Coleman Hawkins Desafinado: Bossa Nova & Jazz

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Coleman Hawkins Desafinado: Bossa Nova & Jazz Samba mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Desafinado: Bossa Nova & Jazz Samba Country: US Style: Bossa Nova MP3 version RAR size: 1109 mb FLAC version RAR size: 1292 mb WMA version RAR size: 1650 mb Rating: 4.2 Votes: 274 Other Formats: DMF AUD DXD WAV VOX ASF AA Tracklist A1 Desafinado 5:46 A2 I'm Looking Over A Four Leaf Clover (Jazz Samba) 2:50 A3 Samba Para Bean 5:25 A4 I Remember You 4:05 B1 One Note Samba (Samba De Uma Nota So) 6:02 B2 O Pato (The Duck) 4:08 B3 Um Abraco No Bonfa (An Embrace To Bonfa) 4:49 B4 Stumpy Bossa Nova 2:32 Credits Bass – Major Holley Coordinator [Music Coordinator] – Manny Albam Cover, Photography [Liner Photos] – Jack Bradley Design [Cover Design] – Robert Flynn Design [Liner Design] – Joe Lebow Engineer – Rudy Van Gelder Guitar – Barry Galbraith, Howard Collins Liner Notes – Dan Morgenstern Percussion – Eddie Locke, Tommy Flanagan, Willie Rodriguez Producer – Bob Thiele, Bob Thiele Tenor Saxophone – Coleman Hawkins Notes Reissue with green bullseye labels, released between 1974-79. Gatefold jacket. Recorded September 12 and 17, 1962. Other versions Category Artist Title (Format) Label Category Country Year Desafinado: Bossa Nova & A-28 Coleman Hawkins Jazz Samba (LP, Album, Impulse! A-28 US 1963 Mono) Desafinado (Bossa Nova & A-28 Coleman Hawkins Jazz Samba) (LP, Album, Impulse! A-28 US 1963 Mono, Promo) Desafinado (LP, Album, RE, DOL856H Coleman Hawkins DOL DOL856H Europe 2015 180) The Coleman ABC 17.1045/9 Desafinado (LP, Album, RE) 17.1045/9 Spain 1976 Hawkins Sextet* Impulse! The Coleman ABC CA-0020 Desafinado (Cass, Album, RE) CA-0020 Spain 1976 Hawkins Sextet* Impulse! Related Music albums to Desafinado: Bossa Nova & Jazz Samba by Coleman Hawkins Coleman Hawkins - Desafinado Coleman Hawkins Plays Bossa Nova & Jazz Samba Milt Jackson Sextet - Jazz 'N' Samba / The Oo-Oo Bossa Nova Richard Clayderman - My Bossa Nova Favorites Various - Desafinado Ike Quebec - Bossa Nova Soul Samba Various - The Classic Bossa Nova Sound - From Brazil With Love Antonio Carlos Jobim And Luiz Floriano Bonfá - Samba, Saudade & Bossa Nova Various - Bossa Jazz - Sucessos Da Bossa Nova Interpretados Por Grandes Nomes Do Jazz Tempo Rei - Bossa Nova Stan Getz And Charlie Byrd - Play Desafinado & One Note Samba.

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The Historic Recordings of the Song Desafinado: Bossa Nova Development and Change in the International Scene1
The historic recordings of the song Desafinado: Bossa Nova development and change in the international scene1 Liliana Harb Bollos Universidade Federal de Goiás, Brasil [email protected] Fernando A. de A. Corrêa Faculdade Santa Marcelina, Brasil [email protected] Carlos Henrique Costa Universidade Federal de Goiás, Brasil [email protected] 1. Introduction Considered the “turning point” (Medaglia, 1960, p. 79) in modern popular Brazi- lian music due to the representativeness and importance it reached in the Brazi- lian music scene in the subsequent years, João Gilberto’s LP, Chega de saudade (1959, Odeon, 3073), was released in 1959 and after only a short time received critical and public acclaim. The musicologist Brasil Rocha Brito published an im- portant study on Bossa Nova in 1960 affirming that “never before had a happe- ning in the scope of our popular music scene brought about such an incitement of controversy and polemic” (Brito, 1993, p. 17). Before the Chega de Saudade recording, however, in February of 1958, João Gilberto participated on the LP Can- ção do Amor Demais (Festa, FT 1801), featuring the singer Elizete Cardoso. The recording was considered a sort of presentation recording for Bossa Nova (Bollos, 2010), featuring pieces by Vinicius de Moraes and Antônio Carlos Jobim, including arrangements by Jobim. On the recording, João Gilberto interpreted two tracks on guitar: “Chega de Saudade” (Jobim/Moraes) and “Outra vez” (Jobim). The groove that would symbolize Bossa Nova was recorded for the first time on this LP with ¹ The first version of this article was published in the Anais do V Simpósio Internacional de Musicologia (Bollos, 2015), in which two versions of “Desafinado” were discussed.
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