Billie Holiday, Buddy Defranco Quartet

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Billie Holiday Live In Cologne 1954 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Live In Cologne 1954 Country: Germany Released: 2014 MP3 version RAR size: 1615 mb FLAC version RAR size: 1265 mb WMA version RAR size: 1884 mb Rating: 4.4 Votes: 396 Other Formats: MP2 AUD VOX AU RA MP3 FLAC Tracklist A1 –Billie Holiday Billie's Blues 2:56 A2 –Billie Holiday All Of Me 1:43 A3 –Billie Holiday I Cover The Waterfront 3:28 A4 –Billie Holiday Them There Eyes 1:54 A5 –Billie Holiday My Man 2:48 A6 –Billie Holiday What A Little Moonlight Can Do 3:05 B7 –Buddy DeFranco Quartet I'll Remember April 10:54 B8 –Buddy DeFranco Quartet Over The Rainbow 4:50 B9 –Buddy DeFranco Quartet Bass Solo 5:15 C10 –Buddy DeFranco Quartet Now's The Time 8:47 C11 –Buddy DeFranco Quartet Sweet Georgia Brown 11:52 –Jim McNeely, Marc Johnson , John Scofield, Adam D12 Skittish 12:25 Nussbaum & WDR Big Band Cologne* –John Coltrane, Stan Getz, Oscar Peterson, Paul D13 Rifftide 8:12 Chambers & Jimmy Cobb Companies, etc. Record Company – Delta Music & Entertainment GmbH & Co. KG Distributed By – cargo records germany Copyright (c) – Delta Music & Entertainment GmbH & Co. KG Recorded At – Kölner Messe Halle V., Cologne, West Germany Pressed By – Pallas – 33565 Credits Bass – Gene Wright* (tracks: B7 to C11), Red Mitchell (tracks: A) Clarinet – Buddy DeFranco (tracks: B7 to C11) Design [Gestaltung] – www.bob-design.de* Drums – Bobby White (tracks: B7 to C11), Elaine Leighton (tracks: A) Executive-Producer – Franz-Josef Schwarz Lacquer Cut By – J.C.* Liner Notes – Karsten Mützelfeldt Mastered By – John Cremer Piano – Carl Drinkard (tracks: A), Sonny Clark (tracks: B7 to C11) Vocals – Billie Holiday (tracks: A) Barcode and Other Identifiers Barcode: 5 055551 780159 Matrix / Runout (Runout stamped sides A to D): –33565– Matrix / Runout (Runout hand-etched side A): N 78 015-A2 J.C.2014 Matrix / Runout (Runout hand-etched side B): N 78 015-B1 J.C.2014 Matrix / Runout (Runout hand-etched side C): N 78 015-C1 J.C.2014 I Matrix / Runout (Runout hand-etched side D): N 78 015-D1 J.C.2014 Rights Society: MCPS Other versions Category Artist Title (Format) Label Category Country Year Billie Holiday, Buddy DeFranco Billie Holiday, Buddy N 77 015 Quartet - Live In Cologne 1954 Jazzline N 77 015 Germany 2014 DeFranco Quartet (CD, Album) Related Music albums to Live In Cologne 1954 by Billie Holiday Billie Holiday - A Rare Live Recording Of Billie Holiday Billie Holiday - Buddy DeFranco Quartet - The Music Of Buddy DeFranco Billie Holiday - Billie Holiday Vol. 2 Billie Holiday - Billie Holiday At Storyville Buddy DeFranco / Terry Gibbs Quintet - Holiday For Swing Billie Holiday - Nice Work If You Can Get It Billie Holiday - Bitter Fruit Billie Holiday - The Best of Billie Holiday Billie Holiday - The Complete Billie Holiday On Verve 1945-1959.

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The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
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Qunrrrr Buddy Defranco- Clarinet Joe Cohn- Guitar Ray Santisi - Piano Fohnlockwood'bass Les Harris, Jr
L - c&k=UNIVERSITYOF NEWHAMPSHIRE OURONE HUNDREDAND TWELFTHPROGRAM BunnvDnFnaNCo Qunrrrr Buddy DeFranco- Clarinet joe Cohn- Guitar Ray Santisi - Piano fohnLockwood'Bass Les Harris, Jr. - Drums SPONSOREDBY THE DEPARTMENTOF MUSIC AND THE NEW HAMPSHIRE LIBRARYOF TRADITIONAL 'AZZ 8 PM MONDAY MAY 6, 1996 STRAFFORDROOM MEMORIAL UNION BUILDING DURHAM,NEW HAMPSHIRE THE ARTISTS BUDDY DEFRANCO As these words were behg written there was a classicalwoodwind quintet Playing on WGBH, and the only instrument common to thai ensembleand the one we will hear tonight is the clarinet,a provocativecoincidence evoking a bit of ruminative explication; therein hangs a tale or two, and some irony as well As is well known, early iazz musiciansused instrumentswhich were central to the other idioms to which they were exposed,most prominently military band music and dance music. Particularly in the lormer the clarinet was at the heart of the ensemble,as is true with its syrnphonicwind descendantstoday. Moreover,the clarinet had a sophisticated symphony orchestrarole starting in the late lSth century, as well as a rich chambermusic identity largely ihrough masterpiecesby Mozart and Brahms. (The other wind instruments were somehow limited either mechanically,aesthetically, or imaginatively; tazz in fact liberated them!) The manifold capacitiesof the clarinetlcd in severaldirections, ranging from the vocally- basedblues inflectionsof a Johnny Dodds through the highly personal lyric sound of a PeeWee Russellto the sweepingvirtuosic detail of a Benny Goodman- Listene$ to Pre- mid{entury iazz can readily recognizethe distinctivenessof each of theseartists, not to mention the likes of Barney Bigard,and Artie Shaw, and even (yes!) LesterYoung. The "complexified" imny is ihat as iazz during and after the beboP era, including the proliferation of self-indulgent individual explorations, the clarinet, despite its peerless flexibility, Iell from grace as a contemponry creative medium; how many uniquely identifiable clarinetistsborn after 1930can anyone name?! Buddy DeFranco(b.
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Buddy Defranco, the Standard Bearer
Western Kentucky University TopSCHOLAR® Music Faculty Publications & Performances Music December 2010 Buddy DeFranco, The tS andard Bearer John M. Cipolla Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/mus_fac_pub Part of the Music Practice Commons, and the Other Music Commons Recommended Repository Citation Cipolla, John M.. (2010). Buddy DeFranco, The tS andard Bearer. The Clarinet, 50-54. Available at: http://digitalcommons.wku.edu/mus_fac_pub/11 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Music Faculty Publications & Performances by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Buddy DeFranco, The Standard Bearer By John Cipolla Published in The Clarinet , the official journal for The International Clarinet Association, December 2010, Vol. 38, No. 1, pages 50-54 Internationally renowned jazz clarinetist, Buddy DeFranco was awarded Honorary Membership to the International Clarinet Association on July 24, 2010 at the ClarinetFest® 2010, which was held at the Butler School of Music at The University of Texas at Austin. The International Clarinet Association has a special category of Honorary Membership for persons of “unusual distinction” in any of the areas of professional service, teaching, performance, and/or lifetime achievements. Buddy, now in his 80s, has been playing the clarinet professionally for over 70 years. His playing has always displayed a distinctive clarity, witty creativeness, and youthful exuberance. His style, though rooted in the modern bebop language of Charlie Parker– whom he knew and played with–has continued to evolve throughout his career.
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