DOCSLIB.ORG

Nightspots #1086 • February 6, 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nightspots #1086 • February 6, 2013 nightspots #1086 • February 6, 2013 That Guy by Kirk Williamson Have yourselves a DILFy little Valentine’s Mellowing with age we are. Day. Our cover this week features a columnist we’d like to credit, Marc “Moose” Moder giving us classic class with his tufted heart-shaped box. It’s so full of love. Explore Moose’s love for DJ Tony Moran, as he interviews Tony in advance of his Freedom Revolution: Peace gig at Vision Nightclub, Sun., Feb. 17, part of Circuit Mom’s Presidents’ Day Weekend party extravaganza. Huge nerd ups to Danny Bernardo and his super successful launch of the Chicago Geeks Out! And DJ Moose is no slouch himself. Catch his party at Spin. Boys, girls, batmen, batwomen, grooves at the following joints: DILF (first Sat. and all across the nerdo spectrum came together of each month at The Sofo Tap); Wed@Wood for comic books and camaraderie. There was no (on Halsted and Buckingham); Mary’s Old Skool shortage of Super Mario-related paraphernalia, (second Fri. of each month at Mary’s Attic), like the one girls awesome fire flower earrings. and Downtown Lights at Downtown Bar and Want. Lounge (first and third Fri.). Follow all his goings- on on Twitter @endorsedornot or stalk him on Check out our bloated calendar, filled with our Facebook. pics for your Valentine’s Day, Presidents’ Day, Mardi Gras, and Grammy celebrations. As always, Check out me and my “brothers” at The check me out in my tighty whities (or baggy Hideaway. Back in the storied days of The bluies, as the case may be) at Jackhammer’s Nutbush, Mikey, Scottie and I all had a similar annual Mardi Gras undie-oke, brought to you by look (goatee, bearish, always jovial) so we Creaoke. Lettin’ it all hang out since 2004. decided we were triplets. Here’s our original family portrait from 2004 and our reunion shot. [email protected] MAIN COVER IMAGE DJ Marc “Moose” Moder nightspots Photo by Kirk #1086 • February 6, 2013 PUBLISHER DIRECTOR OF NEW MEDIA Tracy Baim Jean Albright ASSISTANT PUBLISHER OFFICE Terri Klinsky Ripley Caine MANAGING EDITOR PHOTOGraphY Kirk Williamson Mel Ferrand, Kat Fitzgerald, Kirk, Kizzy, ADVERTISING REPRESENTATIVES Anthony Meade, DJ Res-5, Jamie Anne Royce Terri Klinsky, Kirk Williamson, Amy Matheny, CAST OF CHARACTERS Christopher Cheuvront C.J., DJ Chester, Homer Marrs, AK Miller, Marc NATIONAL ADVERTISING REPRESENTATIVE “Moose”Moder, Jerry Nunn, Steven Toushin Rivendell Media 212-242-6863 Copyright 2013 Windy City Media Group/Lambda Publications Inc. All rights reserved. Reprint by permission only. Back issues available for $3 per issue (postage included). nightspots Return postage must accompany all manuscripts, drawings, and photographs submitted if they are to be returned, and no responsibility may be assumed for unsolicited materials. 5315 N. Clark St. #192, Chicago, IL 60640 All rights to letters, art and photos sent to Nightspots/Windy City Times will be treated as unconditionally assigned for publication purposes and as such, subject to editing and 773.871.7610, fax 773.871.7609 comment. The opinions expressed by the columnists, cartoonists, letter writers, and com- mentators are their own and do not necessarily reflect the position of Nightspots/Windy www.WindyCityMediaGroup.com City Times. Publication of the name, photograph, or likeness of a person or organization in articles or advertising in Nightspots/Windy City Times is not to be construed as any [email protected] indication of the sexual orientation of such person or organization. While we encourage readers to support the advertisers who make this newspaper possible, Nightspots/Windy City Times cannot accept responsibility for advertising claims. /nightspots End of an era :( Make sure to stop in and say your goodbyes. BUCKS Photos by Anthony Meade A super-duper-RuPer time at the RuPaul’s Drag Race premiere party. THE CALL Photos courtesy of The Call 8 nightspots February 6, 2013 DANCING ABOUT ARCHITECTURE by Marc “Moose” Moder MAKING ‘PEACE’ WITH DJ TONY MORAN For a good many of Circuit Mom’s younger fans across the country who come in for his Revolution events, Tony Moran is the gorgeous, talented DJ they all look forward to as an incredible live DJ, whipping dancers into a frenzy until the final beat. For those of us who’ve been longtime CM/TM fans or are just big music dorks, Tony Moran carries a huge amount of music history and stories within that never-aging noggin of his. I recently spoke with Tony about his upcoming Revolution: Peace gig on the brand new state-of-the- art system at Excalibur, his early history, and gigs with some of the worlds biggest vocalists. DJ Tony started out in his early days producing for the freestyle group The Cover Girls and scored a huge hit “Show Me,” all before he was even of drinking age. His success with his collaborators under the name Latin Rascals lead their own record contract, a gig on MTV and of course, his legendary remixes. He’s known for asking some of the biggest divas in the world to step back into the studio to re-record vocals for better mixes. He said tha all had a great work ethic, but wished he’d spent more time on Celine Dion: “(I) Just wished I had spent more time with her in the studio without video cameras and tons of executives in the room. She was great, but it left me longing to connect with her further. Someone Tony did connect with that left a lasting impression was the late great Donna Summer. “I was granted the opportunity to write and work with her on new music that would be an addition to her last greatest hits album. It can be called “subjective” by some, but I recorded “You’re So Beautiful” with her and we continued writing in Nashville, then at studios in New York on many occasions at my own private studio in Chelsea, New York. We absolutely had a connection and she wanted to sing TURN to page 25 10nightspots February 6, 2013 MY HEART IS BURSTING WITH LOVE FOR YOU HAPPY VALENTINE’S DAY Karaoke by Creagh TUES TUE - MARDI GRAS! WATCH FOR DATES WED Jackhammer Bistro After Dark 10pm-4am Scot’s Hideaway (773) 743-5772 Feb. 12 - 8pm-midnight (773) 525-2522 9:30pm-1:30am (773) 528-3253 (708) 488-9382 WED THU THU THU FRI Holiday Club Crew Four Farthings The Call Bobby Love’s 9:30pm-1:30am 9:30pm-1:30am 9:30pm-1:30am 7pm-11:30pm 9:30pm-1:30am (773) 348-9600 (773) 784-CREW (773) 935-2060 (773) 334-2525 (773) 525-1200 FRI FRI SAT SAT Hideaway Halsted Harp Coppolino’s Four Farthings 10pm-2:30am 9:30pm-1:30am 10:30pm-2:30am 9:30pm-1:30am (708) 488-9382 (773) 348-3665 (773) 735-8647 (773) 935-2060 SAT SUN SAT SUN - NEW NIGHT! SEE YOU IN SPRING Christina’s Hideaway Bobby Love’s Spin The Sofo Tap 10pm-2am 9pm-1am 9pm-Midnight 10pm-2am 8pm-Midnight (773) 463-1768 (708) 488-9382 (773) 525-1200 (773) 327-7711 (773) 784-7636 and get ready for Jackhammer’s Mardi Gras Undie-oke, Tue., Feb. 12! Now contact us at 773-720-7347 or [email protected] Join Creaoke on Facebook www.CreaokeKaraoke.net Geeks OUT! Hot gay nerds unite! SPIN Photos by Kirk Calling all queers! SCARLET Photos by Anthony Meade 12 nightspots February 6, 2013 DEEP TISSUE a touching new column by C.J. Having recently come out of a taxing long-term “Baby, you could set that table up right here and relationship I decided to spend much of my first right now. You know that’s what I need, a massage!” year as a masseur on the road. My maiden voyage lasted about six months, starting in New York City. I laughed uncomfortably, pushing my ID, ticket and Needless to say, I did not pack light. My check-in anything else she may need toward her to just let suitcase was large enough to carry ten pairs of me through. Finally she checked the table and the pants, twenty shirts, five pairs of shorts, six novels, suitcase and I was allowed to head to TSA and on to a blow dryer, one electric razor with attachments, my gate where I could relax, a good one hundred and enough toiletries to keep a family of Jennifer pounds lighter. Lopezes happy through a dry winter. I also had two carry-ons. The first was a carry-on version of When we arrived at JFK I ran for the baggage area the larger suitcase that housed four pairs of shoes; excited to get to my Midtown hotel. I was already all of my socks; and US Weekly, Vanity Fair and OK booked for the day and NYC is pricey. magazines. The two suitcases were complete with bands that snapped together forming an island. After I laboriously gathered my table and suitcase The second carry-on was my laptop. And it didn’t I headed toward the taxi ramp. I leaned the table stop there. against a column, stationed the suitcases then walked a few feet forward, laptop dangling from Quite a few travelling masseurs work on a bed so my shoulder while waiting my turn to hail a cab. as not to have to carry a table cross-country. To me I got one immediately. I hurriedly grabbed my that was just an invitation to offer or expect more suitcases, throwing them in the trunk, then hopped than a massage, so I decided to travel with a table in the back seat.
Load more

Recommended publications
  • Mrs. Chase Among Highest-Paid Prep School Heads; It’S About the Individual’S Safety.” 1968
    VISIT US ON THE WEB AT www.phillipian.net Volume CXXVIII, Number 24 Phillips Academy, Andover, Massachusetts January 6, 2006 SMOYERʼS $1M INTERNET SAFETY DONATION TO FIX CONCERNS PROMPT ATHLETIC FIELDS E-MAIL WARNING By EMMA WOOD By STEVE BLACKMAN The Andover Athletic and ALEXA REID Department received a generous In light of recent events, Phillips “Christmas present” of $1 million Academy issued a warning to parents from Stanley Smoyer. and students about the danger of Mr. Smoyer requested that using popular networking websites his donation go directly towards like MySpace.com. renovating the drainage system In an e-mail message to parents of the Boys Varsity Soccer fi eld, and faculty sent on December 12, which fl oods often. Dean of Students and Residential “For years, now, the water Life Marlys Edwards clarifi ed school problems have interfered with policy on non-academic computer practices and forced us to cancel use, warning students about the games. The varsity teams deserve dangers inherent in posting personal to have a fi eld they can be proud information on public webpages. of, so we couldn’t be more pleased She wrote, “The safety concerns about this extraordinary gift,” said arising from use of these Internet sites Athletic Director Martha Fenton, are numerous, and they include the according to Director of Public real fear that young people are making Information Steve Porter. themselves vulnerable to predators.” Instructor in Math and Boys’ “[Sites like MySpace] are not Varsity Soccer Coach Bill Scott a bad thing, not at all, but there said to Mr. Porter, “It is our goal is incredible potential for [their] and dream to create the best natural misuse,” said Ms.
    [Show full text]
  • Download Futuro Anteriore
    Numero XVII Estate 2017 futuro anteriore Sommario L'Editorial L’Editorial 3 InSistenze 4 Gusci vuoti alla dervia di Simone Scaloni 5 Nella sottrazione utile... di Anna Laura Longo 9 SETTEMBRE 2017 - N.17- ANNO 5 La cristallomanzia delle vite interrotte di Gioele Marchis 13 L’attimo al fulmicotone di Lucio Costantini 17 www.rivistadiwali.it InVerso 21 «No, non è detto che il passato sia già accaduto, così alla perfezione piattamente presente del digitale, che an- Gianluigi Miani 22 come non è detto che il futuro non lo sia ancora. È cer- nulla ogni profondità dimensionale. O come le visioni vo- Valentina Ciurleo 23 to questo il modo in cui spontaneamente pensiamo il lutamente caricaturali del futuro nella fantascienza, che Direttore Editoriale tempo, ma...Lo spazio di questo ma raccoglie le infinite sappiamo non si produrranno mai come le immaginiamo, Roberto Marzano 24 Maria Carla Trapani possibilità della rappresentazione artistica del futuro an- ma che hanno proprio nel loro essere improbabili la forza Martina Millefiorini 26 teriore, questo tempo strano che già sui banchi di scuola di una protesta, di una resistenza. A volte l’anticato e il Direttore Responsabile Dona Amati 28 ci appariva misterioso. Ma è tutto lì il senso del tempo: futuristico si fondono in una sola immagine doppiamente Flavio Scaloni nella possibilità di pensare adesso qualcosa che oggi o anacronistica, come nello Steampunk, in cui le due dire- Focus Haiku 30 domani sarà passata… zioni convergono in una sola immagine, in un solo suo- Redazione InStante 35 Sarà passata, eccolo un esempio del nostro tempo, no, in una sola parola di resistenza.
    [Show full text]
  • MTO 16.3: Takehana, Review of the Social And
    Volume 16, Number 3, August 2010 Copyright © 2010 Society for Music Theory Review of Nicola Dibben, Björk (Bloomington: Indiana University Press, 2009) Elise O. Takehana KEYWORDS: Nicola Dibben, Björk, Iceland, nationalism, globalism, technology, nature, popular music Received November 2009 [1] Björk Guðmundsdóttir’s works have consistently posed a challenge to pop and art music as well as to those critics who have explored her music. The broad diversity of her approach to media and genre has made her oeuvre particularly enigmatic. Nicola Dibben premises this key trait of Björk’s work, calling her a whole artist who “communicates her ideas through the integrated use of all media at her disposal” ( Dibben 2009 , 23). To uphold such an interpretation of Björk’s work and artistic position, Dibben veers from many previous texts on the pop artist that presuppose a chronological biography as its organizing structure. Instead she adopts a thematic approach to all her artistic projects regardless of genre or release date. She investigates Björk’s critical reception, dividing the book into themes surrounding many of the basic binaries the artist bridges, particularly her understanding of pop/avant-garde, nationalism/globalism, and nature/technology. By providing a concerted and accessible analysis of the artist’s music, Dibben adds a formalist dimension to past critiques of Björk’s work. Dibben’s book provides an in-depth academic treatment of the artist as both a cultural and musical figure of great importance. Björk offers an intriguing case study of the artist and adds to a continued conversation about the role of music in the face of digital utopianism and globalization that will assuredly be a standard for any subsequent study on Björk.
    [Show full text]
  • Madonna MP3 Collection - Madonna Part 2 Mp3, Flac, Wma
    Madonna MP3 Collection - Madonna Part 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Pop Album: MP3 Collection - Madonna Part 2 Country: Russia Released: 2012 Style: House, Synth-pop, Ballad, Electro, RnB/Swing, Electro House MP3 version RAR size: 1708 mb FLAC version RAR size: 1392 mb WMA version RAR size: 1865 mb Rating: 4.8 Votes: 427 Other Formats: APE MP2 RA MP1 TTA VOX XM Tracklist Hide Credits Beautiful Stranger (Single) - 1999 1-1 Beautiful Stranger 4:24 1-2 Beautiful Stranger (Remix) 10:15 1-3 Beautiful Stranger (Mix) 4:04 Ray Of Light (Remix Album) - 1999 1-4 Ray Of Light (Ultra Violet Mix) 10:46 Drowned World (Substitut For Love (Bt And Sashas Remix) 1-5 9:28 Remix – Bt, Sasha Sky Fits Heaven (Sasha Remix) 1-6 7:22 Remix – Sasha Power Of Goodbay (Luke Slaters Filtered Mix) 1-7 6:09 Remix – Luke Slater 1-8 Candy Perfume Girl (Sasha Remix) 4:52 1-9 Frozen (Meltdown Mix - Long Version 8:09 1-10 Nothing Really Matters (Re-funk-k-mix) 4:23 Skin (Orbits Uv7 Remix) 1-11 8:00 Remix – Orbit* Frozen (Stereo Mcs Mix) 1-12 5:48 Remix – Stereo Mcs* 1-13 Bonus - What It Feels Like For A Girl (remix) 9:50 1-14 Bonus - Dont Tell Me (remix) 4:26 American Pie (Single) - 2000 1-15 American Pie (Album Version) 4:35 American Pie (Richard Humpty Vission Radio Mix) 1-16 4:30 Remix – Richard Humpty Vission* American Pie (Richard Humpty Vission Visits Madonna) 1-17 5:44 Remix – Richard Humpty Vission* Music - 2000 1-18 Music 3:45 1-19 Impressive Instant 3:38 1-20 Runaway Lover 4:47 1-21 I Deserve It 4:24 1-22 Amazing 3:43
    [Show full text]
  • CELEBRITY INTERVIEWS a A1 Aaron Kwok Alessandro Nivola
    CELEBRITY INTERVIEWS A A1 Aaron Kwok Alessandro Nivola Alexander Wang Lee Hom Alicia Silverstone Alphaville Andrew Lloyd Webber Andrew Seow Andy Lau Anita Mui Anita Sarawak Ann Kok Anthony Lun Arthur Mendonca B Bananarama Benedict Goh Billy Davis Jr. Boris Becker Boy George Brett Ratner Bruce Beresford Bryan Wong C Candice Yu Casper Van Dien Cass Phang Celine Dion Chow Yun Fat Chris Rock Chris Tucker Christopher Lee Christy Chung Cindy Crawford Cirque du Soleil Coco Lee Conner Reeves Crystals Culture Club Cynthia Koh D Danny Glover David Brown David Julian Hirsh David Morales Denzel Washington Diana Ser Don Cheadle Dick Lee Dwayne Minard E Edward Burns Elijah Wood Elisa Chan Emil Chau Eric Tsang F Fann Wong Faye Wong Flora Chan G George Chaker George Clooney Giovanni Ribisi Glen Goei Gloria Estefan Gordan Chan Gregory Hoblit Gurmit Singh H Halle Berry Hank Azaria Hugh Jackman Hossan Leong I Irene Ang Ix Shen J Jacelyn Tay Jacintha Jackie Chan Jacky Cheung James Ingram James Lye Jamie Lee Jean Reno Jean-Claude van Damme Jeff Chang Jeff Douglas Jeffrey Katzenberg Jennifer Paige Jeremy Davies Jet Li Joan Chen Joe Johnston Joe Pesci Joel Schumacher Joel Silver John Travolta John Woo Johnny Depp Joyce Lee Julian Cheung Julianne Moore K KC Collins Karen Mok Keagan Kang Kenny G Kevin Costner Kim Robinson Kit Chan Koh Chieng Mun Kym Ng L Leelee Sobieski Leon Lai Lim Kay Tong Lisa Ang Lucy Liu M Mariah Carey Mark Richmond Marilyn McCoo Mary Pitilo Matthew Broderick Mel Gibson Mel Smith Michael Chang Mimi Leder Moses Lim N Nadya Hutagalung Nicholas
    [Show full text]
  • 2. Case Study: Anime Music Videos
    2. CASE STUDY: ANIME MUSIC VIDEOS Dana Milstein When on 1 August 1981 at 12:01 a.m. the Buggles’ ‘Video Killed the Radio Star’ aired as MTV’s first music video, its lyrics parodied the very media pre- senting it: ‘We can’t rewind, we’ve gone too far, . put the blame on VTR.’ Influenced by J. G. Ballard’s 1960 short story ‘The Sound Sweep’, Trevor Horn’s song voiced anxiety over the dystopian, artificial world developing as a result of modern technology. Ballard’s story described a world in which natu- rally audible sound, particularly song, is considered to be noise pollution; a sound sweep removes this acoustic noise on a daily basis while radios broad- cast a silent, rescored version of music using a richer, ultrasonic orchestra that subconsciously produces positive feelings in its listeners. Ballard was particu- larly criticising technology’s attempt to manipulate the human voice, by con- tending that the voice as a natural musical instrument can only be generated by ‘non-mechanical means which the neruophonic engineer could never hope, or bother, to duplicate’ (Ballard 2006: 150). Similarly, Horn professed anxiety over a world in which VTRs (video tape recorders) replace real-time radio music with simulacra of those performances. VTRs allowed networks to replay shows, to cater to different time zones, and to rerecord over material. Indeed, the first VTR broadcast occurred on 25 October 1956, when a recording of guest singer Dorothy Collins made the previous night was broadcast ‘live’ on the Jonathan Winters Show. The business of keeping audiences hooked 24 hours a day, 7 days a week, promoted the concept of quantity over quality: yes- terday’s information was irrelevant and could be permanently erased after serving its money-making purpose.
    [Show full text]
  • 2017年8.9月号(No.377)
    目 次 シューマン、ユーゲントアルバム op. 68：自筆譜ファクシミリ版 ……………………………………………………………………………… 1 ロンベルク、チェロ協奏曲第２番、第３番…………………………………………………………………………………………………………… 2 映画音楽100選、ピアノ・ソロ編曲 …………………………………………………………………………………………………………………… 4 オネゲル、雌山羊の踊り………………………………………………………………………………………………………………………………… 8 サイ、アルト・サクソフォーンとピアノのための組曲 op. 55 …………………………………………………………………………………… 9 スヴォボダ/ロト、トロンボーン演奏の技法 ……………………………………………………………………………………………………… 11 ビョーク、34のスコア、ピアノ、オルガン、ハープシコード、チェレスタのための ……………………………………………………… 12 ドヴォルザーク、歌曲集第２巻……………………………………………………………………………………………………………………… 12 バッハ、フーガの技法（H.E.デントラー校訂） …………………………………………………………………………………………………… 15 ブラームス、管弦楽伴奏付き合唱曲集……………………………………………………………………………………………………………… 18 ラモー、オペラ・バレ「優雅なインドの国々」からのサンフォニー（器楽曲）……………………………………………………………… 18 ラヴェル、高雅で感傷的なワルツ…………………………………………………………………………………………………………………… 19 国際音楽人名録 クラシック篇、ポピュラー篇（2017） ……………………………………………………………………………………… 20 メンデルスゾーン書簡全集 完結…………………………………………………………………………………………………………………… 21 音楽療法関連書籍 多種入荷！…………………………………………………………………………………………………………………… 23,24 ヘンレ出版社広告 J. S. バッハ、フランス組曲 BWV 812-817 …………………………………………………………………………… 24 ベルリオーズ、幻想交響曲：自筆譜ファクシミリ………………………………………………………………………………………………… 25 新ブルックナー全集………………………………………………………………………………………………………………………………… 26,27 ベーレンライター出版社広告 アントニーン・ドヴォルザーク、ヴァイオリン協奏曲イ短調 ……………………………………………… 28 http://www.academia-music.com/ 新入荷楽譜 ……………………………………………………………… ……………………………………………………………… ……………………………………………………………… 新入荷楽譜 * 印のものは特に入荷部数の少ない楽譜です。 ……………………………………………………………… 作品名の次の括弧内の人名は校訂者または ……………………………………………………………… 編曲者です。 表示価格は本体価格（税別）です。 作曲家全集 Bernhard Heinrich Romberg, zehn Konzerte fur Violoncello und Orchester (Noetzel) Jean-Baptiste
    [Show full text]
  • HPO Police Officer to Undergo Sex Re-Assignment Surgery
    , One of the hottest gay club tours to make a stop in Houston. Page 13 I I -I w ill t M I H 8~ ¥ H J I I As gay men and lesbians celebrate Gay Pride in the shadow of the § US Capitol June 11,the US Environmental Protection Agency is I fending off an attack by conservatives because it recognized June [[ as Gay & Lesbian Pride Month, (Photo by Adam Cuthbert) 813 i .~~ I Transgender HPDofficer Julia Oliver is flanked by local gay attorney Jerry Simoneaux, along with legal partner and attorney Phillys Randolph '"@ EPA under 0 fire Frye, the only openly transgender lawyer in Texas,during a press conference this week, (Photo by Dalton DeHart) I I ::~: for holding HPO police officer to undergo 'I~~: I-~~ , Pride events @ ,J sex re-assignment surgery. .~ Federal worker groups I tional changes had already began F cautious about festivities 24':year veteran police officer said occurring, Oliver had planned to wait I on officially coming out to the Houston i By LOU CHIBBARO JR. ."" .•. department has supported transition Police Department until a recent high- ill snf'f'fI oh:lS" chanced her mind, i The If.S. Environmental Protection Aaencv As gay men and lesbians celebrate Gay Pride in the shadow of the U.S.Capitol June 11,the U.S.Environmental Protection Agency is . fending off an attack by conservatives because it recognized June as Gay& Lesbian Pride Month. (Photo by Adam Cuthbert) Transgender HPD officer Julia Oliver is flanked by local gay attorney Jerry Simoneaux, along with legal partner and attorney Phillys Randolph EPAunder fire Frye, the only openly transgender lawyer in Texas,during a press conference this week.
    [Show full text]
  • DJ Times National Dance/Crossover Top 40 — December 16, 2016
    DJ Times National Dance/Crossover Top 40 — December 16, 2016 Pos Artist Title Label Buy 1 Weeknd F/ Daft Punk Starboy Republic 2 Tinashe Superlove RCA 3 Christina Aguilera F/ Nile Rodgers Telepathy RCA 4 Chainsmokers F/ Halsey Closer Columbia 5 Stonebridge F/ Therese Put 'Em High 2016 Stoney Boy 6 Bruno Mars 24K Magic Atlantic 7 Bello Boys And Dan Donica F/ Seri It Aint Over Radikal 8 Katy Perry Rise Capitol 9 Lady Gaga Perfect Illusion Interscope 10 Jonas Blue F/ JP Cooper Perfect Strangers Capitol 11 Martin Garrix & Bebe Rexha In The Name Of Love RCA 12 Dj Snake F/ Justin Bieber Let Me Love You Interscope 13 Dj Gozzi & The Extraordinary Gentlemen Beautiful Life (feat. Jaclyn Walker) Overdrive 14 Betty Who I Love You Always RCA 15 Major Lazer F/ Justin Bieber & MØ Cold Water Def Jam 16 Pet Shop Boys Say It To Me Kobalt 17 Dawn Tallman Teardrops Slaag 18 Crystal Waters F/ Sted-E & Hybrid Heights Believe 418 Music 19 Lodato & Joseph Duveen Older Overdrive 20 Manuel Riva And Eneli Mhm Mhm Radikal 21 Tony Moran F/ Jason Walker Say Yes Sugar House 22 Bastille Good Grief Capitol 23 X-Ambassadors Unsteady Interscope 24 Kristine W. Out There Fly Again 25 Hailee Steinfeld & Grey F/ Zedd Starving Republic 26 Rosabel F/ Jeanie Tracy Living For Love Carrillo 27 Salt Ashes Save It Radikal 28 Dj Pebbles To Not Love You Friendship 29 Ralphi Rosario & Aneeta Beat Button Pusha Carrillo 30 DNCE Body Moves Universal Republic 31 Bonnie Anderson The Ones I Love Radikal 32 Britney Spears F/ G-Eazy Make Me RCA 33 Calvin Harris My Way Columbia 34 Twenty One Pilots Heathens RRP 35 Jessica Sanchez Stronger Together Republic 36 Ariana Grande F/ Nicki Minaj Side To Side Republic 37 Galantis & Hook N Sling Love On Me Atlantic 38 The Pool Kids Heartbreak Hotline Buildup 39 Kim Cameron It Starts Raining Side FX 40 Gia 7 Sweet Something Stiletto 7 .
    [Show full text]
  • The Top Dance Songs of 2018 1
    th 44 Year THE TOP DANCE SONGS OF 2018 1. ONE KISS – Calvin Harris ft. Dua Lipa (Columbia) 124 51. WASTE IT ON ME – Steve Aoki ft. BTS (Ultra) 96 2. BODY – Loud Luxury ft. Brando (Armada) 122 52. ALONE – Halsey ft. Big Sean & Stefflon Don (Astralwerks/Capitol) 100/124 3. THE MIDDLE – Zedd, Maren Morris & Grey (Interscope) 107/126 53. YOUR LOVE – David Guetta & Showtek (Atlantic) 125 4. JACKIE CHAN – Tiesto & Dzeko ft. Preme & Post Malone (Republic) 128 54. TELL ME YOU LOVE ME – Demi Lovato (Republic) 122/105 5. PROMISES – Calvin Harris ft. Sam Smith (Columbia) 123 55. GOD IS A WOMAN – Ariana Grande (Republic) 124/73 6. GIRLS LIKE YOU – Maroon 5 ft. Cardi B (Interscope) 123/125 56. GET IT RIGHT – Diplo ft. MO (Mad Decent) 80/106 7. ELECTRICITY – Silk City ft. Dua Lipa (Columbia) 123/118 57. LOST – Vassy & Afrojack ft. Oliver Rosa (Armada) 124/128 8. NO TEARS LEFT TO CRY – Ariana Grande (Republic) 124/65 58. FINEST HOUR – Cash Cash ft. Abir (Big Beat) 122/97 9. HAPPIER – Marshmello & Bastille (Astralwerks/Capitol) 126/100 59. AZUKITA – Steve Aoki, Daddy Yankee, Play-N-Skills & Elvis Crespo (Ultra) 130 10. NEW RULES – Dua Lipa (Warner Brothers) 127/122 60. X – Nicky Jam & J Balvin (Sony Latin) 90 11. WOLVES – Selena Gomez & Marshmello (Interscope) 128/62 61. LET ME LIVE – Rudimental & Major Lazer ft. Anne-Marie & Mr Eazi (Atlantic) 126/72 12. FRIENDS – Marshmello & Anne-Marie (Warner Brothers) 123/95 62. ALIEN – Sabrina Carpenter & Jonas Blue (Hollywood) 112 13. BREATHE – Jax Jones ft. Ina Wroldsen (Interscope) 126 63.
    [Show full text]
  • 2017 Dis Jpmonteiro.Pdf
    UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE FORTALEZA 2017 JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Comunicação da Universidade Federal do Ceará, como requisito parcial à obtenção do título de mestre em Comunicação. Área de concentração: Fotografia e Audiovisual. Orientador: Prof. Dr. Osmar Gonçalves dos Reis Filho FORTALEZA 2017 ___________________________________________________________________________ ___________________________________________________________________________ JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Comunicação da Universidade Federal do Ceará, como requisito parcial à obtenção do título de mestre em Comunicação. Área de concentração: Fotografia e Audiovisual. Orientador: Prof. Dr. Osmar Gonçalves dos Reis Filho Aprovada em: ___/___/______. BANCA EXAMINADORA ________________________________________ Prof. Dr. Osmar Gonçalves dos Reis Filho (Orientador) Universidade Federal do Ceará (UFC) _________________________________________ Prof. Dr. Henrique Codato Universidade Federal do Ceará (UFC) _________________________________________ Prof. Dr. Thiago Soares Universidade Federal de Pernambuco (UFPE) A meus pais, Francisca e Júlio. Ao meu sim-fim de corações, minhas irmãs. Aos meus amigos. A cada adolescente estranho no mundo. AGRADECIMENTOS Obrigado aos meus amigos que estiveram comigo durante esta jornada tão complicada. Obrigado por morarem em mim. Eu não posso numerar todos. Sou bom com afetos, não com palavras. Obrigado aos meus pais. À minha mãe, matriarca forte que soube me dar carinho e força. À meu pai, para que eu nunca esqueça de quem ele é.
    [Show full text]
  • Renée Fleming
    RENÉE FLEMING DISTANT LIGHT BARBER – HILLBORG – BJÖRK SAKARI ORAMO ROYAL STOCKHOLM PHILHARMONIC ORCHESTRA SAMUEL BARBER 1910–1981 1 Knoxville: Summer of 1915, op.24 15.29 ANDERS HILLBORG b.1954 The Strand Settings 2 IBlack Sea 4.17 3 IIDark Harbor XX 5.09 4 IIIDark Harbor XXXV 5.26 5 IVDark Harbor XI 5.41 BJÖRK GUÐMUNDSDÓTTIR b.1965 Arr. Hans Ek 6 Virus 4.18 7 Jóga 4.33 8 All Is Full of Love 3.13 RENÉE FLEMING soprano Royal Stockholm Philharmonic Orchestra Sakari Oramo conductor Sakari Oramo, Renée Fleming & Anders Hillborg DISTANT LIGHT Emotional landscapes. This recurring phrase in Björk’s ecstatic song Jóga captures — from idea to composition, premiere, and ultimately being embraced by other singers. the common theme of the diverse repertoire Renée Fleming has chosen for this album. Leontyne Price’s superb recording was how I first heard the piece.” In planning her program with the Royal Stockholm Philharmonic Orchestra and their chief Fleming herself was instrumental in the genesis of Anders Hillborg’s The Strand Settings. conductor Sakari Oramo, Fleming was working with musicians capable of rendering the She recalls: “In the last days of summer, 2008, I was in Sweden singing with Alan Gilbert subtlest textures and most profound moods. She chose works in which music and poetry and the Royal Stockholm Philharmonic Orchestra. After the performance, Alan and I found create soundscapes, each evoking emotional states — nostalgia, unease, desire, joy — ourselves discussing new music and comparing notes about our favorite composers.” with cinematic clarity. They discovered that they both loved the music of Anders Hillborg, one of Sweden’s The pieces are also united by the idea of the singer as a generative force, involved not only brightest stars.
    [Show full text]