DOCSLIB.ORG

June 2011 Tribal Newsletter Single Pages.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

JUNE 2011 In this issue : 2011 Pow Wow Schedule Chairman’s Corner 2 Pow-Wow Gate Hours: Veteran’s song June 17 – 23, 2011 8:00am to 10:00pm Closing song for the evening Departmental News 3 June 24 – July 11, 2011 Open 24 /7 AFTER HOURS Tornado Response 3 Camper Registration – Conference Room Registration for all stomp dance leaders and shell shakers June 30th and July 1st, 2011 8:00am-4:30pm Stomp dance contest Research Project 4 July 2nd , 2011 at 8:00am SUNDAY- JULY 3RD, 2011 Miami School Event 4 FRIDAY - JULY 1, 2011 7:00 am Pow-Wow ground morning fl ag rising 7:00 am Pow-Wow ground morning fl ag rising At or around 9:00 am Registered Camper Rations. Contact Info 4 2:00 - 5:00 pm Gourd dancing and specials EVENING ACTIVITIES 5:00 - 6:00 pm Break for supper Campaign Letters 5-8 6:30 pm Dancers registration to be opened 7:00 pm Gourd Dance EVENING ACTIVITIES College Countdown 8 8:00 pm Opening Prayers 7:00 pm Gourd dancing and specials 8:15 pm Grand Entry and Registration closed 8:15 pm Grand entry New TAG Hours 9 Flag Song Opening prayer and fl ag song Quapaw Memorial Song Round dancing Business Committee 6-14 Round Dance Introduction of head staff and princess Minutes Welcome by the Tribal Business Inter-tribal Committee Chairman Notice of Candidacy 11 Introduction of Head Staff CONTEST TO BE HELD TONIGHT: Introduction of Tribal Princess Golden age women combined (55 +) Goodeagle Lawsuit 14 Crowning of 2011 Pow-Wow Princess Golden age men combined (55+) Inter-Tribal Dancing Teen jingle 13 – 19 Am I Covered? 14 Teen grass 13 – 19 CONTEST TO BE HELD TONIGHT: Teen traditional 13 – 19 Grand Lake Study 15 Tiny tots contest Women’s jingle 20 – 54 Jr. Boys grass dance 7 - 12 SPECIAL EXHIBITION AND DANCE – CHICKEN DANCE Drop Off Drugs 15 Jr. Girls buckskin 7 - 12 CONTEST Jr. Boys traditional 7 - 12 Blanket dance for all to come and dance Quapaw in Iraq 16 Jr. Fancy shawl 7 - 12 Inter-tribal Jr. Girls jingle 7 - 12 Two step Author at Library 16 Blanket dance for all to come and dance Exhibition dances (all categories) Inter-tribal dancing Veteran’s song Quapaw Graduate 16 Two step Closing song for the evening Exhibition dances (all categories) Calendar of Events 16 Veteran’s song AFTER HOURS Closing song Registration for all 49 contests - 49 CONTESTS IN THE ARENA Auditors Report 17 AFTER HOURS - JUST HAVING FUN STOMP DANCING MONDAY 4TH OF JULY, 2011 2012 Budget 17 7:00 am Pow-Wow ground morning fl ag rising SATURDAY - JULY 2, 2011 2:00 - 5:00 pm Gourd dancing and specials Numbers to Know 17 7:00 am Pow-Wow ground morning fl ag rising 5:00 - 6:00 pm Break for supper At or around 9:00 am Registered Camper Rations. New Website 18 EVENING ACTIVITIES AFTERNOON ACTIVITIES 7:30 pm Gourd dancing and specials Recycling Survey 18 2:00 - 5:00 pm Gourd dancing and specials 8:15pm Grand entry 5:00 - 6:00 pm Break for supper Opening prayer and fl ag song Round dance EVENING ACTIVITIES Introduction of head staff 7:00 pm Gourd Dancing and Specials Inter-tribal dancing and contests to be held tonight: 8:15 pm Grand Entry and Registration closed Women’s cloth (20 – 54) Opening Prayer and Flag Song Women’s buckskin (20 – 54) Round Dancing Women’s jingle (20 – 54) Introduction of Head Staff Men’s straight (20 – 54) Inter-Tribal Dancing Men’s grass (20 – 54) Quapaw Tribe Men’s traditional (20 – 54) PO Box 765 CONTEST TO BE HELD TONIGHT: Men’s fancy (20 – 54) Quapaw, OK 74363 Jr. Boys straight 7 - 12 Blank dance for all to come and dance Jr. Girls cloth 7 - 12 Inter-tribal (918) 542-1853 Jr. Fancy dance 7 - 12 Committee’s song (888) 642-4724 Teen girls cloth 13 - 19 Presentation of awards Teen fancy shawl 13 - 19 Exhibition song for winners Fax: (918) 540-2885 Teen girls buckskin 13 - 19 Closing remarks www.quapawtribe.com Teen boys straight 13 - 19 Veteran’s song Teen fancy dance 13 - 19 Closing song Blanket dance for all to come and dance Closing prayer Snake dance & buff alo dance Inter-trial For up-to-date Pow Wow information check out Two step www.quapawtribe.com/powwow! Exhibition dances (all categories) PERMIT NO. 2146 NO. PERMIT QUAPAW, OK 74363 OK QUAPAW, TULSA, OK TULSA, PAID PO BOX 765 BOX PO US POSTAGE US QUAPAW TRIBE OF OKLAHOMA OF TRIBE QUAPAW NONPROFIT ORG NONPROFIT QUAPAW INFORMATION SYSTEMS INFORMATION QUAPAW PAGE 2 JUNE 2011 Chairman’s Corner Ha-Way O-Gah-Pah, are too diffi cult to describe. I am proud of how our employees and members have stepped up to help. We have been able to make a huge I hope everyone is doing well. impact on those who have suff ered, and at the same time we have We had a very short spring become closer with local Joplin community. We have fed thousands of and suddenly it is summer meals to fi rst responders, search and rescue, and others participating and time to prepare for the in the tornado response. O-Gah-Pah Pow-Wow. We have also had hundreds of responders staying on rollaway beds What a year we have had, in the meeting rooms at Downstream Casino Resort and we have 20 tremendous growth in our rooms set aside for the American Red Cross. tribe and with our businesses. We have had insurance for On June 5th we had a community wide event at the Downstream every member that has saved Casino Venue a benefi t concert with all the proceeds going directly thousands of dollars and it has to those who have suff ered. I am absolutely amazed with our Tribal truly helped our people. It is members, employees, and friends; they have truly stepped up to help. so gratifying to know that we have come so far in the last It is always sad and exciting this time of year as we prepare for the Pow- ten years. It has really been a Wow. We refl ect back and we think about all of the members who have great run and I am so excited about the next ten years. passed. It is very hard because those people we have lost are so much a part of who we are. When the memorial song is sung at the Pow-Wow Our “elder housing” is going full speed; we are building eleven very we have the chance to stop and remember all those great people who nice duplexes. Th ey will have a tornado safe room in each, and the are missing. Th e bright side is we have many young children who are rent will be based on a person’s income so we can provide a safe and new to our family and the future we are building will begin to satisfy clean home for the people we love so much. Th e duplexes will be right the prayers of those who have passed and will give the new generations next door to our title six and museum buildings that will create a great something that will give them a little bit more. complex of Quapaw history. Th e future is very bright for the Quapaw and I am very proud of being We have experienced a very diffi cult late spring with the devastating part of the team that is building this great future. We have tribal wide Joplin tornado that has aff ected so many of our tribal members, insurance, we have senior housing being developed and we have a new employees, and friends. Th e damage is unbelievable and the hardships scholarship program we are working on that will help benefi t the many young Quapaw who are getting college or trade school educations. Finally I am very excited that we have decided to pursue a refi nance of the debt at Downstream Casino Resort. Over the next few weeks we are going to Wall Street to see if we can reduce our interest rate and save the Tribe Millions of dollars and change the Tribal payment from $6 Million a year to $10 million a year. Th e Downstream Development Authority (DDA) is working hard to increase revenues and protect the Tribes Sovereignty. Th e importance of the DDA is that if there are ever any problems with Downstream, we of course do not expect any; the Tribe is protected because it is the DDA that liable for any recourse. So it is full speed ahead and I look forward to seeing many of you on the 4th of July and with your trust and support our dedicated Business Committee will continue to do its very best. JUNE 2011 PAGE 3 Departmental News Tribe Responds to Tornado Disaster Th e day to day business of the Quapaw Tribe is handled by a number of On Sunday, May departments that each specialize in handling diff erent aspects of tribal 22, 2011 the lives business. In this column we will spot-light diff erent departments to help of many of our to explain to the members of the Quapaw Tribe who each department friends, neighbors works. Our fi rst department is: and employees were turned upside down Th e Quapaw Tribal Housing Department when an E5 tornado slammed into Joplin Th e Quapaw Tribe Housing MO. Th ough the Department runs two programs that tornado produced are funded through IHBG Grants massive destruction, from HUD.
Recommended publications
  • Pow Wow Program

    Pow Wow Program

    The Kathryn M. Buder Center for American Indian Studies promotes preparation of professionals to assume leadership positions in social services and governmental institutions dedicated to improving the lives of American Indians. Scholarships The Brown School has one of the largest social work financial aid programs in the country including scholarships, loans, and work-study programs. The Kathryn M. Buder Charitable Foundation offers full scholarships to American Indian/Alaska Native students who plan to practice social work in American Indian communities. These scholarships provide tuition, monthly stipends, professional development opportunities, and books for two years of full-time study. The Brown School’s Center for Social Development provides a Buder Doctoral Fellowship. This fellowship is awarded to an outstanding doctoral student with expressed interest in American Indian studies and social work. 2015 Pow Wow Agenda A Special Thank You! The Pow Wow Committee would like to take a moment to express our gratitude to 10:00 am Contest Registration Opens the people who helped make our Pow Wow a success. We appreciate their time, Vendor Booths Open donations, inancial assistance, and attention. 11:00 am Gourd Dancing Dean Edward F. Lawlor Kemper Art Museum 12:00 ‐ 4:00 pm Grand Entry Angela Gilbreath Metro St. Louis American Indian Student Association Music Department Flag Song Art History & Archeology Performing Arts Department Veteran Song Department Kathryn M. Buder Charitable Victory Song (Post Colors) Biology Department Foundation Center for Diversity Inclusion Faculty, Staff, and Students of the Invocation Center for Humanities Brown School Introductions Diversity Awareness Partnership Washington University in St. Louis East Asian Languages & Cultures St.
  • University of Oklahoma Libraries Western History Collections Indians

    University of Oklahoma Libraries Western History Collections Indians

    University of Oklahoma Libraries Western History Collections Indians for Indians Collection Indians for Indians was a radio program that aired on WNAD, the University of Oklahoma’s radio station. The program began in April 1941, and aired from 1:00pm to 1:30pm on Tuesdays. It was a 30-minute broadcast until 1951, when it expanded to a full hour. The program presented Oklahoma Indian music, the latest Indian news, and announcements about local events including powwows. Indians for Indians was created by Sac and Fox chief, Don Whistler, who served as emcee from 1941 to 1951. The Indians for Indians Collection contains 125 reel-to-reel tapes, all recorded from the 1940s through the 1970s. The collection records over 100 hours of original Indian music by individuals and groups from many different tribes. Whistler invited selected tribal members to Norman and recorded their live performances. These broadcasts contain ceremonial, social, and religious songs and music of Apache, Comanche, Cheyenne, Arapaho, Kiowa, Creek, Seminole, Sac and Fox, Shawnee, Caddo, Pawnee, Osage, Ponca, Otoe, Iowa, Wichita, Sioux, Hopi, Cherokee Indians and other tribes. The programs were originally recorded on discs with some later re- recorded on reel-to-reel tapes. Each tape contains recordings of several broadcasts and some may contain only the performance portions of a program. ****************************************************************************** The earliest Indians for Indians original discs (1943-1950) were given to the Library of Congress for permanent preservation in 1987. They are located at the American Folklife Center of the Library of Congress. This is the citation for their IFI Collection: Title: Indians for Indians Hour Collection Description: One hundred twenty-one discs of the radio program, "Indians for Indians Hour," hosted by Don Whistler.
  • Kiowa Powwows: Tribal Identity Through the Continuity of the Gourd Dance

    Kiowa Powwows: Tribal Identity Through the Continuity of the Gourd Dance

    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Research: A Journal of Natural and Social Sciences Great Plains Studies, Center for August 1994 Kiowa Powwows: Tribal Identity Through the Continuity of the Gourd Dance Benjamin R. Kracht Northeastern State University, Tahlequah, OK Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsresearch Part of the Other International and Area Studies Commons Kracht, Benjamin R., "Kiowa Powwows: Tribal Identity Through the Continuity of the Gourd Dance" (1994). Great Plains Research: A Journal of Natural and Social Sciences. 234. https://digitalcommons.unl.edu/greatplainsresearch/234 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Research: A Journal of Natural and Social Sciences by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Great Plains Research 4 (August 1994) 257-269 © Copyright by the Center for Great Plains Studies KIOWA POWWOWS: TRIBAL IDENTITY THROUGH THE CONTINUITY OF THE GOURD DANCE Benjamin R. Kracht Geography/Sociology Northeastern State University Tahlequah, OK 74464 Abstract. Today, intertribalparticipants at Southern Plains powwows (Okla­ homa and Texas) celebrate common history and culture-their sense of "Indianness"-through the enactment of ceremonial song and dance. The Kiowa playa central and assertive role in the Southern Plains powwow network. and they use the Gourd Dance as the vehicle to identify their "Kiowaness." The thesis ofthis paper is that the Kiowa continue to maintain their tribal identity through performances of the Gourd Dance.
  • Finding a Place for Cacega Ayuwipi Within the Structure of American Indian Music And

    Finding a Place for Cacega Ayuwipi Within the Structure of American Indian Music And

    Finding a Place for Cacega Ayuwipi within the Structure of American Indian Music and Dance Traditions by Adam Eric Berkowitz A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL May 2015 Copyright © 2015 by Adam Eric Berkowitz ii Acknowledgements The author would like to take this opportunity to recognize the efforts of all those who were involved in this project. Dr. James E. Cunningham introduced the author to this topic of research and has been the author’s most prominent advocate for the duration of the study. Appreciation is also due to the other committee members, Aaron Kula and Dr. Ken Keaton, for their time dedicated to the project. In addition Aaron Kula and Dr. Cliff Sutton were heavily involved in the attempted performance of Cacega Ayuwipi, and the author is grateful for their efforts. The author is also thankful for Louis A. Ballard’s involvement without whom this project would not have been possible. In addition, the author would like to thank all of those who took the time to interview with him. Louis A. Ballard, Charles C. Ballard, Edward Wapp, Michael Udow, William Dunning, and Lydia Talache have provided valuable information which brought new insight to the life of Louis W. Ballard and the performance of Cacega Ayuwipi. The author would like to thank Dr. Sandra McClain for being his advisor, mentor, and one of his strongest supporters throughout his studies at Florida Atlantic University.
  • Saint Kateri Tekakwitha HONOR DANCE Saint Kateri Tekakwitha the Catholic Foundation of Oklahoma HONOR DANCE Celebrates St

    Saint Kateri Tekakwitha HONOR DANCE Saint Kateri Tekakwitha the Catholic Foundation of Oklahoma HONOR DANCE Celebrates St

    Saint Kateri Tekakwitha HONOR DANCE Saint Kateri Tekakwitha The Catholic Foundation of Oklahoma HONOR DANCE Celebrates St. Kateri! July 6 Saint John Nepomuk You can leave a legacy of faith for future generations Catholic Church with a permanent endowment for a parish, school Yukon or other ministry through the Catholic Foundation of Oklahoma. Call (405) 721-4115, or go online to www.cfook.org SCHEDULE for more information. Mass: Noon Gourd Dance: 2 p.m. - 4:30 p.m. Princess crowning: 4:30 p.m. The Catholic Foundation of Oklahoma Supper break: 5 p.m. - 6 p.m. 7501 Northwest Expressway Grand Entry: 6 p.m. Oklahoma City, OK 73132 Relic veneration: 1 p.m. - 9 p.m. (405) 721-4115 www.cfook.org St. Kateri Tekakwitha Welcome HONOR DANCE Dear Brothers and Sisters in HEAD STAFF Christ, Emcee: Cy Ahtone Head Singer/Drum: Leonard Cozad Jr. Welcome to the Saint Kateri Head Gourd Dancer: Michael Tsotaddle Tekakwitha Honor Dance! It is Head Man Dancer: John Big Horse with great joy that we celebrate Head Lady Dancer: Krystal Caesar the life and witness of this tru- Color Guard: Kiowa Women’s Color Guard ly American saint. Arena Director: T. Kerchi/T-Bone God has blessed the Church in Oklahoma with this oppor- CONTEST DIVISIONS tunity to share our faith and Tiny Tots diverse culture with the entire Sponsored by Ronald and Judith Hawes and community. The Law Offices of Pamela Kennedy Despite illness and hardship in her youth, Kateri felt Teen girls combined the call to conversion and missionary discipleship that Sponsored by the Schonchin Family has been an inspiration to native cultures in North America and for many others over the past 300 years.
  • Toward the Origins of Peyote Beadwork

    Toward the Origins of Peyote Beadwork

    TOWARD THE ORIGINS OF PEYOTE BEADWORK A THESIS IN Art History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Gerald R. Hubbell B.Sc., California State University, Sacramento, 1979 Kansas City, Missouri 2018 ©2018 GERALD R. HUBBELL ALL RIGHTS RESERVED THE ORIGIN OF PEYOTE BEADWORK Gerald R. Hubbell, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2018 ABSTRACT Peyote beadwork is a nuanced and elegant art form. Hundreds of thousands of people today use peyote beadwork, including the Native American Church, powwow people, gourd dancers and Native Americans wanting a marker of Native Identity. Mainstream society has relegated this art form to the status of craft. It is virtually unstudied in the academic world. This paper accepts that objects so decorated are art, that is, expressions that are a means of communication among humans, and both a sacred art as well as a means of establishing cultural identity. The lack of academic study has led to hypotheses about its origin that obscure rather than reveal how it began. This paper aims to describe when and by whom the beadwork began, as well as how it was first disseminated. iii APPROVAL PAGE The faculty listed below, appointed by the Dean of the College of Arts and Sciences, have examined a thesis titled “The Origin of Peyote Beadwork,” presented by Gerald Hubbell, candidate for the Master of Arts degree, and certify that in their opinion it is worthy of acceptance. Supervisory Committee Maude Southwell Wahlman, Ph.D., Committee Chair Dorothy and Dale Thompson Endowed Professor of Global Arts, Professor of Art and Art History, Department of Art History, UMKC Robert Prue, Ph.D.
  • 2018 Pow Wow Program.Pub

    2018 Pow Wow Program.Pub

    The Buder Center for American Indian Studies is a premier graduate program in Social Work. We are committed to preparing and supporting future American Indian leaders to practice in tribal and urban settings, making signiicant contributions to health, wellness, and the sustained future of Indian Country. 2018 Pow Wow Agenda A Special Thank You! The Pow Wow Committee would like to take a moment to express our gratitude to 10:00 am Doors Open the people who helped make our Pow Wow a success. We appreciate their time, donations, inancial assistance, and attention. Contest Registration Open 11:00 am Gourd Dancing American Indian Student Performing Arts Department Association Women, Gender, & Sexuality Studies 12:00 ‐ 4:00 pm Grand Entry Flag Song Art History and Archeology Department Department Veteran Song Kathryn M. Buder Charitable Center for Humanities Foundation Victory Song (Post Colors) Jewish, Islamic, Near Eastern Faculty, Staff, and Students of the Invocation Languages & Cultures Department Brown School Introductions East Asian Languages and Cultures Washington University in St. Louis Intertribal Dancing Program St. Louis Community Competition Dancing – Mechanical Engineering St. Louis American Indian Youth, Teen & Golden Age Categories Department Community 4:00 pm Dinner Break The Pow Wow Committee would like to thank those who donated to our 5:00 pm Gourd Dancing Annual Trivia Night’s Silent Auction: 6:00 ‐ 10:00 pm Grand Entry Beverly Bledsoe Repertory Theatre Flag Song Big Shark Bicycle Company River City Rascals Veteran Song Caroline Caligiuri Rockin Jump Victory Song (Post Colors) Float STL Schlaly The St. Louis Brewery Invocation Gateway Arch Shell Gateway Grizzlies St.
  • University of Oklahoma Graduate College

    University of Oklahoma Graduate College

    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE CLYDE WARRIOR’S “RED POWER”: A FRESH AIR OF NEW INDIAN IDEALISM A DISSERTATION SUBMITTED TO THE GRADUATE COLLEGE In partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By PAUL R. MCKENZIE-JONES Norman, Oklahoma 2012 CLYDE WARRIOR’S “RED POWER”: A FRESH AIR OF NEW INDIAN IDEALISM A DISSERTATION APPROVED FOR THE DEPARTMENT OF HISTORY BY ______________________________ Dr. R. Warren Metcalf, Chair ______________________________ Dr. Joe Watkins ______________________________ Dr. Albert Hurtado ______________________________ Dr. Benjamin Alpers ______________________________ Dr. Fay Yarbrough © Copyright by PAUL MCKENZIE-JONES 2012 All Rights Reserved. Dedicated to my wife Yvonne Tiger, our two children, Jordan and Lula, my three parents, Glyn, Carol (deceased) and Sue Jones, and my in-laws, Marcy and Sandy Tiger Acknowledgements It has been a long and convoluted journey, crossing two continents, to this dissertation. As such thanks are due to people in three countries. England, Scotland, and the United States. Four, if you wish to count Indian Country as a distinct region. Beginning in England, I owe a huge debt to Dr. Colin Harrison for authorizing my independent studies in American Indian history when my undergraduate degree offered no courses covering this material. Without this initial intellectual freedom, I doubt I would have continued the journey that led me to the University of Oklahoma. I also owe an equal debt to the American Studies Director, Joanna Price, for allowing me to eschew the numerous forms of critical theory thrown at me in favor of ‘close reading.’ Without close reading I think my academic career would have stopped with my BA.
  • Cultural Persistence in Plain Sight, 1898-Present

    Cultural Persistence in Plain Sight, 1898-Present

    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PUBLIC DISPLAYS OF INDIANNESS: CULTURAL PERSISTENCE IN PLAIN SIGHT, 1898-PRESENT A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By JOSH CLOUGH Norman, Oklahoma 2012 PUBLIC DISPLAYS OF INDIANNESS: CULTURAL PERSISTENCE IN PLAIN SIGHT, 1898-PRESENT A DISSERTATION APPROVED FOR THE GRADUATE COLLEGE BY ______________________________ Dr. Joe Watkins, Chair ______________________________ Dr. Paula Conlon ______________________________ Dr. Joshua Piker ______________________________ Dr. Gus Palmer, Jr. ______________________________ Dr. Mary Jo Watson © Copyright by JOSH CLOUGH 2012 All Rights Reserved. TABLE OF CONTENTS INTRODUCTION………………………………………………………..........1 CHAPTER ONE: Presenting Culture on an International Stage: The 1898 Omaha World’s Fair…………………………………………………………..16 CHAPTER TWO: An Assimilationist Policy Gone Awry: Perpetuating Culture at the Cheyenne-Arapaho Indians Fairs, 1910-1913…………............50 CHAPTER THREE: Presenting Ourselves: The Growth of the American Indian Exposition from a Local to a National Event, 1933-1937…………….86 CHAPTER FOUR: Beauty and Cultural Knowledge to Boot: The Miss Indian America Pageant and the Persistence of Native Identity……………………119 CHAPTER FIVE: Living Like It Was 1699: Recreating and Inhabiting an Ancient Cherokee Village in Tahlequah, Oklahoma, 1960-1985…………...141 CHAPTER SIX: Carrying the Torch for His People . Well, Almost: Amazing But True Tales of a Professional Indian Dancer………………….181
  • Powwows As an Arena for Pan-Indian Identity Formation

    Powwows As an Arena for Pan-Indian Identity Formation

    Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2002 Powwows as an Arena for Pan-Indian Identity Formation Megan L. MacDonald Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Comparative Methodologies and Theories Commons Recommended Citation MacDonald, Megan L., "Powwows as an Arena for Pan-Indian Identity Formation" (2002). Master's Theses. 3878. https://scholarworks.wmich.edu/masters_theses/3878 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. POWWOWS AS AN ARENA FOR PAN-INDIAN IDENTITY FORMATION by Megan L. MacDonald A Thesis Submitted to the Faculty of The Graduate College in partial fulfillmentof the requirements for the Degree of Master of Arts Department of Comparative Religion Western Michigan University Kalamazoo, Michigan August 2002 Copyright by Megan L. MacDonald August 2002 ACKNOWLEDGMENTS First, I would like to thank all American Indian veterans. Your leadership and participation in the powwow inspired me to conduct this study. You inspire many without saying any words. Second, I would like to thank my committee members, Dr. Brian Wilson, Dr. Carolyn Podruchny, and Dr. Nancy Falk. Without their support and insight, this project would have never come so far. They also deserve a special thank you for allowing me to study an aspect of religious studies that is not often addressed. There are also quite a few people who have entered my life that deserve thanks.
  • American Indian Dance: Steps to Cultural Preservation

    American Indian Dance: Steps to Cultural Preservation

    American Indian Dance: Steps to Cultural Preservation Barbara A. Hughes1 Abstract: Dance has been pivotal in providing American Indians with a method of cultural preservation, a religious connection, and a community function. Out of the traditional ceremonies of the past have grown the various styles of powwow dancing; other traditional ceremonies have been revived and are currently being practiced on the reservations. What follows is a discussion of the origins and modifications of some of those dances that have been resurrected and reformed to better suit the current lifestyle of American Indians. Pan-Indian powwows continue to gain popularity throughout this country, with powwow dancing being used as a cultural instructional tool by public schools in one large western city. Dance, in its many forms, continues to provide a cultural bridge for American Indians. Introduction the white population assisted in the perpetuation of the American Indian culture by their fascination with the Ceremonial music and dance have always been an Wild West shows of that era. Several of today’s integral part of the Plains Indian culture. The Sun powwow dances originated as a part of those shows. Dance, Gourd Dance, and Feather Dance are only a few Today, traditional tribal ceremonies are being practiced of the many dance ceremonies American Indians have on the reservations, while Pan-Indian celebrations, used to maintain harmony in their world. Before those which do not identify specifically with a Euroamericans arrived on the North American particular tribe, are maintaining the cultural lifeline for continent, the tribes practiced their religious rites and both rural and urban Indians.
  • Singing to the Spirits: Cultural and Spiritual Traditions Embodied in the Native American Gourd Dance

    Singing to the Spirits: Cultural and Spiritual Traditions Embodied in the Native American Gourd Dance

    Illinois Wesleyan University Digital Commons @ IWU Honors Projects Sociology and Anthropology Spring 4-2013 Singing to the Spirits: Cultural and Spiritual Traditions Embodied in the Native American Gourd Dance Alicia M. Gummess Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/socanth_honproj Part of the Social and Cultural Anthropology Commons Recommended Citation Gummess, Alicia M., "Singing to the Spirits: Cultural and Spiritual Traditions Embodied in the Native American Gourd Dance" (2013). Honors Projects. 44. https://digitalcommons.iwu.edu/socanth_honproj/44 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by Faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Singing to the Spirits: Cultural and Spiritual Traditions Embodied in the Native American Gourd Dance Honor’s Research Paper Anthropology Program, Department of Sociology & Anthropology Honor’s Committee: Rebecca Gearhart (Advisor), Adriana Ponce, Steve Press, Chuck Springwood Alicia Gummess April 2013 2 "Experiencing, conversing, and writing - this is the work of serious ethnography." Luke E. Lassiter, The Power of Kiowa Song Introduction In the history of the United States, few issues cause more controversy than the colonization of Native American land and culture at the expense of the indigenous peoples.