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Nightspots #1086 • February 6, 2013

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nightspots #1086 • February 6, 2013 That Guy by Kirk Williamson Have yourselves a DILFy little Valentine’s Mellowing with age we are. Day. Our cover this week features a columnist we’d like to credit, Marc “Moose” Moder giving us classic class with his tufted heart-shaped box. It’s so full of love. Explore Moose’s love for DJ Tony Moran, as he interviews Tony in advance of his Freedom Revolution: Peace gig at Vision Nightclub, Sun., Feb. 17, part of Circuit Mom’s Presidents’ Day Weekend party extravaganza. Huge nerd ups to Danny Bernardo and his super successful launch of the Chicago Geeks Out! And DJ Moose is no slouch himself. Catch his party at Spin. Boys, girls, batmen, batwomen, grooves at the following joints: DILF (first Sat. and all across the nerdo spectrum came together of each month at The Sofo Tap); Wed@Wood for comic books and camaraderie. There was no (on Halsted and Buckingham); Mary’s Old Skool shortage of Super Mario-related paraphernalia, (second Fri. of each month at Mary’s Attic), like the one girls awesome fire flower earrings. and Downtown Lights at Downtown Bar and Want. Lounge (first and third Fri.). Follow all his goings- on on Twitter @endorsedornot or stalk him on Check out our bloated calendar, filled with our Facebook. pics for your Valentine’s Day, Presidents’ Day, Mardi Gras, and Grammy celebrations. As always, Check out me and my “brothers” at The check me out in my tighty whities (or baggy Hideaway. Back in the storied days of The bluies, as the case may be) at Jackhammer’s Nutbush, Mikey, Scottie and I all had a similar annual Mardi Gras undie-oke, brought to you by look (goatee, bearish, always jovial) so we Creaoke. Lettin’ it all hang out since 2004. decided we were triplets. Here’s our original family portrait from 2004 and our reunion shot. [email protected] MAIN COVER IMAGE DJ Marc “Moose” Moder nightspots Photo by Kirk #1086 • February 6, 2013 PUBLISHER DIRECTOR OF NEW MEDIA Tracy Baim Jean Albright ASSISTANT PUBLISHER OFFICE Terri Klinsky Ripley Caine MANAGING EDITOR PHOTOGraphY Kirk Williamson Mel Ferrand, Kat Fitzgerald, Kirk, Kizzy, ADVERTISING REPRESENTATIVES Anthony Meade, DJ Res-5, Jamie Anne Royce Terri Klinsky, Kirk Williamson, Amy Matheny, CAST OF CHARACTERS Christopher Cheuvront C.J., DJ Chester, Homer Marrs, AK Miller, Marc NATIONAL ADVERTISING REPRESENTATIVE “Moose”Moder, Jerry Nunn, Steven Toushin Rivendell Media 212-242-6863 Copyright 2013 Windy City Media Group/Lambda Publications Inc. All rights reserved. Reprint by permission only. Back issues available for $3 per issue (postage included). nightspots Return postage must accompany all manuscripts, drawings, and photographs submitted if they are to be returned, and no responsibility may be assumed for unsolicited materials. 5315 N. Clark St. #192, Chicago, IL 60640 All rights to letters, art and photos sent to Nightspots/Windy City Times will be treated as unconditionally assigned for publication purposes and as such, subject to editing and 773.871.7610, fax 773.871.7609 comment. The opinions expressed by the columnists, cartoonists, letter writers, and com- mentators are their own and do not necessarily reflect the position of Nightspots/Windy www.WindyCityMediaGroup.com City Times. Publication of the name, photograph, or likeness of a person or organization in articles or advertising in Nightspots/Windy City Times is not to be construed as any [email protected] indication of the sexual orientation of such person or organization. While we encourage readers to support the advertisers who make this newspaper possible, Nightspots/Windy City Times cannot accept responsibility for advertising claims. /nightspots End of an era :( Make sure to stop in and say your goodbyes. BUCKS Photos by Anthony Meade A super-duper-RuPer time at the RuPaul’s Drag Race premiere party. THE CALL Photos courtesy of The Call 8 nightspots February 6, 2013 DANCING ABOUT ARCHITECTURE by Marc “Moose” Moder MAKING ‘PEACE’ WITH DJ TONY MORAN For a good many of Circuit Mom’s younger fans across the country who come in for his Revolution events, Tony Moran is the gorgeous, talented DJ they all look forward to as an incredible live DJ, whipping dancers into a frenzy until the final beat. For those of us who’ve been longtime CM/TM fans or are just big music dorks, Tony Moran carries a huge amount of music history and stories within that never-aging noggin of his. I recently spoke with Tony about his upcoming Revolution: Peace gig on the brand new state-of-the- art system at Excalibur, his early history, and gigs with some of the worlds biggest vocalists. DJ Tony started out in his early days producing for the freestyle group The Cover Girls and scored a huge hit “Show Me,” all before he was even of drinking age. His success with his collaborators under the name Latin Rascals lead their own record contract, a gig on MTV and of course, his legendary remixes. He’s known for asking some of the biggest divas in the world to step back into the studio to re-record vocals for better mixes. He said tha all had a great work ethic, but wished he’d spent more time on Celine Dion: “(I) Just wished I had spent more time with her in the studio without video cameras and tons of executives in the room. She was great, but it left me longing to connect with her further. Someone Tony did connect with that left a lasting impression was the late great Donna Summer. “I was granted the opportunity to write and work with her on new music that would be an addition to her last greatest hits album. It can be called “subjective” by some, but I recorded “You’re So Beautiful” with her and we continued writing in Nashville, then at studios in New York on many occasions at my own private studio in Chelsea, New York. We absolutely had a connection and she wanted to sing TURN to page 25 10nightspots February 6, 2013 MY HEART IS BURSTING WITH LOVE FOR YOU HAPPY VALENTINE’S DAY Karaoke by Creagh TUES TUE - MARDI GRAS! WATCH FOR DATES WED Jackhammer Bistro After Dark 10pm-4am Scot’s Hideaway (773) 743-5772 Feb. 12 - 8pm-midnight (773) 525-2522 9:30pm-1:30am (773) 528-3253 (708) 488-9382 WED THU THU THU FRI Holiday Club Crew Four Farthings The Call Bobby Love’s 9:30pm-1:30am 9:30pm-1:30am 9:30pm-1:30am 7pm-11:30pm 9:30pm-1:30am (773) 348-9600 (773) 784-CREW (773) 935-2060 (773) 334-2525 (773) 525-1200 FRI FRI SAT SAT Hideaway Halsted Harp Coppolino’s Four Farthings 10pm-2:30am 9:30pm-1:30am 10:30pm-2:30am 9:30pm-1:30am (708) 488-9382 (773) 348-3665 (773) 735-8647 (773) 935-2060 SAT SUN SAT SUN - NEW NIGHT! SEE YOU IN SPRING Christina’s Hideaway Bobby Love’s Spin The Sofo Tap 10pm-2am 9pm-1am 9pm-Midnight 10pm-2am 8pm-Midnight (773) 463-1768 (708) 488-9382 (773) 525-1200 (773) 327-7711 (773) 784-7636 and get ready for Jackhammer’s Mardi Gras Undie-oke, Tue., Feb. 12! Now contact us at 773-720-7347 or [email protected] Join Creaoke on Facebook www.CreaokeKaraoke.net Geeks OUT! Hot gay nerds unite! SPIN Photos by Kirk Calling all queers! SCARLET Photos by Anthony Meade 12 nightspots February 6, 2013 DEEP TISSUE a touching new column by C.J. Having recently come out of a taxing long-term “Baby, you could set that table up right here and relationship I decided to spend much of my first right now. You know that’s what I need, a massage!” year as a masseur on the road. My maiden voyage lasted about six months, starting in New York City. I laughed uncomfortably, pushing my ID, ticket and Needless to say, I did not pack light. My check-in anything else she may need toward her to just let suitcase was large enough to carry ten pairs of me through. Finally she checked the table and the pants, twenty shirts, five pairs of shorts, six novels, suitcase and I was allowed to head to TSA and on to a blow dryer, one electric razor with attachments, my gate where I could relax, a good one hundred and enough toiletries to keep a family of Jennifer pounds lighter. Lopezes happy through a dry winter. I also had two carry-ons. The first was a carry-on version of When we arrived at JFK I ran for the baggage area the larger suitcase that housed four pairs of shoes; excited to get to my Midtown hotel. I was already all of my socks; and US Weekly, Vanity Fair and OK booked for the day and NYC is pricey. magazines. The two suitcases were complete with bands that snapped together forming an island. After I laboriously gathered my table and suitcase The second carry-on was my laptop. And it didn’t I headed toward the taxi ramp. I leaned the table stop there. against a column, stationed the suitcases then walked a few feet forward, laptop dangling from Quite a few travelling masseurs work on a bed so my shoulder while waiting my turn to hail a cab. as not to have to carry a table cross-country. To me I got one immediately. I hurriedly grabbed my that was just an invitation to offer or expect more suitcases, throwing them in the trunk, then hopped than a massage, so I decided to travel with a table in the back seat.
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    UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE FORTALEZA 2017 JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Comunicação da Universidade Federal do Ceará, como requisito parcial à obtenção do título de mestre em Comunicação. Área de concentração: Fotografia e Audiovisual. Orientador: Prof. Dr. Osmar Gonçalves dos Reis Filho FORTALEZA 2017 ___________________________________________________________________________ ___________________________________________________________________________ JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Comunicação da Universidade Federal do Ceará, como requisito parcial à obtenção do título de mestre em Comunicação. Área de concentração: Fotografia e Audiovisual. Orientador: Prof. Dr. Osmar Gonçalves dos Reis Filho Aprovada em: ___/___/______. BANCA EXAMINADORA ________________________________________ Prof. Dr. Osmar Gonçalves dos Reis Filho (Orientador) Universidade Federal do Ceará (UFC) _________________________________________ Prof. Dr. Henrique Codato Universidade Federal do Ceará (UFC) _________________________________________ Prof. Dr. Thiago Soares Universidade Federal de Pernambuco (UFPE) A meus pais, Francisca e Júlio. Ao meu sim-fim de corações, minhas irmãs. Aos meus amigos. A cada adolescente estranho no mundo. AGRADECIMENTOS Obrigado aos meus amigos que estiveram comigo durante esta jornada tão complicada. Obrigado por morarem em mim. Eu não posso numerar todos. Sou bom com afetos, não com palavras. Obrigado aos meus pais. À minha mãe, matriarca forte que soube me dar carinho e força. À meu pai, para que eu nunca esqueça de quem ele é.
  • Renée Fleming

    Renée Fleming

    RENÉE FLEMING DISTANT LIGHT BARBER – HILLBORG – BJÖRK SAKARI ORAMO ROYAL STOCKHOLM PHILHARMONIC ORCHESTRA SAMUEL BARBER 1910–1981 1 Knoxville: Summer of 1915, op.24 15.29 ANDERS HILLBORG b.1954 The Strand Settings 2 IBlack Sea 4.17 3 IIDark Harbor XX 5.09 4 IIIDark Harbor XXXV 5.26 5 IVDark Harbor XI 5.41 BJÖRK GUÐMUNDSDÓTTIR b.1965 Arr. Hans Ek 6 Virus 4.18 7 Jóga 4.33 8 All Is Full of Love 3.13 RENÉE FLEMING soprano Royal Stockholm Philharmonic Orchestra Sakari Oramo conductor Sakari Oramo, Renée Fleming & Anders Hillborg DISTANT LIGHT Emotional landscapes. This recurring phrase in Björk’s ecstatic song Jóga captures — from idea to composition, premiere, and ultimately being embraced by other singers. the common theme of the diverse repertoire Renée Fleming has chosen for this album. Leontyne Price’s superb recording was how I first heard the piece.” In planning her program with the Royal Stockholm Philharmonic Orchestra and their chief Fleming herself was instrumental in the genesis of Anders Hillborg’s The Strand Settings. conductor Sakari Oramo, Fleming was working with musicians capable of rendering the She recalls: “In the last days of summer, 2008, I was in Sweden singing with Alan Gilbert subtlest textures and most profound moods. She chose works in which music and poetry and the Royal Stockholm Philharmonic Orchestra. After the performance, Alan and I found create soundscapes, each evoking emotional states — nostalgia, unease, desire, joy — ourselves discussing new music and comparing notes about our favorite composers.” with cinematic clarity. They discovered that they both loved the music of Anders Hillborg, one of Sweden’s The pieces are also united by the idea of the singer as a generative force, involved not only brightest stars.