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Roberson Treasure Gold & Liquid Leaf Size MOQ ExVat IncVat Both ranges are available in the same eight metallic shades: Liquid Leaf Discount Code D Remarkable gilding paint that contains its own red primer and lm of lustrous gold, premixed into a single liquid. It ows easily onto the surface with no brush marks, forming a beautiful, lustrous nish. It is so controllable that it can be used with striping brush or ruling pen for ne lines and scrolls. Liquid Leaf can be used on wood, metal, glass, ceramics, papier-mache and cardboard. It can also be used as an ink. One Brass White Fire colour of Liquid Leaf can be used over another once dry. For Ref 5 Ref 4 air brushing all colours can be thinned with the Brush Bath. This easy-to-control one-step paint gives a brilliant sheen without brassiness, a permanent nish more closely resembling traditional leang. A 30ml bottle will cover approximately 2sq/m. CR7931x Blister Pack 30ml 10 8.67 10.40 CR7940x 250ml 1 32.92 39.50 Copper Florentine Gold Ref 7 Ref 2 Classic Gold Renaissance Gold Treasure Gold Ref 1 Ref 3 Metallic wax which is unexcelled in restoring gold leaf and the nishing touches for antiquing. Blend any of the colours together for just the right shade. Apply with the ngers or a cloth and bu lightly. The metal lustre will not fade or tarnish. Treasure Gold is easy to use on furniture, frames, ceramics or virtually any other surface and it adheres to contoured surfaces without cracking or peeling whilst touch drying immediately to a permanent non-tarnishing nish. Pewter Silver It is ready to be polished in ten minutes. Treasure Gold is Ref 6 Ref 8 highly concentrated and is to be used sparingly. A 25g jar will cover approximately 2sq/m. CR7911x Blister Pack 25g 10 8.67 9.90 Size MOQ ExVat IncVat Liquid Leaf Brush Bath Thinner & Solvent Discount Code D Brush Bath is a paint thinner and solvent especially formulated for the thinning or cleaning of Liquid Leaf. For spray application, use 15-20% Brush Bath with Liquid Leaf. For cleaning, apply to a so cloth and wipe aected area. For thinning, mix a small amount of Brush Bath with Liquid Leaf, stirring or shaking container until desired consitency. To clean brushes, pour Brush Bath into a small container and let brushes soak. Treasure Sealer Discount Code D CR79602 60ml 1 6.58 7.90 Clear, non-yellowing protective varnish designed for Liquid CR79603 250ml 1 16.17 19.40 Leaf and Treasure Gold. Retards tarnishing and seals painted surfaces. CR79601 60ml 1 6.58 7.90 CR79604 250ml 1 16.42 19.70 www.robco.co.uk Roberson Solid Metal Sticks Discount Code D Size MOQ ExVat IncVat Roberson Solid Metal Sticks Artists’ quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these so paint sticks are made with an unique mix of oils and waxes. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. CR797xxx Various 85ml 1 £12.42 £14.90 Gold Light Gold Silver Copper Bronze Ref 010 Ref 011 Ref 012 Ref 013 Ref 014 www.robco.co.uk Roberson Bronze Powders Gilt Wax Medium Discount Code B Size MOQ ExVat IncVat Discount Code C Size MOQ ExVat IncVat Bronze Powders - Standard Roberson Gilt Wax Medium Superne metallic powders in a range of 13 shades. Can be mixed Mix with Roberson standard bronze powders in equal parts. with Ormoline mediums to create highly eective metallic paint. Use to touch up damaged gilt and to gild new surfaces, Bright Silver Burnish including wood, metal and plaster. As a gilt nish, apply Unlike the silver in the Standard Bronze Powder range, use directly onto bare-wood frames, or to highlight areas on only with water based media. mouldings and carvings. Apply with a brush or so cloth, and allow to dry. Bu to a sheen. A blend of rened waxes in CR75xx1D Metalic powders(various) 25 g 1 6.92 8.30 mineral spirit. CR75xx4G Metalic powders(various) 200 g 1 20.33 24.40 CR78000F 120ml 1 10.00 12.00 CR75xx6K Metalic powders(various) 1 kg 1 75.33 90.40 CR75201D Silver 25 g 1 6.92 8.30 CR78001H 250ml 1 14.75 17.70 CR75202E Silver 75 g 1 20.25 24.30 CR78002J CR75205J Silver 500 g 1 75.25 90.30 500ml 1 23.17 27.80 CR75231D Bright Silver 25 g 1 9.25 11.10 CR78003K 1Ltr 1 42.25 50.70 CR75232E Bright Silver 75 g 1 20.42 24.50 CR75235J Bright Silver 500 g 1 77.83 93.40 CR75236K Bright Silver 1 kg 1 142.75 171.30 Bronze Powders - Water Base Discount Code B Superne metallic powders in a range of 3 shades. Can be mixed with water based mediums to create highly eective metallic paint. CR75xx1D 25 g 1 6.75 8.10 CR75xx4G 200 g 1 20.33 24.40 Pale Gold Rich Pale Gold Rich Gold Ref 30 Ref 31 Ref 44 Pale Gold Rich Pale Gold Light Gold Ref 10 Ref 11 Ref 12 Deep Gold Copper Middle Gold Ref 21 Ref 13 Ref 14 Gold 2½ Orange Gold Fire Copper Ref 22 Ref 15 Ref 29 Bronze Powders - Original Colour Chart Discount Code B CR79199 A4 1 14.50 17.40 Old Bronze Rich Pale Orange Gold Rich Yellow Gold Ref 24 Ref 28 Ref 27 Yellow Orange Gold Silver (Solvent based) Bright Silver Burnish Ref 25 www.robco.co.uk Roberson Gold Size Roberson Shellac Varnish Size MOQ ExVat IncVat Size MOQ ExVat IncVat Roberson Oil Gold Size 3-4 hour Discount Code D Shellac Varnish Clear Discount Code D For use with (Schlag) metal leaf, gold leaf and bronze powders. Fast drying varnish for metal leaf. May also be used to Use over any non-absorbent painted surface, canvas, panel, seal absorbent surfaces prior to sizing. Clean brushes with wall, glass or metal. If the surface is absorbent as with gesso, methylated spirits. seal using Roberson shellac varnish. Size is ready when CR77302E Sellotape tackiness is reached. Apply the leaf using absorbent 60ml 1 7.33 8.80 cotton. Do not rub or use lateral motion as this will mark the CR77304H 250ml 1 12.25 14.70 leaf. CR77305J 500ml 1 20.00 24.00 CR77102E 60ml 3 6.67 8.00 CR77306K 1ltr 1 37.58 45.10 CR77104H 250ml 1 15.08 18.10 CR77308M 5ltr 1 146.50 175.80 CR77106K 1ltr 1 38.92 46.70 Crystal ‘Shellac’ Varnish Discount Code D Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over Roberson Acrylic Gold Size Discount Code D gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Easy to use acrylic gold size. Ready for gilding in 15-20 minutes, but will remain open indenetly. For use with CR77312E 60ml 1 7.25 8.70 (Schlag) metal leaf, gold leaf and bronze powders. Use over a CR77314H 250ml 1 12.25 14.70 non-porous surface or one that has been sealed with shellac varnish. CR77315J 500ml 1 19.58 23.50 CR77202E 60ml 1 6.08 7.30 CR77316K 1ltr 1 37.50 45.00 CR77204H 250ml 1 10.00 12.00 CR77318M 5ltr 1 134.75 161.70 CR77205J 500ml 1 14.33 17.20 CR77206K 1ltr 1 24.33 29.20 CR77208M 5ltr 1 79.58 95.50 Roberson Gilding Materials Roberson Universal Lacquer Discount Code B Use to protect metal & silver leaf, white gold, ormoline paint Ormoline Metallic Paint Thinner Discount Code B & Robersons liquid metal range. Provides extra protection on Cellulose thinner for paints made with Ormoline Medium. exterior projects & high-wear areas. It dries crystal clear with a Use for thinning and brush cleaning. satin nish, and is non-yellowing. CR76512E 60ml 3 6.25 7.50 CR77442E 60ml 3 8.92 10.70 CR76514H 250ml 1 15.33 18.40 CR77444H 250ml 1 30.92 37.10 CR76516K 1ltr 1 47.08 56.50 CR77446K 1ltr 1 116.08 139.30 www.robco.co.uk Roberson Illuminators’ Materials Roberson Illuminators’ Materials Size MOQ ExVat IncVat Size MOQ ExVat IncVat Gum Ammoniac Discount Code B Water Gold Size Discount Code B Natural gum size made to a traditional recipe. This medium Traditional size for illumination. Made with natural gums. is best suited to small areas. For very detailed work you may Yellow colour. Paint over the area to be gilded with a brush. need two applications, especially if the paper is absorbent. Allow to dry, which may take between 10 to 20 minutes. Raised areas can be achieved by building up several layers, While it is still tacky apply the gold. If the gold size dries out allowing each layer to dry. Reactivate gum by breathing too much, then its stickiness can be reactivated by breathing on it, press gold onto the tacky gum, wait 2-3 mins, before directly over the applied size. burnishing. Do not burnish directly onto the gold, use glassine paper between the gold and agate. Wash your brush/pen CR77421C 15ml 1 7.33 8.80 immediately in hot water as the gum will set hard. CR77401D 30ml 1 8.75 10.50 Improved Gold Body Discount Code B Discount Code B Ormoline Gilding Medium Use to raise surfaces where an embossed design is required Acrylic size, uid enough to use with dip pen.
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  • Stanford White's Frames by William Adair

    Stanford White's Frames by William Adair

    ~ s _es he architect Stanford White has been called the great- Pl. I. Angel, by Abbott Handerson I Thayer(l849-1921), c. 1889, in a frame est designer Ame,;ca has ever produced. In addition designed by Stanford White to buildings he delighted in designing picttu-e frames (1853-1906) and made by Joseph Cabus, New York City, 1889. Gilded for many o[ hi s clients and fri ends, including the composition and wood; outside pa inters Abbott Handerson Thayer and Thomas din1ensions of frame, 66 l/4 by 481/s inches. National Museum of American Wilmer D ewing, and the sculptor Augustus Saint- Art, Washington, D.C., gift ofJolin Gaudens (see Fig. 1). White's frame designs were not only in­ Gellatly. flu ential in the art world of his time but continue to be so today. Above: Pl. II. Detail of the frame shown in Pl. IX. The chief role of the picture frame is to be an adroit mediator Right: Pl. m. Detail of a frame designed between the illusionary painting and the environment in which by White, c. 1892, and probably made the painting is placed, and it is most successful when it is not by Alexander G. Cabus, New York City, for 11,e Blue Dress, by Thomas Wilmer noticed. White understood this basic prerequisite. His genius Dewing(l851-1938), 1892. Oil-gilded was to combine disparat e elements of the many nineteenth-cen­ composition on pine; outside din1en­ sions, 383/4 by 343/4 inches over-all. The te a new vocabulary of frame design tury revival styles to crea gently sloping reverse profile of the (see Pl.