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Jordan Schnitzer Museum of Art Annual Report 2011–2012  HER Suyoung (Korean, born 1972) My Cob 380130, 2011 Hanging scroll; ink on paper 66 7/8 x 311/2 inches Farwest Steel Korean Art Endowment Fund Purchase. © Courtesy of the artist Jordan Schnitzer Museum of Art

Annual Report 2011–2012 Director’s Report

Moving Our Mission Forward

Every year, the occasion to write our annual report offers me a respite from the daily life of the museum, what we are doing or need to do right away, to reflect on where we’ve been and where we hope our dreams and goals will take us. I begin with an inadequate word of thanks to all of you whose support made the past year so successful in so many ways. Your confidence and excitement about all we are doing are contagious. Your involvement broadens and deepens our museum “family” and recognizes the talents and expertise, vision and commitment of my staff.

Bridging Cultures The Jordan Schnitzer Museum of Art is home to an ever-growing collection of fine and decorative art representative of countries and cultures throughout the world, from ancient times to the present. Building cross-cultural understanding through the visual arts was a core value of our collections founder, Gertrude Bass Warner, and a key impetus for the donation of our collection of Pacific Northwest art by Virginia Haseltine. Warner’s belief—that art could build peace through the appreciation of other cultures—continues to be a guiding light for us today. 3

New acquisition in honor of Sekino Jun’ichirō (1914–1988) Japanese; Shōwa period Yoko Matsuoka McClain Woods, Oregon, 1974 Sōsaku hanga woodblock print; ink and color on paper, edition 94 of 138, 25 13/16 x 18 3/8 inches. Gift of Professor Sekino Junpei, Willamette University in memory of Professor Yoko Matsuoka McClain 4

For nearly eighty years, the museum collection focused almost entirely on East Asian, American (particularly Pacific Northwest), and Russian icons to connect cultures. More recently, we have chosen to broaden our collecting mission to acquire examples from the history of art throughout the world for the benefit of our teaching enterprise and to represent diverse cultures that reflect our country’s changing demographics. A few years ago, we learned that UO alumnus chemist Dr. Roy Neville (M.Sc., 1952, and PhD, 1954) intended to bequeath us his major collection of Old Master European art. Some of you may recall an exhibition of nine of these works, borrowed for a “Collecting and Museums” course taught by Professor James Harper and me that instructed students how to research provenance (the ownership of a work since its creation), condition, and curatorial value, while learning about the history of collecting and a museum’s changing roles through time. Dr. Neville passed away in 2007, and with the death of his wife, Jeanne, last year, we were honored to accepted fifty some works from the collection, paintings and prints that will forever change how we support the teaching of European art and history, while enhancing our visitors’ enjoyment and appreciation. Because we had no gallery dedicated to European art, we are in the process of making one. Our John and Ethel MacKinnon Gallery is being renovated to do just that. We plan to open a salon-style installation, drawn from the Neville Collection, as well as other European paintings and prints, before the end of December 2012. Other notable works entered our collection as well last year. The Osterkamps, whose daughter recently received her MA in art history from the UO, donated a group of gorgeous Piranesi prints. Four contemporary artworks by Yu-fen Qin, Han Ma, and Jim Riswold entered the collection thanks to the generosity of Seattle collectors Dennis Braddock and Janice Niemi. Through the Noyes bequest, we accepted a strong group of photographs and funding that, thus far, has enabled us to acquire two powerful works by Northwest artist Isaac Layman. Through funds dedicated to the Asian collection, we acquired the major painting Autumn Sacrifice by contemporary Korean artist Chun-yi Lee. Twenty-four creative Japanese 5

The JSMA honors the legacy of former UO President Richard Lariviere with this new acquisition.

For nearly fifteen years Peter Sarkisian has explored Peter Sarkisian, American (born 1965) Book 2, 2012 the spatial vernacular of video projection, creating Mixed media and video projection installations that question the role of video by Commissioned edition, unique in series Museum Purchase in honor of Richard engaging the viewer in unique tactile experiences. Lariviere, the 16th President of the Sarkisian’s multimedia installations lie at the University of Oregon (2009–11), with support from the Jordan Schnitzer intersection of film, video, and sculpture. With this Museum of Art Acquisition Fund and latest work, the artist pushes the medium further Susan Cox and F. Gregory Fitz-Gerald, Jill Hartz and Richard Herskowitz, Robert still, using cutting-edge 3D engineering and new H. and Sue Keene Malott, Hope Hughes materials to literally make his image crawl across Pressman, Bette and Dwayne Rice, Jordan Schnitzer, Christine and Chris A. the pages of a dictionary. Smith, and Yvonne and Charles Stephens 6

Danielle Knapp, the JSMA McCosh Fellow Curator, studied this work when she was a graduate art history student and the museum borrowed a selection from the Neville Collection for a “Collecting and Museums” seminar taught by Professor James Harper and JSMA Executive Director Jill Hartz. She writes:

This lovely Madonna of the Cherries comes from the studio of Joos van Cleve, a Flemish master whose portraits and devotional works combine the characteristic detail of the Netherlandish technique with the strong influence of the Italian Renaissance style. The composition, which follows a prototype by Leonardo da Vinci’s student Giampietrino (Italian, 1495–1549), was repeated several times by van Cleve and his studio assistants as they satisfied the demands of the rising bourgeoisie of Antwerp, one of the wealthiest European trade centers of the day. The cherries held by the Christ child were symbolic of the fruits of paradise and the sweetness of character of those who performed good deeds. Such symbolism provided the devout with a captivating image to associate with the teachings of the Church.

We are deeply honored that so many of the beautiful works in the Neville Collection will be instrumental in teaching European art and furthering the enjoyment of our visitors. Thanks to the Nevilles’ monetary bequest, we are able to care for this collection by repurposing a collections management space in our facility into state- of-the-art collections storage, renovate the beautiful John and Ethel MacKinnon Gallery to show these works, and hire June Koehler (Art History MA and Museum Studies Certificate, 2012) as a one-year “extern” to research the works and design the installation.

Studio of Joos van Cleve (Flemish, c. 1485–1540/41) Madonna of the Cherries, n.d. Oil on panel, 26 1/2 x 20 inches Gift of the Estate of Roy and Jeanne Neville 7 8

prints by Jun’ichirō Sekino, one in honor of Yoko McClain, were welcome gifts. Friends and colleagues of former UO president Richard Lariviere made possible the acquisition of Book II by the video artist Peter Sarkisian (page 5). Thanks to grants from the Sumitomo Foundation and the Korea National Research Institute of Cultural Heritage, four of our Japanese paintings and our Ten Symbols of Longevity Korean screen were conserved. Chief curator Anne Rose Kitagawa couriered the Korean screen to its conservation laboratory outside Seoul and joined me this fall with a delegation of museum supporters who visited Korea in October, when the work was featured in a special exhibition at the National Palace Museum. We continue to benefit from our “Masterworks on Loan” program. Paintings by William Adolphe Bourguereau, Urs Fischer, Pablo Picasso, George Rouault, Peter Saul, and Frank Stella, among many others, immeasurably strengthened our teaching mission and offered our visitors opportunities to enjoy some of the finest paintings in the world.  The special exhibition of Xiaoze Xie’s 9 beautiful paintings, scrolls, mixed media works, and videos explored the impact of the Cultural Revolution and its aftermath on China and the world today.

Xiaoze Xie (Chinese, born 1966) Order (The Red Guards), 1999 Acrylic on paper, automobile lacquer on steel, wood, 125 x 213 x 30 inches Collection of the artist. © Courtesy of the artist

 Organized by Armando Morales, a teacher at Oak Hill School, with extensive support from UO students and members of our community on and off campus, Día de los Muertos has grown into a two-day celebration, bringing more than 400 people, who, with their families mark the celebration, make art, and tour the galleries.

Engaging Community To remain relevant, our museum must be responsive to the changing demographics of our region—particularly our growing Latino population and the increasing number of Asian students on campus—and the serious lack of arts education in our state’s public schools. The museum builds on a strong foundation of diversity initiatives, thanks to both university and state grants. These include multi- language interpretation through gallery flat screens and didactics, Guide by Cell commentaries, receptionists’ language fluency, special exhibitions, collections acquisitions, and programs like Día de los Muertos (on site) and Fiesta Latina and Asian Celebration (off site). Our diversity program garners state and federal grants to expand on site and online arts curricula, using collection images, mobile ArtsAsia kits, teacher training workshops, ArtsBridge students, and school-based “Thinking Through Art/Visual Thinking Strategies” approaches. This year, we made good progress in building and diversifying our museum family. We received a selection of works by the late Cuban artist Emilio Sanchez 10

and a Mexican portfolio of photographs from the Chiapas Photography Project, with funds benefiting Chiapas’ plans for arts instruction, community-based photo projects, and traveling exhibitions of Mayan photography. Partnering with the Center for Latin American Studies, we presented a powerful exhibition of work by David Maawad, a Mexican artist, whose black-and-white photographic essay examined the environmental effects of mining on Mexican land and its people. We also continued, through our collections galleries, special exhibitions, public programs, and academic support to strengthen our offerings in American and Asian art, including two fascinating but very different exhibitions of Chinese contemporary art—one playfully in dialogue with Western pop culture, the other a thoughtful, nostalgic, troubling examination of Chinese history since the Cultural Revolution in beautiful paintings and provocative videos and installations by Xiaoze Xie (page 8). Singaporean alumnus Russel Wong bridged cultures himself in his portraits of Hayward Field athletes and Western and Asian movie stars. Visions of the Orient, too, crossed cultures, presenting images, many from our own collection of Asian by four Western women artists. Danielle Knapp, completing her second year as McCosh Fellow Curator, opened the summer season with the first-ever major exhibition of McCosh’s early work, including a catalog that adds immeasurably to our understanding of his career. Comics journalist Joe Sacco’s Safe Area Goražde: The War in Eastern Bosnia 1992–1995 continued the museum’s interest in comics as an art form and underscored the challenges we have in creating a more peaceful world. In conjunction with Cinema Pacific, our Schnitzer Cinema series featured a special installation of Night Hunter House by Stacey Steers. We partnered with Eugene Opera by presenting historical photographs related to its production of Nixon in China and closed the year with a heartfelt tribute to Arlene Schnitzer, collector, gallerist, and tastemaker of the Pacific Northwest. We supported the Athletics program in presenting a decathalon exhibition in the museum, a show of student athletes’ art, and a Hayward field photography show at the airport in conjunction with the Olympic trials. 11

UO alumnus Russel Wong’s exhibition The Big Picture Russel Wong (Singaporean, was one of the high points of our year. Wong visited born 1961). Gong Li, “Curse of the Golden and generously gave of us time to share the stories Flower,” China, 2006 Pigment print, 20 x 30 inches inherent in his work as well as his personal journey Gift of the artist from Singapore to UO to become the internationally © Courtesy of the artist acclaimed photographer he is today. 12

As the fiscal year came to a close, we learned that we were awarded a Cultural Trust grant from the state that is dedicated to creating a strategic plan to build Latino participation in the museum. We look forward to sharing the results of this exciting opportunity with you in next year’s report.

Learning Together University museums have a very special mission: they are the training grounds for future museum and art world professionals, collectors, and patrons. They are instrumental in creating an appreciation and respect for cultural diversity and play a critical role in graduating thoughtful, curious adults and g lobal citizens. For many students at the University of Oregon, the Jordan Schnitzer Museum of Art may be their first experience with a museum. As a teaching museum, the JSMA’s mission begins with our youngest members, whose families bring them for age-appropriate fun learning experiences. It continues through after-school and summer camp programs, school field trips, and art-making workshops. It happens in schools that adopt Visual Thinking Strategies and the JSMA’s “Thinking Through Art” programs, which build critical thinking and creative skills that strengthen knowledge acquisition in all areas. And it enriches seniors who value learning and the role that museums play in the intellectual, cultural, and social life of their communities. Academic museums are on the forefront of learning. We explore new ideas generated by faculty and experiment with new ways of presenting and interpreting them. We provide meaningful opportunities for engagement off site, often partnering with community organizations, including our libraries and arts presenters, as well as museums throughout the country that take our shows. As leading members of our national museum associations, we develop museum studies curricula and strengthen the value of museums at their academic institutions. Through teaching, presentations, publications, and online avenues, we present our research, train new generations, and model new practices. 13

Young artists enjoy our Family Days, after-school workshops, and summer camps, as well as our new ArtPacks, made possible by Bank of America Foundation.

Our service to faculty and students at the university continues to grow and deepen. In January, we opened The Long Now, a survey of current work by Department of Art faculty. Stamatina Gregory, a New York-based independent curator, organized the show and its accompanying publication. The same faculty accepted our offer to select and write about works from our own collection in Art Faculty Selects in the adjoining Focus Gallery. We were successful in creating an Academic Support Grant program with funding provided by the museum, the School of Architecture and Allied Arts, and the College of Arts and Sciences, all of which was matched by the Provost and University Relations. Faculty in A&AA and CAS have been invited to submit grant proposals that support curricula and research through their use of the museum. We anticipate awarding grants averaging $3,000 for projects in the next fiscal year. Thanks to grants from the Oregon Arts Commission, the U.S. Department of Education Title VI program (in partnership with the Center for Asian and Pacific 14

Studies), and member support, we expanded our ArtsAsia curricular initiative to more schools in the state, teaching teachers how to make art and incorporate our Asian collections into their academic curricula. Both director of education Lisa Abia-Smith and Lauren Suveges, museum educator, worked closely with the UO Center for Applied Second Language Studies and the Oregon International Internship Program to teach visiting Chinese students how to teach art-based lessons in the public schools. We hosted the Oregon Art Education Association Conference, including the presentation of works by artist-educators and a workshop on stencils, collage, and watercolor. Our Fill Up the Bus program completed its third year, offering much-needed support to schools throughout our state, who come to the JSMA for field trips that combine tours and studio activities. University students gained first-hand experience in many areas of the museum this year, including collections care and prep work, education, marketing, curation, events, and administration. Abia-Smith worked closely with a group of students to create Art of the Athlete, an exhibition in our Education Corridor Galleries, featuring surprising, thoughtful, and poignant work in a range of media by university athletes. Graduate students in Professor Phaedra Livingstone’s museum studies course organized the intimate exhibition Through Her Lens: Gertrude Bass Warner’s Vision of Asia, in dialogue with the larger Visions of the Orient show, and Faith Kreskey, a Laurel Intern and art history graduate student gave us an exhibition and interactive floor game of E-suguroku, timed in conjunction with a major Japanese art symposium featuring faculty, student, and curator presentations. Students worked closely with Lawrence Fong, curator of American and regional art, on our two Schnitzer Gallery exhibitions, Birds and Flowers and Provenance: In Honor of Arlene Schnitzer. With Fong’s retirement in June, we allocated his salary temporarily to two one-year positions for recent MA art history graduates. Over the summer we hired two “externs”—Han Zhu (Asian art) and Jessi DiTillio (Western art and exhibition coordination)—thus extending our vision of what a teaching museum can be. A third extern, June Koehler, was hired as well with support from the Neville bequest. 15

Provenance: In Honor of Arlene Schnitzer closed the year in our Schnitzer Gallery. The first exhibition to feature works from Schnitzer’s personal collection, Provenance was organized by Lawrence Fong, curator of American and regional art, with the assistance of Danielle Knapp, McCosh fellow curator, Hope Pressman, Arlene Schnitzer, and Jordan and graduate students Jeffrey Carlson, Jessi DiTillio, Schnitzer enjoy the Patron Circle reception for Provenance: In Honor of Arlene Schnitzer on and Anne Taylor. May 11.

Sustaining our Future Museums are great beneficiaries of the public’s trust and as such, are dedicated to serving an increasingly diverse public in traditional ways and through new partnerships that advance our communities’ needs. While building a foundation for tomorrow, museums must be flexible institutions, ready and eager to adapt to changes in our social fabric and educational goals and delivery. Such factors as technology, energy use, best practices, university priorities, and facility and staff growth are critical to our present and future health. Instituting practices that assure community responsiveness and growing philanthropic support are the pillars of sustaining our future. 16

Executive Director Jill Hartz honored Lawrence Fong, curator of American and regional art, at his retirement party in June. “We are immeasurably in Larry’s debt for all he’s accomplished during his tenure at the museum,” says Hartz. “From building the collection, organizing very special exhibitions, and mentoring students, Larry is the model of an academic curator. Fortunately, he will continue to help us as a member of our Collections Committee and as a guest curator.”

The JSMA Leadership Council is one of the pillars of our sustainable practice. Composed of alumni and friends, faculty and students, our Council is, as stated in its charter, “the primary advisory body with a goal of ensuring the artistic quality, educational integrity, and financial strength of the Museum, and serving as one of the custodians of a public trust of the Museum and its functions that promote excellence and sustainability.” As President of the Council for the last two years (and vice president for the previous two), Greg Fitz-Gerald was selfless in his dedication to the museum, its mission, and this director. The JSMA thanks him for his exemplary service and welcomes Chris Smith, our most recent vice-president, as incoming president. We also thank four members who have completed their terms of service but remain engaged in other capacities: Ina Asim, Sue Keene Malott, Hope Pressman, and Dom Vetri. We mourn the loss of Connie Huling, a former president and great friend of the museum. Gourmet Group II organized “Art in the Attic,” a sale of fine and decorative art to benefit the museum. Held in Oakway Center on August 24, 2011, the event drew attention to the museum and raised funds for our educational programs; its success led to even greater results in summer 2012. 17

We were honored to present Maggie Gontrum with our fourth Gertrude Bass Warner Award, given to a volunteer for exceptional service to the museum. As a docent and Exhibition Interpreter, Ms. Gontrum has inspired her colleagues as well as students of all ages. The year closed with great anticipation for Lynda Lanker’s Tough by Nature: Portraits of Ranch Women and Cowgirls of the American West, made possible with support from the Ford Family Foundation and many tough (and wonderful) women. The year also closed with mixed feelings, as we celebrated the achievements of Lawrence Fong on the occasion of his retirement. Larry’s breadth of knowledge about American and Pacific Northwest Art, his vast contacts in the field, and his appreciation and championing of artists are exemplary, but even more than that, his kindness, generosity, friendship, and mentorship of students and staff are irreplaceable. One saving grace is that he will continue to be involved in exhibition projects and our Collections Committee! Energy savings, more efficient organizational management, and budget refinements all contributed to strengthening the museum’s sustainability. Our participation in a Department of Energy/Gateway study on LED lighting for museums (with the Getty and the Smithsonian) gained visibility at an international Lightfair conference in Las Vegas. Our Action Team model for building engagement, focusing on major exhibitions and other projects, continues to be one of our most successful strategies. Planned facility renovations—moving our carpentry shop offsite, creating a new collections storage area in the basement, and planning for more front-of-the-house renovations to better serve our visitors—are well underway. And as I began, I offer a final thank you to you, our members and donors. Through your membership and annual fund gifts, major gifts and bequests, donations of art, in-kind support, and advice and encouragement, you make this museum matter today and help us immensely as we plan for a sustainable tomorrow.

— Jill Hartz, Executive Director 18 David McCosh (American, 1903–81) L’Aquarelliste (Painting of Francis Chapin), circa 1928 Oil on canvas 23 1/4 x 19 1/4 inches Gift of Anne K. McCosh

The Making of David McCosh: Early Paintings, Drawings, and Prints (July 23– September 4), curated by McCosh Fellow Curator Danielle Knapp, explored the artist’s formative years in the Midwest before he joined the art faculty of the University of Oregon in 1934. Important works from the permanent collection of the JSMA and the McCosh Memorial Collection were accompanied by select loans from the Smithsonian American Art Museum, Cedar Rapids Museum of Art, Wayne State University Art Collection, and private collectors.

David McCosh’s keen powers of observation, skill in oil painting, watercolors, lithography, and drawing, and interest in color and light were instrumental in his development as an artist. This portrait of Art Institute of Chicago classmate Francis Chapin (American, 1899–1965), painted during a scholarship trip to Europe, shows the aquarelliste (watercolorist) in action. McCosh gave viewers the vicarious pleasure of peering over Chapin’s shoulder to see his work in progress. 19

Jordan Schnitzer Museum of Art

Programs, Collections and Honor Roll 2011–2012 20 Our Vision for the JSMA Vision • We find collaborative opportunities on- and off-campus that make the We will become one of the finest Museum central to learning and university art museums in the world. build diverse audiences.

Belief Key Strategies We believe that knowledge of art Programs enriches people’s lives. The Museum presents stimulating, innovative and inclusive programs Mission and exhibitions that enhance the academic curriculum, emphasize cross- The Jordan Schnitzer Museum of Art cultural understanding, provide broad enhances the University of Oregon’s education experiences, and support academic mission and furthers the collaborative and interdisciplinary appreciation and enjoyment of the opportunities on- and off-campus. visual arts for the general public. Ongoing evaluation measures how effectively the Museum’s program Our Constituents goals are being realized. The Museum’s primary constituents are the University of Oregon’s students, Collections faculty and staff as well as regional The Museum collects, preserves, residents and visitors. Our varied studies, exhibits, and interprets works activities extend our service to an of art for the benefit of the University even wider audience of scholars, of Oregon curriculum and for the artists, collectors, critics, and museum enrichment of the general public. The professionals. JSMA is dedicated to strengthening its Chinese, Japanese, Korean, American and Pacific Northwest art collections Guiding Principles and to acquiring fine examples from • The museum experience enriches the history of art, from earliest times people’s lives. to the present, representing cultures • We contribute to the education of throughout the world. university students and help them become culturally competent global Research & Publications citizens. The Museum supports high-quality • We recognize our visitors’ different research on its collections and learning styles and the needs of programs by its staff, University of a multigenerational and diverse Oregon faculty, students and others audience. who use its resources. Research is • Our visitors have enjoyable museum made accessible through teaching, experiences that make them want to exhibitions, programs, publications, return. and online. • Our collections, programs, and research are of the highest quality. • We follow the highest ethical, academic, and professional standards. 21

Funding & Development and work areas are clean and Ethics, Academic & Professional The University allocates funds for maintained at the highest standard Standards staff, operations, security, and facility possible and that detailed condition The Museum, its employees, and maintenance to the greatest extent reviews and reports are completed on volunteers adhere to the highest possible. a regular basis. academic, ethical, and professional standards of the University and the The Museum raises revenue for Risk Management American Association of Museums all programs not covered by the in all that they do on behalf of the The Museum develops, implements, university’s general fund from diverse Museum. This commitment is realized and monitors preventative measures sources, including earned income, in the Museum’s commitment to and intervention plans and maintains individuals, foundations, corporations, maintaining its accreditation from the and local, state, and federal grants a comprehensive security program American Association of Museums. agencies. The Museum is committed for minimizing risk to the collections, to a balanced budget model. human life, and the Museum facility at all times, during regular operations Leadership Council & Support Groups The Leadership Council is a key and from unexpected threats and The Leadership Council serves as support group, raising money and emergencies. the Museum’s primary advisory and advocating for the Museum. fundraising body of volunteers and Management & Governance helps to ensure the Museum’s artistic quality, educational integrity, and Communications & Marketing The Museum employs strong, financial strength. Museum members, Internal communications are competent leadership that is financially Exhibition Interpreters, and other proactive, direct, and honest, aiming prudent, encourages achievement, support groups are integral to the for transparency and inclusivity by and measures performance against Museum’s ability to fulfill its mission. and among all University of Oregon standards of excellence. The staff and volunteers. External university’s administration and the communications represent the full Museum’s Leadership Council are range of Museum functions and supportive and informed advocates of services and are proactive, direct, and the Museum. engaging, while delivering a clear, consistent message. The Executive Director and senior staff are responsible for developing, implementing, reviewing, and revising Visitor Experience the long-range plan with input from The Museum aims to provide the Museum’s constituents, including consistently high-quality programs the Leadership Council. and customer service that enhance visitors’ on-site and online Human Resources experiences, leading to ongoing engagement with the Museum. The JSMA employs and trains competent staff and volunteers who strive for excellence. The Facilities Museum supports diversity training The Museum performs effective and and professional advancement efficient maintenance for the overall opportunities for its staff and care of the Museum facilities, including volunteers and provides training following preventative maintenance opportunities for students interested in schedules, conducting timely the museum profession. The Museum HVAC/mechanical and equipment follows the university’s human inspections, and other related work. resources procedures, including annual The Museum ensures that exhibition evaluations. 22

The Making of David McCosh: Archives,” gallery discussion with Early Paintings, Drawings, Cynthia Brokaw, book historian, Brown Programs & and Prints University; Bryna Goodman, executive director, UO Confucius Institute, and July 23–September 4, 2011 Exhibitions professor of history; and Anne Rose Curated by Danielle Knapp, McCosh Kitagawa, JSMA chief curator. Fellow Curator October 26, A Spotlight on UO Sponsored by the David and Anne Student Programs in China, featuring Kutka McCosh Memorial Endowment presentations by Doug Blandy, July 22, Opening Reception associate dean for academic affairs, School of Architecture and Allied Arts, July 23, Curator’s Talk by Danielle and professor, Arts & Administration Knapp (AAD), and John Fenn, assistant July 27, “When Tillage Begins: The professor, AAD (Public Culture and Stone City Art Colony and School,” Heritage Beijing Field School), with lecture by Kristy Raine AAD students; Paul Swangard, August 17, “The Making of Anne managing director, Warsaw Sports McCosh,” lecture by June Koehler, UO Marketing Center, Lundquist College graduate student in art history of Business (Engaging Asia MBA study August 24, Joe Manis Trio concert tour to Beijing and Shanghai); Amy Harter, Chinese Flagship coordinator with Flagship students; and Shun Xiaoze Xie: Amplified Moments, Yanagishita, Study Abroad Program 1993–2008 coordinator, International Affairs. September 24–December 31, 2011 November 9, “Architecture/Cultural Curated by Dan Mills, director, Bates Memory,” lecture by Suenn Ho, Urban College Museum of Art, and organized Designer at MulvannyG2 Architecture, by the Samek Art Gallery, Bucknell and UO adjunct professor, Portland University Program for Urban Architecture Sponsored by the Coeta and November 18, History of the Book Donald Barker Changing Exhibitions Knight Library Tour with Ina Asim, Endowment Fund, the William C. UO Professor of History, and staff Mitchell Estate and JSMA members from University Archives and Special September 30, Opening Reception Collections. October 1, Artist’s Talk by Xiaoze Xie and Gallery Tour with curator Dan East/West: Visually Speaking Mills, co-sponsored by the Oregon October 1, 2011–January 15, 2012 Humanities Center Organized by The Paul and Lila October 4, “Chinese Art: From Mao Hilliard University Art Museum at the to Now,” lecture by Richard Kraus, University of Louisiana, Lafayette Professor Emeritus of Political Science Sponsored in part by the Jordan October 12 and November 16, Schnitzer Museum of Art Operating Exhibition Mini-Tours in English and Endowment Fund and JSMA Members Chinese led by graduate students Han Zhu and Hui Fang Birds and Flowers October 19, “Traditional Chinese August 23, 2011–April 1, 2012 Medicine: A Living Art Form,” lecture by Dr. Heiner Fruehauf, founding Organized by Jeffrey Carlson and professor of the School of Classical Megan Ampe, Art History graduate Chinese Medicine at the National students College of Natural Medicine, Portland October 8: Curators’ Talk by Ampe and October 21, “Survival and Memory: Carlson Chinese Texts in Art, Attics and 23

Safe Area Goražde: The War In Circular Journeys, Leaping Play, Foundation, Pat Harris Noyes Bequest, Eastern Bosnia 1992–1995 The World of 19th Century and William C. Mitchell Estate November 1, 2011–February 5, 2012 Japanese Chutes & Ladders April 18, Night Hunter: The Animated Films of Stacey Steers, with guest Curated by Lawrence Fong February–March 2012 filmmaker Stacey Steers November 2, “Comics as Journalism,” Curated by Faith Kreskey, Art History April 20, Opening Reception lecture by Joe Sacco graduate student

The Long Now NewArt Northwest Kids: Russel Wong: The Big Picture Global Connections April 21–August 19, 2012 January 21–April 8, 2012 February 7–May 13, 2012 Support by the Office of the President Organized by Stamatina Gregory, independent curator April 28, Reception April 20, Exhibition preview reception Sponsored by The Coeta and April 21, Artist’s talk Donald Barker Changing Exhibitions Nixon in China Endowment Fund, the William C. February 19–March 18, 2012 Visions of the Orient: Western Mitchell Estate, JSMA Members, and Co-sponsored by the UO Confucius Women Artists in Asia, 1900– the School of Architecture and Allied Institute, the Department of Arts and 1940 Arts Administration, Eugene Opera and April 21–June 18, 2012 January 20, Opening Reception The Oregon Humanities Center’s Curated by Professor Kendall Brown, Endowment for Public Outreach in the January 21, Curator’s talk by Stamatina California State University, Long Beach, Arts, Sciences and Humanities Gregory and organized by the Pacific Asia February 1, Artists’ talks by Carla February 19, Opening Reception Museum with the Jordan Schnitzer Bengston, Kartz Ucci, Colin Ives and March 11, Lecture Museum of Art Dan Powell March 12, Panel discussion Supported by the E. Rhodes and Leona February 15, Literary reading by Garrett B. Carpenter Foundation, the Los Hongo David Mawaad: Resplandor de Angeles County Arts Commission, and February 22, Baroque chamber music Roca/Shining Rock the International Fine Print Dealers concert with Marc Vanscheeuwijck Association April 3–29, 2012 February 29, Artists’ talks by Michael April 20, Opening Reception Co-sponsored by the Americas in a Salter, Donald Morgan, Charlene Liu, May 6, Curator’s talk Globalized World Initiative, the Oregon Tannaz Farsi, and Sylvan Lionni Humanities Center Endowment May 23, Lecture, “Modern March 7, Artists’ talks by Laura for Public Outreach in the Arts, Enchantment: China and the Graphic Vandenburgh, Surabhi Ghosh, Sara Sciences, and Humanities, the Latin Artists Elizabeth Keith and Bertha Lum, Krusoe, and Terri Warpinski American Studies Program, the Center 1900s–1930s,” by Lisa Claypool April 4, Double Tide, film screening and for Latino/a and Latin American June 6, Lecture, “Korean Contacts with Skype dialogue with filmmaker Sharon Studies, the Office of International Europeans in Beijing and Western Lockhart Affairs, the Global Oregon Initiative, Inspiration in Early Modern Korean Art,” the Departments of Art History, April 11, Literary readings by Ehud by Burglind Jungmann Comparative Literature, English, Ethnic Havazelet and Daniel Anderson Studies, and Romance Languages, Through Her Lens: Gertrude Bass June 1, Faculty Woodwind Trio Academic Affairs, Portland, and the Warner’s Vision of Asia “Snowed Out” College of Arts and Sciences April 28–June 20, 2012 April 25, Artist’s talk Art Faculty Selects Organized by Professor Phaedra Night Hunter House Livingstone’s graduate museum January 21–April 8, 2012 studies class April 18–June 19, 2012 Organized in conjunction with The May 2, Curatorial panel Long Now Co-sponsored by the Cinema Pacific film festival Artist Project Space made possible with support from The Ford Family 24

Painted Play: Rinpa and Ukiyo-e Schnitzer Cinema May 31, Lecture, “Joseph Needham Scrolls from the Simmons October 12, Women! Art! Revolution!, (1900–1995), from Science to Science Collection followed by Skype dialogue with B. and Civilisation in China,” by Dieter Kuhn May 5–Summer 2012 Ruby Rich, feminist film scholar and critic, and professor at University of Curated by Dr. Sandy Kita, senior California, Santa Cruz The Art of Wine: A Passport to scholar, Chatham University, Culture Pittsburgh, PA November 16, The Woodmans, followed by Skype dialogue with director Scott August May 5, Japanese Painting Colloquium Willis with Sandy Kita and Kendall Brown Sponsored by the Oregon Arts December 7, The Ballad of Genesis and Commission and the National Provenance: In Honor of Arlene Lady Jaye, followed by Skype dialogue Endowment for the Arts, a federal agency, and a Lane County Tourism Schnitzer with director Marie Losier February 8, Unfinished Spaces, followed Special Projects Grant, the JSMA, in May 12–September 16, 2012 by Skype dialogue with filmmaker partnership with the South Willamette Organized by Lawrence Fong and Alysa Nahmias Wineries Association and Eugene Danielle Knapp with graduate students artist Robert Canaga, organized events March 14, Black Maria Film Festival, Jeffrey Carlson, Jessi DiTillio, and Anne throughout the month, including a followed by Skype dialogue with Taylor dinner with winemakers, wine tastings, festival director John Columbus a winery-inspired art exhibition by Supported by Arlene Schnitzer/ May 9, The Mill and the Cross Robert Canaga, and a kick-off at the The Harold & Arlene Schnitzer CARE Travel Lane County Adventure Center. Foundation, the William A. Haseltine Museum of Art Endowment of the Arts, Winery partners: Abbelone Vineyards, and JSMA Members Other programs Brigadoon Wine Co., Capitello Wines, Chateau Lorane Winery, Domaine May 12, Artists’ panel with Mel Katz October 29, UO Lectures on Meriwether, High Pass Winery, Iris and Lucinda Parker Japanese Art Vineyards, J. Scott Cellars, LaVelle June 1, “Making Provenance” gallery October 30 and November 1, Día de Vineyards, Patchwork Cellars, Pfeiffer talk by Carlson, DiTillio, and Taylor los Muertos; co-cponsored by Oak Hill Winery, Saginaw Vineyard, Sweet School in conjunction with MECha and Cheeks Winery, Territorial Vineyard & Art of the Athlete Adelante Sí Wine Company and South Willamette May 30–September 30 November 4, Faculty and Staff Open Winery Association May 30, Reception House Outreach at the Eugene Public November 11, Chamber Music on Tough by Nature: Portraits of Campus concert presented by students Library Cowgirls and Ranch Women of in the UO School of Music and Dance. January 11–13, Storytime and art the American West November 30, Tour of Japanese Art activities, led by Lauren Suveges and Debbie Williamson-Smith, with a slug July 1–September 9, 2012 December 10, Family Day theme for the Eugene Public Library’s June 30, Opening Reception March 9, Chamber Music on Campus Downtown, Bethel, and Sheldon concert presented by students in the branches Museum After Hours UO School of Music and Dance. January 15, Outreach activity (“The Sposnored by Northwest Community April 14, Midnight in Manhattan, Hole Story”), led by Sharon Kaplan, for Credit Union, McKenzie River Slug Queen Holly GoSlugly’s (aka families at the Eugene Public Library’s Broadcasting, Kendall Lexus, and Debbie Willamson-Smith) gala benefit Sunday Funday Ninkasi featuring Satin Love Orchestra March 18, Altered book workshop for September 23: Eleven Eyes May 5, Willamette Valley Music Festival families at the Eugene Public Library’s Sunday Funday, led by Sharon Kaplan November 18: Jessie Marquez May 16, Chamber Music on Campus June 8: Halie Loren May 20, Comparative Literature Department’s NOMAD Undergraduate Conference 25

ARH 488/588 “Japanese Prints” Allen Hall Advertising Akiko Walley October 9 Fall 2011 Meeting

ARH 199 “College Connections” COLT 199 “Intersections of Academic Use Akiko Walley Expression” Fall 2011 Leah Middlebrook Students in “Religious Objects as October 13 Icons” Freshman Interest Group, which Sharon Kaplan led guided tour for a bridges an art history class taught by Freshman Interest Group linking Art Walley and a religious studies course History and Comparative Literature; taught by Mark Unno students worked on writing assignment. AAD 199 “Writing for Art: Art of Writing” ARH 199 “Buddhism Through Art” Lisa Abia-Smith Ben Brinkley Visual Thinking Strategies and writing October 18 strategies for students who wanted Instructor-led gallery activity to gain critical thinking skills and improve their writing skills. The course HC 199H “The Worldly Platypus: took place in the art museum and Get Involved and Make a Difference assignments and projects centered Locally and Globally” around works of art on display. Roxann Prazniak October 19 AAD 430/530 “Youth Arts Curriculum Lisa Abia-Smith led guided tour. Methods” Lisa Abia-Smith EDST 199 “Sorting Hat FIG” Winter 2012 Mike Garling October 20 Oregon Writers Project Sharon Kaplan led guided tour for Peggy Marconi Freshman Interest Group connecting June 22 courses in sociology and education. Sharon Kaplan led a creative writing gallery activity for 16 teachers J 611 “Mass Communication and Society” ARTR 347 “Intaglio Printmaking” Scott Maier Allison Hyde October 20 June 22 Sharon Kaplan led guided tour of Danielle Knapp assisted with viewing Amplified Moments print in the Gilkey Center ARTR 348 “Screen Printing” ARH 349 “History of Prints” Tallmadge Doyle Joby Patterson October 25 June 21 and 29, Anne Rose Kitagawa, Viewed art with collections staff Gretchen Ranger, and collections intern Samantha Hull assisted with United Academics viewing of prints from the collection. October 26 Presentation Division of Undergraduate Studies September 25 Creative Writing Program Convocation luncheon November 3 Literary reading Art Department September 30 IARC 204 “Introduction to Interior Visiting artist Xiaoze Xie and visiting Design” curator Dan Mills participated in Kyuho Ahn critiques with MFA students November 9 Students conducted Blue Path ART 333 “Drawing II” accessibility study with volunteers from Wendy Turchan Lane Independent Living Alliance. October 6 Course assignment 26

ARH 209 “Japanese Art History” ARH 510/410 “Hindu and Buddhist ARH 353 “Modern Art” Akiko Walley Art – S. Asia” Joyce Cheng November 9 Isabella Nardi January 22 Studied art in Japanese art galleries December 1 Course assignment Viewed art; instructor-led visit to ARH 359 “History of Photography” galleries ANTH 430 “Balkan Society & Kate Nicholson Folklore” November 9 CHN 420 “Inter Language Strategies” Carol Silverman Course assignment Yuri Yuan Liu January 24 10/26 & 11/2 Visited Sacco exhibition ART 131 “Introduction to Drawing” Instructor-led activity in Amplified (LCC) Moments ARTD 413 “Emerging Technologies” November 9 Colin Ives Course assignment Philosophy Department January 25 November 12–14 Instructor-led visit in The Long Now J 463 “Writing for the Arts” Ethics in the Americas conference November 9 ART 612 “Graduate Critique” Course assignment Oregon International Internship Amanda Wojick Program January 25 SPAN 303 “Expresiones Artísticas” Yifang Zhang Instructor-led visit in The Long Now Juanita Deveraux Students worked with Lauren Suveges November 11 to develop object-based curriculum, ART “Watercolor” & “Intermediate Sharon Kaplan and Adrian Levick led following session with Lisa Abia-Smith. Drawing” (LCC) tours of Amplified Moments. Prof. Doug Blandy, AAA, presented on Satoko Motouji ChinaVine. January 26 AAD 408/508 “Interpreting Museum Course assignment Exhibits” VP for Research and Innovation Alice Parman December 14 ART 233 “Drawing I” November 12 Office of Technology Transfer event Wendi Turchan Instructor-led gallery activity January 31 ART (LCC) Sketched in galleries ART 111 “Introduction to Visual Kathleen Caprario Arts” (LCC) December 14 J 460 “Top Design for Media” Hannah Dillon Instructor-led visit Bill Ryan November 13 February 1 Course assignment AAD 199 “Artistic Exhibition of Writing assignment on artwork Science” HIST 339 “Women and Gender” Julie and Robert Voelker-Morris AAD 252 “Art and Gender” April Haines January 12 February 1 November 23 Instructor-led visit to Birds and Flowers Course assignment Course assignment ARH 205 “Survey of Western Art” ART 415/515 “Video Art/ MUL 212 “Digital Imaging” (LCC) James Harper Experimental Film” November 26 January 12 Kartz Ucci Course assignment Course assignment February 1 Instructor-led visit of The Long Now REL 199 “College Connections” AAD 251 “Art and Visual Literacy” Mark Unno David Turner ARTC 255 “Ceramics” November 28 January 12 L. Heagle Instructor-led tour for Silk Road Course assignment February 2 Freshman Interest Group connecting Course assignment Andrew Goble’s HIST 190 “Foundations UO Admissions of East Asian Civilizations” and Mark January 13 AAD 199 “Artistic Exhibition of Unno’s REL 101 “World Religions: Asian Scholars’ Recognition Day Scientific Images” Traditions” Julie and Robert Voelker-Morris High School Equivalency Program February 2 ED 201 “Foundations of Education” Carlos Santana-Naranjo and Pamela Jill Hartz and Kurt Neugebauer (LCC) Smith presented on aesthetics and ethics of Merrill Watrous January 20 exhibition display November 30 Instructor-led visit Docent-led tour 27

Center for Community Arts and PHIL 615 “Animality” ART 333 “Intermediate Drawing” Cultural Policy Ted Toadvine Gabriella Soraci February 2 February 20 March 1 Oregon Shakespeare Festival lecture Carla Bengston led discussion of The Viewed drawings Long Now with students in graduate Psychology Department philosophy seminar REL 202 “Asian Religion (LCC)” February 3 Cliff Trollin Keynote and reception College of Arts and Sciences March 1 February 20 Guided tour of Asian collection with ART “Basic Design” (LCC) College Scholars reception Anne Rose Kitagawa Kathleen Caprario-Ulrich February 5 ARH 454/554 “Modern German Art” ART 110 (LCC) Class discussion Sherwin Simmons Blain T. Ferra February 21 March 2 AAD 250 “Art and Human Values” Viewed Pechstein painting Course assignment (online) February 5 ART “Drawing” (LCC) CHN 150 “Intro to Chinese Novel” Course assignment Gabriella Soraci March 7 February 22 Course assignment AAD 520 “Event Management” Viewed drawings Leslie Scott ENG 260 “Media Aesthetics” February 7 Stephen Rust ARH 205 “Western Art” Instructor-led visit of The Long Now for March 7 James Harper technical aspects Self-guided gallery and writing activity February 22 Course assignment FHS 407 “Field Supervision Issues Confucius Institute Junior” March 11 HUM 399 “Food in Chinese Culture” Mike Buckle Lecture & VIP dinner Ina Asim February 9 February 22 Self-guided gallery activity Confucius Institute Looked at how food is depicted in art March 12 HIST 346 “Imperial Russia” Panel discussion & reception Alan Kimball Confucius Institute February 11 February 24 ARH 407 “Domes” Viewed Russian icons Debbie Williamson-Smith led tour of Nick Camerlenghi Nixon in China for performers in the March 14 ART “Basic Art (LCC)” Eugene Opera. Course assignment Kate Ali February 14 UO Alumni Association President’s Office Art critique assignment February 24 March 15 Board reception Search committee College of Arts and Sciences February 15 ART 111 “The Artist Experience” LAS 407 “The Americas are (a) Mine: Budget managers’ retreat Tyrras Warren Natural Exploitation in the American February 24 & March 2 Hemisphere. A Cultural Debate” Biology “Graduate Recuitment” Instructor-led visit in The Long Now Pedro Garcia-Caro February 17 April 3 Sharon Kaplan led tour for potential ART 111 “Introduction to Visual Instructor led visit of David Mawaad students Arts” (LCC) Hannah Dillon TA 471 “Top Environmental Theatre” Phi Kappa Psi February 26 Theresa May February 18 Critiqued0 an artwork April 5 Founder’s Day dinner and awards Exercise in courtyard ART “Relief Printmaking” (LCC) Confucius Institute Christian Harger J 361 “Reporting I” February 19 February 29 Suzi Steffen Opening reception Nixon in China Viewed prints April 6 Reported on art IDMU “Lighting Design” (Marylhurst ART “Printmaking techniques” (LCC) University) Susan Lowdermilk Kappa Alpha Theta Elizabeth Lockwood February 29 April 11 February 20 Viewed prints Recruitment reception Studied exhibition lighting 28

AAD 199 “Art and Ideas” ARCH 115H “Design Fundamentals” ART 233 “Drawing” Catherine Ballard (LCC) Donald Morgan April 12 Kathleen Caprario May 9 Self-guided gallery activity April 22 Sketched in the galleries Viewed Visions of the Orient exhibition SPAN 303 “Expresiones Artisticas” Emerging Leaders in the Arts Heather Quarles AAD 250 “Art and Human Values” Network April 12 Lisa Abia-Smith May 10 Self-guided gallery activity April 24 Lecture Self-guided gallery activity Art History Association ARH 399 “Medieval Architecture” April 12 & 13 ART 262 “Photography II” (LCC) Nick Camerlenghi Symposium Susie Morrill May 15 April 25 Tour with Anne Rose Kitagawa on AAD 508 “Wrk Creative Entrepren” Viewed Russel Wong exhibition exhibition planning Jenna Soard April 13 AAD 252 “Art and Gender” BA 199 “International Business” Buddhist project Julie Voelker-Morris Anne Forrestel April 25 May 17 ARH 206 “Hist Western Art III” Self-guided gallery activity Tour with Anne Rose Kitagawa Joyce Cheng April 17 UO Duck Store Arts and Administration Analysis project April 26 May 18 Reception Graduate research presentations ANTH 150 “World Archaeology” Daphne Gallagher DisOrient Film Festival ART 111 (LCC) April 18 April 27 Hannah Dillon Students visited on own Reception May 20 J 463 “Writing for the Arts” Photography (LCC) Instructor-led gallery activity Suzi Steffen May 1 April 18 Camilla Dussinger AAD 250 Museum tour with Debbie Williamson- Students visited on own for course David Bretz Smith and visiting artist Russel Wong assignment May 24 Instructor-led visit to Art of the Athlete WR 122 “College Composition II” ARH 208 “Chinese Art History” Leona Rumbarger May 1 JPN 399 “Early Modern Japan” April 18 Charles Lachman Glynne Walley Self-guided gallery activity Students visited on own for course May 29 assignment Viewed Japanese art with Anne Rose ART 261 “Photography I” (LCC) Kitagawa, Faith Kreskey, and Eva Jarmila Mrazek & Susie Morrill JPN 199 “Pop Globalization” & JPN Tweedie April 18 306 “Intro to Japanese Literature” Exhibition tour with Russel Wong Alisa Freedman WR 122 “Composition II” May 1 Luke Hollis ART 131 & ART 231 “Introduction Viewed Japanese woodblock prints May 30 and Intermediate Drawing” (LCC) with collections staff and toured Instructor-led gallery activity Satoko Motouji galleries with Anne Rose Kitagawa April 18 University Teaching and Learning Self-guided gallery activity American English Institute Center Della Gilchrist Jen Strong Cinema Pacific Film Festival May 2 June 1 April 18 & 19 Instructor-led gallery activity EI-led tour

ART 298 “Watercolor” (LCC) J 361 “Reporting I” Religious Studies Satoko Motouji Suzi Steffen Mark Unno April 19 May 2 June 4 Self-guided gallery activity Instructor-led gallery activity Self-guided tour for Buddhist ministers

J 100 “Media Professions” ART 294 “Watercolor” (LCC) William Ryan Satoko Motouji April 19 May 6 Russel Wong presented guest lecture Course assignment 29

Attendance The JSMA thanks the The JSMA provided in-kind following in-kind donors donations to support the July 3605 Abbelone Vineyards, Art & the following organizations Vineyard, Aurora Glass, Bend Distillery, August 2588 Adelante Sí, ARC of Lane County, Art Brigadoon Wine Company, BRING History Association, Arts and Business September 3096 Recycling, Camp Putt Adventure Alliance of Eugene (ABAE), Arts October 4455 Center, Robert Canaga, Capella Market, Umbrella, Balboa Art Conservation Capitello Wines, Cascades Raptor November 4349 Center, Big Little School, Boys & Girls Center, Chateau Lorane, Cone Ball Club of Western Lane County, Buena December 2089 Antiques, Creative Duck, Dandelions Vista Elementary School, City of Eugene January 3975 Flowers and Gifts, Dickie Jo’s, Domaine Police Department, Cinema Pacific, February 3491 Meriwether, Down to Earth, Duck Stop, Confucius Institute, Corridor School, Dune Bug Designs, EFI Printers Alliance, March 3790 DisOrient Film Festival, The Duck Store, EMU Cultural Forum, Eugene Backyard Edison Elementary School, Edgewood April 6049 Farmer, Eugene Jazzercize Center, Elementary School, Eugene Mayor’s Art May 5432 Eugene Magazine, Eugene Yoga, Show, Eugene Symphony, EWEB Child FedEx Kinkos, Fiesta Latina, Folkways, June 7314 Development Center, Flux Magazine, Freudian Slip, Glenwood Restaurants, HIV Alliance, Holt International, Japan- Total: 50,233 GloryBee Foods, Harlequin Beads America Society of Oregon, McCornack & Jewelry, Harry Ritchie’s Jewelers, Elementary, Museum of Natural and High Pass Winery, Holy Cow, Imagine Offsite: The JSMA reached an audience Cultural History at the University of Graphics, Iris Vineyards, The John G. of approximately 100,000 people Oregon, Nearby Nature, NOMAD Shedd Institute for the Arts, The Kiva, through community organizations and Conference, Northwest Christian LaVelle Vineyards, Literary Duck, Lord events, including Art & the Vineyard, University, Northwest Community Leebrick Theatre Company, Marché, Fiesta Latina, Eugene Celebration Credit Union, Oregon Chapter of Marché Provisions, McKenzie River parade, Jack o’ Lanterns on Broadway, Meeting Professionals International, Broadcasting, McMenamins, M.E.C.C.A., Oregon Asian Celebration, the Eugene O’Hara Catholic School, Oregon Bach Mucho Gusto, Museum of Natural Public Library, and an annual exhibition Festival, Oregon Shakespeare Festival, and Cultural History at the University in the Gallery at the Airport. Pacific Northwest Division Ski Patrol, of Oregon, Nearby Nature, Ninkasi, Patterson Preschool, Pleasant Hill High Northwest Community Credit Union, School, Spring Creek Elementary, The Oakshire Brewing, Off the Waffle, Register-Guard, Roosevelt Middle Oregon Bach Festival, Oregon Country School, Saint Thomas Moore Catholic Fair, Oregon Electric Station, Oregon Church, Springfield Neighborhood Family Newspaper, Parties to Go, Watch, Travel Lane County, University Passionflower Designs, Past & Presents: of Oregon Arts and Administration, The Museum Store, Patchwork Cellars, University of Oregon Climate Change Pegasus Pizza, Pfeiffer Winery, Precious Symposium, University of Oregon Cargo: The Museum Store, Red Agave, Recreation Center, University of Rhythm & Blooms, Saginaw Vineyard, Oregon School of Journalism, Veneta Shamrock Flowers & Gifts, Sixth Street Elementary School, Visual Thinking Grill, Christine and Chris A. Smith, Strategies, Western Association Splash! Lively Park Swim Center, of Convention & Visitors Bureaus, South Willamette Winery Association, Willamette Christian School, and Sweet Cheeks Winery, Sweet Life, Willamalane Park and Recreation Sylvan Ridge, Territorial Vineyard & District Wine Company, Travel Lane County, University Catering, Unique Eugene, Very Little Theatre, Voodoo Doughnuts Tres, Wandering Goat Coffee Company, and Willamette Stationers 30

Acquisitions Whitney E. Nye, American, b. 1966. Astrogirls, 2009. Mixed media collage; Collection paper, oil on wood panel, 72 1/4 x 48 1/4 Western Art in. Purchased with funds from The Ford Activity Family Foundation and the William A. Paintings Haseltine Endowment Fund. 2012:10.1 Tom Cramer, American, b. 1960. Emilio Sanchez, Cuban, 1921–91. Hummingbird, 2012. Oil and wood Untitled, c. 1980. Oil on canvas, 20 burning on birch plywood, 51 1/4 x 31 1/2 x 30 in. Gift of the Emilio Sanchez in. Gift of the artist. 2012:8.1 Foundation. 2011:24.1 Aiméée Garcia (Marrero), Cuban, b. Untitled, c. 1980. Oil on masonite, 40 1972. Abaco, c. 2001. Oil on canvas, 72 x 60 in. Gift of the Emilio Sanchez x 74 in. Gift of Lynne Foster. 2012:2.1 Foundation. 2011:24.2 Carl Hall, American; Pacific Untitled, c. 1970–75. Watercolor on Northwest, b. 1924. Expectations, paper, sheet: 25 1/2 x 40 1/4 in. image: 1946. Oil on canvas, 17 x 22 in. Donated 25 3/8 x 40 in. Gift of the Emilio Sanchez by the Carl Hall Family Collection Foundation. 2011:24.3 through Bill Rhoades. 2012:6.1 Untitled, Pink Building with Staircase, Wilhelm Loth, German, 1920–93. c. 1970. Watercolor on paper, 25 1/2 Untitled, 1973. Watercolor on paper. x 40 1/4 in. Gift of the Emilio Sanchez Gift from Jim & Irina Just. 2011:27.1 Foundation. 2011:24.4 Untitled, 1973. Watercolor on paper, Untitled, Casita de Madera, 1998. 21 1/8 x 29 3/4 in. Gift from Jim & Irina Just. Watercolor on paper, sheet: 18 1/4 x 23 1/2 2011:27.2 in.; image: 13 1/2 x 19 1/4 in. Gift of the Emilio Sanchez Foundation. 2011:24.5 Untitled, 1974. Watercolor on paper, 30 x 21 in. Gift from Jim & Irina Just. 2011:27.3 Prints Untitled, 1979. Watercolor on paper. Peggy Bacon, American, 1895–1987. Gift from Jim & Irina Just. 2011:27.4 The Untilled Field, 1937. Etching; ink on paper, sheet: 10 1/2 x 11 1/2 in. Gift of Dr. Untitled, 1980. Watercolor on paper, Don E. and Carol Steichen Dumond. 18 x 24 in. Gift from Jim & Irina Just. 2011:18.1 2011:27.5 Robert Indiana, American, b. 1928. Untitled, 1980. Watercolor on paper, Eternal Hexagon, 1964. Color serigraph 18 x 23 3/4 in. Gift from Jim & Irina Just. on paper, 24 x 20 in. Gift of Patricia 2011:27.6 Erlandson and Jon Erlandson. 2011:29.4 Untitled, 1980. Watercolor on paper, Ellsworth Kelly, American, b. 1923. 24 x 18 in. Gift from Jim & Irina Just. Untitled [Red/Blue], 1964. Color seri- 2011:27.7 graph on paper, 24 x 20 in. Gift of Untitled, 1980. Watercolor on paper, Patricia Erlandson and Jon Erlandson. 31 3/4 x 24 in. Gift from Jim & Irina Just. 2011:29.1 2011:27.8 Wilhelm Loth, German, 1920–93. Untitled, 1983. Watercolor on paper, Untitled, 5/25, 1975. Etching on paper, 25 1/2 x 30 in. Gift from Jim & Irina Just. 25 x 31 in. Gift from Jim & Irina Just. 2011:27.9 2011:27.12 Untitled, 1983. Watercolor on paper, Untitled, 6/25, 1975. Etching on paper, 25 1/2 x 30 in. Gift from Jim & Irina Just. 31 x 25 3/8 in. Gift from Jim & Irina Just. 2011:27.10 2011:27.13 Untitled, 1984. Watercolor on paper, Untitled, 8/25, 1975. Etching on paper, 25 1/2 x 30 in. Gift from Jim & Irina Just. 30 3/4 x 25 in. Gift from Jim & Irina Just. All measurements are given in inches, 2011:27.11 2011:27.14 height x width x depth. 31

Untitled, 9/25, 1975. Etching on paper, Casita al Mar, 1974. Color lithograph, from the Patricia Noyes Harris Bequest. 25 x 30 1/2 in. Gift from Jim & Irina Just. sheet: 23 x 31 1/8 in.; image: 22 x 29 1/2 in. 2012:5.2 2011:27.15 Gift of the Emilio Sanchez Foundation. Patricia Noyes, American, 1921–2010. 2011:24.12 Robert Motherwell, American, 1915– Dying Lumber Mills Town, Mendocino, 91. Untitled, 1964. Color serigraph La Casa Grande, 1998. Black and white 1948. First state print, 7 1/2 x 9 3/8 in. Estate on paper, 24 x 20 in. Gift of Patricia lithograph, sheet: 36 x 32 1/4 in.; image: of Patricia Harris Noyes. 2011:22.1 Erlandson and Jon Erlandson. 2011:29. 30 1/2 x 30 in. Gift of the Emilio Sanchez Dying Lumber Mills Town, Mendocino, Foundation. 2011:24.13 George Ortman, American, b. 1926. 1949. Modern print, 10 1/8 x 11 3/4 in. Untitled, 1964. Color serigraph and Casa Vivienda, 1967. Black and white Estate of Pricia Harris Noyes. 2011:22.2 collage on paper, 24 x 20 in. Gift of lithograph, sheet: 22 1/2 x 30 1/8 in.; image: Vernacular Design House and Fence, Patricia Erlandson and Jon Erlandson. 17 x 22 in. Gift of the Emilio Sanchez Mendocino, 1948. First state print, 7 1/2 2011:29.2 Foundation. 2011:24.14 x 9 1/2 in. Estate of Patricia Harris Noyes. Giovanni Battista Piranesi, Italian, Vista al Mar, c. 1987. Color lithograph, 2011:22.3 1720–1778. Veduta degli avanzi di sheet: 34 7/8 x 20 in.; image: 30 3/4 x 20 in. Ornate Portico, Mendocino, 1948. First Antiche Fabbriche…; Veduta degli Gift of the Emilio Sanchez Foundation. state print, 7 5/8 x 9 3/4 in. Estate of Patricia 2011:24.6 Avanzi, o sia del termine…, Etching, Harris Noyes. 2011:22.4 5 1/4 x 8 1/4 in. Gift of Marcia and Mark Carlo’s Shack or Carla’s Shack, 1975. Osterkamp. 2011:15.1 Ornate Portico, Mendocino, 47–17, 1948. Color lithograph, 23 x 18 in. Gift of the Modern print, 7 1/2 x 9 5/8 in. Estate of Gruppo di Colonne…, Etching, 14 1/2 Emilio Sanchez Foundation. 2011:24.7 Patricia Harris Noyes. 2011:22.5 x 9 1/2 in. Gift of Marcia and Mark Ty’s Place, 1976. Black and white Osterkamp. 2011:15.2 High Desert Lake, 1948. First state print, lithograph, sheet: 23 x 31 in.; image: 7 1/2 x 9 in. Estate of Patricia Harris Noyes. Tempio Antico…, Etching, 13 1/2 x 9 1/2 22 x 30 in. Gift of the Emilio Sanchez 2011:22.6 in. Gift of Marcia and Mark Osterkamp. Foundation. 2011:24.8 2011:15.3 Woman in Storefront Window with Lucky Ty’s Place, 1976. Color lithograph, Strikes, 1948. First state print, 9 3/8 x Avanzo degli Archi Neroniani sul sheet: 23 x 31 1/4 in.; image: 22 x 30 in. 7 1/4 in. Estate of Patricia Harris Noyes. Gift of the Emilio Sanchez Foundation. Monte Celio…; Veduta dei Muri che 2011:22.7 Investivano…, Etching, sheet: 21 1/4 2011:24.9 x 15 1/4 in. Gift of Marcia and Mark Hands (multiple exposures), 1948. First Osterkamp. 2011:15.4 Photography state print, 8 3/4 x 6 3/4 in. Estate of Patricia Harris Noyes. 2011:22.8 Appartenenze d’antiche Terme con Ray Atkeson, American, 1907–90. Empty Stairwell with Exit Sign, 1948. First Scale che Conduco no..; Veduta d’uno Cape Kiwanda. Color coupler print, 13 x state print, 9 1/4 x 7 in. Estate of Patricia de’Circhi antichi con altri monumenti…, 10 1/4 in. Estate of Patricia Harris Noyes. Harris Noyes. 2011:22.9 Etching, 21 3/4 x 15 1/2 in. Gift of Marcia 2011:22.31 and Mark Osterkamp. 2011:15.5 Chocolate Iced Cake on Table, 1939. First William Heick, American, b. 1916. state print, 5 x 4 5/8 in. Estate of Patricia Vestibolo d’antico Tempio…, Etching, Edward Weston Class Spring 1948, 1949. Harris Noyes. 2011:22.10 9 1/2 x 13 3/4 in. Gift of Marcia and Mark Modern print, 7 5/8 x 9 3/8 in. Estate of Osterkamp. 2011:15.6 Patricia Harris Noyes. 2011:22.30 Typical Older Apartment Building, 50–59, 1950. Modern print, 9 5/8 x 7 3/4 in. Estate Gruppo di Scale.., Etching, 9 3/4 x 14 1/4 Petrified Wood Detail, 1948. Black and of Patricia Harris Noyes. 2011:22.11 in. Gift of Marcia and Mark Osterkamp. white photograph, 6 1/2 x 4 5/8 in. Estate 2011:15.7 of Patricia Harris Noyes. 2011:22.32 Good Eats, View Towards Gas Station, 48‑213, 1948. Modern print, 9 1/2 x Ponte magnifico, Etching, 9 1/2 x 13 3/4 Tom Kemp, American, ?. Hart 7 3/8. Estate of Patricia Harris Noyes. in. Gift of Marcia and Mark Osterkamp. Mountain Area, 1965. Dye coupler print, 2011:22.12 2011:15.8 6 3/8 x 9 1/4 in. Estate of Patricia Harris Emilio Sanchez, Cuban, 1921–91. Noyes. 2011:22.33 Noyo Store, 48–24, 1948. Modern print, 9 5/8 x 11 5/8 in. Estate of Patricia Harris Los Toldos, 1973. Black and white Isaac Layman, American, b. 1977. Noyes. 2011:22.13 lithograph, sheet: 23 x 31 3/4 in.; image: Untitled (blue/depth ice cube tray), 2011 22 x 30 in. Gift of the Emilio Sanchez (printed 2012). Archival inkjet print, 95 Leaves, 47–48, 1948. Modern print, 9 1/2 Foundation. 2011:24.10 x 59 in. Purchased with Funds from the x 7 5/8 in. Estate of Patricia Harris Noyes. Casita de Campo, 1968. Black and Patricia Noyes Harris Bequest. 2012:5.1 2011:22.14 white lithograph, sheet: 20 3/4 x 29 1/2 Untitled (blue/black ice cube tray), Janet (Ship Dock), 1948. Modern print, in.; image: 17 x 26 in. Gift of the Emilio 2011(printed 2012). Archival inkjet 7 1/2 x 9 1/2 in. Estate of Patricia Harris Sanchez Foundation. 2011:24.11 print, 95 x 59 in. Purchased with Funds Noyes. 2011:22.15 32

Construction Pipes, 1950. Modern print, Bare Trees and Grass Field, 1948. Black Sculpture 8 1/2 x 9 3/8 in. Estate of Patricia Harris and white photograph, 7 3/4 x 9 1/2 Jim Riswold, American; Pacific Noyes. 2011:22.16 in. Estate of Patricia Harris Noyes. Northwest, b. 1957. Rauschenberghirst 2011:22.42 Sleeping Cat, 47–72, 1947. Modern warhol, 2008. Cast chicken, rubber, print, 8 5/8 x 9 5/8 in. Estate of Patricia Dan Powell, American, b. 1950. Study paint, cardboard, and plexiglass, 20 x Harris Noyes. 2011:22.17 from Grey to Black [diptych], 2011. Inkjet 20 x 20 in. Gift of Dennis Braddock and print, 22 1/8 x 17 1/8 in. Gift of Dan Powell. Succulents, 48–70, 1948. Modern print, Janice Niemi. 2011:26.4 2012:3.1a 7 3/4 x 9 in. Estate of Patricia Harris Noyes. 2011:22.18 Study from Grey to Black [diptych], 2011. Metalwork Inkjet print, 22 1/8 x 17 1/8 in. Gift of Dan Abandoned Photography Studio, 1948. Nixon, Max, American, 1915–2000. Powell. 2012:3.1b Modern print, 7 3/4 x 9 3/4 in. Estate of Rectangular Bowl, ca. 1950. Silver, Patricia Harris Noyes. 2011:22.19 Blue Skies, 2011. Inkjet print, 22 1/8 x 17 1/8 3 x 6 1/2 x 5 1/2 in. Gift of Margo Grant in. Gift of Dan Powell. 2012:3.2 Walsh. 2011:30.1 Eroded Sandstone and Gravel (Detail), 48–60, 1948. Modern print, 7 3/4 x 9 5/8 Man Ray, French, 1890–1976. in. Estate of Patricia Harris Noyes. Man Ray in chair of Marcel Breuer. Video/Mixed Media 2011:22.20 Photographic print on paper, 7 x 8 7/8 in. Fernando Rodriguez (Falcón), Gift of George Wickes. 2011:19.1 Beach Cliffs with Houses, 48–1, 1948. Cuban, b. 1970. Mandarria y Matraca, Modern print, 10 1/4 x 13 3/8 in. Estate of Man Ray 1, Photographic print on 2007. DVD, 17:13 min. Purchased with Patricia Harris Noyes. 2011:22.21 paper, 7 1/2 x 9 1/2 in. Gift of George funds from Marla and Jeff Michaels and Wickes. 2011:19.2 Beryl Cowley. 2011:25.1 Fish Liver Cells 15,000X, 1970. Modern print, 13 5/8 x 10 5/8 in. Estate of Patricia Gary Tepfer, American, b. 1951. Peter Sarkisian, American, b. 1965. Harris Noyes. 2011:22.22 (Eastern Siberia) Mountain Range, Book 2, 2012. Mixed media and video 1999. Cibachrome print, 20 1/4 x 24 1/4 projection. Museum Purchase in Dried Thistle, 47–67, 1947. Modern in. (framed). Estate of Patricia Harris honor of University President Richard print, 9 5/8 x 7 1/2 in. Estate of Patricia Noyes. 2011:22.40 Lariviere by Susan Cox and F. Gregory Harris Noyes. 2011:22.23 Fitz-Gerald, Jill Hartz and Richard Yurt Door, 1997. Cibachrome print, 20 1/4 Dried Weeds, 47–71, 1947. Modern Herskowitz, Robert H. and Sue Keene x 24 1/4 in. (framed). Estate of Patricia print, 7 5/8 x 9 5/8 in. Estate of Patricia Malott, Hope Hughes Pressman, Bette Harris Noyes. 2011:22.41 Harris Noyes. 2011:22.24 and Dwayne Rice, Jordan Schnitzer, Various Artists, Mexican. Chiapas, Christine and Chris A Smith and Retired Street Cares, 50–37, 1950. Mirror to our World. 4 x 7 in. each. Yvonne and Charles Stephens. 2012:9.1 Modern print, 9 5/8 x 7 5/8 in. Estate of Purchased with funds from the Patricia Harris Noyes. 2011:22.25 Haseltine Endowment. 2011:21.1 Joshua Tree, 49–51, 1949. Modern print, Arnold Wheelock, American, 1917– 7 3/4 x 9 3/4 in. Estate of Patricia Harris Asian Art 90. Weathered Fence and Houses, 1948. Noyes. 2011:22.26 4 5/8 x 6 5/8 in. Estate of Patricia Harris Works on Paper: Prints Weathered Sandstone, 48–59, 1948. Noyes. 2011:22.34 HAMANISHI Katsunori, Japanese, Modern print, 7 5/8 x 9 1/2 in. Estate of Unknown, American. Mountain b. 1949. “Chicago Picasso” by Pablo Patricia Harris Noyes. 2011:22.27 Range with Snow. 4 3/4 x 7 3/4 in. Estate of Picasso [1967, Daley Plaza], Heisei Rain on Desert Near Joshua Tree Patricia Harris Noyes. 2011:22.35 period (1989present), 1997. Mezzotint; National Monument, 49–52, 1949. ink on paper, 23 1/4 x 10 1/8 in. (paper). Unknown, American. Mountain Modern print, 7 5/8 x 9 3/8 in. Estate of Lee Michels Fund Purchase. 2012:4.1 Side with Snow I. 6 1/8 x 8 1/8 in. Estate of Patricia Harris Noyes. 2011:22.28 Patricia Harris Noyes. 2011:22.36 “Corncob” by Bertrand Goldberg Man With Crabs, 48–29, 1948. Modern [195964, Marina City], Heisei period Unknown, American. Mountain Side print, 9 1/8 x 7 3/4 in. Estate of Patricia (1989present), 1997. Mezzotint; ink with Snow II. 5 7/8 x 7 1/4 in. Estate of Harris Noyes. 2011:22.29 on paper, 23 1/4 x 10 1/8 in. (paper). Lee Patricia Harris Noyes. 2011:22.37 Michels Fund Purchase. 2012:4.2 (Hiroshima or Nagasaki) Two People on Row Boat with Partially Destroyed “Miro’s Chicago” by Joan Miro [The Sun, Domed Building, 8 x 10 in. Estate of the Moon and One Star, 1981, near Daley Patricia Harris Noyes. 2011:22.38.1– 3 Plaza], Heisei period (1989–present), 1997. Mezzotint; ink on paper, 23 1/4 Joshua Tree in the Rain, 8 x 10 in. Estate x 10 1/8 in. (paper). Lee Michels Fund of Patricia Harris Noyes. 2011:22.39 Purchase. 2012:4.3 33

“Flamingo” by Alexander Calder [1973– hanga woodblock print; ink and color Ishinomaki (Loaded Fishing Boats), 74, Federal Plaza], Heisei period (1989– on paper, edition 65 of 128, 32 3/8 x Shōwa period (1926–89), 1978. Sōsaku present), 1997. Mezzotint; ink on paper, 21 7/8 in. (unmatted). Gift of Professor hanga woodblock print; ink and color 23 1/4 x 10 1/8 in. (paper). Lee Michels Junpei Sekino, Willamette University. on paper, 12 7/8 x 18 in. (unmatted). Gift Fund Purchase. 2012:4.4 2011:17.12 of Professor Junpei Sekino, Willamette University. 2011:17.2 “The Four Seasons” by Marc Chagall Tomonoura, Shōwa period (1926–89), [1974, Chase Tower Plaza], Heisei period 1984. Sōsaku hanga woodblock Jeju Island, Korea [Japanese, Saishūtō], (1989–present), 1997. Mezzotint; ink print; ink and color on paper, marked Shōwa period (1926–89), 1978. Sōsaku on paper, 23 1/4 x 10 1/8 in. (paper). Lee “E.A.,” 13 x 17 3/4 in. (unmatted). Gift of hanga woodblock print; ink and color Michels Fund Purchase. 2012:4.5 Professor Junpei Sekino, Willamette on paper, 12 7/8 x 17 15/16 in. (unmat- University. 2011:17.13 ted). Gift of Professor Junpei Sekino, “Water Tower” [1869, William Boyington, Willamette University. 2011:17.20 806 N. Michigan], Heisei period (1989– Miyajimacho, Shōwa period (1926–89), present), 1997. Mezzotint; ink on paper, 1985. Sōsaku hanga woodblock print; Ogre in the Yungang Cave Temple, 23 1/4 x 10 1/8 in. (paper). Lee Michels ink and color on paper, edition 94 of China [Japanese, Unkō sekkutsu; Fund Purchase. 2012:4.6 128, 13 3/16 x 17 11/16 in. (unmatted). Gift Chinese, Yungang shiku], Shōwa of Professor Junpei Sekino, Willamette period (19261989), 1978. Sōsaku “Monument with Standing Beast” University. 2011:17.14 hanga woodblock print; ink and color by Jean Debuffet [1984, James R. on paper, edition 16 of 128, 32 5/16 x Thompson Center], Heisei period (1989– Sakurajima, Shōwa period (1926–89), 21 7/8 in. (unmatted). Gift of Professor present), 1997. Mezzotint; ink on paper, 1976. Sōsaku hanga woodblock Junpei Sekino, Willamette University. 23 1/4 x 10 1/8 in. (paper). Lee Michels print; ink, color and gold leaf on 2011:17.21 Fund Purchase. 2012:4.7 paper, edition 46 of 82, 13 3/4 x 18 3/16 in. (unmatted). Gift of Professor Guilin [Japanese, Keirin], Shōwa period LEE Chunyi, Chinese, b. 1965. Autumn Junpei Sekino, Willamette University. (1926–89), 1979. Sōsaku hanga wood- Sacrifice, 2002 and 2011. Album leaf; 2011:17.15 block print; ink and color on paper, ink and color on paper; with signature 12 3/4 x 17 3/4 in. (unmatted). Gift of in clerical script (lishu) reading “Lee Ryūkyū Rooftiles, from “Iraka 12 Titles,” Professor Junpei Sekino, Willamette Chunyi 02,” 16 3/8 x 9 1/2 in. (image only); Shōwa period (1926–1989), 1976. University. 2011:17.22 21 3/8 x 13 5/16 in. (paper, unframed). Gift Sōsaku hanga woodblock print; ink and of Lee Chunyi in honor of Robert D. color on paper, edition 81 of 128, 32 1/2 Kyoto Scenery (?), Shōwa period (1926– Mowry. 2011:16.1 x 22 in. (unmatted). Gift of Professor 89), 1973. Sōsaku hanga woodblock Junpei Sekino, Willamette University. print; ink and color on paper, edition SEKINO Jun’ichirō, Japanese, 1914– 2011:17.16 123 of 128, 26 1/4 x 18 1/4 in. (unmatted); 88. Waiting to Go on Stage (Takeko Sato, Less than 33 1/2 x 24 1/2 in. (framed). Gift Ryūkyū Dancer), Shōwa period (1926– Golden Pharaoh, from “Iraka 12 Titles,” of Professor Junpei Sekino, Willamette 89), 1973. Sōsaku hanga woodblock Shōwa period (1926–89), 1977. Sōsaku University. 2011:17.23 print; ink and color on paper, edition hanga woodblock print; ink and color 22 of 128, 27 3/8 x 18 7/16 in. (unmat- on paper, edition 23 of 128, 32 1/4 x Karayuchin (Amakusa), Shōwa period ted). Gift of Professor Junpei Sekino, 21 7/8 in. (unmatted). Gift of Professor (1926–89). Sōsaku hanga woodblock Willamette University. 2011:17.1 Junpei Sekino, Willamette University. print; ink and color on paper, 12 13/16 x 2011:17.17 W.18 in. (unmatted); Less than 19 1/2 Tōji, Sudden Shower, Shōwa period x 24 in. (framed). Gift of Professor (1926–89), 1970. Sōsaku hanga wood- Rooftiles of Florence [Firenze], Shōwa Junpei Sekino, Willamette University. block print; ink and color on paper, period (1926–89), 1959. Sōsaku 2011:17.24 edition 3 of 128, 18 1/8 x 25 1/8 in. (unmat- hanga woodblock print; ink and ted). Gift of Professor Junpei Sekino, color on paper, Artist’s Proof, 32 1/4 x Tsugaru Horozuki, Shōwa period (1926– Willamette University. 2011:17.10 22 in. (unmatted). Gift of Professor 89), 1977. Sōsaku hanga woodblock Junpei Sekino, Willamette University. print; ink and color on paper, 12 7/8 x Kurashiki, from “Iraka 12 Titles,” Shōwa 2011:17.18 18 1/8 in. (unmatted). Gift of Professor period (1926–89), 1978. Sōsaku Junpei Sekino, Willamette University. hanga woodblock print; ink and color Woods, Oregon, Shōwa period (1926– 2011:17.3 on paper, edition 37 of 128, 32 3/16 x 89), 1974. Sōsaku hanga woodblock 21 5/8 in. (unmatted). Gift of Professor print; ink and color on paper, edition Nishijin in Snow, Shōwa period (1926– Junpei Sekino, Willamette University. 94 of 138, 25 13/16 x 18 3/8 in. (unmat- 89), 1973. Sōsaku hanga woodblock 2011:17.11 ted). Gift of Professor Junpei Sekino, print; ink and color on paper, edition Willamette University in memory of 126 of 128, 18 1/4 x 25 7/8 in. (unmat- Himeji, White Heron Castle (Shirasagijō) Yoko McClain. 2011:17.19 ted). Gift of Professor Junpei Sekino, Under Blue Sky, from “Iraka 12 Titles,” Willamette University. 2011:17.4 Shōwa period (1926–89), 1977. Sōsaku 34

Morning in Kyoto, Shōwa period (1926– McClure, Vincenza Scarpaci and Peter signature reading “Toyokuni ga,” 14 1989), 1979. Sōsaku hanga woodblock Rodda, and Julie and William Boffing. x 9 1/2 in. Bequest of the Jan Muller, Jr. print (first of a set of four); ink and 2012:1.2 Estate. 2011:23.3 color on paper, edition 3 of 30, 3115/16 x SHUNKŌSAI Hokushū, Japanese, YOSHIDA Chizuko, Japanese, 2113/16 in. (unmatted). Gift of Professor active 1810–32. Yamato ? from the b. 1924. Star, Star, Star A, 1969. Junpei Sekino, Willamette University. series Chukobuyuden, Edo (Tokugawa) Woodblock print, color and emboss- 2011:17.5 period (1615–1868), 19th century. ing on paper; edition 1 of 30, 30 in x Mid Day in Kyoto, Shōwa period (1926– Ukiyoe woodblockprinted surimono[?]; 23 5/8 in. Gift of Dick Easley & HP Lin. 89), 1980. Sōsaku hanga woodblock ink and color on paper, 10 x 6 1/2 in. 2012:12.1 print (second of a set of four); ink and Bequest of the Jan Muller, Jr. Estate. color on paper, edition 14 of 98, 3115/16 2011:23.6 Mixed Media and Sculpture x 2113/16 in. (unmatted). Gift of Professor TOYOHARA Kunichika, Japanese MA Han, Chinese, b. 1968. Art is for Junpei Sekino, Willamette University. 1835–1900. Actor representing 2011:17.6 the People, 2006. Fiberglass, rice, paint, Nagasaka(?), No. 53 from the series Edo varnish, 22 1/2 x 65 x 26 in. Gift of Dennis Evening in Kyoto, Shōwa period (1926– meisho awase no uchi, Edo (Tokugawa) Braddock and Janice Niemi. 2011:26.1 89), 1980. Sōsaku hanga woodblock period (1615–1868), ca. 1867. Ukiyoe print (third of a set of four); ink and woodblock print in vertical “ōban” QIN Yufen, Chinese, b. 1954. Untitled color on paper, edition 3 of 30, 3115/16 x format; ink, color and mica on paper, 2001, 2008. Rice paper, copper wire, 2113/16 in. (unmatted). Gift of Professor 14 3/4 x 10 1/4 in. Bequest of the Jan 15 3/4 x 113/4 in. Gift of Dennis Braddock Junpei Sekino, Willamette University. Muller, Jr. Estate. 2011:23.5 and Janice Niemi. 2011:26.2 2011:17.7 TSUKIOKA Yoshitoshi, Japanese, Where is Home, 1998. Wood, paper, Night in Kyoto, Shōwa period (1926–89), 1839–92. Fujiwara no Kintō (966–1041) copper, 18 1/2 x 14 3/4 in. Gift of Dennis 1980. Sōsaku hanga woodblock print Picking Plum Branch in the Moonlight, Braddock and Janice Niemi. 2011:26.3 (fourth of a set of four); ink and color from the series One Hundred Aspects of on paper, edition 14 of 98, 3115/16 x the Moon (Tsuki hyakushi), Meiji period 2113/16 in. (unmatted). Gift of Professor (1868–1912), 1887. Ukiyoe woodblock Junpei Sekino, Willamette University. print in vertical “ōban” format; ink, 2011:17.8 color, metallic pigment and emboss- ing on paper with printed signature Ichiriki, Shōwa period (1926–89), 1970. Loans reading “Toyokuni ga,” 14 1/2 x 10 in. Sōsaku hanga woodblock print; ink and Bequest of the Jan Muller, Jr. Estate. Outgoing Loans color on paper, edition 21 of 128, 17 13/16 2011:23.4 x 26 in. (unmatted). Gift of Professor n Lent to the Museum of Junpei Sekino, Willamette University. UTAGAWA Kuniyoshi, Japanese, Contemporary Craft in partnership 2011:17.9 1769–1825. Two Actors, Edo with the Pacific Northwest College (Tokugawa) period (1615–1868), Ainu Pattern (Ainu moyō), Shōwa of Art 1847–52 (Kōka 4Kaei 5). Ukiyoe wood- period (1926–89), 1982. Sōsaku hanga block print in vertical “ōban” format; Betty Feves, American; Pacific woodblock print; ink and color on ink and color on paper with printed Northwest, 1918–85. Selfportrait, paper, edition 52 of 128, 27 1/2 x 18 1/2 signature reading “Ichiyūsai Kuniyoshi 1964. Terracotta, 17 x 15 in. Gift of the in. Museum Purchase made possible ga,” 14 1/4 x 11 1/8 in. Bequest of the Jan Friends of the Museum. 1965:1.2 with funds donated in memory of Muller, Jr. Estate. 2011:23.1 Yoko McClain by Sylvia Giustina, the Figure Group, 1958. Terracotta stone- Sekino Family, Hue Ping Lin and Dick Actor Wearing Straw Hat, Edo ware, 20 1/2 x 11 in. Virginia Haseltine Easley, Robert and Yukiko Innes, Hope (Tokugawa) period (1615–1868), 19th Collection of Pacific Northwest Art. Pressman, Sally and Ev Smith, Charles century. Ukiyoe woodblock print in 1974:31.41 and Yvonne Stephens, and Thomas vertical “ōban” format; ink and color on Three Forms, 19721973. Ceramic, 40 (w/ Roehl. 2012:1.1 paper with printed signature reading base: 57 1/4) x 27 x 7 in. Gift of Katie Hull “Toyokuni ga,” 13 3/4 x 9 1/2 in. Bequest of Sōseki Natsume, Shōwa period (1926– and Friends. 1976:1 the Jan Muller, Jr. Estate. 2011:23.2 89), 1979. Sōsaku hanga woodblock The Family III, 1958. Ceramic, 17 x 13 x print; ink and color on paper, edition UTAGAWA Toyokuni, Japanese, 8 1/2 in. Gift of Dr. and Mrs. Wallace S. 1 of 128, 18 1/8 x 12 3/4 in. Museum 1769–1825. Fireman Carrying Ladder, Baldinger. 1981:13.2 Purchase made possible with the Lee Edo (Tokugawa) period (1615–1868), Michels Fund for Japanese Art and 19th century. Ukiyōe woodblock print funds donated in memory of Yoko in vertical “ōban” format; ink, color McClain by Marna Broekhoff, Joel and embossing on paper with printed 35 n Lent to the University of Oregon, Incoming Loans GION Seitoku, Japanese, 1781–1829? Office for Research, Innovation and Suit of Armor, Edo period, early 19th ARISAKA Hokuba, Japanese, 1771– Graduate Education century. Hanging scroll; ink and color 1844. Woman Playing under Cherry, on paper, with signature reading Leonard Kimbrell, American; Pacific Edo period, ca. Bunka Era (1804–18). “Seitoku sha” and seals reading “Azana Northwest, b. 1922. On the Campus: Hanging scroll; ink and color on silk, iwaku Hakuryū, __ and Seitoku,” 66 Northwest Christian College Campus, ca. with signature reading “Hokuba” and x 15 1/8 in. Loan from the Walter and 1954. Oil on canvas, 36 x 48 in. Widmer seals reading “Tei and sai,” 36 1/2 x 12 3/4 Dörte Simmons Collection. L2012:12.8 Fund Purchase. 1967:3.5 in. Loan from the Walter and Dörte John William Godward, English, LaVerne Krause, American; Pacific Simmons Collection. L2012:12.6 1861–1922. Contemplation, 1903. Northwest, 1924–87. Gay Nineties, John Baldessari, American, b. 1931. Oil on canvas, 21 x 21 in. Anonymous 1963. Oil on board, 49 x 61 in. Gift of Mystery Street, 2011. Varnished inkjet Loan. L2012:13.4 Tom Hardy. 1974:33.3 print on canvas with acrylic and oil paint, 84 x 86 in. Private Collection. A Congenial Task, 1915. Oil on n Lent to the University of Oregon, L2011:55.1 canvas, 30 x 30 in. Anonymous Loan. L2012:13.5 McMorran House William Adolphe Bouguereau, Clarke Mark, American, b. 1935. French, 1825–1905. Yvonée sur le Pas HASEGAWA Chikuyo, Japanese, CB Series #1, 1988. Acrylic collage with de la Porte, 1901. Oil on Canvas, 37 1/2 x active ca. 1880s–1890s. Sericulture Japan papers, 14 1/4 x 14 1/4 in. (framed). 24 3/4 in. Anonymous Loan. L2012:13.2 with Imperial Family (Kyuchu yosan no The Elizabeth Cole Butler Graphic Arts zu), Meiji period (1868‑1912), 1886. A la Fontaine, 1897. Oil on canvas, 55 x Woodblock print in ōban triptych Collection, Bequest to the Museum, 34 in. Anonymous Loan. L2012:13.3 2004. TN00562.77 format; ink and color on paper, 20 x 36 CHIKANOBU, Yoshu, Japanese, in. Anonymous Loan. L2011:39.8 Robert Feasley, American; Pacific 1838–1912. Female Demonstrator Northwest, b. 1926. From the Heights, HOSODA Eishi, Japanese, 1756– (Joshi enzetsu), from the series 1961. Oil on canvas, 48 x 40 in. Widmer 1829. Fukurokuju, Mount Fuji and Comparison of Magic Lantern Reflections Fund Purchase. 1966:2 Dragon, Edo period, late 18thearly 19th of the Heart (Gentō shashin kurabe), century. Hanging scroll; ink on silk, with Maude I. Kerns, American; Pacific Meiji period (1868–1912), 1890. signature reading “Chōbunsai Eishi” Northwest, 1876–1965. Let There Woodblock print in vertical ōban and seal reading “Eishi,” and inscription Be Light (And There Was Light), 20th format; ink and color on paper, 20 x 16 signature reading “Shokusanjin,” 64 1/2 century. Oil on canvas, 26 x 36 in. Gift in. Anonymous Loan. L2011:39.19 x 14 1/8 in. Loan from the Walter and of the Maude I. Kerns Estate. 1969:8.2 George Condo, American, b. 1957. Dörte Simmons Collection. L2012:12.3 David J. McCosh, American; Pacific Reclining Blue Form, 2011. Oil on ISHII Hakutei, Japanese, 1882–1958. Northwest, 1903–81. Blue Jays and linen, 78 x 74 in. Private Collection. Yanagibashi, from the series Twelve Sunflowers, 1970. Oil on canvas, 55 x L2011:43.1 Views of Tokyo (Tokyo junikei), Meiji 45 x 1 1/8 in. Gift of Anne K. McCosh. period (1868–1912), 1910. Shinhanga Giorgio De Chirico, Italian, 1888– 1985:14.4 woodblock print in vertical ōban 1978. Ettore e Andromaca, 1925–30. Oil format; ink and color on paper, 20 x 16 Highway in Oregon, 1936. Oil on canvas, on canvas, 35 3/4 x 23 3/4 in. Anonymous in. Anonymous Loan. L2011:39.10 30 x 40 in.; frame, 35 x 45 in. Gift of Loan. L2012:48.1 Anne K. McCosh. 1990:2.5 KATSUSHIKA Hokusai, Japanese, Anne-Louis Girodet de Roucy- 1760–1849. View of the Mitsui Stores Trioson, French, 1767–1824. La Belle n on Suruga Street in Edo (Edo Suruga‑chō Lent to the University of Oregon, Elisabeth, 1807. Oil on canvas, 25 x 20 1/2 Mitsui‑mise ryakuzu), from the series President’s Office in. Anonymous Loan. L2012:48.3 JUNG Hyunbok (Yoodang), Korean, Thirty‑Six Views of Mount Fuji (Fugaku 1909–73. “Appearance of a Pine Tree, Paul Delvaux, Belgian, 1897–1994. sanjū rokkei), Edo (Tokugawa) period Conduct of a Crane” (Korean, Song Jeunes Filles à la Campagne, ca. (1615–1868), ca. 1829–1833. Ukiyo‑e Ja Hak Jo; Chinese, Song Zi He Cao), 1929. Oil on canvas, 56 1/8 x 78 3/8 in. woodblock print in horizontal ōban Republican period (1945 present), Anonymous Loan. L2012:48.2 format; ink and color on paper, 10 x 15 1970. Framed calligraphic panel in Urs Fischer, Swiss, b. 1973. Problem in. Anonymous Loan. L2011:39.14 Chinese characters; ink on paper, with Painting, 2012. Milled aluminum panel, Sawyers in the Tōtōmi Mountains inscription reading “To the Honorable acrylic primer, gesso, acrylic ink, acrylic (Tōtōmi sanchû), from the series [Mr.] Mongcheon, written by Yoodang silkscreen medium, acrylic paint, 142 Thirty‑Six Views of Mount Fuji (Fugaku [Jung Hyunbok],” 20 1/4 x 611/4 in. x 106 x 1 in. Courtesy of the Broad Art sanjū rokkei), Edo (Tokugawa) period (framed). Gift of Jung Dojun. 2010:28.1 Foundation, Santa Monica, California. (1615–1868), ca. 1829–1833. Ukiyo‑e L2012:22.1 woodblock print in horizontal ōban 36

format; ink and color on paper, 16 x 20 silk, 96 x 37 1/2 in. Anonymous Loan. SEKINO, Jun’ichirō, Japanese, 1914– in. Anonymous Loan. L2011:39.15 L2011:39.17 1988. Bingata, Shōwa period (1926– 1989), 1975. Sōsaku hanga woodblock KITAGAWA Utamaro, Japanese, Max Pechstein, German, 1881–1955. print; ink and color on paper, edition 1753–1806. Little Seedlings, Shimizu Still Life, 1912. Oil on canvas, 29 x 39 99 of 128, Approx. 36 x 27 7/8 in. (paper). Komachi (Futaba‑gusa, Shimizu in. (canvas). On loan from the Oregon On loan from Yoko McClain. L2011:40.1 Komachi) [Blindman’s Bluff], Edo State University Memorial Union. (Tokugawa) period (1615–1868), ca. L2012:6.1 Paul Signac, French, 1863–1935. Les Tours Vertes, La Rochelle, 1913. 1803. Ukiyo‑e woodblock print in Pierre-Auguste Renoir, French, Oil on canvas, 28 3/4 x 36 1/4 in. Private vertical ōban format; ink and color on 1841–1919. Buste de Femme Nue, ca. Collection. L2011:38.1 paper, 20 x 16 in. Anonymous Loan. 1879. Oil on canvas, 17 1/2 x 14 1/2 in. L2011:39.1 Anonymous Loan. L2012:48.4 Frank Stella, American, b. 1936. Les Indes Galante (small version), KOBAYASHI Kiyochika, Japanese, Portrait de Femme au Bandeau, ca. 1964. Alkyd on canvas, 19 5/8 x 19 5/8 1847–1915. Cat and Lantern, Meiji 1905. Oil on canvas, 17 13/16 x 13 7/8 in. in. Collection of Jerome Dahan; cour- period (1868–1912), 1886. Ukiyo‑e Anonymous Loan. L2012:48.5 woodblock print in horizontal double tesy of Fred Hoffman Fine Art, Santa ōban format; ink and color on paper, 20 Rene Rickabaugh, American, b. Monica, California. L2012:4.1 1947. Floral Still Life, 1988. Pigments x 26 in. Anonymous Loan. L2011:39.7 TAMAMIZU (Zui) Hōkō, Japanese. on paper, 26 x 24 in. Gift of Eiko Politz. Chinese Beauty, Edo period, 1838 or View of Sanno from Asakusa Kiribatake L2011:37.1 (Asakusa Kiribatake Sanno Urayama), Meiji period, 1898. Hanging scroll; from the series One Hundred Views of James Rosenquist, American, b. ink and color on silk, with signature Musashi (Musashi hyakkei no uchi), Meiji 1933. Untitled (Female & Flowers reading “Zuihōkō” and seals reading period (1868–1912), 1884. Shinhanga Series), 1989. Oil on canvas, 80 x 68 in. “Zuihō and __,” 86 x 37 in. Loan woodblock print in vertical ōban Anonymous Loan. L2012:5.1 from the Walter and Dörte Simmons format; ink and color on paper, 15 x 10 George Rouault, French, 1871–1958. Collection. L2012:12.9 in. Anonymous Loan. L2011:39.11 Pierrette, 1939. Oil on paper mounted TERAOKA Masami, Japanese, b. David McCosh, American, 1903–81. on canvas, 19 3/8 x 13 1/8 in. Anonymous 1936. Kunisada Eclipsed, from the The Bachelor, 1932. Oil on canvas, 25 x Loan. L2012:13.1 Hawaii Snorkel Series, 1993. Woodcut, 30 in. Private Collection. L2011:15.1 SAKAI Hōitsu, Japanese, 1761–1828. etching, and aquatint on paper, 38 1/2 x 57 1/2 in. Anonymous Loan. L2011:39.9 Alfred James Munnings, English, Peony and Poem, Edo period, late 18th– 1861–1922. Crossing the Ford, 1911. Oil early 19th century. Folding fan; ink and Kunisada Eclipsed, from the Hawaii on canvas, 14 1/4 x 19 1/4 in. Anonymous color on paper, with signature reading Snorkel Series, 1993. Woodcut, etching, Loan. L2012:13.6 “Hōitsu hitsu,” and inscription signa- and aquatint on paper, 38 1/2 x 5 1/2 in. ture reading “Shokusanjin,” 20 1/4 x 22 1/4 Anonymous Loan. L2011:39.9 Alice Neel, American, 1900–84. in. (framed). Loan from the Walter and TSUKIOKA Yoshitoshi, Japanese, Thanksgiving, 1965. Oil on canvas, Dörte Simmons Collection. L2012:12.2 36 x 24 in. On loan from the collec- 1839–1892. Summer, Women Bathing tion of Jonathan and Monika Brand. Straw Wrapped Salmon, Edo period at the Daishoro (Natsu nezu hanayashiki L2011:34.1 (16151868), late 18th–early 19th daishoro), from the series Popular [Places century. Hanging scroll; ink on silk, with in the] Four Seasons (Zensei shiki), Meiji Isabetta, 1930. Oil on canvas, 31 x signature reading “Ōson shoga” and period (1868–1912), 1883. Ukiyo‑e 24 in. On loan from the collection seal reading “Ukaan,” 75 x 17 3/8 in. Loan woodblockprint in ōban triptych of Jonathan and Monika Brand. from the Walter and Dörte Simmons format; ink and color on paper, 20 x 36 L2011:34.2 Collection. L2012:12.5 in. Anonymous Loan. L2011:39.3 Canary Girl, Fire Escape, 1938. Oil on Night of Cherries: Lantern in the TSUKIOKA Sessai, Japanese, ?1839. canvas, 32 x 22 in. On loan from the Yoshiwara, Edo period, late 18thearly Red Shōki, Edo period, ca. 17721786. collection of Jonathan and Monika 19th century. Hanging scroll; ink and Hanging scroll; ink and color on paper, Brand. L2011:34.3 color on silk, with signature reading with signature reading “Tsukioka OKAMOTO Koen, Japanese, 1895–?. “Hōitsu hitsu” and seal reading Sessai(?)” and inscription signature Standing Beauty Wearing Kimono with “Hōitsu,” 65 x 25 3/8 in. Loan from the reading “Hogen Tsukioka Settei Designs of Station Nos. 4, 16, 19, 9, 21, Walter and Dörte Simmons Collection. Masanobu,” 70 1/4 x 12 in. Loan from the 44, 22, 14 and 42 from Hiroshige’s print L2012:12.7 Walter and Dörte Simmons Collection. series Fifty‑three Stations of the Tōkaidō Peter Saul, American, b. 1934. Wall L2012:12.4 (Tōkaidō gojûsan‑tsugi no uchi), Taishō Street, 2010. Acrylic on canvas, 72 x UTAGAWA Hiroshige, Japanese, period (1912–1926), ca. 1914–1920. 96 in. Loan courtesy of Yongsoo Huh. 1797–1858. Asakusa Ricefields and Hanging scroll; ink and color on L2012:31.1 Torinomachi Festival (Asakusa tanbo 37

Torinomachi mōde), from the series ōban hexaptych format; ink and color Unknown, Korean. Bamboo Through from the series One Hundred Famous on paper, 40 x 36 in. Anonymous Loan. the Four Seasons, Joseon dynasty Views of Edo (Meisho Edo hyakkei), Edo L2011:39.4 (1392–1910), 19th‑early 20th century. (Tokugawa) period (1615–1868), elev- Actor Onoe Tamizo II as a Kite, from Two four‑panel folding screens; ink on enth month of 1857. Ukiyo‑e wood- the series Second Play Grand Finale paper, 41 1/2 x 161 in. (paper); 66 7/8 x 186 block print in vertical ōban format; Five Transformation Dance (Dainiban in. (full screens). Loan from Robert and ink and color on paper, 15 x 10 in. ogiri gohenge shosagoto no uchi), Edo Sandra Mattielli. L2012:3.4 Anonymous Loan. L2011:39.12 (Tokugawa) period (1615–1868), 1842. Unknown artist. Korean, Preliminary Plum Garden, Kamata (Kamata no Ukiyo‑e woodblock print in vertical Drawing for a Scholar’s Accouterments umezono) from the series One Hundred ōban format; ink and color on paper. 20 Screen (Chaekkori), Joseon dynasty Famous Views of Edo (Meisho Edo x 16 in. Anonymous Loan. L2011:39.5 (1392–1910), 19th century (?). hyakkei), Edo (Tokugawa) period UTAGAWA Kunisada II, Japanese, Eight‑panel folding booklet, ink on (1615–1868), second month of 1857. 1823–1880. Fifth Month [? – should be paper, 27 1/4 x 138 in. Loan from Robert Ukiyo‑e woodblock print in vertical Seventh Month], from the series Eastern and Sandra Mattielli. L2012:3.5 ōban format; ink and color on paper, 15 Genji, Visual Puns on Five Seasonal Unknown, Korean. Scholar’s x 10 in. Anonymous Loan. L2011:39.13 Festivals (Azuma Genji mitate gosekku), Accouterments (Chaekkori), Joseon Tōkaidō Stations with Auspicious Poems Edo (Tokugawa) period (1615–1868), dynasty (1392–1910), late 19th‑early selected by Hinokien Umeaki (1793– 1855. Ukiyo‑e woodblock print in 20th century. Four‑panel folding 1859) (Tōkaiekiro kyōka sugoroku), Edo ōban triptych format; ink and color on screen; ink and color on paper, 42 1/4 period (1615–1868), ca. 1849–1852. paper, 20 x 36 in. Anonymous Loan. x 17 1/4 in. (image), 66 1/2 x 89 1/4 in. (full Ukiyo‑e woodblock‑printed game; ink L2011:39.6 screen). Loan from Robert and Sandra and color on paper, Paper: 32 1/2 x 47 in. UTAGAWA Kuniyoshi, Japanese, Mattielli. L2012:3.6 Anonymous Loan. L2011:39.18 1798–1861. Gen Shōji, No. 3 of Five Unknown artist, Korean. Dragon amid Standing Beauty Wearing Kimono with Sheets of Collecting Brine from the series Clouds, Joseon dynasty (1392–1910), Designs of Station Nos. 4, 16, 19, 9, 21, 44, Elegant Women’s Water Margin—from late 19th‑early 20th century. Framed 22, 14 and 42 from Fifty‑three Stations One Hundred and Eight Figures, (Fūzoku painting; ink and color on paper, 48 1/2 of the Tōkaidō (Tōkaidō gojūsan‑tsugi onna Suikoden—ippyakuhachinin no x 36 7/16 in. (framed). Loan from Robert no uchi), Taishō period (1912–1926), uchi, Shiokumi goban tsuzuki sono san), and Sandra Mattielli. L2012:3.7 ca. 1914–1920. Hanging scroll; ink and Edo (Tokugawa) period (1615–1868), Unknown artist, Korean. Orchids and color on silk, 96 x 37 1/2 in. Anonymous ca. 1832. Ukiyo‑e woodblock print Rocks, Joseon dynasty (1392–1910), Loan. L2011:39.17 surimono in shikishi format; ink, color, late 19th‑early 20th century. Two‑panel metallic pigment and embossing on UTAGAWA Kunihisa, Japanese, folding screen; ink on paper, 39 x paper, 8 1/4 x 7 1/8 in. Anonymous Loan. 1832–91. Flowers, Edo-Meiji period, 33 2/3 in. Loan from Robert and Sandra L2011:39.16 mid-late 19th century. Folding fan Mattielli. L2012:3.8 (mounted on ivory sticks with ivory Unknown, Korean. Tigers and Magpies, Unknown artist. Korean. Scholar’s guard and gold inlay); ink and color on Joseon dynasty (1392–1910), late Accouterments (Chaekkori) with Pictorial silk (with landscape on reverse), with 19th‑early 20th century. Hand‑colored Ideographs of the Eight Confucian signature reading “Kunihisa ga,” 12 1/4 woodblock print; ink and color on Virtues (Munjado), late Joseon or early x 22 1/2 in. Loan from the Walter and paper, 25 1/2 x 16 1/8 in. (image); 32 3/4 x 20th century. Eight‑panel folding Dörte Simmons Collection. L2012:12.1 26 3/4 in. (full frame). Loan from Robert screen; ink, color & metallic pigments and Sandra Mattielli. L2012:3.1 UTAGAWA Kunisada, Japanese, on paper, 66 1/2 x 143 x 5/8 in. (full 1786–1865. Yugao [Standing Beauty Unknown, Korean. “Red cloud in the screen), 46 1/6 x 13 in. (painting). Loan Holding Obi], Edo (Tokugawa) period sky…,” Joseon dynasty (1392–1910), from Robert and Sandra Mattielli. (1615–1868). Ukiyo‑e woodblock print late 19th‑mid 20th century(?). Six‑panel L2012:3.9 in vertical ōban diptych format; ink and calligraphic folding screen; ink on Andy Warhol, American, 1928–87. color on paper, 40 x 16 in. Anonymous paper, 51 3/4 x 108 3/4 in. (image); 75 3/4 x Dollar Sign, 1981. Synthetic polymer Loan. L2011:39.2 118 1/4 in. (full screen). Loan from Robert and silkscreen inks on canvas, 20 x 16 and Sandra Mattielli. L2012:3.2 View of the Backstage and Dressing in. Collection of Jerry and Terri Kohl, Room of a Newly Constructed Theater Unknown, Korean. Orchids, Joseon courtesy of Fred Hoffman Fine Art, (Odori keiyou gakuya no zu [upper] / dynasty (1392–1910), late 19th‑early Santa Monica, California. L2011:60.1 Odori keiyou nikai‑iri no zu [lower]), 20th century(?). Two‑panel folding Edo (Tokugawa) period (1615–1868), screen; gold on dark blue silk, 28 1/4 x 14 second month of 1856 (Ansei era). in. (image); 49 x 39 1/2 in. (full screen). Ukiyo‑e woodblock print in vertical Loan from Robert and Sandra Mattielli. L2012:3.3 38

$10,000 and up Vinie and J. Sanford Miller Honor Roll Anonymous (2) Morgan Stanley Smith Barney Bank of America Foundation, Inc. Sandra ’61 and Philip Piele ’63 Susan and F. Gregory Fitz-Gerald Dorothy Porter ’45 2011–2012 Cheryl ’66 and Allyn Ford Elizabeth Moyer and Michael Powanda Mary Jean and Lee Michels Nancy ’68 and Michael Rose ’62 Estate of Jeanne F. and Roy Neville Sandra ’92 and Jerry South Estate of Richard Noyes Kimberly and Dale Williams Harold & Arlene Schnitzer The JSMA greatly values CARE Foundation $1,000 – $1,499 its members and donors Sharon Ungerleider ’70 Irene and Kevin Alltucker ’04 without whose support our Holly GoSlugly, SLUG Queen Ruby Brockett public programs, exhibitions, Carolyn S. Chambers Trust $5,000 – $9,999 publications, and other special Carol Steichen Dumond ’45 and Rich Clarkson Don E. Dumond ’62 projects would not be possible. Janine and Joseph Gonyea III Gourmet Group I The following are supporters JoMae and Joseph Gonyea II Huey-Ping Lin ’86 and who gave a gift to the JSMA Gourmet Group II Richard Easley ’84 Kendall Subaru Maria Bolanos-McClain and between July 1, 2011, and June Lisa ’92 and Steven Korth ’92 Ken McClain 30, 2012. Every effort is made Lynda Lanker Barbara and Jon Schleuning to compile a comprehensive list. Robert H. and Sue Keene Malott ’72 Alice Callicott ’83 and William Northwest Community Credit Union Simmons Any omissions are inadvertent. Susie Yancey Pape ’72 Kenda ’74 and Kenneth Singer Please call us at 541.346.0974 Carol ’75 and Keith Richard ’64 Tamara Stenshoel ’77 and with any updated information. Christine and Chris A. Smith ’76 Douglas Wilson ’79 Betty Soreng Dominick Vetri and Douglas DeWitt Thank you for your support! Barbara ’83 and James Walker Karen and Charles Warren ’62

$3,000 – $4,999 $500 – $999 Keith Achepohl Dorothy and Frank Anderson Hope Pressman ’42 Joyce Benjamin ’71 and Lisa ’87 and Timothy Clevenger ’86 Russell Donnelly Linda Lawrence-Canaga and $1,500 – $2,999 Robert Canaga ’90 Margaret ’70 and Clifford Fisher Gregory Ahlijian ’71 Linda and Scott Folk Anonymous (2) Gail Groza Donata Carlson and Michael Balm Jerrlyn ’80 and Kip Henery Maureen Bernard ’58 Elizabeth ’89 and Mark Holden Ann Brewer ’53 James Kitterman ’73 Anne and Terrence Carter Michael Liebling William Constantine Phaedra Livingstone and Paul Godin Delyn ’72 and Robert Dunham ’73 Jane and Duncan McDonald ’72 Margaret and Daniel Erickson Marla and Jeffrey Michaels Eugene Airport Newman’s Fish Company, Inc. Colleen and James Fitzgibbons James Peterson The Giustina Family Stephen Rhodes ’69 Jill Hartz and Richard Herskowitz Jordan Schnitzer ’73 Phyllis Hawk ’47 * Deceased Mary and Everett Smith** Marcia and David Hilton ** Includes gifts in memory of Constance Yvonne and Charles Stephens ’72** Anita ’89 and Danny Hollingshead ’69 Huling, Yoko Matsuoka McClain, and/ Stephen Stone ’49 Jon LaBranch ’67 or Harold Schnitzer Yvonne and James Wildish ’54 Ethel ’55 and John Mackinnon, Jr. ’58 39

$250 – $499 $100 – $249 Katherine ’85 and Stanley Clawson William Balsom Anonymous Victor Congleton Marcella Bell Sandra Adams ’74 Paula ’78 and Dennis Conn Ruth ’51 and Owen Bentley, Jr. ’50 Masayuki Akiyama ’69** Katherine ’81 and Michael Coughlin ’79 Irwin Berman Betty and Darwin Allison ’54 Beryl Cowley Brian ’58* and Gwyneth Booth Jean ’72 and F. Burnell Ambrose Martha and Robert Crist Jeanette Kessler and Andrew Burke Susana and Edward Anderson ’49 John Crocker Beth and Robert Campbell Joyce ’67 and Richard Anderson Ellen and Lawrence Crumb Ellen Climo Karen ’76 and Sarkis Antikajian William Cummings Margot Fetz Susan Archbald Frances and Michael Curtis ’67 Violet and Robert Fraser Andrea ’67 and David Arlington ’69 Kathryn and Lee Daniel Dorothy ’56 and Samuel Frear ’56 Cecilia and Robert Armour ’67 Patricia Dark ’48 Linda Gourlay-Nelkin and David Nelkin Ina Asim Laoni and Robert Davis Melinda Grier ’88 and Jerome Lidz ’77 Geraldine Aster Jayme De Vasconcellos Elizabeth and Roger Hall Rebecca Youngstrom and Diane and Jerome Diethelm Yukiko and Robert Innes ’74 Ronald Atwood ’78 Donald D. Diment, Jr. Renee Irvin ’84 Phoebe Atwood ’45 Patricia Condron and Toyoko Itoh Robin and Avon Babb Ronald Dobrowski Emiko and John Kageyama ’58** Arline and Donald Bahret Loimae ’66 and Bertrand Dotson ’51 Michitada Kawano Marie and Ted Baker ’48 Dotson’s Coburg Antiques Debra Koppensteiner-Quay ’75 Judith Baldwin Deborah Dotters and Vern Katz Tina and Jay Lamb ’76 Stanley Baldwin* Downey Family Trust Larson Family Foundation Patti ’82 and Thomas Barkin May ’64 and John Downey** Deborah Larson ’48 Michael Barnebey ’93 Elaine ’84 and Stefan Dunda Hiroshi and Hikaru Matsumoto Mary Battin ’75 MaryAlice Dwyer Nicola ’86 and James Maxwell ’67 Anne Bell and Emilio Bandiero ’90 Louise Bishop and James Earl Ann ’86 and Erik Muller ’65 Margaret Bennett Edward Jones Julianne Newton and Rick Williams Judith and David Berg Nancy and Thomas English ’65 Jacqueline and Steven Ofner Barbara and Peter Bergreen ’61 Madonna Moss and Jon Erlandson Elizabeth Pownall Francine and Scot Berryman Estate of Gladys McCready Ivy ’76 and Mark Pruett Robin and Roger Best ’75 Eugene Foot Health Center Linda ’74 and Thomas Roehl Bill Bishop Susan and Bruce Eveland Deidre and Clinton Sandvick ’08 Janet Dahlgren ’91 and Sherilyn and Michael Farris Pamela Whyte ’77 and Timothy Blood ’74 Amy Fields Ronald Saylor ’70 Virginia and Bernard Bopp Rhea ’74 and Donald Forum Eric Schabtach Mary and Chester Bowers Don Fox ’48** Dana ’76 and Paul Skillern ’72 Audrey ’59 and Ray Bradshaw ’86 Kris and Walter Fox Pamela ’75 and Randall Stout Ruth and Clifford BreMiller Lynn and David Frohnmayer Tris O’Shaughnessy and Linda ’71 and Donald Brodie Kazuo Funazaki** Gregory Stripp ’85 Marna Broekhoff ’66 and Carolyn Garcia Kuniya Tanaka Ralph Shattuck ’64** Verda Giustina Itsuko Tanji Patricia and William Brommelsiek Linda Glasser ’69 Joanne Taylor Grete and Warren Brown Margaret and Peter Gontrum Nathaniel Teich Margaret Byrne Marcia and Glenn Gordon Yoshiharu Torii Janet and Leonard Calvert ’55 Annie Gould Hildur ’90 and Todd Tritch Joanne Carlson Donna Gould ’62 Glenda ’71 and Michael Utsey Nancy and Peter Carlson ’64 Kyungsook ’61 and John Gregor ’56 Sarah and James Weston Kenar Charkoudian ’57 Joyce Griffith ’81 and Raymond Birn Karen and Ricky Wilson Catherine Cheleen-Mosqueda ’87 and Dawn and Douglas Gubrud ’84 Rafael Mosqueda Dawn and David Guenther Norman Chun ’72 Lois ’87 and David Hagen Nancy and George Classen ’71 Jeffrey Hanes The Stanley & Katherine Clawson Tetsuo Harada Rev Living Trust Stephanie Wood and Robert Haskett 40

Shiro Hata ’70** Kazuko and Shinya Maeda ’59** Nancy and Joshua Reckord Lu-Nita and Del Hawkins Roberta Mann and Richard Nelson Bette and Dwayne Rice ’70 Richard Hayward* Margaret K Bennett Trust Ruth and Kenneth Ross Yoshiko Higurashi ’77** Susan Markley ’63 John Roupe ’04 Starly Friar Hodges ’52 Cathryn Marsh Linda and Martin Sage Diane and Jeremiah Horgan Scott Marsh ’95 Tomoka Sakamoto** Teiji Hosoda ’67** Lois Martin Paula and James Salerno** Monica and Jeffrey Houck Katsushi Matsubara ’96** (Connie Huling) Dawne ’71 and Gregory Howard ’74 Toshitake Matsuki ’61** Phyllis and Royce Saltzman James Howard Sr. ’62 Sandra and Robert Mattielli Sapient Private Wealth Management Margaret ’63 and Thomas Hoyt ’63** Elizabeth and Frederick Maurer Phyllis ’77 and Brad Sargeant Corinne Hunt ’75 Lisa Kordela and Shane McCloskey ’02 Elaine Bernat ’78 and Roger Saydack ’80 Jane Huyer and Robert Smith ’59 Joel McClure Jr.** Jan and Andrew Schink JoAnne and Joseph Hynes Jr. Jacqueline McClure* Sarah and Brandt Schram Mamoru Iizuka ’66 Nancy McFadden ’68 Dorothy Schuchardt Marlene ’72 and Duane Iversen ’75 J. Douglas McKay ’59 Suzanne Schweitzer ’78 and Corinne ’88 and David Jacobs ’88 Patricia and Michael McNutt David McCrae ’78 Janet ’74 and John Jacobsen Mary Ellen and Robert McNutt ’60 Alice Davenport and Ernst Schwintzer Esther Jacobson-Tepfer and Ruth Miller ’76 Leslie Scott ’88 and Charles Lefevre ’90 Gary Tepfer ’75 Jaylynn and Michael Milstein Elizabeth Shepard ’83 Laura ’78 and Kent Jennings Lisa and Andrew Mirhej Mary and Ronald Sherriffs Kathleen and Darrel Jenson ’76 Miscellaneous Donor Georgette and Robert Silber Catherine ’77 and David Johnson ’76 Jamie and Michael Moffitt Mary Silver James L. Johnson, Sr. Elizabeth and James Mohr Harue Simamura Andrea and Michael Johnson JoAnn ’82 and Michael Mooser Candace ’72 and Clinton Simpson ’77 Katharine Joyce ’72 Lawrence Moran Nancy Smith Irina and James Just Connie and Dale Mueller ’68 Jane Huyer and Robert Smith ’59 Alice Kaseberg ’67 and Robert Bowie Barbara ’78 and John Mundall Snowfire Farm Yoshiko Kato ’00** Patricia Neuner Debbie and Michael Stalker Mary Pat and Lee Kersten Sally ’57 and Herbert Nill ’51 Starly K. Friar Revocable Living Trust Nancy ’62 and Allen Kibbey ’62 Deborah and Peter Noble Lynn Stephen Kieffer Family Living Trust Kazumi and Hiroaki Noda ’80** Sheila and Richard Stokes, Jr. ’58 Frances and Jarold Kieffer Sharane and Sidney Norris George Stovall ’57 Jeannette Kimball ’55 Margaret and Ingolf Noto Richard Stumpf ’87 Anne Rose Kitagawa and Ian Coleman Hideko and Junji Numata ’59** Constance and Michael Sullivan Lynn Klingensmith Masaki Okazaki** Janell Sorensen ’79 and Pamela Love and George Koris Carol and Michael Olsen William Sullivan ’79 Mitsue and Kazuo Koshida ’68** Linda and R Gail Overgard Christina Svarverud ’94 and Carolyn Kranzler ’80 and Jill ’03 and Jack Overley Mark Pangborn David McDonald Laramie ’83 and Theodore Palmer Megumi ’61 and Taizo Tanimoto ’61** Kelly ’84 and James Lanzarotta ’84 Karen and Frank Pensiero ’75 Ingeborg ’00 and Leonard Tarantola Geraldine Leiman ’41 Emaly and Hugh Perrine The Widman Family Living Trust Margaret and Richard Leutzinger ’62 Barbara Perry ’68 and Robert Weiss Christine and Howard Traver Hope Lewis Lura ’92 and John Pierce Barbara Truax ’68 Dawn Marlan and Jeffrey Librett Susan Polchert and Stephen McGirr Donald Truax* Jane ’73 and John Lillis-Olson ’73 Sharon and Michael Posner Allison ’76 and Richard Walker Robert Litin* Albert Poston ’69 Alice Warner Rita Litin Sharon and Otto Poticha Terri Warpinski Mary Llorens Marilyn Powers ’58 Pamela ’69 and John Watson ’69 Karen Locke ’73 Elizabeth and Klaus Putjenter Barbara West ’75 Alex Lockfeld Kathleen Lindlan ’92 and Patricia West Ronald Lovinger Michael Raymer Anita ’75 and John White ’74 Linda ’83 and Philip Lynch ’69 Severena Johnston ’88 and Mardelle and Harry Widman Jr. ’56** Andrea and Thomas Macha Michael Rear ’89 (Harold Schnitzer) 41

Carol and Tom Williams James Boyd Kathleen and Gary Craven ’68 David Winett Rachael and Charles Boyer Priscilla and David Croft Norma and Everett Winter ’56 Virginia Boyer Dorothy ’66 and John Cruickshank Timothy and Jenny Wooley W. H. Brandt Jon Cruson ’64 Emiko Yamaguchi ’08** Mark Brauner Linda and John Cummens Masuko Yokoro Samantha Brauner Kim and Dennis Cusack ’72 Sally ’58 and Richard Briggs ’56 Karen Daly Pamela Brills Peter D’Angelo $1 – $99 Gregory Brokaw ’96 Wendy Daniel Gesell Brook ’70 Diane ’82 and Larry Dann Martha Abbott ’71 June Brooks ’85 and Daniel Kaye Elinore Darland Jennifer Ablow Helen Brown Barbara Davis Deborah Abrams-Simonton Sherri Brown ’12 Helen and Mike Day Janice Addi ’76 Barbara Bryan ’58 Hannah and James Dean Patricia Adlum ’51 Patricia Burkart Marilyn and Charles Deaton Jr. Gerald Alexanderson ’55 Theodore Bushek ’70 Rogena Degge ’75 and Karen and Ronald Allen Cristina and Kenneth Calhoon Douglas DuPriest ’77 Lucille ’69 and Thomas Allsen ’69 Karrin ’80 and Theodore Calhoun Rebecca ’87 and Mark Delavan Lillian and Peter Almeida Nancy Callaghan Brigitte and John Delay Karen Alvarado ’60 and Nicola Camerlenghi Gayle Delgrosso and Terry Smith Karl Eysenbach ’75 Mary Ventura ’84 and John Camp Amy ’73 and James Derby Florence Alvergue ’89 Cage Campbell Elizabeth DeShetler ’48 Mikayle and Shannon Anderson ’91 Tom Caples Kanchan ’76 and Nilendra Deshpande Susan Anderson Jean Carley Miriam Deutsch Blake Andrews John Carlotti Bob DeVine Patricia Mallick ’81 and Gordon Anslow CAS Properties Caroline DeVorss ’94 Vernon Arne ’71 RosaLinda and Robert Case Jr. Joan Dickey John Attig Miriam Castellon Jordan ’09 and Kirsten Diechmann ’82 Harriet Attig* Max Jordan Mary Douda ’55 Gwendolyn ’87 and Dennis Bailey ’70 Amy and Jeff Cecchini-Coe Ann Douglas Darelle Baker ’82 Janice Checchia Dr. Kelly, Inc. Patricia Baker ’78 Craig Cherry Martha Murray and Kent Duffy ’71 Barbara Ann Bryan Living Trust Sandra and Craig Cheshire ’58 Dianne Dugaw Marilyn Bartusiak and Jay Chappell Masayo and Phillip Chilton Sharon and James Duncan Jean and Howard Baumann Karen French and Robin Chitwood Sandra and Lawrence Dunlap Douglas Beauchamp Jin-Won Choi Maxine and Robert Durbin Georgiann and Charles Beaudet Linda ’76 and Gary Christensen ’74 Katherine Eaton ’52 Jane and Alec Bentley Christine McFee, M.D. Burt Eaton* Patricia ’60 and Noel Berkeley ’61 Chuck Bailey Architect AIA Arthur Edelmann ’82 Carol and Marvin Berkman Joan Claffey and Anthony Meyer** Dana Edwards Marcia Berman (Connie Huling) Rina and Lee Eide ’69 Laura and Daniel Betty Joan and Craig Clark II ’63 Elizabeth Beairsto-Lamont Trust Lori and Richard Beyerlein Beth Clarke Judith and Dennis Ellison Margaret Bidart Margaret ’63 and Melvin Clarke ’59 Joann and Benjamin Epstein Mary Birmingham Hugh Cochran Esther Erford Carol Blackwell ’69 Robin Cochran ’84 Ruth Erickson Mary and Ronald Boehi Sandra ’02 and Howard Coffin Jamie Leaf and Kim Eschelbach Susan and John Boettcher ’81 Josephine ’52 and Allen Cohen ’52 Kimberly and David Esrig Julie and William Boffing Jr.** Susan Cohen June Boles Constance Cole ’89 Melva and Shawn Boles Joyce Sanders and James Conklin * Deceased Lee Boles* ’56 M. Mary Nuwer and James Coons ’76 ** Includes gifts in memory of Constance Ernest Bonyhadi Dorothy and Paul Cossaboon Huling, Yoko Matsuoka McClain, and/ Adrienne Borg Laurie Cracraft ’69 or Harold Schnitzer 42

Nancie Fadeley ’74 Victoria Harkovitch ’75 and James Johnson Jr. ’84 Judith and Thomas Fawkes John Holtzapple III ’91 Sandra Johnson Robert Ferris Judith ’64 and Timothy Harold ’63 Kathellen Johnson Angela and Kristian Ferry Bonnie and Michael Hartley Stephen Johnston ’77 Cara Filsinger ’92 Haruyo and Yoshiro Hatano ’67** Patricia Johnston and Kevin Matthews Phyllis Fisher Sue Haven David Justman ’73 Tegra Fisk Anne Hayes Carole Kabot ’78 and Robert Kelly Fitzpatrick Carmen Hayes Hausmann Patricia Flake Deborah Healey ’76 Jane Kammerzelt Nancy Fletcher Kathryn and Mark Heerema Sharon Kaplan Rebecca Flynn Christie and Ronald Hegge Christina Kapsa ’05 Sharon Flynn Andrea ’71 and Edward Heid ’73 Karen M Seidel Revocable Trust Agnes Balassa and Charles Forster Jr. Eleanor Hein Yukio Katoh Ann Foss ’70 John Heintz Joan Kelley ’92 Lois Foss-Taylor ’75 Henriette ’87 and Elwin Heiny ’77 Marina Kelley Rachel Foster John Heinzkill Constance ’67 and Leslie Fountain Williams Susan and William Heisey Michael Kennedy ’69 Margan Lambert and Michael Fox ’74 Lynne ’79 and Dennis Hellesvig ’60 Emily Kersten Noreen Franz-Hovis ’86 and Wanda ’67 and James Henson Katy Keuter J. Scott Hovis ’82 David Herman ’83 Leslie Kidd ’94 Shirley Froyd Judith and Richard Hicks** Jane and Donald King Jane and Mike Fruin Timothy Hilton ’84 Valerie ’80 and Steven King ’80 Joel Frutal Mary Hindman Linda ’85 and Timothy King Judith Mintzer-Fudge and Yasuko Hirobe Valerie ’80 and Steven King ’80 Robert Fudge ’56 Joan Gray ’83 and Harris Hoffman ’82 Sherrill Kirchhoff ’82 Rebecca Mikesell and Charles Fuller Barbara and Jon Hofmeister ’68 Masaji Kitayama Ellen Gabehart Penny ’96 and Christian Hoge Charles Kleinhans Daphne Gallagher and Mary and Maurice Holland Summer ’91 and Jeffery Knowlton Stephen Dueppen Mary and Jack Holley Cynthia and George Kokis Barbara and James Gant ’57 Mary Holser ’90 Anne Niemiec and David Kolb Joyce Gardner Tomoko Honjo ’58** Martha ’87 and Sergio Koreisha Laeh Garfield Sharon Reed and Mark Horney ’91 Roland Korinek Elizabeth and Michael Garfinkel Sharon and Mark Housen ’66 Linda Bennett ’78 and P. Kortekaas John Gilbert ’69 Jen Howard Rebecca and Peter Kovach ’74 Shirley Gittelsohn Ellen Hubbe Brenda ’87 and Robert Kuehn ’87 Carolyn Glasier Ute and Ralf Huber Judith and Kenneth Kulluson Hannah and Daniel Goldrich Maurice Hudson ’52 Dana and Eric Kvernland ’73 Becky Couch-Goodling ’77 and Wendy Huhn Judith Lamb ’79 James Goodling ’80 Joyce ’82 and William Iliff Elizabeth Beairsto-Lamont ’56 and Elizabeth and Edward Gordon Stephanie Jennings and George Lamont ’51 M J and Donald Gordon ’90 Robert Inerfeld Michael Landes ’91 Patricia ’71 and Dennis Gory ’71 Gwyneth Iredale Cynthia and Stephen Lane Renee ’78 and Andrew Gottesman ’71 Edie and Gerald Ireland Claudia Lapp and Gary Rabideau Colette Govan ’82 Cathryne Irwin ’88 Marylyn and Thomas Larsen ’78 Anna Grace Helen and James Jackson Andrea Larson Thelma Greenfield ’44 Maija James Anita and Ronald Larson Faye ’75 and Stuart Greenleaf Elaina Jamieson ’91 Darlene and John Lashbrook Heidi and Scott Grew Mary and Jerry Jaqua Sandra Wu and Edward Lawry Denise ’84 and William Grieve III Marcia and John Jarrett Elaine Lawson Joanne Gulsvig Barbara and Timothy Jenkins Maryann Leavitt ’72 Cynthia and Akshay Gupta Jo Ellen Waldvogel Trust Melody ’79 and Lann Leslie ’78 Annette Gurdjian ’84 and Dennis Clay Deborah and Bruce Johannes Edith Leslie Kathryn and Herbert Hahn Beverly Johnson ’48 Renee Lessert Sue Hamilton Constance Johnson ’79 Letter Lines 43

Jamie Guyn ’80 and Michael Levick ’82 Shirley and D. Robert McNaught Georgann Pasnick Martin Lewis ’91 H. Glenn Meares Joby and G. James Patterson Martha MacRitchie and Michael Lewis Mona Meeker Elizabeth and Kenneth Paul Deborah ’90 and Shlomo Libeskind Marceline Hammock ’60 and Edgar Peara Janet Lichenstein ’87 Herbert Merker ’60 Renee Pearson Bettina Ling Gloria Merriam Shirley ’44 and Louis Pearson Littman Family Trust Tylar Merrill ’90 Eric Petersen Richard Littman Anita and Todd Miles Rick Petersen Helen Liu ’90 Coleen Miller Catherine Peterson ’72 Sue and Eugene Liu Jim Miller Virginia Peticolas ’86 Virginia Lo and Paul Nicholson Marsha ’86 and Leland Miller Nan Phifer Juliette Loqudis Tracy Miller ’06 Catherine and David Piercy ’85 Lisa Lorens and Michael Webb ’83 Carol Mock Kathleen Pinney Elizabeth Muller-Lorish ’72 and Judy ’98 and Jamie Moffett Nancy Pobanz ’81 Fred Lorish ’68 Mary and John Mohr ’70 Elisabeth Potter ’60 Anna Lott ’99 Donna ’90 and Andrew Moore Linda ’62 and Standlee Potter ’62 Dave Lottier Emily and Gregory Moore Joy Poust ’71 Joseph Lowndes Daniel Moret ’84 Amanda Powell Sandra and Eugene Luks Vicki Morgan Virginia Prouty Theresa and David Lyons ’60 Laree and Larry Morgenstern Jacqueline ’58 and John Pynes ’70 Marilyn ’87 and Donald Lytle ’76 Lynn and Donald Morris Sandra ’81 and Richard Quigley Amy Athey and Brent MacCluer ’94 Denise Gudger and Roderick Morris Janice Quivey Sonia Macke ’72 Mary Morrison Marie-Helene and Timothy Rake ’96 Melanie and Malcolm MacKinnon ’79 Sarah Moseley Marjory Ramey ’47 Yvonne Manipon ’90 and Gary Cordova Patricia and Robert Moser Stephen Ramey Rebekah Marsh Mary and Richard Mowday Carlene Ramus Stephanie Winsor ’80 and Janet Mueller ’65 Marie Rasmussen ’78 George Marshall Jr. ’68 Beverly ’67 and Richard Murrow Jr. ’65 Carolyn Rayborn ’58 Nicole ’94 and Cameron Martin ’93 Rhonda Stoltz ’88 and John Mustoe ’76 Jeffrey Rear ’89 Linda and Victor Martin ’69 Evelyn Nagy Kathleen Rear Erin and Wayne Martin Kathleen ’70 and James Nahorney ’71 Helen Reed ’70 Mary Jayne Robert Rev Liv Trust Nancy and Saul Naishtat ’95 Janet and Richard Reed Alexander Mathas ’84 Lynn Nakamura ’76 Ginny ’64 and Roger Reich Toshiko and Nobutake Matsuki ’67 Carolyn and William Neel ’65 Jessica and Jim Reichman Terry Mauney ’67 Diane Nelson Julie Reisner Maurice R. Williams CPA, PC Lise Nelson ’90 Alicia and Robert Remington Joanne McAdam ’64 Howard Newman ’84 Colette ’84 and Stephen Richardson Hally McCabe ’90 Michelle ’96 and Keith Nicolson Sue Ellen and Earle Richmond Jr. ’63 Estelle ’50 and Dennis McCafferty Nils & Joyce Norman Revoc Liv Trust Peggy and Rick Ries Nancy and J. Denis McCarthy Margot Hale and Rushiko Nishikuni Cynthia ’01 and Michael Riplinger ’85 Pamela McClure and Leroy Johnston Midori Noda Mary Robert ’47 Margot and Gerald McDonnell Joyce Norman Thelma Soderquist and Larry Robidoux Donna ’69 and George McGuinness ’71 Linda and Steven Norris Janet Robyns ’80 and George Jones ’73 Richard McGuinness Maryanne ’93 and Helen ’76 and Gordon Rockett Jill and Gary McKenney ’76 Eugene Obersinner ’90 Erna Rockey Joann and Merrill McKern ’48 Joan and Alexander Ojerio Vincenza Scarpaci and Peter Rodda** Nancy and James McKittrick ’57 Rie Okazawa** Linda and Thomas Roe ’61 Mary McKrola ’86 Mary Glass O’Leary ’55 and Jay O’Leary Roehl & Yi Insurance Services, LLC Anne McLucas* Louis Osternig ’71 Nancy and Thomas McMahon ’74 Steven Page ’86 Christy McMannis ’72 and Cheryl ’00 and Christian Papé ’01 * Deceased Ronald Renchler ’78 Jennifer ’97 and Ryan Papé ’97 ** Includes gifts in memory of Constance Martha McMillen Susan ’78 and Anthony Parker Huling, Yoko Matsuoka McClain, and/ Norma McMurtry ’59 Alice Parman or Harold Schnitzer 44

Judy Romans ’75 James Stegall ’98 Ardemis and Kieran Walsh Gary Rondeau Claire Stewart Marion Walter Camille and Alan Ronzio ’70 Kimberley Still ’80 Janice and James Ward Maryann Roos Marina Taylor ’96 and Mary Warren Tiffany and Eric Rosenfeld Scott Stolarczyk ’97 Merrill Watrous Lois ’83 and Gerald Ross ’84 Chris and Andreas Storment ’84 Elizabeth Naylor and James Watson ’91 Frank Rossini ’74 Joyce Strassberg ’90 Gerald Webking ’64 Karen ’94 and Nicholas Russo Lotte Streisinger Laura Weeks ’93 Janice Rutherford ’63 Christine Sullivan ’76 and Margaret and Daniel Weill Walker Ryan John Rude ’79 Mary Weldon and David Smith Donna Samson Fay Sunada and Patrick Wagner Pei-Yin Wen ’00 Gary Sappington Donna and Norman Sundberg Diane and Donald Wenzel Lynette Saul ’65 Heidi and Josip Susec Elizabeth and Louis Wenzl ’68 Teresa and Karl Saxman Merrily and Martin Sutton ’78 Christina Wesely ’84 Linda Schaefers ’69 Susan Sutton MaryEllen West ’53 Carol ’69 and David Schaerer ’69 Lauren Suveges ’10 Sarah White Elizabeth and Lawrence Schwartz ’55 Deborah Sweet Bradford Whiting Nancy and Gerald Schwecke Charly Swing Pamela Perryman ’74 and Robert Elizabeth and Charles Search Jr. Rebecca Swing ’78 Whitman Stephanie ’80 and Douglas Sears ’69 Jay Sylvester Kathi Wiederhold ’76 and Michael See ’71 Cornelia Taggart ’86 Kent Howe ’78 Karen Seidel Chiaki Takada Ann Wiens Marsha and Steven Shankman Takuma Takahara ’77** Lee and Ray Wiley Barbara Shaw ’88 and Joe Henderson Takako Tamura ’00** Maureen and Daniel Williams ’62 Janice Shaw ’59 Jean and Wayne Tate Patricia ’83 and David Williams ’76 Kathleen Shelley ’49 Lynn Taylor Jerold Williams ’53 Heather and Frederic Shepard Anne Teigen and Robert Smith Lauretta and Maurice Williams ’71 Jill Blackhurst-Sheridan and Bonnie and Charles Temple Michael Williams George Sheridan Jr. Katlyn and Stephen Temple Debbie William-Smith and Scott Smith Kelli ’87 and Barton Sherman ’84 Carol and J. Frank Thibeau ’71 Dina Wills ’80 and D. Bjorn Olson ’84 Nancy and Robert Shinn Kathleen and Mark Thomas ’76 Ruth and Herbert Wisner Masako Shirakabe ’97** Annick Todd Le Douarec ’87 Cynthia Wojack ’77 and Catherine Sibert Sharon Torvik ’67 William West ’76 Dene and John Sihler Rita Thomas ’74 and Jerry Towle ’74 Leanne and John Wong Wendi and Daniel Simmons Diane and Clifford Trolin Jean ’68 and Harold Wood Ruth Simon Ann ’61 and Harold Tryk ’63 Amy Woodcock Ellen Singer Anne Tunzi Joan Wozniak ’70 Becky and Rodney Slade ’76 Elizabeth Uchytil ’69 Leslie and Charles Wright Michael Smith Robert Uhler ’91 Masako Yamamoto ’93** Misao Smith ’58** Mark Unno Priscilla Yamin Sara and Oliver Snowden III ’90 Jason Valentine Heather Young ’95 and Joan Soderstedt Eugenia ’70 and Robert Van Iderstine Alain Rebeyrol ’94 Mary ’57 and Robert Sogge ’55 Maron ’59 and Maurice Van ’57 Yvonne Young ’88 Stephen Solomon Mary Lou and Frank Vignola ’69 Mark Zentner ’87 Andrea Soreng ’85 Phyllis Villec Heather and Kurt Zimmer ’91 Ruth South ’50 Timothy Vinson ’87 Lisa Reinhart-Speers ’90 and Beryl Vrebalovich Philip Speers ’90 Thomas Vrebalovich* Marcy ’86 and Charles Spinner ’70 Todd Vrebalovich Molly and Jonathan Stafford ’69 William Waddel Jr. Bonnita Stahlberg ’68 Elizabeth Wadsworth and Paul Peppis * Deceased Catherine and Raymond Staton Geraldine Wagner ** Includes gifts in memory of Constance Sheila and Richard Steers Jo Ellen Waldvogel Huling, Yoko Matsuoka McClain, and/ Elizabeth Stegall ’00 Joan Walker ’90 or Harold Schnitzer 45

JSMA Endowments Phyllis Hawk ’47 Tom Autzen Museum of Art H. Joan and Melvin Lindley Endowment Fund Lucile ’78 and A. Dean McKenzie Coeta and Donald Barker Foundation Aileen ’41 and Arthur McNett ’43 Changing Exhibitions Endowment Hattie Mae Nixon ’61 Fund Estate of Patricia Feldman Noyes L. Clifton and Cleo M. Culp Museum of Hope Hughes Pressman ’42 Art Endowment Fund Margaret Wulff Ramsing Farwest Steel Korean Art Endowment Nancy ’68 and Michael Rose ’62 Fund Sally and Everett Smith Cheryl and Allyn Ford Educational Estate of Eugene Snyder Outreach Endowment Fund Margo Grant Walsh ’60 William A. Haseltine Endowment Fund Terri Warpinski Edna Pearl Horton Memorial Endowment Fund LaVerne Krause Museum of Art Donors of Art Memorial Endowment Fund Dennis Braddock and Janice Niemi David John McCosh and Anne Beryl Cowley Kutka McCosh Memorial Museum Susan Cox and F. Gregory Fitz-Gerald + Endowment Fund Tom Cramer Museum of Art Docent Council Dr. Don E. and Carol Steichen Dumond Endowment Fund Patricia Erlandson and Jon Erlandson Max and Hattie Mae Nixon Endowment Lynne Foster Fund Jill Hartz and Richard Herskowitz + Soreng Museum of Art Internship Carl Hall Family Endowment Fund Estate of Patricia Noyes Harris Jordan Schnitzer Museum of Art Irina and Jim Just Operating Endowment Fund Chun‑yi Lee University of Oregon Museum of Art Robert H. and Sue Keene Malott + Endowment Fund Marla and Jeff Michaels Estate of Jan Jacobus Muller, Jr. Estate of Jeanne and Roy Neville Arnold Bennett Hall Marcia and Mark Osterkamp Society Dan Powell The ABHS honors individuals who Hope Hughes Pressman + provide for the future of the University Bette and Dwayne Rice + of Oregon in their estate plans. The Emilio Sanchez Foundation following individuals have included Jordan Schnitzer+ the Jordan Schnitzer Museum of Art Junpei Sekino and Family in their plans. We are grateful for their Christine and Chris A. Smith + support. Sally and Ev Smith Charles and Yvonne Stephens + Rozy Almes Margo Grant Walsh George Wickes Christine and Chris A. Smith ’76 Phoebe Smith Atwood ’45 + Supported the purchase of Peter Susan Ballinger Sarkisian’s Book II in honor of Maureen Day Bernard ’58 President Richard Lariviere Ann Brewer ’53 Linda Lawrence-Canaga and Fund-supported Purchases Robert Canaga ’90 The Ford Family Foundation Julie Collis Patricia Noyes Harris Bequest Carol Steichen Dumond ’45 and William A. Haseltine Endowment Fund Don E. Dumond ’62 Lee Michels Fund 46

STAFF Debbie Williamson-Smith Deanna Lane Communications Manager Rebecca Urlacher Administration Staff & James Violette Jill Hartz Development Executive Director Volunteers Kate Feeney Education Christy McMannis Associate Director of Summer Knowlton Financial Services Development for Temp/Tour Coordinator Coordinator University Art Liz Parr Kurt Neugebauer Emily Kersten Temp/Education Assistant Associate Director of Development Program Administration and Manager Facilities Exhibitions Deidre Sandvick Susan Robinette James Stegall Director of Development for Temp/Janitor Museum Security University Art Administrator (October–) Visitor Services Education Susan Mannheimer Eva Tweedie Temp/Admissions Staff Administrative Assistant Lisa Abia-Smith Director of Education Tim Rake Collections Care Sharon Kaplan Temp/Admissions Staff Miranda Callander Museum Educator Registrar (June–) Lauren Suveges Gretchen Ranger Museum Educator/Studio STUDENT WORKERS, Registrar (–March) Coordinator VOLUNTEERS, INTERNS, Jonathan Smith AND PRACTICUMS Facilities and Events Collections Database Administration Coordinator & Josh Chadwick Photographer Building & Display Media Samantha Hull Manager June Koehler Charly Swing Jamie Leaf Chief Preparator Communications Visitor Services & Facility Jordan Eddy Adriane Tafoya Rental Coordinator Collections Manager Hanna Danielson (–September) Sandra Shaffer Dana Kelly Custodian Hillary Kinnish Chris White Stefan Lesueur Collections Manager Zach Twardowski Taylor Long (October–) Special Events Assistant (October–) Brenden Morgan Curatorial Nicole Perkins Jenna Ritter Lawrence Fong Gracie Roberts Curator of American and TEMPORARY STAFF Regional Art Administration Collections Care/Curatorial Anne Rose Kitagawa Bry Engle Megan Ampe Chief Curator, Curator Temp/ Financial Services Jeffrey Carlson of Asian Art & Director of Assistant Catherine Denning Academic Programs Jessi DiTillio Collections Assistants Danielle Knapp Hui Fang McCosh Fellow Curator Lillian Almeida Katelyn Finley Robert Beam Cortney Fuerch Communications Michael Boonstra Ashley Gibson Diane Nelson Rachael Bourdet Oehler Aleksandra Globig Design Services Manager Daniel Cowley Malina Graves Chelsea Kaufman Megan Hooley 47

Chelsea Kaufman Kelly Tavares Lee Michels Helene-Carol Brown Jessica Kollenberg Melissa Teoh Akiko Walley Dee Carlson June Koehler Kristine Vail Rick Williams Elaine De-Martin-Webster Jordan Koel Kate Wagoner Han Zhu Delyn Dunham Faith Kreskey Zack Wilkins-Malloy Maryalice Dwyer Katrena Kugler Athena Wisotsky Development Committee Norma Etter Molly Lonigan Cheryl Ford Colleen Fitzgibbons Shannon McClory Facilities/Event Support Chair Nancy Fletcher Amanda Newell Josh Cole Greg Fitz-Gerald Jennifer Frenzer-Knowlton Samantha Rohrich Zechariah Heck Janine Gonyea Kay Fullerton Emily Saunders Jonathan Internicola Lisa Korth Mary Halpert Bryan Schuldt Hillary Kinnish Hope Pressman Diane Horgan Sadie Smith Adrian Levick Chris Smith Marlene Iverson Mike Stephen Akeem Olabode Sharon Ungerleider Kathleen Johnson Kiki Stephenson Ken Wymer Ruth Koenig Amelia Tyson Executive Committee Kelly Lanzarotta Han Zhu Greg Fitz-Gerald Claudia Lapp LEADERSHIP COUNCIL Chair Anita Larson Education Cheryl Ford Yvonne Manipon Meghan Adamovic Greg Fitz-Gerald James Harper Nicola Maxwell Collyn Aubrey President Lee Michels Cathy Mosqueda Walker Augustyniak Chris Smith Chris Smith Ann Muller Molly Bennison Vice President Greg Stripp Kathleen Nahorney Samuel Brewer Keith Achepohl Dom Vetri Eunju Nam Chelsea Callas Carlos Aguirre Jim Walker Sharane Norris Courtney Cannell Ina A. Asim Lura Pierce Katie Conley Tim Clevenger Long-Range Planning Elaine Pruett Rachel Conrad Emily Dobkin Committee Bette Rice Chloe Dee Cheryl Ramberg Ford Kate Feeney Colette Richardson Emily Hope Dobkin Janine Gonyea Co-Chair Janet Robyns Andrew Grant Jeff Hanes Chris Smith Camille Ronzio Jamie Gorbet James Harper Co-Chair Linda Schaefers Chloe Hellberg Yongsoo Huh Phaedra Livingstone Yvone Stephens Jen Hernandez Rebecca Klemm Time Clevenger Merrily Sutton Bryan Hickey Lisa Korth Greg Stripp Allison Walker Krishna-Leela Hickman Sue Keene Malott Dom Vetri Mary Maggs Warren Samantha Hull Lee Michels Jim Walker Pat Williams Torri Kendrick Phaedra Livingstone Dina Wills June Koehler Hope Hughes Pressman Program Support Leanne Wong Jasmine Lillesve Greg Stripp Committee Museum Monitors Chloe Lund Sharon Ungerleider Lisa Abia-Smith Conor McGough Dominick Vetri Co-Chair Diana Avila Kelly Mehigan James Walker Terry Carter Caitlin Barnebee Ashley Miller Rick Williams Co-Chair Charlotte Boesel Mary Morgan Ina Asim Samantha Cohen Janet Northey Collections Committee Jeff Hanes John Dang Jonah Rice Jim Walker Lee Michels Shenea Davis Stacey Rice Chair Linda Schafers Raquel Espinoza Jessica Robinson Keith Achepol Denise Sprengelmeyer Connor Flynn May Scholtzhauer Carlos Aguirre David Garfinkel Christine Schueler Terry Carter Exhibition Interpreters Daniella Guistina Michele Sinclair Bridget Grand Brian Gillis Wendelin Asbury Peggy Stahlberg Lucas Hall Yongsoo Huh Patti Barkin Katherine Spinella Samantha Hull Rebecca Klemm Carol Blackwell Anne Taylor Aimee Johnson June Koehler Brommelsiek 48

Shinnosuke Kagata Haiyan Cheng Jessica Sung Marcy Butcher Amos Lachman Becky Chierichetti Heather Tietz Leanne Collis Adrian Levick Katherine Damon Olivia Torres Kate Coughlin Brenden Morgan Wenwen Dong Kelli Urabe Fran Curtis Marie Morrison Xiaokai Dong Adam Walters Kathryn Daniel Akeem Olabode Natalie Edson Madeline Weissman Kim Esrig Kayla Spencer Aisha Edwards Camilla White Colleen Fitzgibbons Eric Stalker Hillary Eichinger Josh White Trish Gory Merrit Thompson Maiyra Espinoza Maggie Witt Janine Gonyea Ariston Vallejos Shih-Wen Fang Haotong Xu Dawn D. Gubrud Derek Verhoest Marisa Foncesca Sun Ye Cindy Gupta Zack Wilkins-Malloy Liz Garfinkel Alanna Young Lisa Korth Athena Wisotsky Meg Glazier-Anderson Marlene Youravish Brenda Kuehn Ken Wymer Sarah Gordon Sihui Zhang Melanie MacKinnon Andrew Grant Hailin Zhou Andrea Macha Laura Gutierrez Rebekah Marsh VISITOR SERVICES Jacob Heiner Nicole Martin Chlow Hellberg Gourmet Group I Martha McMillen Admissions Staff Catherine Ho Sarah O’Dell Sue Haven Thomas Bennett-Stroud Conrad Hulen Jackie Offner Co-chair Katarina Berger Jonathan Internicola Cheryl Papé Edie Ireland Charlotte Boesel Sunniva Jelsing Laura Quinn Co-chair Brittany Bowen Connor Jordan Bette Rice Susie Anderson William Elliott Brooks Dana Kelly Susan Selig Robin Babb Zazou Buchet-Deak Shawn Kim Kelli Sherman Barbara Bergreen Haegan Crosby Melody Li Chris Storment Carol Berkman Shenea Davis Daniel Linver Hildy Tritch Linda Christensen Aisha Edwards Catherine Liu Kim Williams Marilyn Ditto Connor Flynn Justino Long Leanne Wong Vi Fraser Sarah Frey Chloe Lynn Sarah Zachem Adriana Giustina Meg Glazier-Anderson Daniel McClintock Carolyn Giustina Mimi Gomalo Cody Milstein Denise Gudger Jessica Hernandez Lucy Momoh Kathy Jensen Theresa Knopp Mary Morgan Darlene Knecht Jill Hartz, Editor Amos Lachman Maya Munoz-Tobon Diane Nelson, Designer H.J. Lindley Melisa McChesney Emily New Jack Liu, Event Photography Donna Luby Brenden Morgan Michelle Olsen Printed by Bridgetown Printing Nancy McMahon Jena Rizzi Hannah Parrott Company Diane Monaco Sarah Shea Dashiell Paulson Natalie Newlove © 2012 University of Oregon Thor Slaughter Jordan Pratt Press. All rights reserved. No Charlotte Oien Anastasia Strader John Prevas portion of this publication Nancy Schwecke King Tang Lauren Rieke may be reproduced without Sandi South Courtney Theim Gracie Roberts the written permission of the Susan Woody Merrit Thompson Erika Rodriguez publisher. Olivia Torres Catharine Roner-Reiter An equal-opportunity, Derek Verhoest Marion Rosas affirmative-action institution Athena Wisotsky Lauren Rosenfeld GOURMET GROUP II committed to cultural diversity Miranda Schmidt Francine Berryman and compliance with the Events Volunteers Americans with Disabilities Mickey Scott Co-Chair Meghan Adamovic Sarah Shea Act. This publication will be Donna Moore made available in accessible Emily Albertson Carolyne Snipes Co-Chair formats upon request. Logan Bingle Kayla Spencer Maryilyn Bartusiak Accommodations for people Joyce Chang Graham Sprague Lori Beyerlein with disabilities will be provided Maddie Cheek Anastasia Strader Susan Boettcher if requested in advance by Cheng Chen Tracy Strimling Julie Budge calling (541) 346-3213. n n n n n n n n n n n n n n n n n n n n n n n

Aimée García (Cuban, b. 1972) Abaco, circa 2001 Oil on canvas, 72 x 74 inches Gift of Lynne Foster © Courtesy of the artist

Front Whitney Nye (American, b. 1966) Astrogirls, 2009 Paper, oil on wood panel, 72 1/4 x 48 1/4 inches Purchased with funds from the Ford Family Foundation / JSMA Haseltine Endowment Fund © Courtesy of the artist