“The #1 Broadway Musical of the Year!”

Total Page:16

File Type:pdf, Size:1020Kb

“The #1 Broadway Musical of the Year!” FREE a newspaper for the rest of us www.lansingcitypulse.com March 12-18, 2014 LANSING BUDGET In run-up to budget season, Lansing’s finances looking good — for now | page 5 MSU’S NEW $750,000 OUTDOOR VENUE MSU’s Summer Circle Theatre moves to new site for 2014 | page 12 OUT OF LEFT FIELD Gillespie, city, Lugnuts seek to build ST. PATTY’S WEEKEND GUIDE apartments inside the ballpark St. Patty’s Day 2014 will see page 9 be a quieter affair… maybe | page 13 ® # –WINNING MARCH 18-23 Photo by Jeremy Daniel Photo by Jeremy “THE 1 TONY AWARD MSU’s WHARTON CENTER Photo by Jeremy Daniel Photo by Jeremy BEST MUSICAL REVIVAL! OPENS NEXT WEEK! - BROADWAY GREAT SEATS STILL AVAILABLE! MUSICAL OF WHARTONCENTER.COM • 1-800-WHARTON THE YEAR!” USICAL East Lansing engagement is welcomed by Auto-Owners Insurance Company; MAGAZINE M MMORA Mid-Michigan Oncology Radiation Associates; ROADWAY and White, Schneider, Young & Chiodini P.C. THE B 2 www.lansingcitypulse.com City Pulse • March 12, 2014 MLIVE CITY PULSE CH. 6 NEWS Top of 2014 the Town Awards VOTING STARTS MARCHlansingcitypulse.com, 19 Look for ballots at wlns.com and MLive.com/lansing City Pulse and Ch. 6 News welcome MLive as a partner! Advertisers: More than 13,000 Mid-Michigan residents voted in the Top of the Town contest last year. It’s a great place to promote your business. ADVERTISING DEADLINE: MARCH 12 ADVERTISERS! Contact Berl at (517) 999.5061 City Pulse • March 12, 2014 www.lansingcitypulse.com 3 MSU DEPARTMENT OF THEATRE WHARTONCENTER.COM OR 1-800-WHARTON TICKETS ON SALE NOW! A who’s who on the jazz scene makes up this amazing roster! Led by clarinet wonder Anat Cohen, it’s a sizzling night of jazz, Newport style with Karrin Allyson, Randy Brecker, Mark Whitfield, Peter Martin, Clarence Penn & Larry Grenadier! $15 Student & Youth Tickets! Thursday, March 27 at 7:30PM Jazz Series Sponsor Generously sponsored by Mid-Michigan MRI. THE Part dance, part acrobatics, part cirque – don’t miss this breathtaking, awe-inspiring evening of humorous, yet stunningly graceful, movement! SERPENT LADY $15 Student & Youth Tickets! BY CARLO GOZZI TRANSLATED & ADAPTED BY DANIEL SMITH & VALENTINA DENZEL MARCH 18-23, 2014 STUDIO 60 The Serpent Lady, Cherestani, the queen of a magical land, must test her husband’s love. Will he recognize his beloved when she turns into a snake? This fairy tale by Carlo Gozzi is told in the style of commedia dell’arte, with masks, puppetry, and physical comedy. DIRECTED BY Tuesday, April 8 at 7:30PM DANIEL SMITH Media Sponsor Generously sponsored by Delta Dental of Michigan; Foresight Group; and Governmental Consultant Services. WHARTONCENTER.COM 1-800-WHARTON 4 www.lansingcitypulse.com City Pulse • March 12, 2014 VOL. 13 Feedback ISSUE 29 ‘Hometown’ utility includes com- Energy. He writes as if everyone calling for munities outside Lansing non-Lansing representation is itching to go (517) 371-5600 • Fax: (517) 999-6061 • 1905 E. Michigan Ave. • Lansing, MI 48912 • www.lansingcitypulse.com Mickey Hirten, in his March 5 column, to Consumers Energy if that does not hap- ADVERTISING INQUIRIES: (517) 999-6705 chides the residents of townships and cit- pen, and then lays out why that is neither PAGE CLASSIFIED AD INQUIRIES: (517) 999-5066 ies outside of Lansing served by the Board desirable nor feasible. That misses the point. or email [email protected] of Water and Light for wanting to be repre- Many of us would prefer to stay with BWL 6 sented on the Board. He scoffs at criticism than switch to Consumers Energy, for many EDITOR AND PUBLISHER • Berl Schwartz [email protected] • (517) 999-5061 of the annual payments made by the utility of the reasons he lays out in his column. But to Lansing because the payments “essential- it also makes sense that communities out- ASSOCIATE PUBLISHER • Mickey Hirten Link: Rethinking MSU's endowment [email protected] • (517) 999-5067 ly compensate for BWL’s tax exempt status.” side of Lansing who use BWL should have MANAGING/NEWS EDITOR • Andy Balaskovitz I fail to see how compensating a city some representation on the board. I am cer- [email protected] • (517) 999-5064 with 65 percent of a utility’s customer tainly open to changing my mind if someone PAGE ARTS & CULTURE EDITOR • Allan I. Ross base, for whatever reason, is fair to the could give me some persuasive arguments [email protected] • (517) 999-5068 other communities served by the utility for why non-Lansing communities should 22 PRODUCTION MANAGER • Rachel Harper who get no benefit from the payments. remain unrepresented, but after re-reading [email protected] • (517) 999-5066 If the payments somehow were used to Hirten’s column three times I could find no CALENDAR EDITOR • Jonathan Griffith improve the utility’s system or its commu- such argument. New In Town: Steakhouse Philly Bar & Grill [email protected] • (517) 999-5069 nication planning efforts, the other com- opens after massive revamp STAFF WRITER • Lawrence Cosentino munities would not complain. But this — Peter Ruark [email protected] • (517) 999-5063 is not the case. The payments are made Delta Township PAGE MARKETING/PROMOTIONS COORDINATOR/ to address Lansing’s budget shortfalls, a SOCIAL MEDIA CONSULTANT • Rich Tupica [email protected] • (517) 999-6710 luxury which other communities not rep- Preserve Eastern’s name 26 ADVERTISING • Shelly Olson resented on the Board are unable to enjoy. With all the talk about Lansing’s Eastern [email protected] • (517) 999-6705 Article VII, section 24 of the Michigan High closing and Pattengill becoming the Constitution provides that a municipal util- new high school, how about asking the school He Ate She Ate: A review of farm-to-table diner Fork in the Road Contributors: Justin Bilicki, Daniel E. Bollman, Capital News Service, Bill Castanier, Mary C. ity is limited to selling and delivering elec- board to change the name of Pattengill to Cusack, Tom Helma, Gabrielle Johnson, Terry tricity “in an amount not exceeding 25 per- Eastern? That way we can keep Eastern’s COVER Link, Andy McGlashen, Kyle Melinn, Mark Nixon, cent of that furnished by it within the corpo- history, honors, trophies and teams intact. Shawn Parker, Stefanie Pohl, Dennis Preston, Ute Von Der Heyden, Paul Wozniak rate limits, except as greater amounts may Pattengill’s name can join the ranks of West ART be permitted by law.” Michigan Compiled Jr., Walter French, and Otto. Delivery drivers: Richard Bridenbaker, Dave Fisher, Ron Lupu, Brent Robison, Robert Wiche Laws 124.3, enacted in 1974, allows BWL to Don’t say it can’t be done. The names Interns: Katy Barth, Nicole Halvorsen, Alexandra serve townships, villages and cities that were of Logan Street and Main Street were “THE OUTFIELD” courtesy of GILLESPIE GROUP Harakas, Kyle Koehler, RJ Wolcott contiguous to Lansing on June 20, 1974. In changed. I say keep Eastern High alive in 1974, BWL did not exceed the 25 percent a new building. CITY PULSE on the Editor & Publisher cap, but it clearly does now. Although the Eastern has a very strong alumni asso- THIS WEEK Berl Schwartz 1974 Act may be used to justify greater ser- ciation. vice to contiguous communities than that It would be in the school district’s best AIR 7 p.m. Wednesdays permitted by the Constitution, those com- interest to consider this name change. Ken Darga and Susan Grettenberger, munities clearly have an argument on equi- Democratic candidates for 8th Congressional District table grounds that, based on the intent of — Brent Robison City officials on "The Outfield" development proposal the Constitution, they should be represent- Lansing ed on the BWL. As a former MPSC Commissioner, I agree with Mr. Hirten that communities Have something to say about a local issue should not use the threat of leaving BWL CITY PULSE or an item that appeared in our pages? for Consumers Energy to leverage seats on the Board. Despite recent problems, BWL Now you have two ways to sound off: does provide reasonably priced and gener- 1.) Write a letter to the editor. ally reliable power (not all of BWL custom- • E-mail: [email protected] • Snail mail: City Pulse, 1905 E. Michigan Ave., Lansing, MI 48912 ers can afford a generator like Mr. Hirten). • Fax: (517) 371-5800 However, the growth in cities and townships 2.) Write a guest column: contiguous to Lansing since 1974 fully justi- Contact Berl Schwartz for more information: [email protected] fies that they be represented on the board of or (517) 999-5061 their “hometown” utility. (Please include your name, address and telephone number so we can reach you. Keep letters to 250 words or fewer. City Pulse reserves the — Robert Nelson right to edit letters and columns.) East Lansing CORRECTIONS Mickey Hirten’s column says custom- Due to a reporting error, last week’s ers of BWL who are not Lansing residents story on a planned Lansing Arts should not have representation on its Commission incorrectly said which Board of Commissioners. His reason? He City Council committee will take up doesn’t give one except for one sentence a proposed ordinance to encourage about other communities not making public art. It is the General Services their case for representation. However, he Committee. doesn’t make his case for why we should Due to an editing error, a Feb. 26 sto- not have representation. ry on glass artist Craig Mitchell Smith Most of Hirten’s column is devoted to incorrectly listed the address of his new showing that non-Lansing customers are gallery. It is at 1220 N.
Recommended publications
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • 11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
    11eyes A­Channel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub Ben­To Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokuro­chan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba D­Frag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon Enma­Kun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! Juuden­Chan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes Ga­Rei Zero Gatchaman Crowds Genshiken Getbackers Ghost
    [Show full text]
  • Guides to German Records Microfilmed at Alexandria, Va
    GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA. No. 32. Records of the Reich Leader of the SS and Chief of the German Police (Part I) The National Archives National Archives and Records Service General Services Administration Washington: 1961 This finding aid has been prepared by the National Archives as part of its program of facilitating the use of records in its custody. The microfilm described in this guide may be consulted at the National Archives, where it is identified as RG 242, Microfilm Publication T175. To order microfilm, write to the Publications Sales Branch (NEPS), National Archives and Records Service (GSA), Washington, DC 20408. Some of the papers reproduced on the microfilm referred to in this and other guides of the same series may have been of private origin. The fact of their seizure is not believed to divest their original owners of any literary property rights in them. Anyone, therefore, who publishes them in whole or in part without permission of their authors may be held liable for infringement of such literary property rights. Library of Congress Catalog Card No. 58-9982 AMERICA! HISTORICAL ASSOCIATION COMMITTEE fOR THE STUDY OP WAR DOCUMENTS GUIDES TO GERMAN RECOBDS MICROFILMED AT ALEXAM)RIA, VA. No* 32» Records of the Reich Leader of the SS aad Chief of the German Police (HeiehsMhrer SS und Chef der Deutschen Polizei) 1) THE AMERICAN HISTORICAL ASSOCIATION (AHA) COMMITTEE FOR THE STUDY OF WAE DOCUMENTS GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA* This is part of a series of Guides prepared
    [Show full text]
  • Vulnerable Marine Ecosystems – Processes and Practices in the High Seas Vulnerable Marine Ecosystems Processes and Practices in the High Seas
    ISSN 2070-7010 FAO 595 FISHERIES AND AQUACULTURE TECHNICAL PAPER 595 Vulnerable marine ecosystems – Processes and practices in the high seas Vulnerable marine ecosystems Processes and practices in the high seas This publication, Vulnerable Marine Ecosystems: processes and practices in the high seas, provides regional fisheries management bodies, States, and other interested parties with a summary of existing regional measures to protect vulnerable marine ecosystems from significant adverse impacts caused by deep-sea fisheries using bottom contact gears in the high seas. This publication compiles and summarizes information on the processes and practices of the regional fishery management bodies, with mandates to manage deep-sea fisheries in the high seas, to protect vulnerable marine ecosystems. ISBN 978-92-5-109340-5 ISSN 2070-7010 FAO 9 789251 093405 I5952E/2/03.17 Cover photo credits: Photo descriptions clockwise from top-left: Acanthagorgia spp., Paragorgia arborea, Vase sponges (images courtesy of Fisheries and Oceans, Canada); and Callogorgia spp. (image courtesy of Kirsty Kemp, the Zoological Society of London). FAO FISHERIES AND Vulnerable marine ecosystems AQUACULTURE TECHNICAL Processes and practices in the high seas PAPER 595 Edited by Anthony Thompson FAO Consultant Rome, Italy Jessica Sanders Fisheries Officer FAO Fisheries and Aquaculture Department Rome, Italy Merete Tandstad Fisheries Resources Officer FAO Fisheries and Aquaculture Department Rome, Italy Fabio Carocci Fishery Information Assistant FAO Fisheries and Aquaculture Department Rome, Italy and Jessica Fuller FAO Consultant Rome, Italy FOOD AND AGRICULTURE ORGANIZATION OF THE UNITED NATIONS Rome, 2016 The designations employed and the presentation of material in this information product do not imply the expression of any opinion whatsoever on the part of the Food and Agriculture Organization of the United Nations (FAO) concerning the legal or development status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries.
    [Show full text]
  • The Rolling Stones and Performance of Authenticity
    University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Ramones 2002.Pdf
    PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri­ fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re­ earth: The airwaves were ruled by crotchety old di­ corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con­ The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen­ Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world.
    [Show full text]
  • Politics Isn't Everything
    Vol. 9 march 2017 — issue 3 iNSIDE: TOWNHALL TO NO ONE - POLITICS ISN’T EVERYTHING - COLD - why aren’t millennials eating pho - still drinking - BEST PUNK ALBUM EVER?? - ASK CREEPY HORSE - LOST BOYS OF THE RIGHT - misjumped - record reviews - concert calendar Town hall to no one Recently I was invited to attend a town hall meeting for our local representative to Congress, Rep. Bill Flores. In this day and age, you definitely want to have access to the person your district voted to send to 979Represent is a local magazine Washington and represent the interests of your home for the discerning dirtbag. area. 100 or so people turned out, submitted questions, gave passionate testimonials, aired grievances, ex- pressed outrage, even gave praise to Flores for a certain Editorial bored stance (though that was brief). Gay, straight, trans, white, other, Christian, Jew, Muslim, atheist, profession- Kelly Minnis - Kevin Still al, student, retired...a cross-section of the district’s diverse populace attended. Local police kept everything low key, local media showed to document the process. Art Splendidness Ivory is white, coal is black, water is wet...who cares, Katie Killer - Wonko The Sane right? This sort of thing happens all the time all over the country so what was so special about this event? Folks That Did the Other Shit For Us It was a townhall meeting with our congress- man...without the actual congressman in attendance. HENRY CLAYMORE - CREEPY HORSE - TIMOTHY MEATBALL He decided not to participate and instead flew to Mar-A- DANGER - MIKE L. DOWNEY - Jorge goyco - TODD HANSEN Lago to pull on Daddy Trump’s shirttail to beg of some EZEKIAL HENRY - Rented mule - HENRY ROWE - STARKNESS of the Orange Julius’s attention.
    [Show full text]
  • Long, Tall Stacia - the Six-Foot Lady with the Two-Way Sex Life Penthouse 1974
    Long, Tall Stacia - The Six-Foot Lady with the Two-Way Sex Life Penthouse 1974 What makes Hawkwind concerts rather different from those offered by the current crop of rock bands is the fact that they possess a 42-28-39 asset called Stacia. At the magic moment when the music really starts getting under your skin, Stacia makes her entrance - dancing, miming and generally interpreting the sounds in her own, very unique fashion; usually wearing little but greasepaint. With the above-mentioned statistics and standing six feet tall, Stacia is an impressive lady: as she so rightly says, "If I could get my waist down to 18 I'd have the same shape as Sabrina." Though she is now an indispensable member of Hawkwind, her onstage gyrations started very informally. "I saw the band in Exeter," she recalls, "and got invited to a rehearsal. Then I went with them to a concert in Redruth. We were all bombed out of our heads and I asked if I could dance onstage. So we found some greasepaint, I made up and on I went." Stacia joined Hawkwind full time in 1971 but she insists that she has had no formal dance training. "I was kicked out of ballet school when I was 10 because I was too tall. Besides, if you enjoy expressing yourself, training schools can ruin whatever talent you may have." Her dancing used to be "strictly acid freak stuff" but now Stacia - no surname forthcoming, incidentally- is making it her business to establish a rapport with her audience.
    [Show full text]
  • American Punk: the Relations Between Punk Rock, Hardcore, and American Culture
    American Punk: The Relations between Punk Rock, Hardcore, and American Culture Gerfried Ambrosch ABSTRACT Punk culture has its roots on both sides of the Atlantic. Despite continuous cross-fertiliza- tion, the British and the American punk traditions exhibit distinct features. There are notable aesthetic and lyrical differences, for instance. The causes for these dissimilarities stem from the different cultural, social, and economic preconditions that gave rise to punk in these places in the mid-1970s. In the U. K., punk was mainly a movement of frustrated working-class youths who occupied London’s high-rise blocks and whose families’ livelihoods were threatened by a declin- ing economy and rising unemployment. Conversely, in America, punk emerged as a middle-class phenomenon and a reaction to feelings of social and cultural alienation in the context of suburban life. Even city slickers such as the Ramones, New York’s counterpart to London’s Sex Pistols and the United States’ first ‘official’ well-known punk rock group, made reference to the mythology of suburbia (not just as a place but as a state of mind, and an ideal, as well), advancing a subver- sive critique of American culture as a whole. Engaging critically with mainstream U.S. culture, American punk’s constitutive other, punk developed an alternative sense of Americanness. Since the mid-1970s, punk has produced a plethora of bands and sub-scenes all around the world. This phenomenon began almost simultaneously on both sides of the Atlantic—in London and in New York, to be precise—and has since spread to the most remote corners of the world.
    [Show full text]
  • Protoculture Addicts Is ©1987-2006 by Protoculture • the REVIEWS Copyrights and Trademarks Mentioned Herein Are the Property of LIVE-ACTION
    Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ P r o t o c u l t u r e A d d i c t s # 8 7 December 2005 / January 2006. Published by Protoculture, P.O. Box 1433, Station B, Montreal, Qc, Canada, H3B 3L2. ANIME VOICES Letter From The Publisher ......................................................................................................... 4 E d i t o r i a l S t a f f Page Five Editorial ................................................................................................................... 5 [CM] – Publisher Christopher Macdonald Contributor Spotlight & Staff Lowlight ......................................................................................... 6 [CJP] – Editor-in-chief Claude J. Pelletier Letters ................................................................................................................................... 74 [email protected] Miyako Matsuda [MM] – Contributing Editor / Translator Julia Struthers-Jobin – Editor NEWS Bamboo Dong [BD] – Associate-Editor ANIME RELEASES (R1 DVDs) ...................................................................................................... 7 Jonathan Mays [JM] – Associate-Editor ANIME-RELATED PRODUCTS RELEASES (UMDs, CDs, Live-Action DVDs, Artbooks, Novels) .................. 9 C o n t r i b u t o r s MANGA RELEASES .................................................................................................................. 10 Zac Bertschy [ZB], Sean Broestl [SB], Robert Chase [RC], ANIME & MANGA NEWS: North
    [Show full text]
  • Copy of Anime Licensing Information
    Title Owner Rating Length ANN .hack//G.U. Trilogy Bandai 13UP Movie 7.58655 .hack//Legend of the Twilight Bandai 13UP 12 ep. 6.43177 .hack//ROOTS Bandai 13UP 26 ep. 6.60439 .hack//SIGN Bandai 13UP 26 ep. 6.9994 0091 Funimation TVMA 10 Tokyo Warriors MediaBlasters 13UP 6 ep. 5.03647 2009 Lost Memories ADV R 2009 Lost Memories/Yesterday ADV R 3 x 3 Eyes Geneon 16UP 801 TTS Airbats ADV 15UP A Tree of Palme ADV TV14 Movie 6.72217 Abarashi Family ADV MA AD Police (TV) ADV 15UP AD Police Files Animeigo 17UP Adventures of the MiniGoddess Geneon 13UP 48 ep/7min each 6.48196 Afro Samurai Funimation TVMA Afro Samurai: Resurrection Funimation TVMA Agent Aika Central Park Media 16UP Ah! My Buddha MediaBlasters 13UP 13 ep. 6.28279 Ah! My Goddess Geneon 13UP 5 ep. 7.52072 Ah! My Goddess MediaBlasters 13UP 26 ep. 7.58773 Ah! My Goddess 2: Flights of Fancy Funimation TVPG 24 ep. 7.76708 Ai Yori Aoshi Geneon 13UP 24 ep. 7.25091 Ai Yori Aoshi ~Enishi~ Geneon 13UP 13 ep. 7.14424 Aika R16 Virgin Mission Bandai 16UP Air Funimation 14UP Movie 7.4069 Air Funimation TV14 13 ep. 7.99849 Air Gear Funimation TVMA Akira Geneon R Alien Nine Central Park Media 13UP 4 ep. 6.85277 All Purpose Cultural Cat Girl Nuku Nuku Dash! ADV 15UP All Purpose Cultural Cat Girl Nuku Nuku TV ADV 12UP 14 ep. 6.23837 Amon Saga Manga Video NA Angel Links Bandai 13UP 13 ep. 5.91024 Angel Sanctuary Central Park Media 16UP Angel Tales Bandai 13UP 14 ep.
    [Show full text]