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Ponca Tribe of Oklahoma
VOLUME 2, ISSUE 9 JULY 2016 JULY Funded & Distributed by the Ponca Tribe NEWSLETTER PONCA TRIBE OF OKLAHOMA Special points of interest: GED CLASSES SUMMER YOUTH CHR UPDATES DIALYSIS CENTER Inside this issue: PONCA TRIBE INJURY PREVENTION 1 U.S. DEPT. OF INTERIOR 2 PICTURE OF MAP 3 VETERANS MEMORIAL 4-5 PONCA CELEBRATION FLYER 6 WEHC CHR 7 PONCA TRIBAL PRINCESS 8-9 AMERICAN INDIAN EXPOSITION 10-11 SCHOOL SUPPLIES 12 YOUTH OUTREACH 13 AG DEPARTMENT 14 DIALYSIS CENTER 15 SENIOR CENTER 16 DIRECTORS MEETING 17 BEHAVIORAL HEALTH 18-19 WHITE EAGLE TRANSIT 20 PONCA TRIBAL AFFAIRS 21 GED CLASSES 21 SUMMER YOUTH ACTIVITES 22-23 ANNOUNCEMENT 24 BIA PRESENTATION 25 PONCA TRIBE HEAD START PONCA POWWOW ADS 26 AMERICAN INDIAN EXPOSITION 27 ZUMBA CLASSES 28 DIABETES HEALTH FLYER 29 PONCA TRIBE FDPIR 30 NEWSLETTER FORM 31 PONCA CUSTOM T’S 32 Page 2 JULY NEWSLETTER VOLUME 2, ISSUE 9 Page 3 WILL BE TRANSPORTING FREE RIDE TO NATIONAL NATIVE AMERICAN VETERANS MEMORIAL EVENT. THEY ARE SEEK- ING NATIVE AMERICAN VETERANS TO ATTEND FOR INPUT ON THE DESIGN FOR THE MEMORIAL WALL IN WASHINGTON, D.C. (10 SEATS ARE LIMITED) LOCATION: JULY 19TH TUESDAY 2016 DEPARTURE WILL BE FROM TRIBAL AFFAIRS @ 10:00 AM RETURN BY 4:30 PM CALL TRANSIT 580-763-0139 RESERVE SEATING WILL BE TRANSPORTING FREE RIDE TO NATIONAL NATIVE AMERICAN VETERANS MEMORIAL EVENT. THEY ARE SEEK- ING NATIVE AMERICAN VETERANS TO ATTEND FOR INPUT ON THE DESIGN FOR THE MEMORIAL WALL IN WASHINGTON, D.C. (10 SEATS ARE LIMITED) LOCATION: JULY 21ST, THURSDAY 2016 DEPARTURE WILL BE FROM TRIBAL AFFAIRS @ -
2020 Dixie Fellowship Guidelines Section SR-5, Order of the Arrow
2020 Dixie Fellowship Guidelines Section SR-5, Order of the Arrow Revised 1/15/2020 Section Officers Hunter Hackett Robert Bolton William Webb Section Chief Section Vice Chief Section Secretary Coordinators Joshua Kirchner Service Lodge Coordinator Chandler Hackett Zach Kontenakos Special Events Coordinator Administration Coordinator Tommy Kepley Alex Barton Shows Coordinator American Indian Events Coordinator Patrick Bailey Shea Lighton OA High Adventure Program Coordinator Trent Kokay Blake Parker Section Promotions Training Coordinator Cole Taylor Josh Morrow Associate Coordinator Ceremony Events Coordinator Letter from the Chief Dear Key Three members: We wish for the Dixie Fellowship to continue to be the best conclave in America as it celebrates its 68th anniversary. Due to the great amount of time and energy it has taken to prepare this document, we ask that you review it very carefully. This information will also be available online at www.sr5.org. Once again, thank you so much for everything you do to serve your lodge and thus make our Section stronger. I look forward to serving with all of you in the year ahead to prepare for the best Dixie Fellowship yet! In Service and Brotherhood, Hunter Hackett | SR-5 Section Chief Robert Bolton, Jr. | SR-5 Section Vice Chief William Webb | SR-5 Section Secretary 2020 Dixie Fellowship SR-5 Section Conclave April 24-26, 2020 Atta Kulla Kulla Lodge 185 Blue Ridge Council Camp Old Indian Guidelines Contents Contents…………………………………………… 5 SR-5 Officers and Advisers………………………. 8 Dixie Rotation Schedule…………………………. 9 Dixie Deadlines/Calendar………………………. 10 I.Serivce Lodge…………………………………… 11 A. Code of Conduct B. General Information C. -
Pow Wow Program
The Kathryn M. Buder Center for American Indian Studies promotes preparation of professionals to assume leadership positions in social services and governmental institutions dedicated to improving the lives of American Indians. Scholarships The Brown School has one of the largest social work financial aid programs in the country including scholarships, loans, and work-study programs. The Kathryn M. Buder Charitable Foundation offers full scholarships to American Indian/Alaska Native students who plan to practice social work in American Indian communities. These scholarships provide tuition, monthly stipends, professional development opportunities, and books for two years of full-time study. The Brown School’s Center for Social Development provides a Buder Doctoral Fellowship. This fellowship is awarded to an outstanding doctoral student with expressed interest in American Indian studies and social work. 2015 Pow Wow Agenda A Special Thank You! The Pow Wow Committee would like to take a moment to express our gratitude to 10:00 am Contest Registration Opens the people who helped make our Pow Wow a success. We appreciate their time, Vendor Booths Open donations, inancial assistance, and attention. 11:00 am Gourd Dancing Dean Edward F. Lawlor Kemper Art Museum 12:00 ‐ 4:00 pm Grand Entry Angela Gilbreath Metro St. Louis American Indian Student Association Music Department Flag Song Art History & Archeology Performing Arts Department Veteran Song Department Kathryn M. Buder Charitable Victory Song (Post Colors) Biology Department Foundation Center for Diversity Inclusion Faculty, Staff, and Students of the Invocation Center for Humanities Brown School Introductions Diversity Awareness Partnership Washington University in St. Louis East Asian Languages & Cultures St. -
The American Indian Movement, the Trail of Broken Treaties, and the Politics of Media
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 7-2009 Framing Red Power: The American Indian Movement, the Trail of Broken Treaties, and the Politics of Media Jason A. Heppler Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the History Commons Heppler, Jason A., "Framing Red Power: The American Indian Movement, the Trail of Broken Treaties, and the Politics of Media" (2009). Dissertations, Theses, & Student Research, Department of History. 21. https://digitalcommons.unl.edu/historydiss/21 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. FRAMING RED POWER: THE AMERICAN INDIAN MOVEMENT, THE TRAIL OF BROKEN TREATIES, AND THE POLITICS OF MEDIA By Jason A. Heppler A Thesis Presented to the Faculty The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: History Under the Supervision of Professor John R. Wunder Lincoln, Nebraska July 2009 2 FRAMING RED POWER: THE AMERICAN INDIAN MOVEMENT, THE TRAIL OF BROKEN TREATIES, AND THE POLITICS OF MEDIA Jason A. Heppler, M.A. University of Nebraska, 2009 Adviser: John R. Wunder This study explores the relationship between the American Indian Movement (AIM), national newspaper and television media, and the Trail of Broken Treaties caravan in November 1972 and the way media framed, or interpreted, AIM's motivations and objectives. -
Seven Generations of Native American Activism Both Locally and Nationally
Teacher Guide (Grades 6-12) ABOUT THIS GUIDE This guide features posters and documents from the exhibition that were created during the 1970s and 80s. They were created by different individuals and organizations to raise awareness about issues impacting Native American populations including relocation, resource extraction and pollution, police brutality, and colonialism. These primary sources can be a springboard for understanding seven generations of Native American activism both locally and nationally. Find the exhibition online at https://www.cabq.gov/ culturalservices/albuquerque-museum/seven-generations-of-red-power-in-new-mexico. Standards Covered in this Guide CCSS.ELA-LITERACY.RH.6-8.1, CCSS.ELA-LITERACY.RH.6-8.2, CCSS.ELA-LITERACY.RH.6-8.7, CCSS.ELA-LITERACY.RH.9-10.1, CCSS.ELA-LITERACY.RH.9-10.2, CCSS.ELA-LITERACY.RH.9-10.7, CCSS.ELA-LITERACY.RH.9-10.8, CCSS.ELA-LITERACY.RH.11-12.1, CCSS.ELA-LITERACY.RH.11-12.2, CCSS.ELA-LITERACY.RH.11-12.7, CCSS.ELA-LITERACY.RH.11-12.8 TABLE OF CONTENTS Teacher Background 3 Lesson: Resistance and Resilience 7 About the Posters 8 2000 Mountain Road NW (in Old Town) 505-243-7255 or 311 • Relay NM or 711 Open Tuesday – Sunday 9 a.m. – 5 p.m. 2 TEACHER BACKGROUND I. Generations Past Nation grew over time to become one of the most populous tribal nations situated within the United Many Native societies use the concept of seven States. Today their existence and livelihoods are again generations to think about history and change. To know threatened by the COVID-19 pandemic, a situation where you are, where you’ve been, and to know where compounded by lack of access to clean water and you’re going, you must consider three generations in electricity and air pollution from resource extraction. -
Your Guide to Understanding and Enjoying Powvwows
Indian Education for All Your Guide to Understanding and Enjoying Pow Wows Thanks to: Murton McCluskey, Ed.D. Revised January 2009 TABLE OF CONTENTS Introduction ...................................................................... 1 History of the Pow Wow ............................................... 2-3 The Pow Wow Committee ............................................ 4 Head Staff ............................................................. 4 Judges and Scoring................................................ 4-6 Contest Rules and Regulations ................................... 7 Singers..................................................................... 7 Dancers................................................................... 8 The Grand Entry................................................... 8 Pow Wow Participants.......................................... 9 The Announcer(s) ................................................ 9 Arena Director....................................................... 9 Head Dancers......................................................... 9 The Drum, Songs and Singers..................................... 10 The Drum...............................................................10 Singing..................................................................... 10-11 The Flag Song........................................................ 12 The Honor Song.................................................... 12 The Trick Song.......................................................12 Dances and Dancers....................................................... -
4.0 a Guide to Warrior Suits 4.1 the Basic Feather Costume
4.0 A GUIDE TO WARRIOR SUITS Here follows a broad outline of the various warrior suits that were known to be associated with the Aztecs. It should be noted that all of these showy feather suits were available to the noblemen only, and could never be worn by the common man. The prime source of information for the following chapter is from the tribute lists in the Codex Mendoza and the Matricula de Tributos, the suit and banner lists in the Primeros Memoriales plus some commentary in Duran's Book of the Gods, History of the Indies and some of the Florentine Codex. The first two give clear examples of many different types of war suits, as well as a defined list of warrior and priest suits with their associated rank. Unfortunately they do not show all the suit types possible, nor do they explain what several of the suit types sent in tribute were for. Trying to mesh these sources is not neat, and some interpretation is required. While Chapter 3 examined the tribute from various provinces on a province by province basis, this chapter concentrates only on the warrior suit types as individual topics. The Mendoza Noble Warrior List (Section 4.2) and Priest Warrior List (Section 4.3) are further expanded upon with information from the tribute lists and then any other primary sources with relevant information or images. These lists are then followed up by a list of suit types not covered by either of these two lists (Section 4.4.) This section of the documentation does not cover the organisational or ranking levels of the suits except as a method for listing the suits for discussion. -
Visitors Guide
VISITORS GUIDE 2015 Visitors Guide www.VisitOmaha.comVisitOmaha.com 1 9443UBCChamberAd_final.pdf 1 11/24/14 4:05 PM 2 VisitOmaha.com 2015 Visitors Guide Face-to-face with OMAHA’S HISTORY! Where GENERATIONS CONNECT 801 S 10TH ST, OMAHA, NEBRASKA 68108 402-444-5071 | DURHAMMUSEUM.ORG 2015 Visitors Guide VisitOmaha.com 3 SAVE UP TO 65% ON OVER 70 BRANDS REMARKABLE HOSPITALITY. INCREDIBLE CUISINE. LOCAL PASSION. BANANA REPUBLIC FACTORY STORE MICHAEL KORS REMARKABLE HOSPITALITY. COACH OUTLET J.CREW FACTORY GAP FACTORY STORE UNDER ARMOUR NIKE FACTORY STORE KATE SPADE INCREDIBLE CUISINE. LOCAL PASSION. LOVE THE BRANDS SHARE PRIVATE DINING ACCOMMODATIONS FOR UP TO 70 THE V ALUES LUNCH & DINNER • HAPPY HOUR • LIVE MUSIC NIGHTLY PRIVATE DINING ACCOMMODATIONS FOR UP TO 70 PRIVATEHAND-CUT DINING AGED ACCOMMODATIONS STEAKS • FRESH FORSEAFOOD UP TO 70 LUNCHLUNCH && DINNERDINNER •• HAPPY HOUR • LIVELIVE MUSICMUSIC NIGHTLYNIGHTLY HAND-CUT AGED STEAKS •• FRESHFRESH SEAFOODSEAFOOD 222 S. 15th Street, Omaha, NE 68102 RESERVATIONS 402.342.0077 [email protected] VALUES OF THE HEARTLAND WWW . SULLIVANSSTEAKHOUSE . COM 222 S. 15th Street, Omaha, NE 68102 DOWNLOAD THE NEX OUTLETS RESERVATIONS 402.342.0077 APP FOR EXCLUSIVE COUPONS [email protected] AND FLASH SALES. WWW . SULLIVANSSTEAKHOUSE . COM 21209 N ebraska Crossing D r., Gretna, NE 68028 | 402.332.5650 NEXOutlets.com Located between Omaha and Lincoln, I-80 at Exit 432 4 VisitOmaha.com 2015 Visitors Guide 49594_NEX_OmahaCVB_6x10c.indd 1 11/5/14 4:18 PM SAVE UP TO 65% ON OVER 70 BRANDS BANANA REPUBLIC FACTORY STORE MICHAEL KORS COACH OUTLET J.CREW FACTORY GAP FACTORY STORE UNDER ARMOUR NIKE FACTORY STORE KATE SPADE LOVE THE BRANDS SHARE THE V ALUES VALUES OF THE HEARTLAND DOWNLOAD THE NEX OUTLETS APP FOR EXCLUSIVE COUPONS AND FLASH SALES. -
HUNGRY GHOSTS: PONCA GIRLS in TWO WORLDS by ANN
HUNGRY GHOSTS: PONCA GIRLS IN TWO WORLDS By ANN MARIE WASILEWSKI Bachelor of Arts Augusta College Augusta, Georgia 1969 Master of Education University of Georgia Athens, Georgia 1976 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF EDUCATION July, 2004 COPYRIGHT By Ann Marie Wasilewski July, 2004 ii HUNGRY GHOSTS: PONCA GIRLS IN TWO WORLDS Thesis Approved: Pamela U. Brown Thesis Advisor Pamela Fry Gary J. Conti Katye M. Perry Dr. Al Carlozzi Dean of the Graduate College ii Dedicated to my mother and father. Catherine Howard Wasilewski Walter John Wasilewski iii ACKNOWLEDGEMENTS First, I want to express my deep gratitude to my dissertation advisor, Dr. Pam Brown, for her extreme patience, constructive guidance, and gentle encouragement. Your kind words were a balm to my soul as I struggled through this process. Second, I want to thank my committee members, Dr. Gary Conti, Dr. Pamela Fry, and Dr. Katye Perry. I am so appreciative of the time you spent reading my dissertation and for the suggestions you made to improve it. Third, I want to acknowledge two former members of my committee, Dr. Natalie Adams and Dr. Pamela Bettis, who moved on to different universities. Without your interest, guidance, and assistance I would not have made it this far. Fourth, I thank the Ponca girls and the members of the Ponca community who shared their thoughts and culture with me. It was a tremendous education. I also want to thank my Bahá’i friends, Nancy and Jim Schear, for their encouragement and the hours they spent with me at their dining room table going over my drafts. -
Grade 4 LIVE Arts with Terrance Littletent: Aboriginal Dance
Strand: Dance Level: Grade 4 Content: 45 minute broadcast + Grade 4 LIVE Arts with Terrance hands-on activity Littletent: Aboriginal Dance Terrance Littletent, Grass Dancer and world renowned Hoop Dancer, will lead students through Grass Dance steps and movements. Terrance will engage students through storytelling, demonstrations, and student practice. Students will learn about the evolution of Grass Dancing from historical to contemporary, and gain skill and knowledge in basic traditional and contemporary Grass Dance steps and movements. Both girls and boys will be encouraged to personalize their movements as every Pow Wow Dancer does. The main objectives are to learn timing and rhythm, how to move with the beat of the drum, and how to showcase space and symmetry with the body. Students with previous experience in Aboriginal Dance may choose to focus on their style of choice, such as jingle dress style or fancy dance style. Terrance's Hoop Dancing will also be showcased with a performance! As a dancer from Saskatchewan, Terrance will share how his dances are specific to the First Nations people of our province. This program is suited not only for Arts Education but Physical Education as well. Please see page 2 for a Pre-Broadcast Activity, and pages 6-18 for a selection of Teacher Guided Post-Broadcast Activities. These activities will give students the opportunity to apply what they have learned during the broadcast and to further their learning. About the Artist Curriculum Aims & Goals Terrance Littletent is a member of the Kawacatoose Creative/Productive: Cree Nation and was born and raised in Regina. -
Master's Thesis Template
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SETTLER COLONIALISM ON THE SOUTHERN PLAINS: SQUATTERS AND THE CONSTRUCTION OF A SETTLER STATE IN INDIAN TERRITORY A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By JOHN TRUDEN Norman, Oklahoma 2018 SETTLER COLONIALISM ON THE SOUTHERN PLAINS: SQUATTERS AND THE CONSTRUCTION OF A SETTLER STATE IN INDIAN TERRITORY A THESIS APPROVED FOR THE DEPARTMENT OF HISTORY BY ______________________________ Dr. Gary Anderson, Chair ______________________________ Dr. Bala Saho ______________________________ Dr. David Wrobel © Copyright by JOHN TRUDEN 2018 All Rights Reserved. Acknowledgements I would like to thank Gary Anderson for chairing my committee, as well as Bala Saho and David Wrobel for being part of that committee. I would also like to thank Anne Hyde for her encouragement and editing prowess. Although David La Vere and Kathleen Brosnan were not directly involved in this thesis, my interactions with them greatly improved my ability to sort out and clarify my thoughts. I would also like to thank the staff at the University of Oklahoma Libraries, Jackie Reese, Laurie Scrivener and the student workers at the Western History Collections, the overworked and underpaid archivists at the Oklahoma Historical Society and Gary Anderson for copying the Subject File 111 at the National Archives at Washington, D.C. I wish to thank the University of Oklahoma History Department as well as the Phi Alpha Theta National History Honor Society for the research grants I received to assist this project. I would like to thank my church community, City Presbyterian Church. -
Early American Civilizations Maya, Aztec, and Inca Reader Core Knowledge Language Arts® Knowledge Core
Unit 2 Early American Civilizations Maya, Aztec, and Inca Reader Core Knowledge Language Arts® Knowledge Core GRADE 5 GRADE Unit 2 Early American Civilizations Maya, Aztec, and Inca Reader GRADE 5 Core Knowledge Language Arts® Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License. You are free: to Share — to copy, distribute and transmit the work to Remix — to adapt the work Under the following conditions: Attribution — You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation made available through licensing under a Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial — You may not use this work for commercial purposes. Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: http://creativecommons.org/licenses/by- nc-sa/3.0/ ISBN: 978-1-61700-133-8 Copyright © 2014 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge Language Arts is a trademark of the Core Knowledge Foundation. Trademarks and trade names are shown in this book strictly for illustrative and educational purposes and are the property of their respective owners.