Buddy Defranco Rhythm Changes Solo Transcription
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Part 2 of Selected Discography
Part 2 of Selected Discography Milt Hinton Solos Compiled by Ed Berger (1949-2017) - Librarian, journalist, music producer, photographer, historian, and former Associate Director, Institute of Jazz Studies, Rutgers University. This is a chronological list of representative solos by Hinton as a sideman in a variety of settings throughout his career. Although not definitive, Milt was such a consistent soloist that one could cite many other equally accomplished performances. In some cases, particularly from the 1930s when bass solos were relatively rare, the recordings listed contain prominent bass accompaniment. November 4, 1930, Chicago Tiny Parham “Squeeze Me” (first Hinton recording, on tuba) 78: Recorded for Victor, unissued CD: Timeless CBC1022 (Tiny Parham, 1928–1930) January–March 1933, Hollywood Eddie South “Throw a Little Salt on the Bluebird’s Tail” (vocal) “Goofus” CD: Jazz Oracle BDW8054 (Eddie South and His International Orchestra: The Cheloni Broadcast Transcriptions) May 3, 1933, Chicago Eddie South “Old Man Harlem” (vocal) 78: Victor 24324 CD: Classics 707 (Eddie South, 1923–1937) June 12, 1933, Chicago Eddie South “My, Oh My” (slap bass) 78: Victor 24343 CD: Classics 707 (Eddie South, 1923-1937) March 3, 1937 Cab Calloway “Congo” 78: Variety 593 CD: Classics 554 (Cab Calloway, 1934–1937) January 26, 1938 Cab Calloway “I Like Music” (brief solo, slap bass) 78: Vocalion 3995 CD: Classics 568 (Cab Calloway, 1937–1938) August 30, 1939 Cab Calloway “Pluckin’ the Bass” (solo feature —slap bass) 78: Vocalion 5406 CD: Classics -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Notre Dame Collegiate Jazz Festival Program, 1999
Archives of the University of Notre Dame Archives of the University of Notre Dame '"1; it all began with the cord between the fingers, its sound penetrated et'en the bottom of the soul and there it remained, "'thborts later came the drum, Tony Mowod j·9PM marvel.ous , Evelyn Hawkins 9-Midnight r h y t h m I C, sensual. WeeknightG (except W~)'l) its sound t'ibrated in my hands, TIMDlG1$ E\'IJlYTJlNCi••.md JlOW'! THE lBfEf entering the center of my heart, and there it stayed, -Helio Orulo N/ltiOIGl Pu~ttc itJriitJ www.wvpc.oig 1999 Committee Tom Hayes Sean Lipscomb Curtis Norvett . AmySaks .,., 'ate Paul Rickets Jenn Roberts Carol Konrad Bernardo's Stephen Donndelinger Festival Chairperson :FORMAL WEAR 'RENTALS Lisa Zimmer ,"BERNARpO'S RENTS THE BEST FITl1NG TUXEDOS" Jill Borchardt WE SELL BRAND .NAME TUXEDOS & ACCESSORIES John Forgash WE SUIT ANY OCCASl{)N Master of Ceremonies Kate Bohn Curtis Norvett 255·8818 Evan Edinger 3131 GraDe ROIICI· Mishawaka Amy Harpole Assistant Producer Paul Krivickas Marie Hogan Jane Kulm Program / Poster Design Julie Reising Jenny Schaaf -il.: Archives of the University of Notre Dame Past Chairpersons I want to echo my colleagues in welcoming you to the 41 st Annual 1959 Bill Graham Collegiate Jazz Festival, sponsored by the Student Union Board of the 1961 Jim Haughton University of Notre Dame. Notre Dame has so much to offer, and I sincerely 1961 Da\'e Sommer Dear Participants in the Collegiate Festival: hope that you will take advantage of the other opportunities that are taking 1962 Tom Eiff place on our beautiful campus while you are spending time with us this week 1963 Charlie Murphy Welcome to the University ofNotre Dame campus! We are quite proud of end. -
Jazz, Pop, Concert Styles, by Arranger Manny
ly in rein. The one dull track is Morello's romp through This Can't Be Love, in ans. Only Evans is heard on piano on long drum solo of tiresome music. which his flowing lines mingle elements this dise, however; Costa concentrates on of Django Reinhardt and Charlie Chris- vibes, which he plays so well that one tian. hesitates to designate it as his second in- CHARLIE BYRD: Blues for Night People strument. There is an interesting contrast SAVOY 12116. LP. $4.98. EDDIE CHAMBLEE AND HIS OR- between Costa at the piano, where he is CHESTRA: Doodlin' fond of making stirring forays into the The unamplified Spanish guitar, plucked EmAnca 36131. LI'. $3.98. lower register, and on the vibes, on in classical style, jazz or entered a year which he' is more apt to be light and so ago on an impressive EmArcy record- The appearance of Eddie Chamblee's Glancing. Ile dances sure-footedly through ing by Bill Harris. Byrd plays the saune unpretentious little jump band serves as this disc while Evans, who shares some instrument in the sanie way, but his per- a reminder that this once prolific species Piano ch irawteristics with Costa, provides formances on this record are a decided has, for the must part, been absorbed and a spare prodding contrast. Unfortunately, advance over those bv Harris. The depths twisted by rock 'n' roll. Chamblee's group the selections-siw tunes from Guys and of Byrd's wreathe resources and his well is more polished and versatile than the Dolls -arc generally kept going too long of melodic invention an strikingly illus- jump band of old, and this disc, the to be sustained by only two soloists. -
Aspects of Jazz and Classical Music in David N. Baker's Ethnic Variations
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini Heather Koren Pinson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Music Commons Recommended Citation Pinson, Heather Koren, "Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini" (2002). LSU Master's Theses. 2589. https://digitalcommons.lsu.edu/gradschool_theses/2589 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. ASPECTS OF JAZZ AND CLASSICAL MUSIC IN DAVID N. BAKER’S ETHNIC VARIATIONS ON A THEME OF PAGANINI A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Music in The School of Music by Heather Koren Pinson B.A., Samford University, 1998 August 2002 Table of Contents ABSTRACT . .. iii INTRODUCTION . 1 CHAPTER 1. THE CONFLUENCE OF JAZZ AND CLASSICAL MUSIC 2 CHAPTER 2. ASPECTS OF MODELING . 15 CHAPTER 3. JAZZ INFLUENCES . 25 BIBLIOGRAPHY . 48 APPENDIX 1. CHORD SYMBOLS USED IN JAZZ ANALYSIS . 53 APPENDIX 2 . PERMISSION TO USE COPYRIGHTED MATERIAL . 54 VITA . 55 ii Abstract David Baker’s Ethnic Variations on a Theme of Paganini (1976) for violin and piano bring together stylistic elements of jazz and classical music, a synthesis for which Gunther Schuller in 1957 coined the term “third stream.” In regard to classical aspects, Baker’s work is modeled on Nicolò Paganini’s Twenty-fourth Caprice for Solo Violin, itself a theme and variations. -
Randy Hamm Quartet PR 04 2014
601 Laclede Ave., Neosho, MO 64850 417-455-5540 April 24, 2014 For Immediate Release Office of Public Information Crowder College Phone: 417-455-5540 e-mail: [email protected] Randy Hamm Quartet to Perform at Crowder Neosho, MO - A jazz concert will be given by the Randy Hamm Quartet on Thursday, May 1st at 7:30pm at the Elsie Plaster Community Center on the campus of Crowder College in Neosho, MO. Randy Hamm, Professor of Music and Director of Jazz Studies at Missouri State University, is in great demand as an artist/clinician, and has performed at numerous regional, national, and international conferences. He has been featured as a composer, arranger, and soloist on the Seabreeze, Arabesque, and Origin/OA2 record labels. A founding member of the Thrascher Saxophone Quartet, Mr. Hamm maintains an active performance schedule and has worked with Mel Torme, Kenny Rogers, Neil Sedaka, Manhattan Transfer, Johnny Mathis, The Les Brown Band of Renown, and has performed with jazz greats Clark Terry, Jimmy Heath, Slide Hampton, James Moody, Buddy DeFranco, Bobby Shew, Randy Brecker, Bob Mintzer, and Pete Christlieb, among others. Kyle Aho is a member of the jazz studies faculty at Missouri State University and holds a Master Degree with academic honors in jazz piano performance from the New England Conservatory. Kyle has performed with Bob Brookmeyer, George Garzone, Joe Lovano, Jerry Bergonzi, Geri Brown, Avery Sharpe, Benny Golson, Lewis Nash, Arturo O’Farrill, Chico O’Farrill, George Russell, among others. Aho is featured on several recording labels, including Cadence, Watercourse, NohJoh, Papaya, and EMP. -
Pioneer Hall of Fame: John E. Campbell II, Class of 1973
Pioneer Hall of Fame: John E. Campbell II, class of 1973 Inspired by his father’s record collection, John Campbell began formal piano lessons at age six. His teacher, Bee Guess, influenced John by introducing him to different styles of music. As a teenager he entered the world of jazz. During John’s junior year at University High School, he began taking lessons from Anna McGrosso, who recognized that “he was already a great jazz player. He always showed a real sensitivity to music, whatever the style.” John practiced and performed in Stroud Auditorium as the pianist for the U-High Jazz band and the percussionist in the concert band. John went on to Illinois State University for further musical training. In the mid ’70s, Campbell, along with U-High graduates Clay Hulet and Rick Drexler, formed the initial John Campbell Trio, which performed locally. In 1976 John headed to Chicago, where he became a legend. He was crowned, according to jazz critic Neil Tesser of the Chicago Sun-Times, “the finest young keyboard man in town, and one of the better pianists anywhere.” Though quite successful in Chicago, John headed East to solo in New York and tour with seasoned artists. Regarding this experience, he said, “It is definitely an education. Not a classroom education, but a road education.” He also stated, “It’s still hard to realize I’m starting to be a part of the same scene as all the great players I grew up listening to.” Years later John returned to Chicago where he was chosen Chicago’s Jazz Musician of the Year in 2000, rewarding him for his talent and for remaining true to himself, his beliefs, and his music. -
Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log On, Get Your Coffee, Listen, Relax
Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log on, get your coffee, listen, relax. • “I Got a Crush on You” recorded by Nat Adderley in 1960 on Work Song. Written in 1928 for Treasure Girl. • “Nice Work If You Can Get It” recorded by Sarah Vaughn in 1950 on Sarah Vaughn with George Treadwell and his All Stars. Written in 1937 for Damsels in Distress. • “Isn’t It A Pity” recorded by Cheryl Bentyne in 2010 on The Gershwin Songbook. Written in 1933 for Pardon My English. • “I Loves You, Porgy” recorded by Billie Holiday, accompanied by Bobby Tucker. Written in 1935 for Porgy & Bess. • “Let’s Call The Whole Thing Off” recorded by Ella Fitzgerald and Louis Armstrong with the Oscar Peterson Trio in 1957 on Ella and Louis Again. Written in 1937 for Shall We Dance. • “They Can’t Take That Away From Me” recorded by Frank Sinatra in 1962 on Sinatra and Swingin’ Brass. Written in 1937 for Shall We Dance. • “Do It Again” recorded by Beverly Kenney accompanied by Ellis Larkins in 1958 on Beverly Kenney Sings for Playboys. Written in 1922 for The French Doll. • “Love is Here to Stay” recorded in 1955 by Carmen McRae. Written in 1937 for The Goldwyn Follies. • “My One and Only” recorded in 1950 by Ella Fitzgerald with Ellis Larkin on Ella Sings Gershwin. Written in 1927 for Funny Face. • “I Got Rhythm” recorded in 1964 in Sweden by Sarah Vaughn. Written in 1930 for Girl Crazy. Class Begins at 930AM The Gershwins Part 1: “I Got Rhythm” Course Agenda showing the music 1. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Billie Holiday, Buddy Defranco Quartet
Billie Holiday Live In Cologne 1954 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Live In Cologne 1954 Country: Germany Released: 2014 MP3 version RAR size: 1615 mb FLAC version RAR size: 1265 mb WMA version RAR size: 1884 mb Rating: 4.4 Votes: 396 Other Formats: MP2 AUD VOX AU RA MP3 FLAC Tracklist A1 –Billie Holiday Billie's Blues 2:56 A2 –Billie Holiday All Of Me 1:43 A3 –Billie Holiday I Cover The Waterfront 3:28 A4 –Billie Holiday Them There Eyes 1:54 A5 –Billie Holiday My Man 2:48 A6 –Billie Holiday What A Little Moonlight Can Do 3:05 B7 –Buddy DeFranco Quartet I'll Remember April 10:54 B8 –Buddy DeFranco Quartet Over The Rainbow 4:50 B9 –Buddy DeFranco Quartet Bass Solo 5:15 C10 –Buddy DeFranco Quartet Now's The Time 8:47 C11 –Buddy DeFranco Quartet Sweet Georgia Brown 11:52 –Jim McNeely, Marc Johnson , John Scofield, Adam D12 Skittish 12:25 Nussbaum & WDR Big Band Cologne* –John Coltrane, Stan Getz, Oscar Peterson, Paul D13 Rifftide 8:12 Chambers & Jimmy Cobb Companies, etc. Record Company – Delta Music & Entertainment GmbH & Co. KG Distributed By – cargo records germany Copyright (c) – Delta Music & Entertainment GmbH & Co. KG Recorded At – Kölner Messe Halle V., Cologne, West Germany Pressed By – Pallas – 33565 Credits Bass – Gene Wright* (tracks: B7 to C11), Red Mitchell (tracks: A) Clarinet – Buddy DeFranco (tracks: B7 to C11) Design [Gestaltung] – www.bob-design.de* Drums – Bobby White (tracks: B7 to C11), Elaine Leighton (tracks: A) Executive-Producer – Franz-Josef Schwarz Lacquer Cut By – J.C.* Liner Notes -
Peter Appleyard First Appearedon Our Seriesin March of 1992He Introduced Us to Jay Leonhart and Johnbunch, As Well As Reacquaintingus with Dennismackrel
L -t7' tl ]- f 2r | 7-t- q tr t .-2 R D - uNtvgnsrry oF NEw HAMPsHIRE OUR ONE HIJNDREDTHAND SECONDPROCMM PETERAPPLEYARD QUINTET PETERAPPLEYARD - Vibraphone RICK WILKINS - Tenor Sax BILL MAYS - Piano LYNN SEATON- Bass ALAN DAWSON - Drums SPONSOREDBY THE DEPARTMENT OF MUSIC AND THE NEW HAMPSHIRE LIBRARY OF TRADITIONAL IAZZ 8 PM MONDAY IANUARY 30, 1995 STRAFFORDROOM MEMORIAL UNION BI'ILDINC PETERAPPLEYARD QUINTET "iazz" One of the more salutary adiectivesmodifying the noun is "celebratory,"and this quality in particularly compellingwhen our attentionis otherwisedrawn to the troubles of the world and natiory the solution of which we may little influence. So what do we celebrate?That one of the mysteriesof humankind is the capacity of somebeings to turn soundsinto affirmationwhich lifts the spirit, and that we constantly can be refreshedand energizedby visits from artists both familiar and unfamiliar to us who give eloquenttestimony to this blessing.When Peter Appleyard first appearedon our seriesin March of 1992he introduced us to Jay Leonhart and JohnBunch, as well as reacquaintingus with DennisMackrel. Tonight the wide range of his musical contactsresults in a totally new configuratiorybringing Rick Wilkins,Bill Mayq and LynnSeaton here for thefirst time,and reminding us that one of the best drummers in the world lives iust down the road, so to speak. Peterhas long beenrecognized as one of Canada'soutstanding jazz musicians and pre-NAFTA exportsto the world at large. Born in Englandin 1928he first developed asa drummer. Enrouteto a two-yeargig in Bermudain 1950he encounteredLionel Hampton in New York and an earlierinterest in the vibeswas rekindled to the point of immediatepurchase (!) Soonafter his emigrationto Torontoin 1951he met our dear friend Red Norvo, and his fate was sealed. -
Coleman Hawkins Desafinado: Bossa Nova & Jazz
Coleman Hawkins Desafinado: Bossa Nova & Jazz Samba mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Desafinado: Bossa Nova & Jazz Samba Country: US Style: Bossa Nova MP3 version RAR size: 1109 mb FLAC version RAR size: 1292 mb WMA version RAR size: 1650 mb Rating: 4.2 Votes: 274 Other Formats: DMF AUD DXD WAV VOX ASF AA Tracklist A1 Desafinado 5:46 A2 I'm Looking Over A Four Leaf Clover (Jazz Samba) 2:50 A3 Samba Para Bean 5:25 A4 I Remember You 4:05 B1 One Note Samba (Samba De Uma Nota So) 6:02 B2 O Pato (The Duck) 4:08 B3 Um Abraco No Bonfa (An Embrace To Bonfa) 4:49 B4 Stumpy Bossa Nova 2:32 Credits Bass – Major Holley Coordinator [Music Coordinator] – Manny Albam Cover, Photography [Liner Photos] – Jack Bradley Design [Cover Design] – Robert Flynn Design [Liner Design] – Joe Lebow Engineer – Rudy Van Gelder Guitar – Barry Galbraith, Howard Collins Liner Notes – Dan Morgenstern Percussion – Eddie Locke, Tommy Flanagan, Willie Rodriguez Producer – Bob Thiele, Bob Thiele Tenor Saxophone – Coleman Hawkins Notes Reissue with green bullseye labels, released between 1974-79. Gatefold jacket. Recorded September 12 and 17, 1962. Other versions Category Artist Title (Format) Label Category Country Year Desafinado: Bossa Nova & A-28 Coleman Hawkins Jazz Samba (LP, Album, Impulse! A-28 US 1963 Mono) Desafinado (Bossa Nova & A-28 Coleman Hawkins Jazz Samba) (LP, Album, Impulse! A-28 US 1963 Mono, Promo) Desafinado (LP, Album, RE, DOL856H Coleman Hawkins DOL DOL856H Europe 2015 180) The Coleman ABC 17.1045/9 Desafinado (LP, Album, RE)