Com Os Olhos Postos No Futuro
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NE Report Televisão
NE Report Televisão NE REPORT TV. Semana 47 NE Report Televisão Semana 47 | 16 a 22 de Novembro 2020 Consumo Médio de Televisão ATS Share de Audiência TDT Outros 1,2% 12,9% SIC 01:45:06 00:26:00 18,7% 02:17:45 02:17:32 TVI 17,1% Pay TV PAY TV FTA 37,0% 03:22:29 00:27:17 RTP1 12,2% RTP2 0,8% TOTAL TV OUTROS 01:29:40 06:44:19 ATS: Tempo médio que cada telespectador dispendeu a ver TV, com base no total de indivíduos que viram TV. Na semana 47 cerca de 86,9% do Universo viu TV (8 222 500 indivíduos) e dispendeu em média/dia cerca TDT: RTP3 TDT+ RTP Memória TDT. de 6 horas, 44 minutos e 19 segundos, na semana anterior o tempo médio dispendido foi de 06:52:30. Outros: Canais não auditados, visionamento diferido de outros dias, video e jogos. Universo: 9.466.000 Indivíduos. Shr%: Tempo total dispendido num canal ou evento relativamente ao tempo total dispendido a ver televisão. NE Report Televisão Semana 47 | 16 a 22 de Novembro 2020 Share de Audiência | Por dia da semana 16,7% 20,3% 19,8% 19,2% 19,2% 18,5% 18,1% SIC TVI 17,1% 17,5% 16,5% 17,7% 16,0% 16,5% 18,7% RTP1 Pay TV 10,5% 9,7% 12,4% 12,7% 13,0% 15,4% 13,2% Outros TDT 39,6% 40,6% 37,6% 35,7% 34,0% 34,2% 34,9% RTP2 13,5% 13,7% 13,2% 12,6% 12,7% 12,1% 12,0% Canal Líder 1,3% 1,2% 0,9%1,3% 1,3% 1,1% 1,4% 1,2% 0,9% 0,8% 0,6% 0,9% 1,0% 0,8% do dia Segunda-feira Terça-feira Quarta-feira Quinta-feira Sexta-feira Sábado Domingo Nota: TDT: RTP3 TDT+ RTP Memória TDT. -
Canais De Televisão
Canais de Televisão Escola Básica Paulo da Gama Amora, novembro de 2014 Trabalho realizado pela aluna Margarida Pedro Martins, nº 17, da turma 7ºD, no âmbito da disciplina Tecnologia de Informação e Comunicação, sob a orientação do professor Sérgio Heleno. 2 Amora-Setúbal-Portugal Canais de Televisão Escola Básica Paulo da Gama Amora, novembro de 2014 Trabalho realizado pela aluna Margarida Pedro Martins, nº 17, da turma 7ºD, no âmbito da disciplina Tecnologia de Informação e Comunicação, sob a orientação do professor Sérgio Heleno. Margarida Martins 7ºD Canais de Televisão 3 Índice Conteúdo 1 Introdução .............................................................................................................. 4 2 O que são canais de televisão ............................................................................... 4 3 O que é a televisão? .............................................................................................. 5 3.1 As primeiras televisões ................................................................................... 5 4 SIC ........................................................................................................................ 8 5 TVI ........................................................................................................................... 11 6 24Kitchen ................................................................................................................. 13 7 RTP1 ..................................................................................................................... -
RELATÓRIO E CONTAS 2014 | Índice
RELATÓRIO E CONTAS 2014 | Índice 4-5 I. ENQUADRAMENTO 6 - 88 II. RELATÓRIO DE ATIVIDADE 6 - 43 a) OBRIGAÇÕES DE SERVIÇO PÚBLICO – PROGRAMAÇÃO/CONTEÚDOS 8 1. Canais Generalistas 16 2. Canais Temáticos 20 3. Antenas Nacionais 28 4. Canais/Antenas Internacionais 35 5. Canais/Antenas Regionais 41 6. Informação 44 - 56 b) OBRIGAÇÕES DE SERVIÇO PÚBLICO – OUTRAS 44 1. Arquivo Audiovisual 45 2. Documentação e Museologia 47 3. Cooperação 48 4. Apoio ao Cinema e à Produção Audiovisual 49 5. Novas Plataformas de Distribuição 51 6.Acessibilidades 55 7. Conselho de Opinião 56 8. Provedores 57 - 66 c) CENTRO CORPORATIVO 57 1. Recursos Humanos 59 2. Tecnologias 63 3. Marketing e Comunicação 65 4. Relações Internacionais e Institucionais 2 67 - 72 d) ANÁLISE ECONÓMICO – FINANCEIRA 67 1. Análise da Exploração 71 2. Análise Financeira 72 3. Proposta de Aplicação de Resultados 72 4. Código das Sociedades Comerciais – Artigo 35º 73 - 87 e) CUMPRIMENTO DAS ORIENTAÇÕES LEGAIS 88 - 95 III. DEMONSTRAÇÕES FINANCEIRAS 96- 151 IV. ANEXO ÀS DEMONSTRAÇÕES FINANCEIRAS 152- 156 V. RELATÓRIO E PARECER DO CONSELHO FISCAL 157- 160 VI. CERTIFICAÇÃO LEGAL DAS CONTAS 161- 163 VII. RELATÓRIO DO AUDITOR EXTERNO | Enquadramento RELATÓRIO E CONTAS ‘14 | Enquadramento O novo quadro regulatório subsequente às alterações da Lei da Televisão e da Lei da Rádio, foi consubstanciado na alteração dos estatutos da empresa ocorrido em 9 de Julho de 2014, na alteração da Lei de financiamento 30/2003 efetuado pela Lei 83-C/2013, na constituição do Conselho Geral e Independente (CGI), órgão de supervisão e fiscalização, e finalmente no novo Contrato de Concessão subscrito a 6 de Março de 2015. -
Directory English
DIRECTORY ENGLISH LOCATION Vila Monte Farm House is located in Moncarapacho, between Olhão and Tavira, only 10 minutes away from the coast. With 55 rooms and 4 different buildings , Vila Monte bewitches you with its timeless simplicity, graceful peacefulness and the perfect re- interpretation of the Algarve spirit, now translated into a laid-back, genuine atmosphere and a boho-chic lifestyle. Due to its privileged location between the Algarve mountain range and the ocean, Vila Monte Farm House offers a unique opportunity to discover different angles from a region mostly reputed for its sunshine and alluring beaches. One of these “angles” is the town of Olhão… a complete surprise… a town which is mostly a combination of scenarios and sounds which reveal a lifestyle centred around the sea. Fishing has always been the typical livelihood of its inhabitants and its importance is patent everywhere you look: from the harbour which becomes noisily alive when boats return from their fishing trips, to the amazing diversity of fish and seafood displayed on typical market stalls. Olhão fishermen are mythical figures and are widely reputed for their mastery – both as fishermen as well as chefs / cooks. Saturday is a special day …. a real pilgrimage takes place when little producers from the Algarve hills arrive at the market to sell their fruits and vegetables. Surrender yourself to Olhão, a lively fishing town which is home to some of the most charming landscapes in the region as well as some of Europe’s best beaches. The seafood abundance allied to the local talent to transform it into heavenly culinary dishes, has conquered Olhão the reputation of being Algarve’s gastronomic capital. -
Quick Tips Simply More Ways to Enjoy Tv Channel Guide
QUICK TIPS SIMPLY MORE WAYS TO ENJOY TV Press the Main Menu button to access Add/Remove Channels from your the TV Guide, On Demand, My TV, Favourites CHANNEL GUIDE Search, Settings and My Account Highlight the channel you want to save in the TV guide, then press on your TV Press the TV Guide button to access remote. A heart icon will appear next GUIDE the programme menu and filter by to the channel. favourites or genre. Record a Show with your Video Press the i button to get information Recorder about the programme you are Storage space must be purchased to watching. house your recordings. Press the Red button on your remote while watching Use the CH+/CH- buttons to scroll the + a show or after selecting a programme channel lineup. – on the TV guide. Use the Right/Left arrow keys to see View Recordings what’s playing at a later date or time Press My TV on your remote and with the Mini-Guide. select recordings. Press OK to confirm any command on your TV guide. Pause & Rewind Live TV Press the Rewind button to go back + Use the VOL+/VOL- button to control up to two hours from the current TV the volume. guide time. Pres Play when ready – to watch. To return to live TV (current Press the TV Button to return to live programme schedule), simply press TV programming. Stop Press the Blue Button to help you Watch On Demand search the live TV or On-Demand Press the On Demand button on your programmes. -
Projeto Estratégico Rtp 2018/2020
PROJETO ESTRATÉGICO RTP 2018/2020 1 Projeto Estratégico 2018-2020 2018 - 2020 // COM OS OLHOS POSTOS NO FUTURO AS PROMESSAS • Investir na qualidade e inovação dos conteúdos • Colocar o digital no centro da estratégia • Reforçar o contributo para a cultura e indústrias criativas • Potenciar e qualificar a presença da RTP no mundo • Ser disruptiva na oferta e mais apelativa para as novas gerações • Ser uma empresa com uma gestão exemplar e transparente • Ser uma empresa de media muito atrativa para trabalhar OS RESULTADOS Uma RTP decididamente: • Inovadora e Criativa • Ativa na sociedade • Global • De referência 1 Projeto Estratégico 2018-2020 ÍNDICE Página CARTA DO PRESIDENTE 3 1. INTRODUÇÃO 6 2. BALANÇO 2015 - 2017 6 a) Balanço do Projeto Estratégico 2015 - 2017 6 b) Sumário do estudo de monitorização do cumprimento de Serviço Público (2017) 9 3. A RTP E OS DESAFIOS ATUAIS 16 a) A RTP no contexto do Serviço Público Europeu: os valores partilhados 16 b) Portefólio e organização das marcas 18 c) O contexto atual dos media 24 4. A VISÃO 2018 - 2020 27 a) Objetivos estratégicos 27 b) 35 Iniciativas para concretização dos objetivos 29 c) Relação entre os Eixos Estratégicos do P.E.e as Linhas de Orientação Estratégica 33 do CGI 5. CONCLUSÃO: Uma nova ambição para a RTP 34 2 Projeto Estratégico 2018-2020 CARTA DO PRESIDENTE DA RTP RTP 18/20: COM OS OLHOS POSTOS NO FUTURO Os próximos anos constituem uma enorme oportunidade para a RTP seguir em frente no caminho de afirmação de um Serviço Público diferenciador, marcante, cada vez mais ativo na sociedade, posicionando- se como um impulsionador do melhor que se faz em Portugal, com uma vocação global, uma especial atenção aos públicos jovens e uma determinação inabalável para vencer no universo do digital. -
Grelha-De-Frequencias-Tv-Analogica.Pdf
GRELHA DE FREQUÊNCIAS TV ANALÓGICA Distrito de Lisboa e Setúbal Região do Algarve PALMELA PORTIMÃO PROG EMISSÃO FREQ CANAL PROG EMISSÃO FREQ CANAL 1 RTP1 182,25 CC6 1 RTP1 189,25 CC7 2 RTP2 196,25 CC8 2 RTP2 203,25 CC9 3 SIC 217,25 CC11 3 SIC 217,25 CC11 4 TVI 224,25 CC12 4 TVI 224,25 CC12 5 RTP Informação 231,25 S11 5 RTP Informação 231,25 S11 6 SIC Notícias 238,25 S12 6 SIC Notícias 238,25 S12 7 TVI 24 245,25 S13 7 TVI 24 245,25 S13 8 SIC Mulher 679,25 CC47 8 SIC Mulher 679,25 CC47 9 SIC Radical 687,25 CC48 9 SIC Radical 687,25 CC48 10 Globo 703,25 CC50 10 Globo 703,25 CC50 11 RTP África 695,25 CC49 11 RTP África 695,25 CC49 12 RTP Memória 252,25 S14 12 RTP Memória 252,25 S14 13 Discovery 119,25 S3 13 Discovery 119,25 S3 14 Odisseia 126,25 S4 14 Odisseia 126,25 S4 15 História 133,25 S5 15 História 133,25 S5 National National 16 Geographic 655,25 CC44 16 Geographic 655,25 CC44 Channel Channel 17 A&E 140,25 S6 17 A&E 140,25 S6 18 AXN 280,25 S18 18 AXN 280,25 S18 19 FOX 711,25 CC51 19 FOX 711,25 CC51 20 Fox Movies 175,25 CC5 20 Fox Movies 175,25 CC5 21 Hollywood 287,25 S19 21 Hollywood 287,25 S19 22 AMC 259,25 S15 22 AMC 259,25 S15 23 Disney Channel 743,25 CC55 23 Disney Channel 743,25 CC55 24 Cartoon Network 719,25 CC52 24 Cartoon Network 719,25 CC52 25 Panda 266,25 S16 25 Panda 266,25 S16 26 Eurosport 1 273,25 S17 26 Eurosport 1 273,25 S17 27 Fox Life 294,25 S20 27 Fox Life 294,25 S20 28 MTV 671,25 CC46 28 MTV 671,25 CC46 29 VH1 663,26 CC45 29 VH1 663,25 CC45 30 TLC 735,25 CC54 30 TLC 735,25 CC54 31 24 Kitchen 727,25 CC53 31 24 Kitchen -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
Monitoring Report
MONITORING REPORT April 2020 TABLE OF CONTENTS 1 EXECUTIVE SUMMARY & KEY RESULTS 4 ABOUT THE EU PLEDGE 7 COMPLIANCE MONITORING: TV ADVERTISING - Methodology - Monitoring results 10 COMPLIANCE MONITORING: COMPANY-OWNED WEBSITES, COMPANY-OWNED SOCIAL MEDIA PROFILES AND PILOT ON INFLUENCER PROFILES - Methodology - Monitoring results 14 REVISION OF THE EU PLEDGE IMPLEMENTATION GUIDANCE NOTE 14 UPDATE ON THE ACCOUNTABILITY MECHANISM 15 CONCLUSIONS AND NEXT STEPS 16 ANNEX I: ACCENTURE COMPLIANCE REPORT 24 ANNEX II: EASA COMPLIANCE REPORT Executive summary & key results Background The EU Pledge is a voluntary initiative by leading food and beverage companies to change food and beverage advertising to children under the age of twelve in the EU, in line with Article 9.2 of the Audiovisual Media Services Directive, which calls for codes of conduct on the marketing of certain food and beverage products to children. Signatories have committed to changing the way they advertise to children under 12 years old by respecting the two following minimum common requirements: • No advertising of products to children under 12 years, except for products which fulfil common nutrition criteria1. Some EU Pledge member companies have taken the decision not to advertise any of their products to children under 12. • No product marketing communications to children in primary schools. This is the eleventh annual monitoring report of the EU Pledge. In addition to the monitoring of “traditional” TV advertising, which has been the object of monitoring since the first report of the EU Pledge in 2009, the compliance monitoring has been adapted to address the evolving marketing landscape. Since 2012 the monitoring also focuses on company-owned websites. -
Ago / 2021 Canal Posição 150 Canais Pack Extra 200 Canais Premium RTP1
Ago / 2021 FIBRA Canal Posição 150 canais Pack Extra 200 canais Premium RTP1 (HD) 1 X X RTP2 (HD) 2 X X SIC (HD) 3 X X TVI (HD) 4 X X SIC Notícias (HD) 5 X X RTP 3 (HD) 6 X X TVI24 (HD) 7 X X CMTV (HD) 8 X X SIC Mulher (HD) 9 X X Globo (HD) 10 X X 11 (HD) 11 X X TVI Ficção (HD) 12 X X A Bola TV (HD) 13 X X Sport TV + HD 14 X X Porto Canal (HD) 15 X X Slide Promocional 16 X X Veja (HD) 17 X X RTP Açores (HD) 18 X X RTP Madeira (SD) 19 X X Sport TV1 HD 21 X Sport TV2 HD 22 X Sport TV3 HD 23 X Sport TV4 HD 24 X Sport TV5 HD 25 X Sport TV6 HD 26 X NBA TV (HD) 27 X BTV HD 30 X Eleven Sports 1 (HD) 31 X Eleven Sports 2 (HD) 32 X Eleven Sports 3 (HD) 33 X Eleven Sports 4 (HD) 34 X Eleven Sports 5 (HD) 35 X Eleven Sports 6 (HD) 36 X Sporting TV HD 37 X X Eurosport 1 HD 38 X X Eurosport 2 HD 39 X X Disney Channel (SD) 40 X X Cartoon Network (SD) 41 X X Biggs (SD) 42 X X SIC K (HD) 43 X X Nickelodeon (SD) 44 X X Disney Junior (HD) 45 X X Panda (HD) 46 X X Jim Jam (SD) 47 X X Baby TV (SD) 48 X X Lolly Kids (HD) 49 X X Panda Kids (HD) 50 X X CN Premium 51 X Nick+ 52 X MEO Kids 53 X X TV Cine Top HD 55 X TV Cine Edition HD 56 X TV Cine Emotion HD 57 X TV Cine Action HD 58 X Cinemundo (HD) 60 X X Hollywood HD 61 X X FOX Movies HD 62 X X AMC (HD) 63 X X AXN Movies HD 64 X X MEO VideoClube (HD) 69 X X FOX (HD) 70 X X FOX Life HD 71 X X FOX Crime HD 72 X X FOX Comedy HD 73 X X AXN HD 74 X X AXN White HD 75 X X SyFy (HD) 76 X X Dizi Channel (HD) 77 X X MEO Apps (HD) 79 X X MEO Filmes e Séries 80 X Acorn TV 84 X Prime Video 87 X NETFLIX 88 X MEO Destaques -
GRANDE ENTREVISTA (THE BIG INTERVIEW) with VÍTOR GONÇALVES, RTP 3 15 January 2020
GRANDE ENTREVISTA (THE BIG INTERVIEW) WITH VÍTOR GONÇALVES, RTP 3 15 January 2020 A very good evening. In an unprecedented decision, the Angolan courts decided to seize the Angolan bank accounts and company holdings of the businesswoman Isabel dos Santos. In her first interview with Portuguese television, Isabel dos Santos will explain what she thinks is happening in her country, Angola, and how she will respond to this decision by the Luanda Court. She will do this today in a special edition of RTP’s Grande Entrevista recorded in London. First of all, Isabel dos Santos, thank you very much for agreeing to be interviewed. The Provincial Court of Luanda believes that the businesses owned by you and your husband and the Portuguese director of your companies, Mário Leite da Silva, have deprived the Angolan state of an extraordinary amount of money: of $1,136,996,825.56 to be precise. Do you accept this allegation? Good evening, Vítor Gonçalves, and thank you for giving me the chance to answer your questions. As you can no doubt imagine, this is a very difficult time in my life. These allegations are accusations that I take very seriously. I have always worked with the greatest transparency, so all my business is very well known. I have operated in Angola for more than 20 years. I have operated in Portugal since 2005 or 2006. I have always operated transparently. I have always informed the authorities, both in Angola and in Portugal, of my investment plans. As you can imagine, a person in my position, with family connections to the President of the Republic, is subject to a great deal of scrutiny. -
Chapter 7. Portugal: Impoverished Media Struggling for Survival
Chapter 7 Portugal Impoverished media struggling for survival Joaquim Fidalgo Introduction The Portuguese media landscape has been strongly influenced by its political, economic, cultural, and social evolution during the last decades of the twentieth century and the first decades of the twenty-first century. Five main factors should be considered. First, the small size of the country (with a population of 10.3 million), associated with a very low rate of news media consumption, makes it difficult for media outlets to achieve enough scale to be viable. Second, the economic weakness of the country (an annual gross domestic product per capita of EUR 18,550 compared with the EUR 28,630 average for EU/28 countries; Eurostat, 2019) leads to low purchasing power for media consumers and little advertising for the media industry. Third, there has been a rather brief experi- ence of life in a democracy, after almost half a century (1926–1974) of political dictatorship where basic rights – freedom of expression, freedom of the press, freedom of association – were either forbidden or strictly controlled. Fourth, the long-standing tradition of a centralised society is very dependent on the state and has low levels of autonomous social dynamism and tends towards solving problems at the macro-level of the law, but not necessarily at the micro-level of actual practices. And fifth, economic, cultural, and technological development in the country has been quick in more recent years, particularly after joining the EU in 1986. The legal and regulatory framework for the media still bears marks of the revolutionary period in the country between 1974 and 1975, when democracy was reinstated and important changes occurred.