Politics Isn't Everything
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Fr, 20.12. Espace Découverte, Luxembourg, 21H
2 AGENDA woxx | 20 12 2013 | Nr 1246/1247 WAT ASS LASS I 20.12. - 05.01. WAT ASS LASS? Die Kabarettistin Jutta Lindner hat das Gegenrezept zum Weihnachtsblues: „Ihr Sünderlein kommet“, am 21. und 28. Dezember im Kultur-Salon bei den Winzern in Saarbrücken. male Instrumenty, Philharmonie, fr, 20.12. Espace découverte, Luxembourg, 21h. Tél. 26 32 26 32. musek echoes, tribute to Pink Floyd, Spirit of 66, Verviers (B), 21h. Rodnan Tango, oeuvres de Piazzolla, www.spiritof66.be WAT ASS LASS église Protestante, Luxembourg, 12h30. smells Like k. spirit, tribute to Kalender S. 2 - S. 7 Tosca, Oper von Giacomo Puccini, Nirvana, Rockbox, Luxembourg, 21h. Guerilla Poubelle p. 4 Saarländisches Staatstheater, Babyshambles p. 6 Saarbrücken (D), 19h30. theateR Tel. 0049 681 30 92-0. sein oder Nichtsein, von Nick Whitby KINO The Rustlers, uwe Heil & Band, nach Ernst Lubitsch, Alte Feuerwache, Programm S. 8 - S. 15 Project 54, Blues Aorsch und andere, Saarbrücken (D), 19h30. Je fais le mort p. 10 Tufa, Großer Saal, Trier (D), 20h. Tel. 0049 681 30 92-0. Tel. 0049 651 7 18 24 12. Philomena p. 12 Faustkampf, Monolog unter Jam session, L’Entrepôt (2, rue Verwendung von Goethe, sparte4 EXPO Zénobe Gramme), Arlon (B), 20h30. (Eisenbahnstr. 22), Saarbrücken (D), 20h. www.sparte4.de Ausstellungen S. 16 - S. 19 stromae, Rockhal Box, Esch, 21h. Merci de ne pas nourrir ! S. 18 SOLD OUT! woxx | 20 12 2013 | Nr 1246/1247 AGENDA 3 WAT ASS LASS I 20.12. - 05.01. Alles wéi keng engelen, Auditorium, Luxembourg, 16h. Tchaïkovski, Opéra-Théâtre, Metz (F), krëschtlidder mam Cube-Chouer, Stéck vum Jens Exler, iwwersat vum Tél. -
AF Yo Bill Murray 051016.Indd
Primera edición, noviembre 2016 © Marta Jiménez © Ilustraciones: sus autores © Diseño de cubierta e ilustraciones en Momentos Murray: Pedro Peinado © Diseño de colección: Pedro Peinado www.pedropeinado.com Edición de Antonio de Egipto y Marga Suárez www.estonoesuntipo.com Bandaàparte Editores www.bandaaparteeditores.com ISBN 978-84-944086-8-7 Depósito Legal CO-1591-2016 Este libro está bajo Licencia Creative Commons Reconocimiento – NoComercial – SinObraDerivada (by-nc-nd): No se permite un uso comercial de la obra original ni la generación de obras derivadas. +info: www.es.creativecommons.org Impresión: Gráficas La Paz. www.graficaslapaz.com El papel empleado para la impresión de este libro proviene de bosques gestionados de manera sostenible, desde el punto de vista medioambiental, económico y social. Impreso en España A mi padre y a mi madre, que no recuerdan dónde han visto a Bill Murray RZA: Tú eres Bill Murray. Bill Murray: Lo sé, pero no se lo digas a nadie. GZA: ¿Qué quieres decir con que no lo cuente, Bill Murray? La gente vendrá, te verá, eres Bill Murray, es obvio, a menos que uses un disfraz o algo. Bill Murray: Estoy disfrazado. GZA: Maldición, eso es terrible, amigo. (Coffee and Cigarettes. Jim Jarmusch, 2004) THE EVERYDAY MAN por Javier del Pino Un humorista muy conocido suele decir que hay dos tipos de có- micos: los que tienen gracia y los que tienen que trabajar para tener gracia. Lo dice con resignación, porque pertenece a la segunda cate- goría. Nada le hubiera gustado más que haber nacido con las carac- terísticas indescriptibles que definen a ese minúsculo grupo de per- sonas que, en un universo tan multitudinario, tienen la pintoresca virtud de expresar sentimientos o provocar reacciones sin decir nada y sin hacer nada. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
40 Jahre „Damned Damned Damned“ Erstes Punk-Rock-Album Aus U.K
40 Jahre „Damned Damned Damned“ Erstes Punk-Rock-Album aus U.K. neu aufgelegt 07. Februar 2017, Von: Redaktion Die 1976 in Großbritannien gegründete Punkband The Damned zählt auf mehreren Ebenen zu den Pionieren der dortigen Szene. Am 18.Februar 1977 veröffentlichte die Band mit „Damned Damned Damned“ ihr Debütalbum. The Damned waren die erste britische Punkband mit einem Plattenvertrag, einer Single-Veröffentlichung und einem Album. Fast auf den Tag genau 40 Jahre nach Veröffentlichung ihres legendären Debüts – am 17.Februar 2017- erscheint das Album neu. Remastered und in neuer, erweiterter Aufmachung. Dem britischen Label Stiff Records war es vorbehalten, am 18.Februar 1977 das erste Punk-Album einer Band aus England auf den Markt zu bringen: „Damned Damned Damned“ von The Damned. Die Band um Dave Vanian, Captain Sensible (in den Achtzigern außerdem als Solo-Künstler bekannt), Brian James und Rat Scabies waren in vielen Belangen Punk-Vorreiter in ihrem Heimatland. The Damned waren die erste Band ihres Genres mit einem Plattenvertrag, ihre Song „New Rose“ war die erste Punk-Single, besagtes Album ebenfalls das erste im britischen Punk, zudem waren The Damned die erste UK-Punk-Formation, die in den USA auf Tournee ging.Zum 40-jährigen Jubiläum von „Damned Damned Damned“ erscheint dieses in der Punk-Historie Großbritanniens so relevante Werk neu gemastert, mit neuen Liner-Notes und 28-seitigem Booklet. Als Vinyl-Langspielplatte ist das Ganze ebenfalls zu haben. Eine besondere Anekdote dürfte sein, dass der Journalist John Ingham, 1977 erster Rezensent des The-Damned-Albums die Liner-Notes zu der Wiederveröffentlichung geschrieben hat. Um die Entstehung der Songs und die Auswirkungen, die die ursprüngliche Album-Veröffentlichung zur Folge hatte eingehender zu beleuchten, führte John Ingham nochmals Interviews mit den Bandmitgliedern. -
Inside Holy Cross - Inside
Inside Holy Cross - inside VOL. XXI, NO. 86 FRIDAY, FEBRUARY 6,1987 the independent student newspaper serving Notre Dame and Saint Mary’s Three platforms to run for SMC student body offices By MARILYN BENCHIK stated, “No experience necessary,” Assistant Saint Mary’s Editor and said, “ So, we’re just going to go for it.” Canidates for Saint Mary’s student Class officer canidates also attended body offices attended the second pre the Thursday night meeting. Running election information meeting Thursday for senior class officer positions are: night. Julie Bennett, Ana Cote, Patti Petro, Election hopefuls were required to at and Lorie Potenti. Potenti said they are tend only one of the two sessions. The not yet sure who will run for which po first pre-election meeting was held sition. Wednesday night. Sandy Cerimele, “ All four of us have had experience election commissioner, and Jeanne Hel in working with student government in ler, student body president, set the the last three years, and we feel we guidelines for campaigning have a great senior class. We want to procedures. make next year the most memorable,” The three platforms, each consisting Petro said. P of three canidates for the offices of Cote added, “Our experience is one president, vice president for student af of the most im portant factors to be con fairs, and vice president for academic sidered. We’ve already learned to deal affairs, are: Ann Rucker, Ann Reilly, with students’ problems and the issues and Ann Eckhoff; Sarah Cook, Janel which may arise.” Hamann, and Jill Hinterhalter; Eileen Canidates for the junior class posi Hetterich, Smith Hashagen, and Julie tions of president, vice president, sec Parrish. -
Here Is a Printable
Ryan Leach is a skateboarder who grew up in Los Angeles and Ventura County. Like Belinda Carlisle and Lorna Doom, he graduated from Newbury Park High School. With Mor Fleisher-Leach he runs Spacecase Records. Leach’s interviews are available at Bored Out (http://boredout305.tumblr.com/). Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. An Oral History of The Gun Club originally appeared in Razorcake #29, released in December 2005/January 2006. Original artwork and layout by Todd Taylor. Photos by Edward Colver, Gary Leonard and Romi Mori. Cover photo by Edward Colver. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org he Gun Club is one of Los Angeles’s greatest bands. Lead singer, guitarist, and figurehead Jeffrey Lee Pierce fits in easily with Tthe genius songwriting of Arthur Lee (Love), Chris Hillman (Byrds), and John Doe and Exene (X). Unfortunately, neither he nor his band achieved the notoriety of his fellow luminary Angelinos. From 1979 to 1996, Jeffrey manned the Gun Club ship through thick and mostly thin. Understandably, the initial Fire of Love and Miami lineup of Ward Dotson (guitar), Rob Ritter (bass), Jeffrey Lee Pierce (vocals/ guitar) and Terry Graham (drums) remains the most beloved; setting the spooky, blues-punk template for future Gun Club releases. At the time of its release, Fire of Love was heralded by East Coast critics as one of the best albums of 1981. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Magisterarbeit / Master's Thesis
MAGISTERARBEIT / MASTER’S THESIS Titel der Magisterarbeit / Title of the Master‘s Thesis MUSIK IST STENOGRAPHIE DER GEFÜHLE. Ein Versuch der Untersuchung der durch Musik und musikalischer Untermalung hervorgerufenen bzw. gestützten emotionalen Kommunikation in Filmen verfasst von / submitted by Katharina Köhle, bakk. phil. angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag.phil.) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / UA 066 841 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Publizistik- und Kommunikationswissenschaft degree programme as it appears on the student record sheet: Betreut von / Supervisor: Ao. Univ.-Prof. Dr. Fritz (Friedrich) Hausjell INHALTSVERZEICHNIS 1. EINFÜHRUNG _____________________________________________ S. 4 2. THEMENGRUNDLAGEN _____________________________________ S. 6 2.1. FILM ..................................................................................................................... S. 6 2.1.1. Definition ............................................................................................... S. 6 2.1.2. Historischer Abriss ................................................................................. S. 14 2.1.3. Filmtheorie .............................................................................................. S. 18 2.2. MUSIK ................................................................................................................. -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182.