DOES STYLE TELL US ABOUT NORTHERN TEXTILE PRODUCTION? María Jesús Jiménez Díaz Museo de América de Madrid / Universidad Complutense de Madrid Although Moche textiles form part of the legacy of one of the best known cultures of pre-Hispanic Peru, today they remain relatively unknown1. Moche culture evolved in the northern valleys of the Peruvian coast (Fig. 1) during the first 800 years after Christ (Fig. 2). They were contemporary with other cultures such us Nazca or Lima and their textiles exhibited special features that are reflected in their textile production. Previous studies of Moche textiles have been carried out by authors such as Lila O'Neale (1946, 1947), O'Neale y Kroeber (1930), William Conklin (1978) or Heiko Pruemers (1995). -
Memoria Anual 2013
MINISTERIO DE CULTURA MEMORIA ANUAL 2013 INDICE PRESENTACIÓN I. INTRODUCCIÓN I.1 La Cultura I.2 Breve historia del Ministerio I.3 El Marco normativo II. PANORAMA GENERAL II.1 Cultura en el Perú, sus condicionantes II.2 A dónde queremos ir II.3 Ejes de la Política Cultural III. ALTA DIRECCIÓN III.1 Las relaciones con el Legislativo III.2 Presencia en el país III.3 Representando al Perú en el Mundo IV. PATRIMONIO CULTURAL MATERIAL E INMATERIAL IV.1 La milenaria herencia andina IV.2 Los aportes coloniales y republicanos IV.3 Cerámica, tejidos y pinturas en vitrina IV.4 Lenguas, tradiciones y costumbres IV.5 Valorando el paisaje cultural IV.6 Cultura peruana en el mundo IV.7 Defensa del patrimonio Cultural V. INDUSTRIAS CULTURALES V.1 Audiovisual, fonografía y los nuevos medios V.2 Libro y lectura VI. CREACIÓN CULTURAL Y ARTES VIVAS VI.1 Alentando la creación artística VI.2 Difundiendo cultura VII. PERÚ, MULTICULTURAL Y MULTIÉTNICO VIII. PRESENCIA DEL MINISTERIO EN LAS REGIONES IX. SOPORTE DE LA GESTIÓN IX.1 Organización IX.2 Avances institucionales IX.3 Estados Financieros PRESENTACIÓN La presente Memoria describe los avances realizados por el Ministerio de Cultura en el año. Resaltamos la continuidad del trabajo institucional, pese a que el período fue cubierto por dos gestiones. Con improntas lógicamente diferenciadas, ambos equipos de trabajo contribuyeron al proceso de institucionalización de un Ministerio joven, permitiendo afrontar los desafíos de las áreas programáticas que la ley le asigna, tener voz en las máximas instancias de decisión política del país y hacer las coordinaciones intersectoriales que le corresponden por su rol rector en el campo de la cultura. -
1 Chronology, Mound-Building and Environment at Huaca Prieta
1 Chronology, mound-building and environment at Huaca Prieta, coastal Peru, from 13 700 to 4000 years ago Tom D. Dillehay1,2, Duccio Bonavia3, Steven Goodbred4, Mario Pino5, Victor Vasquez6, Teresa Rosales Tham6, William Conklin7, Jeff Splitstoser8, Dolores Piperno9, José Iriarte10, Alexander Grobman11, Gerson Levi-Lazzaris1, Daniel Moreira12, Marilaura Lopéz13, Tiffiny Tung1, Anne Titelbaum14, John Verano14, James Adovasio15, Linda Scott Cummings16, Phillipe Bearéz17, Elise Dufour 17, Olivier Tombret17, 18, Michael Ramirez19, Rachel Beavins4, Larisa DeSantis4, Isabel Rey20, Philip Mink21, Greg Maggard21 &Teresa Franco1 1 Department of Anthropology, College of Arts and Science, Vanderbilt University, 124 Garland Hall, Nashville, TN 37235, USA; 2 Escuela de Antropología, Faculdad de Ciensias Sociales, Universidad Católica de Temuco, Manuel Montt 056, Temuco, Chile 3 Academia Nacional de la Historia, Casa de Osambela, Jr. Conde de Superunda 298, Lima 1, Perú; 4 Department of Earth and Environmental Sciences, College of Arts and Science, Vanderbilt University, 5726 Stevenson Center, 7th floor, Nashville, TN 37240, USA; 5 Instituto de Ciencias Geológicas, Facultad de Ciencias, Universidad Austral de Chile, Casilla 567, Valdivia, Chile; 6 Laboratorio de Bioarquelogía, Universidad Nacional de Trujillo, Avda. Universitaria s/n, Trujillo, Perú; 7 Department of Anthropology, Field Museum, 1400 S. Lake Shore Drive, Chicago, IL 60605-2496, USA; 8 Boundary End Archaeology Research Center, One Walker Creek Road, Barnardsville, NC 28709-0592, USA; 9 Archaeobiology Program, Department of Anthropology, National Museum of Natural History, Smithsonian Institution, Washington DC 20013- 7012, USA & Smithsonian Tropical Research Institute, Balboa, Panama; 10 Department of Archaeology, University of Exeter, Laver Building, North Park Road, Exeter EX4 4QE, UK; 11 Universidad Nacional Agraria La Molina, Av. -
Acta I Congreso Volumen I
ACTAS I CONGRESO NACIONAL DE ARQUEOLOGÍA VOLUMEN I ACTAS I CONGRESO NACIONAL DE ARQUEOLOGÍA VOLUMEN I PONENCIA MAGISTRAL SIMPOSIO REGIONAL DE ARQUEOLOGÍA DE LA COSTA NORTE SIMPOSIO REGIONAL DE ARQUEOLOGÍA DE LA COSTA CENTRAL SIMPOSIO REGIONAL DE ARQUEOLOGÍA DE LA COSTA SUR Índice Jorge Nieto Montesinos VOLUMEN I El Camino Inca de la costa en Tumbes 103 Incahuasi, Cañete: resultados preliminares 227 Ministro de Cultura Carolina Vílchez Carrasco de la temporada 2013 Prólogo 5 Alejandro Chu Ana Castillo Aransaenz Viceministra de Patrimonio Cultural Presentación 7 SIMPOSIO REGIONAL DE ARQUEOLOGÍA DE LA COSTA CENTRAL SIMPOSIO REGIONAL DE ARQUEOLOGÍA e Industrias Culturales DE LA COSTA SUR El patrimonio arqueológico de la civilización Caral 115 y el desarrollo social integral y sostenible en el área Investigaciones del Programa Arqueológico 237 PONENCIA MAGISTRAL norcentral del Perú Chincha: temporada 2013 Ruth Shady Solís / Carlos Leyva Henry Tantaleán / Charles Stanish / El urbanismo moche y el surgimiento 9 Alexis Rodríguez / Kelita Pérez del Estado y la ciudad en los Andes centrales Avance de las excavaciones arqueológicas 141 Santiago Uceda C. / Jorge Meneses B. en la Huaca Pucllana en la temporada 2013 La arquitectura Paracas en Ánimas Altas/ 247 Isabel Flores Espinoza Ánimas Bajas, valle de Ica: técnicas y semántica SIMPOSIO REGIONAL DE ARQUEOLOGÍA Aïcha Bachir Bacha DE LA COSTA NORTE El uso de reconstrucciones 3D en la arqueología 153 doméstica: Una aproximación a través Comunidad, tradición y reforma sociopolítica 259 Excavaciones en el sitio de Huerequeque, 19 del sitio arqueológico de Panquilma en Nasca Tardío valle de Casma (2009-2014) Enrique López-Hurtado Ojeda / Luis Manuel González La Rosa / Verity H. -
CCPP Con Cobertura Del Servicio Móvil 3G
CCPP con Cobertura del Servicio Móvil 3G FECHA ACTUALIZACIÓN: 18/03/2021 CENTRO POBLADO DISTRITO PROVINCIA DEPARTAMENTO INDEPENDENCIA INDEPENDENCIA LIMA LIMA EL PORVENIR EL PORVENIR TRUJILLO LA LIBERTAD CALLAO CALLAO CALLAO CALLAO CAJAMARCA CAJAMARCA CAJAMARCA CAJAMARCA CONO NORTE CERRO COLORADO AREQUIPA AREQUIPA HUANCAYO HUANCAYO HUANCAYO JUNIN VENTANILLA VENTANILLA CALLAO CALLAO EL TAMBO EL TAMBO HUANCAYO JUNIN SULLANA SULLANA SULLANA PIURA ALFONSO UGARTE CORONEL GREGORIO ALBARRACIN TACNA TACNA LANCHIPA BUENOS AIRES NUEVO CHIMBOTE SANTA ANCASH VITARTE ATE LIMA LIMA LA ESPERANZA LA ESPERANZA TRUJILLO LA LIBERTAD PUNO PUNO PUNO PUNO PUENTE PIEDRA PUENTE PIEDRA LIMA LIMA CARABAYLLO CARABAYLLO LIMA LIMA PACHACAMAC PACHACAMAC LIMA LIMA VILLA MARIA DEL TRIUNFO VILLA MARIA DEL TRIUNFO LIMA LIMA PUCALLPA CALLERIA CORONEL PORTILLO UCAYALI JOSE LEONARDO ORTIZ JOSE LEONARDO ORTIZ CHICLAYO LAMBAYEQUE JULIACA JULIACA SAN ROMAN PUNO SAN MARTIN VEINTISEIS DE OCTUBRE PIURA PIURA SAN SEBASTIAN SAN SEBASTIAN CUSCO CUSCO ICA ICA ICA ICA IQUITOS IQUITOS MAYNAS LORETO CHICLAYO CHICLAYO CHICLAYO LAMBAYEQUE BARRIO OBRERO INDUSTRIAL SAN MARTIN DE PORRES LIMA LIMA LAS PALMERAS LOS OLIVOS LIMA LIMA SAN FRANCISCO DE BORJA SAN BORJA LIMA LIMA RIMAC RIMAC LIMA LIMA LA MOLINA LA MOLINA LIMA LIMA SAN MIGUEL SAN MIGUEL LIMA LIMA PAUCARPATA PAUCARPATA AREQUIPA AREQUIPA LIMA LIMA LIMA LIMA CASTILLA CASTILLA PIURA PIURA CUSCO CUSCO CUSCO CUSCO CHORRILLOS CHORRILLOS LIMA LIMA VILLA EL SALVADOR VILLA EL SALVADOR LIMA LIMA CIUDAD DE DIOS SAN JUAN DE MIRAFLORES LIMA LIMA -
Pdf/77-Wrvw-272.Pdf
H-ART. Revista de historia, teoría y crítica de arte ISSN: 2539-2263 ISSN: 2590-9126 [email protected] Universidad de Los Andes Colombia Ambrosino, Gordon Inscription, Place, and Memory: Palimpsest Rock Art and the Evolution of Highland, Andean Social Landscapes in the Formative Period (1500 – 200 BC) H-ART. Revista de historia, teoría y crítica de arte, no. 5, 2019, July-, pp. 127-156 Universidad de Los Andes Colombia DOI: https://doi.org/10.25025/hart05.2019.07 Available in: https://www.redalyc.org/articulo.oa?id=607764857003 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Inscription, Place, and Memory: Palimpsest Rock Art and the Evolution of Highland, Andean Social Landscapes in the Formative Period (1500 – 200 BC) Inscripción, lugar y memoria: arte rupestre palimpsesto y la evolución de los paisajes sociales andinos en las tierras altas durante el Período Formativo (1500 - 200 a. C.) Inscrição, local e memória: arte de uma roca palimpsesto e a evolução das paisagens sociais andinas durante o Período Formativo (1500 - 200 a. e. c.) Received: January 27, 2019. Accepted: April 12, 2019. Modifications: April 24, 2019 DOI: https://doi.org/10.25025/hart05.2019.07 Gordon Ambrosino Abstract Mellon Postdoctoral Curatorial Fellow, Los Angeles As more than a means of recalling, memory is an active County Museum of Art, Los Angeles, Art of the Ancient cultural creation and landscape inscriptions construct Americas Department. -
La Galgada: Peru Before Pottery Author(S): Terence Grieder and Alberto Bueno Mendoza Source: Archaeology, Vol
La Galgada: Peru Before Pottery Author(s): Terence Grieder and Alberto Bueno Mendoza Source: Archaeology, Vol. 34, No. 2 (March/April 1981), pp. 44-51 Published by: Archaeological Institute of America Stable URL: http://www.jstor.org/stable/41727123 Accessed: 04-08-2015 15:41 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Archaeological Institute of America is collaborating with JSTOR to digitize, preserve and extend access to Archaeology. http://www.jstor.org This content downloaded from 128.83.205.78 on Tue, 04 Aug 2015 15:41:42 UTC All use subject to JSTOR Terms and Conditions /';-=09 )(8*=-0/'] This content downloaded from 128.83.205.78 on Tue, 04 Aug 2015 15:41:42 UTC All use subject to JSTOR Terms and Conditions by Terence Grieder and Alberto Bueno Mendoza n a desolate canyon in the high Andes ofnorth- the surroundingmountains, animal bones are ern Peru, the secretsof one ofAmerica's oldest almost nonexistentin the debris ofthe ruins.This civilizations are comingto light.Five thousand may imply a diet based mainly on agricultural years ago, the ancient people who lived therebuilt products. elaborate temples and tombsand shared a beautiful The site extends forabout one kilometeralong art. -
Of Priests and Pelicans: Religion in Northern Peru
Of Priests and Pelicans: Religion in Northern Peru Kennedi Bloomquist I am standing in the far corner of the Plaza des Armas, excitement racing through my chest. Along the roads surrounding the plaza are long brilliant murals made of colorful flower petals lined with young school girls in bright red jumpsuits, their eyes following my every movement. A cool breeze whips around stirring the array of magenta, turquoise, royal purple, orange and various shades of green petals. 20 tall arches placed between the various flower murals are covered with bright yellow flowers (yellow symbolizes renewal and hope) spotted with white (white symbolizes reverence and virtue) and fuchsia (fuchsia symbolizes joy) roses. A stage has been erected in the street in front of the mustard yellow Trujillo Cathedral. In the center of the stage is an altar with a statue of Christ on the cross with an elaborate motif hanging on the back wall with angels carrying a large ornate crown. A band plays loud and wildly out of tune Christian salsa music to the side of the stage. A large golden sign reading Corpus Christi sits along the top of the building sidled up against the Cathedral. The feeling permeating throughout the square is carefree and peaceful. As I wander through the crowd, I cannot stop smiling at all the people dancing, shaking their hands to the sky. Some spin in circles, while others just clap their hands smiling towards the heavens. Next to me an older woman in a simple church outfit with a zebra print scarf holds a JHS (Jesus Hominum Savitore) sign in one hand and reaches for the sky with her other hand, shuffling back and forth.