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Archaeology and History of Lydia from the Early Lydian Period to Late Antiquity (8Th Century B.C.-6Th Century A.D.)
Dokuz Eylül University – DEU The Research Center for the Archaeology of Western Anatolia – EKVAM Colloquia Anatolica et Aegaea Congressus internationales Smyrnenses IX Archaeology and history of Lydia from the early Lydian period to late antiquity (8th century B.C.-6th century A.D.). An international symposium May 17-18, 2017 / Izmir, Turkey ABSTRACTS Edited by Ergün Laflı Gülseren Kan Şahin Last Update: 21/04/2017. Izmir, May 2017 Websites: https://independent.academia.edu/TheLydiaSymposium https://www.researchgate.net/profile/The_Lydia_Symposium 1 This symposium has been dedicated to Roberto Gusmani (1935-2009) and Peter Herrmann (1927-2002) due to their pioneering works on the archaeology and history of ancient Lydia. Fig. 1: Map of Lydia and neighbouring areas in western Asia Minor (S. Patacı, 2017). 2 Table of contents Ergün Laflı, An introduction to Lydian studies: Editorial remarks to the abstract booklet of the Lydia Symposium....................................................................................................................................................8-9. Nihal Akıllı, Protohistorical excavations at Hastane Höyük in Akhisar………………………………10. Sedat Akkurnaz, New examples of Archaic architectural terracottas from Lydia………………………..11. Gülseren Alkış Yazıcı, Some remarks on the ancient religions of Lydia……………………………….12. Elif Alten, Revolt of Achaeus against Antiochus III the Great and the siege of Sardis, based on classical textual, epigraphic and numismatic evidence………………………………………………………………....13. Gaetano Arena, Heleis: A chief doctor in Roman Lydia…….……………………………………....14. Ilias N. Arnaoutoglou, Κοινὸν, συμβίωσις: Associations in Hellenistic and Roman Lydia……….……..15. Eirini Artemi, The role of Ephesus in the late antiquity from the period of Diocletian to A.D. 449, the “Robber Synod”.……………………………………………………………………….………...16. Natalia S. Astashova, Anatolian pottery from Panticapaeum…………………………………….17-18. Ayşegül Aykurt, Minoan presence in western Anatolia……………………………………………...19. -
Memory and Performance: Strategies of Identity in the Orphic-Bacchic Lamellae by Mark Frederick Mcclay
Memory and Performance: Strategies of Identity in the Orphic-Bacchic Lamellae By Mark Frederick McClay A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Nikolaos Papazarkadas Professor James I. Porter Fall 2018 Copyright 2018, Mark Frederick McClay Abstract Memory and Performance: Strategies of Identity in the Orphic-Bacchic Lamellae by Mark Frederick McClay Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair This dissertation is a treatment of the Orphic-Bacchic lamellae, a collection of small gold tablets that were deposited in the graves of Dionysiac mystery initiates, mostly during the 4th/3rd c. BCE. So far, thirty-eight of these have been discovered, from various sites in Sicily, Magna Graecia, Northern Greece, Crete, and the Peloponnese. The tablets were deposited in the graves of both men and women, and they are inscribed with short poetic texts, mostly in hexameters, that offer promises of postmortem happiness. Scholarship on these objects has traditionally focused on the sacral and eschatological language of the texts and their underlying doctrinal structure. Past interpretations, and discussions of “Orphism” more generally, have relied on propositional definitions of “religion” that are centered on belief and on the scriptural authority of sacred texts rather than ritual or sensory experience. Following recent critiques of these models in general (and of their application to Orphic phenomena in particular), I consider the gold leaves in their social context as objects produced, handled, and disseminated by ritual performers. -
Defining Orphism: the Beliefs, the Teletae and the Writings
Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance. -
The Myth of MIDAS’ GOLDEN TOUCH
The Myth of MIDAS’ GOLDEN TOUCH BY ANASTASIA AMRHEIN, PATRICIA KIM, LUCAS STEPHENS, AND JANE HICKMAN Gold has been used to create objects of beauty across the ages, conferring a high level of status on those who own it. In some cultures, gold has spiritual and even magical qualities. As a raw material or manufactured object, gold also plays an important role in understanding ancient trade. Gold luxury objects and coins provide valuable evidence for cross-cultural contact and the social interaction of elites. At least as early as the beginning of the 2nd millennium BCE, Assyrian merchants were exporting gold from Asia Minor into Assyria and Mesopotamia, although it was only one commodity in a very complicated trade system that encompassed the entire Near East. Te merchants employed standard weights and measures and paid uniform tolls and taxes along well-traveled and guarded routes. By the late 7th century BCE, the kings of Lydia began to strike the first coins in electrum, a natural alloy of gold and silver, which revolutionized commercial exchange throughout the region. It is therefore not surprising that myths and An Apulian red-figure calyx krater (ca. legends have arisen related 330–240 BCE) depicts to the special qualities Jason bringing Pelias of gold, of which the the Golden Fleece. A “Golden Touch of Midas” is winged victory prepares to crown Jason. From probably the most famous the Louvre, Paris. example. Te earliest EXPEDITION Winter 2015 53 THE MYTH OF MIDAS’ GOLDEN TOUCH The Pactolus River was a source of gold in antiquity. © Archaeological Exploration of Sardis/President and Fellows of Harvard College. -
About Rivers and Mountains and Things Found in Them Pp
PSEUDO-PLUTARCH ABOUT RIVERS AND MOUNTAINS AND THINGS FOUND IN THEM Translated by Thomas M. Banchich With Sarah Brill, Emilyn Haremza, Dustin Hummel, and Ryan Post Canisius College Translated Texts, Number 4 Canisius College, Buffalo, New York 2010 i CONTENTS Acknowledgements p. ii Introduction pp. iii-v Pseudo-Plutarch, About Rivers and Mountains and Things Found in Them pp. 1-24 Indices pp. 24-32 Canisius College Translated Texts p. 33 i ACKNOWLEDGEMENTS The cover image is Jean-Antoine Gros’s 1801 painting “Sappho at Leucate,” now at the Musée Baron Gérard, Bayeux (http://www.all-art.org/neoclasscism/gros1.html, accessed June 10, 2010). Though Pseudo-Plutarch has men alone, not women (who choose the noose), fling themselves from precipices, the despair that supposedly drove Sappho to leap to her death from Mt. Leucate is a leitmotif of About Rivers and Mountains and Things Found in Them. Thanks are due to Andrew Banchich and Christopher Filkins for their assistance with a range of technical matters and to Ryan Post, who read and commented on drafts of the translation. ii INTRODUCTION In the spring of 2007, I suggested to four students—Sarah Brill, Emilyn Haremza, Dustin Hummel, and Ryan Post—the preparation of an English translation of ΠΕΡΙ ΠΟΤΑΜΩΝ ΚΑΙ ΟΡΩΝ ΕΠΩΝΥΜΙΑΣ ΚΑΙ ΤΩΝ ΕΝ ΑΥΤΟΙΣ ΕΥΡΙΣΚΟΜΕΝΩΝ, better known, when known at all, by its abbreviated Latin title, De fluviis, About Rivers. Their resultant rough version of a portion of About Rivers, in turn, provided the impetus for the translation presented here. However, while the students worked from Estéban Calderón Dorda’s text in the Corpus Plutarchi Moralium series, for reasons of copyright, I have employed what was the standard edition prior to Dorda’s, that of Rudolph Hercher.1 Only the ninth-century codex Palatinus gr. -
The Beginning of Time: Vedic and Orphic Theogonies and Poetics Kate Alsobrook
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Beginning of Time: Vedic and Orphic Theogonies and Poetics Kate Alsobrook Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE BEGINNING OF TIME: VEDIC AND ORPHIC THEOGONIES AND POETICS By KATE ALSOBROOK A Thesis submitted to the Department of Classics in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2008 The members of the Committee approve the thesis of Kate Alsobrook defended on December 3, 2007. ______________________________ James Sickinger Professor Directing Thesis ______________________________ Kathleen Erndl Committee Member ______________________________ John Marincola Committee Member ______________________________ Svetla Slaveva-Griffin Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables ..................................................................................................................... v List of Figures................................................................................................................... vi List of Abbreviations ....................................................................................................... vii Abstract.......................................................................................................................... -
Gregory of Nazianzus Five Theological Orations Translated
Gregory of Nazianzus Five Theological Orations Translated with an introduction and notes by Stephen Reynolds ©Estate of Stephen Reynolds 2011 The Rev'd Dr. Stephen Reynolds 1951-2011 ii This translation was produced for students in the well-known course “Three Personed-God”, which Stephen Reynolds taught in the Faculty of Divinity at Trinity College six times between 2001 and 2009. David Neelands, Dean of Divinity, Trinity College iii Table of Contents Introduction v The First Theological Oration, Preliminary Discourse 1 The Second Theological Oration, On Theology 13 The Third Theological Oration, On the Son, 1 45 The Fourth Theological Oration, On the Son, 2 71 The Fifth Theological Oration, On the Holy Spirit 97 iv Introduction REGORY of Nazianzus (330 – 389) has been treated as one of the brightest stars in the G firmament of the Christian tradition. The Orthodox name him “The Theologian”1 – a title they accord only one other, St John the Apostle and Evangelist – and honour him with two feast- days, January 25th and January 30th. The western Catholic tradition has ranked him among “the Four Doctors of the Eastern Church”2 and honoured him on May 9th. (When the Roman Catholic church revised its Calendar in 1969, Gregory was joined with Basil the Great in a single memorial on January 2nd.3) In spite of these accolades, Gregory has not received anything like the attention that western scholars have devoted to other ancient writers. This is especially true in the English-speaking world. Until recently, the only major modern study of Gregory in English is Rosemary Radford Ruether’s Gregory of Nazianzus: Rhetor and Philosopher (Oxford: Oxford University Press, 1969). -
Aletheia: the Orphic Ouroboros
Edith Cowan University Research Online Theses : Honours Theses 2020 Aletheia: The Orphic Ouroboros Glen McKnight Edith Cown University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Classics Commons, Philosophy Commons, and the Poetry Commons Recommended Citation McKnight, G. (2020). Aletheia: The Orphic Ouroboros. https://ro.ecu.edu.au/theses_hons/1541 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1541 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Aletheia: The Orphic Ouroboros Glen McKnight Bachelor of Arts This thesis is presented in partial fulfilment of the degree of Bachelor of Arts Honours School of Arts & Humanities Edith Cowan University 2020 i Abstract This thesis shows how The Orphic Hymns function as a katábasis, a descent to the underworld, representing a process of becoming and psychological rebirth. -
Thriving Community: Purpose 5
Lesson THRIVING COMMUNITY: PURPOSE 5 Revelation 3:1-6 (NIV) “To the angel of the church in Sardis write: “These are the words of him who holds the seven spirits of God and the seven stars. I know your deeds; you have a reputation of being alive, but you are dead. Wake up! Strengthen what remains and is about to die, for I have not found your deeds complete in the sight of my God. Remember, therefore, what you have received and heard; obey it, and repent. But if you do not wake up, I will come like a thief, and you will not know at what time I will come to you. “Yet you have a few people in Sardis who have not soiled their clothes. They will walk with me, dressed in white, for they are worthy. Whoever overcomes will, like them, be dressed in white. I will never blot out their name from the book of life, but will acknowledge their name before my Father and his angels. Whoever has an ear, let them hear what the Spirit says to the churches.” Part 1: Sermon Notes Introduction: Background: City of Sardis Sardis had a reputation about 700 B.C. as being the greatest city in the ancient world. It is probably what Ezekiel referred to as “Gog”(an ancient Hittite Kingdom). Cf. Rev. 20.8 Sardis was the former capital of the ancient kingdom of Lydia, known for its great wealth, its advanced skills in dyeing of delicate woolen textiles and for rug making. Sardis became skilled at purifying (and making an alloy of) gold and silver in coins thus creating a standard, so it is regarded as the place where coinage was invented. -
Orpheus and Orphism: Cosmology and Sacrifice at the Boundary
Orpheus and Orphism: Cosmology and Sacrifice at the Boundary Liz Locke An Interdisciplinary Prelude Knowledge is, in the final analysis, taxonomic, but a taxonomy that is allowed to merge with the object of study-which is reified so that it becomes a datum in its own right-must at best be stultifying. Were this not so, there would have been no intellectual change in human history. Thus, to see the particular reading of an ancient tragedy as refracted through a particular ideological prism, or to spell out the implications of a translator's vocabulary, syntax, and style-these things do not decrease our knowledge; they protect it. (Herzfeld 198359) I am fond of this passage by Michael Herzfeld because it points in so many directions at once. It points toward epistemology in that it asks us to examine the categorical taxonomies that underlie our assumptions about how we know what we think we know. It points toward cosmology in that it suggests that the world which produced ancient tragedy is still available to us as a precursive guide to our own sense of place in the universe. Epistemology, cosmology, and ideology have much in common: they attempt simultaneously to create and explain the bases from which we describe our knowledge of the world, of ourselves, and of the cognitive and social structures through which we circulate in the course of our lifetimes, our histories, and our projected futures. I am a folklorist because the study of folklore also points in so many directions at once. It recognizes that we cannot hope to understand much about our peculiar place in the universe without eventually taking all such questions into account. -
On the Origin of Specie
And now for something completely different::: On the Origin of Specie François R. Velde Atlanta WeberFest, Feb 2012 I multiple issuers I full range of denominations, precisely weighed I intrinsic content appears random and “information-sensitive” I no good theory, but the facts are still changing::: Introduction Motivation Motivation I coinage (canonical form of money) has been with us for 2600+ years I how did it get started? I it turns out that the circumstances are a little surprising ::: I my attempt at stylizing the facts: Introduction Motivation Motivation I coinage (canonical form of money) has been with us for 2600+ years I how did it get started? I it turns out that the circumstances are a little surprising ::: I my attempt at stylizing the facts: I multiple issuers I full range of denominations, precisely weighed I intrinsic content appears random and “information-sensitive” I no good theory, but the facts are still changing::: Introduction Outline 1. Introduction 2. Historical evidence 3. Physical evidence 4. Facts and theories 5. Conclusion Historical evidence The context The Context Historical evidence The context The Cities Historical evidence The context Historical evidence The context The Lydians I geography I inland region of Western Turkey centered on Sardis, at foot of Mount Tmolos, river Pactolus flowed through the city I history I Lydians had been living in the area around Sardis since at least 12th century BC I language related to Hittite, Luwian (Anatolian languages) I dynasty change: Gyges (680–644 BC) poλύχρυσος, -
On the Origin of Specie
On the Origin of Specie François R. Velde Federal Reserve Bank of Chicago August 15, 2013 Abstract Highly preliminary and incomplete. The first coinage arose in 7th c. Asia Minor. It presented a full range of denominations, produced with great precision of weight. But the content was highly variable: it was a natural mixture of gold and silver, which seems to have been diluted with silver. Why use what is in essence a lottery ticket to create the first circulating coinage? Existing explanations are found wanting. Data from late modern coin circulation indicates that the early electrum coins did circulate. 1 Introduction Coinage, which constitutes the canonical form of money, has been a part of human history for over 2600 years. It consists of metallic objects produced to a specific standard of weight, with a range of denominations, for use in transactions. It is also usually produced to a specific standard of fineness, so that the intrinsic content in metal is well-defined (although variations in the standard over time represents an interesting part of monetary history). Traditional, as well as modern, theories of money emphasize the importance of recognizability as a key feature of monetary objects. Yet the birth of coinage presents an interesting puzzle. The first coins, produced in Asia Minor in the 7th century BCE, were made of a material that was neither gold nor silver, but a mixture of the two, called electrum. Moreover, the mixture appears to have varied widely of the (relatively) short duration of this type of coinage, ultimately replaced with pure gold and pure silver coins.