The Coins of Ephesus Part 1
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Celebrity Cultures
00_Barron_BAB1408B0155_Prelims.indd 1 12-Nov-14 12:22:04 PM 1 The Ancient Art of Self-Publicity CHAPTER OVERVIEW This chapter sets out the historical foundations of fame, a crucial place to start in evaluating the cultural impact of celebrity, as it stresses the ways in which common assumptions that celebrity is a contemporary social phenomena is not so clear-cut. While celebrity is closely associated with the rise of technologies of mass communica- tion, the desire for fame, to stand out from the social mass, is deeply embedded within human civilizations, and has been for thousands of years. To fully articulate this view the chapter will focus upon: • Alexander the Great and Julius Caesar’s personal quests for enduring fame and the techniques that they developed to ensure that their ‘celebrity’ was recognized in their own time and throughout subsequent history (for example, conveying their own history, making use of images to circulate their images), and effectively engag- ing in Public Relations • The reign of Louis XIV with regard to means by which he saturated France with images of himself and indulged in publicity stunts that Daniel Boorstin would later famously dub ‘pseudo-events’) • Fame, publicity, and image manipulation in early Hollywood ANCIENT ATTITUDES TO CELEBRITY Within Illusions of Immortality, David Giles states that the ‘ultimate modern celebrity is the member of the public who becomes famous solely through media involvement’ (2000: 25). Similarly, Barry King (cited in Dyer, 1982) also suggests his own set of preconditions for stardom that (in addition to industrialization and 02_Barron_BAB1408B0155_Ch-01.indd 11 12-Nov-14 12:20:16 PM CELEBRITY CULTURES a rigid separation of work and leisure) stress that the development of technologies of mass communication were an essential component. -
Tῆς Πάσης Ναυτιλίης Φύλαξ: Aphrodite and the Sea*
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 23 | 2010 Varia Tῆς πάσης ναυτιλίης φύλαξ: Aphrodite and the Sea Denise Demetriou Electronic version URL: http://journals.openedition.org/kernos/1567 DOI: 10.4000/kernos.1567 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2010 Number of pages: 67-89 ISSN: 0776-3824 Electronic reference Denise Demetriou, « Tῆς πάσης ναυτιλίης φύλαξ: Aphrodite and the Sea », Kernos [Online], 23 | 2010, Online since 10 October 2013, connection on 30 April 2019. URL : http://journals.openedition.org/ kernos/1567 ; DOI : 10.4000/kernos.1567 Kernos Kernos 23 (2010), p. .7-A9. T=> ?@AB> CDEFGHIB> JKHDL5 Aphrodite a d the Seau AbstractS This paper offers a co ection of genera y neg ected He enistic epigrams and some iterary and epigraphic e2idence that attest to the worship of Aphrodite as a patron deity of na2igation. The goddess8 temp es were often coasta not 1ecause they were p aces where _sacred prostitution” was practiced, 1ut rather 1ecause of Aphrodite8s association with the sea and her ro e as a patron of seafaring. The protection she offered was to anyone who sai ed, inc uding the na2y and traders, and is attested throughout the Mediterranean, from the Archaic to the He enistic periods. Further, the teLts eLamined here re2ea a metaphorica ink 1etween Aphrodite8s ro e as patron of na2igation and her ro e as a goddess of seLua ity. Résumé S Cet artic e pr sente une s rie d8 pigrammes he nistiques g n ra ement peu tudi es et que ques t moignages itt raires et pigraphiques attestant e cu te d8Aphrodite en tant que protectrice de a na2igation. -
7227134.Pdf (14.36
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s|". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Seven Wonders Time: 30 Minutes Level: Beginner
Lesson Five: Seven Wonders Time: 30 minutes Level: Beginner Intro The Seven Wonders of the Ancient World were architectural feats recorded by ancient historians, writers and scholars in the western world - the list is limited geographically to the mediterranean, the centre of ancient western civilization. The only remaining wonder in the present day is the Great Pyramid of Giza, which is also the oldest. The rest have all been destroyed by weather, war or nature. Today we’re going to learn a little bit about each one: The Great Pyramid of Giza The pyramids are, in many ways, the most famous ancient wonder of the world. Whether that’s attributed to their mystery, incredible feat of construction, or their sole survival (out of all of the ancient wonders) into the modern era, all marvel at their magnificence. The Great Pyramid of Giza was constructed around 2589-2566 B.C. during the reign of Pharaoh Khufu. It stood about 147 meters tall and its base was approximately 230 meters in length. The second pyramid was created for Khufu’s son, Pharaoh Khafre, in 2558-2532 B.C. Within the pyramid’s complex at Giza was the largest statue in the world at that time, known as the Great Sphinx (a man’s head on a lion’s body), standing 240 feet long and 66 feet tall. The last pyramid was built around 2532-2503 B.C. for Khafre’s son, Pharaoh Menkaure. It was the shortest of the three pyramids in this ancient wonder, standing at only 216 feet tall. It took over 2.3 million blocks of limestone, 100,000 men, and 20 years to construct the greatest architectural achievement in the ancient world. -
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REVUE BELGE DE NUMISMATIQUE ET DE SIGILLOGRAPHIE BELGISCH TIJDSCHRIFT VOOR NlTMISMATIEK EN ZEGELKUNDE PUBLIÉE U1TGEGEVEN SOUS LE HAUT PATRONAGE ONDER DE HOGE BESCHERMING DE S. M. LE ROI VAN Z. M. DE KONING PAR LA DOOR HET socIÊTÉ ROYALE KONINKLIJK BELGISCH DE NUMISMATIQUE DE BELGIQUE GENOOTSCHAP VOOR NUMISMA TIEK AVEC L'AIDE DE LA DIRECTION GÉNÉRALE DE MET DE FINANCIËLE HULP VAN RET L'ENSEIGNEMENT, DE LA FORMATION ET DE MINISTERIE VAN DE VLAAMSE GEMEENSCHAP LA RECHERCHE DU MINISTÈRE DE LA EN VAN DE DIRECTION GÉNÉRALE DE COMMUNAUTÉ FRANÇAISE ET OU L'ENSEIGNEMENT, DE LA FORMATION ET MINISTERIE DE LA RECHERCHE DU MINISTÈRE VAN DE VLAAMSE GEMEENSCHAP DE LA COMMUNAUTÉ FRANÇAISE DIRECTEURS: PAUL NASTER. MAURICE COLAERT, TONY HACKENS. Luc SMüLDEREN CXXXVII "1991 BRUXELLES BRUSSEL STEFAN KARWIESE THE ARTEMISIUM COIN HOARD AND THE FIRST COINS OF EPHESUS* 1 have often wondered what D. G. Hogarth thought or Ielt when he recovered from the mud those small electrum coins buried bet ween the foundations of the earliest Artemisium. There were so many other precious finds that the coins may have seemed to mat ter less then they should. Many of them lack an exact account of their Iind-spots even if this was no fault of Hogarth's (the pieces having been mixed up afterwards). Had he been aware then and there that these electrum coins would presently become a topic of frequent controversy - and not only among numismatists - he certainly would have taken every precaution to avoid confusion. It was equally not his fauIt that the coin finds now in the Istanbul Archaeological Museum are apparently not complete (as five pieces from « Ephesus » in the Berlin Cabinet show (1» - pilfering by the workman being something that can never be entirely prevented; but it seems very probable that except for two pieces (2) aU the coins were extracted from the soil by the Hogarth expedition. -
Memory and Performance: Strategies of Identity in the Orphic-Bacchic Lamellae by Mark Frederick Mcclay
Memory and Performance: Strategies of Identity in the Orphic-Bacchic Lamellae By Mark Frederick McClay A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Nikolaos Papazarkadas Professor James I. Porter Fall 2018 Copyright 2018, Mark Frederick McClay Abstract Memory and Performance: Strategies of Identity in the Orphic-Bacchic Lamellae by Mark Frederick McClay Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair This dissertation is a treatment of the Orphic-Bacchic lamellae, a collection of small gold tablets that were deposited in the graves of Dionysiac mystery initiates, mostly during the 4th/3rd c. BCE. So far, thirty-eight of these have been discovered, from various sites in Sicily, Magna Graecia, Northern Greece, Crete, and the Peloponnese. The tablets were deposited in the graves of both men and women, and they are inscribed with short poetic texts, mostly in hexameters, that offer promises of postmortem happiness. Scholarship on these objects has traditionally focused on the sacral and eschatological language of the texts and their underlying doctrinal structure. Past interpretations, and discussions of “Orphism” more generally, have relied on propositional definitions of “religion” that are centered on belief and on the scriptural authority of sacred texts rather than ritual or sensory experience. Following recent critiques of these models in general (and of their application to Orphic phenomena in particular), I consider the gold leaves in their social context as objects produced, handled, and disseminated by ritual performers. -
Defining Orphism: the Beliefs, the Teletae and the Writings
Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Jerome on the Attack: Constructing a Polemical Persona Nicole Cleary Doctor of Philosophy The University of Edinburgh 2015 i DECLARATION I hereby declare that this thesis is of my own composition, and that it contains no material previously submitted for the award of any other degree or professional qualification. Nicole Cleary Signed: ii CONTENTS Abstract ........................................................................................................................... vi Acknowledgments ........................................................................................................ vii Abbreviations .............................................................................................................. -
The Beginning of Time: Vedic and Orphic Theogonies and Poetics Kate Alsobrook
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Beginning of Time: Vedic and Orphic Theogonies and Poetics Kate Alsobrook Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE BEGINNING OF TIME: VEDIC AND ORPHIC THEOGONIES AND POETICS By KATE ALSOBROOK A Thesis submitted to the Department of Classics in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2008 The members of the Committee approve the thesis of Kate Alsobrook defended on December 3, 2007. ______________________________ James Sickinger Professor Directing Thesis ______________________________ Kathleen Erndl Committee Member ______________________________ John Marincola Committee Member ______________________________ Svetla Slaveva-Griffin Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables ..................................................................................................................... v List of Figures................................................................................................................... vi List of Abbreviations ....................................................................................................... vii Abstract.......................................................................................................................... -
Gregory of Nazianzus Five Theological Orations Translated
Gregory of Nazianzus Five Theological Orations Translated with an introduction and notes by Stephen Reynolds ©Estate of Stephen Reynolds 2011 The Rev'd Dr. Stephen Reynolds 1951-2011 ii This translation was produced for students in the well-known course “Three Personed-God”, which Stephen Reynolds taught in the Faculty of Divinity at Trinity College six times between 2001 and 2009. David Neelands, Dean of Divinity, Trinity College iii Table of Contents Introduction v The First Theological Oration, Preliminary Discourse 1 The Second Theological Oration, On Theology 13 The Third Theological Oration, On the Son, 1 45 The Fourth Theological Oration, On the Son, 2 71 The Fifth Theological Oration, On the Holy Spirit 97 iv Introduction REGORY of Nazianzus (330 – 389) has been treated as one of the brightest stars in the G firmament of the Christian tradition. The Orthodox name him “The Theologian”1 – a title they accord only one other, St John the Apostle and Evangelist – and honour him with two feast- days, January 25th and January 30th. The western Catholic tradition has ranked him among “the Four Doctors of the Eastern Church”2 and honoured him on May 9th. (When the Roman Catholic church revised its Calendar in 1969, Gregory was joined with Basil the Great in a single memorial on January 2nd.3) In spite of these accolades, Gregory has not received anything like the attention that western scholars have devoted to other ancient writers. This is especially true in the English-speaking world. Until recently, the only major modern study of Gregory in English is Rosemary Radford Ruether’s Gregory of Nazianzus: Rhetor and Philosopher (Oxford: Oxford University Press, 1969). -
Aletheia: the Orphic Ouroboros
Edith Cowan University Research Online Theses : Honours Theses 2020 Aletheia: The Orphic Ouroboros Glen McKnight Edith Cown University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Classics Commons, Philosophy Commons, and the Poetry Commons Recommended Citation McKnight, G. (2020). Aletheia: The Orphic Ouroboros. https://ro.ecu.edu.au/theses_hons/1541 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1541 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Aletheia: The Orphic Ouroboros Glen McKnight Bachelor of Arts This thesis is presented in partial fulfilment of the degree of Bachelor of Arts Honours School of Arts & Humanities Edith Cowan University 2020 i Abstract This thesis shows how The Orphic Hymns function as a katábasis, a descent to the underworld, representing a process of becoming and psychological rebirth. -
THE ENDURING GODDESS: Artemis and Mary, Mother of Jesus”
“THE ENDURING GODDESS: Artemis and Mary, Mother of Jesus” Carla Ionescu A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HUMANITIES YORK UNIVERSITY TORONTO, ONTARIO May 2016 © Carla Ionescu, 2016 ii Abstract: Tradition states that the most popular Olympian deities are Apollo, Athena, Zeus and Dionysius. These divinities played key roles in the communal, political and ritual development of the Greco-Roman world. This work suggests that this deeply entrenched scholarly tradition is fissured with misunderstandings of Greek and Ephesian popular culture, and provides evidence that clearly suggests Artemis is the most prevalent and influential goddess of the Mediterranean, with roots embedded in the community and culture of this area that can be traced further back in time than even the arrival of the Greeks. In fact, Artemis’ reign is so fundamental to the cultural identity of her worshippers that even when facing the onslaught of early Christianity, she could not be deposed. Instead, she survived the conquering of this new religion under the guise of Mary, Mother of Jesus. Using methods of narrative analysis, as well as review of archeological findings, this work demonstrates that the customs devoted to the worship of Artemis were fundamental to the civic identity of her followers, particularly in the city of Ephesus in which Artemis reigned not only as Queen of Heaven, but also as Mother, Healer and Saviour. Reverence for her was as so deeply entrenched in the community of this city, that after her temple was destroyed, and Christian churches were built on top of her sacred places, her citizens brought forward the only female character in the new ruling religion of Christianity, the Virgin Mary, and re-named her Theotokos, Mother of God, within its city walls.