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Rapier House, Turnmill Street, London, EC I I'. L.Reruti,E
REDHEADS ADVERTISING LTD. SOMMERVILLE & MILNE 21 Eldon LTD. Square, Newcastle -on -Tyne, 1. 216 Bothwell Street, Glasgow, C.2. Scotland. REX PUBLICITY SERVICE LTD. Director S Manager: J. Bruce Omand. 131-134 New Bond Street, London, W.I. THE W. J. SOUTHCOMBE ADVERTISING Telephone: 'Mayfair 7571. AGENCY LTD. T.Y. Executive: R. C. Granger. 167 Strand, oLndon, W.C.2. Telephone: RIPLEY, PRESTON & CO. LTD. Temple Bar 4273. Ludgate House, 107-111 Fleet Street, Lon- SPOTTISWOODE ADVERTISING LTD. don, E.C.4. Telephone: Central 8672. 34 Brook Street, London, W.1. Telephone: T.V. Executive: Walter A. Clare. Hyde Park 1221 MAX RITSON & PARTNERS LTD. T.I Lxecutive: W. J. Barter. 33 Henrietta Street, London, W.C.2. Tele- HENRY SQUIRE & CO. LTD. phone: Temple Bar 3861. Canada House, Norfolk Street, London, W.C. T.V. Executive: Roy G. Clark. 2. Telephone: Temple Bar 9093. ROE TELEVISION LTD. I I'. L.reruti,e: S. Windridge. (F. John Roe Ltd.) 20 St. Ann's Square, STEELE'S ADVERTISING SERVICE LTD. Manchester & 73 Grosvenor Street, London, 34 Brook Street, London, W.1. W.1. Telephone: Grosvenor 8228. T.Y. Executives: Graham Roe, Derek J. Roe. STEPHENS ADVERTISING SERVICE LTD. Clarendon House, 11-12 Clifford Street, ROLES & PARKER LTD. New Bond Street, London, W.1. Telephone: Rapier House, Turnmill Street, London, E.C. Hyde Park 1. 1641. Telephone: Clerkenwell 0545. Executive: E. W. R. T.V. Executive: H. T. Parker. Galley. STRAND PUBLICITY LTD. G. S. ROYDS LTD. 10 Stanhope Row, London, W.1. Telephone: 160 Piccadilly, London, W1.. Telephone: Grosvenor 1352. Hyde Park 8238. -
Construction “Closing Date and Time”)
UNCLASSIFIED A2. TITLE A1. DEPARTMENTAL REPRESENTATIVE London Chancery Consolidation Project, United Kingdom A3. SOLICITATION NUMBER A4.PROJECT NUMBER A5.DATE Ms. Jane Bird ARD-LDN-CONST-13094/A B-LDN-135 October 20th, 2013 Project Director (Chancery Consolidation Project) A6. RFPR DOCUMENTS High Commission of Canada 1. Request for Pre-qualification Responses (“RFPR”) title page 2. Submission Requirements and Evaluations (Section “I” – “SR” provisions) Macdonald House, 1 Grosvenor Square 3. General Instructions (Section “II” – “GI” provisions) London, United Kingdom 4. Questionnaire (Section “III” – “Q” provisions) In the event of discrepancies, inconsistencies or ambiguities of the wording of these Telephone : +44 (0) 207 004 6052 documents, the document that appears first on the above list shall prevail. E-mail: [email protected] A7. RESPONSE DELIVERY In order for the Response to be valid, it must be received no later than 14:00 (2:00 pm) EST on November 15th 2013 (Ottawa, Ontario, Canada) (“Closing Date” or Construction “Closing Date and Time”). Best Value Evaluation The Response is only to be emailed to the following address; [email protected] Solicitation#: ARD-LDN-CONST-13094/A Respondents should ensure that their name, address, Closing Date, and solicitation PHASE 1 – Pre-qualification number is clearly marked on their email. Failure to comply may result in the Response of a 2-Phase Procurement being declared non-compliant and rejected from further consideration. Process A8. RESPONSE Please note SR2. Respondents must meet mandatory requirements and must obtain a for minimum rating of ‘100’. Up to six (6) Respondents with the highest score will be invited to advance to Phase 2 of the procurement process. -
The Heart of the Empire
The heart of the Empire A self-guided walk along the Strand ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Credits 30 © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail of South Africa House © Mike jackson RGS-IBG Discovering Britain 3 The heart of the Empire Discover London’s Strand and its imperial connections At its height, Britain’s Empire covered one-quarter of the Earth’s land area and one-third of the world’s population. It was the largest Empire in history. If the Empire’s beating heart was London, then The Strand was one of its major arteries. This mile- long street beside the River Thames was home to some of the Empire’s administrative, legal and commercial functions. The days of Empire are long gone but its legacy remains in the landscape. A walk down this modern London street is a fascinating journey through Britain’s imperial history. This walk was created in 2012 by Mike Jackson and Gary Gray, both Fellows of the Royal Geographical Society (with IBG). It was originally part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games. -
The Jubilee Walkway. Section 5 of 5
Transport for London. The Jubilee Walkway. Section 5 of 5. The Jubilee Loop (anti-clockwise). Start and finish: The Jubilee Walkway panel (on the south side of Trafalgar Square). Nearest station: Charing Cross . Section distance: 2 miles (3 kilometres). Introduction. This is a circular walk in the heart of London linking the institutions of The Monarchy and the Government. This section of the Jubilee Walkway connects with section one at Trafalgar Square and at Great George Street. Look out for the Jubilee Walkway discs in the pavement as you go round. Directions. This walk starts from Trafalgar Square. Did you know? Trafalgar Square was laid out in 1840 by Sir Charles Barry, architect of the new Houses of Parliament. The square, which is now a 'World Square', is a place for national rejoicing, celebrations and demonstrations. It is dominated by Nelson's Column with the 18-foot statue of Lord Nelson standing on top of the 171-foot column. It was erected in honour of his victory at Trafalgar. With Trafalgar Square behind you and keeping Canada House on the right, cross Cockspur Street and keep right. Go around the corner, passing the Ugandan High Commission to enter The Mall under the large stone Admiralty Arch - go through the right arch. Keep on the right-hand side of the broad avenue that is The Mall. Did you know? Admiralty Arch is the gateway between The Mall, which extends southwest, and Trafalgar Square to the northeast. The Mall was laid out as an avenue between 1660-1662 as part of Charles II's scheme for St James's Park. -
Historical Portraits Book
HH Beechwood is proud to be The National Cemetery of Canada and a National Historic Site Life Celebrations ♦ Memorial Services ♦ Funerals ♦ Catered Receptions ♦ Cremations ♦ Urn & Casket Burials ♦ Monuments Beechwood operates on a not-for-profit basis and is not publicly funded. It is unique within the Ottawa community. In choosing Beechwood, many people take comfort in knowing that all funds are used for the maintenance, en- hancement and preservation of this National Historic Site. www.beechwoodottawa.ca 2017- v6 Published by Beechwood, Funeral, Cemetery & Cremation Services Ottawa, ON For all information requests please contact Beechwood, Funeral, Cemetery and Cremation Services 280 Beechwood Avenue, Ottawa ON K1L8A6 24 HOUR ASSISTANCE 613-741-9530 • Toll Free 866-990-9530 • FAX 613-741-8584 [email protected] The contents of this book may be used with the written permission of Beechwood, Funeral, Cemetery & Cremation Services www.beechwoodottawa.ca Owned by The Beechwood Cemetery Foundation and operated by The Beechwood Cemetery Company eechwood, established in 1873, is recognized as one of the most beautiful and historic cemeteries in Canada. It is the final resting place for over 75,000 Canadians from all walks of life, including im- portant politicians such as Governor General Ramon Hnatyshyn and Prime Minister Sir Robert Bor- den, Canadian Forces Veterans, War Dead, RCMP members and everyday Canadian heroes: our families and our loved ones. In late 1980s, Beechwood began producing a small booklet containing brief profiles for several dozen of the more significant and well-known individuals buried here. Since then, the cemetery has grown in national significance and importance, first by becoming the home of the National Military Cemetery of the Canadian Forces in 2001, being recognized as a National Historic Site in 2002 and finally by becoming the home of the RCMP National Memorial Cemetery in 2004. -
Anton Nikolaev and Nick Glaser
Tensorflow2.0 Question Answering Anton Nikolaev, Nick Glaser ICS 661 - Final Report 1. Introduction applicable, sections from Wikipedia articles Natural language processing (NLP) containing the answer. In contrast to some is one of the domains where the emergence other QA datasets, NQ also provides of deep learning (DL) has had the largest answer candidates for each question as well impact, improving performance across as a context level indicator. The candidates almost the entire spectrum of NLP. contain the indices representing the One of the kinds of problems that are respective start and end tokens for each currently being solved by DL researchers answer. The context indicator is a binary are reading comprehension/ question value that signals whether a given answering (QA) problems. For our project, candidate answer is also contained within we joined a kaggle competition based on a another candidate (nested) or whether it is novel QA dataset provided by Google the only candidate containing the specific Research titled Natural Questions (NQ). Our passage (top-level). This additional goal was to evaluate the performance of information can help improve model some of the current state-of-the-art NLP accuracy after the training stage, but is not architectures on this dataset. traditionally used during training itself. Overall, the entire dataset contains 2. Problem and Dataset about 300,000 training examples as well as The goal of the QA task is just under 8000 test examples that are essentially two-fold: the algorithm is ultimately used to evaluate our model’s provided with a text passage and a performance on kaggle. -
Trafalgar Square Conservation Area Audit 2 Trafalgar Square Conservation Area Audit 3 CONTENTS
TRAFALGAR 18 CONSERVATION AREA AUDIT AREA CONSERVATION SQUARE This conservation area audit is accurate as of the time of publication, February 2003. Until this audit is next revised, amendments to the statutory list made after 19 February 2003 will not be represented on the maps at Figure 7. For up to date information about the listing status of buildings in the Trafalgar Square Conservation Area please contact the Council’s South area planning team on 020 7641 2681. This Report is based on a draft prepared by Conservation, Architecture & Planning. Development Planning Services, Department of Planning and City Development City Hall, 64 Victoria Street, London SW1E 6QP www.westminster.gov.uk Document ID No: 1130 PREFACE Since the designation of the first conservation areas in 1967 the City Council has undertaken a comprehensive programme of conservation area designation, extensions and policy development. There area now 53 conservation areas in Westminster, covering 76% of the City. These conservation areas are the subject of detailed policies in the Unitary Development Plan and in Supplementary Planning Guidance. In addition to the basic activity of designation and the formulation of general policy, the City Council is required to undertake conservation area appraisals and to devise local policies in order to protect the unique character of each area. Although this process was first undertaken with the various designation reports, more recent national guidance (as found in Planning Policy Guidance Note 15 and the English Heritage Conservation Area Practice and Conservation Area Appraisal documents) requires detailed appraisals of each conservation area in the form of formally approved and published documents. -
Dreams of a Tropical Canada: Race, Nation, and Canadian Aspirations in the Caribbean Basin, 1883-1919
Dreams of a Tropical Canada: Race, Nation, and Canadian Aspirations in the Caribbean Basin, 1883-1919 by Paula Pears Hastings Department of History Duke University Date: _________________________ Approved: ______________________________ John Herd Thompson, Supervisor ______________________________ Susan Thorne ______________________________ D. Barry Gaspar ______________________________ Philip J. Stern Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2010 ABSTRACT Dreams of a Tropical Canada: Race, Nation, and Canadian Aspirations in the Caribbean Basin, 1883-1919 by Paula Pears Hastings Department of History Duke University Date:_______________________ Approved: ___________________________ John Herd Thompson, Supervisor ___________________________ Susan Thorne ___________________________ D. Barry Gaspar ___________________________ Philip J. Stern An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2010 Copyright by Paula Pears Hastings 2010 Abstract Dreams of a “tropical Canada” that included the West Indies occupied the thoughts of many Canadians over a period spanning nearly forty years. From the expansionist fever of the late nineteenth century to the redistribution of German territories immediately following the First World War, Canadians of varying backgrounds campaigned vigorously for Canada-West Indies union. Their efforts generated a transatlantic discourse that raised larger questions about Canada’s national trajectory, imperial organization, and the state of Britain’s Empire in the twentieth century. This dissertation explores the key ideas, tensions, and contradictions that shaped the union discourse over time. Race, nation and empire were central to this discourse. -
Sunil Gupta Cv
SUNIL GUPTA CV Born 1953, New Delhi, India Lives and works in London, UK Education 2019 University of Westminster, PhD, London, UK 1981-83 Royal College of Art, MA Photography, London, UK 1978-81 West Surrey College of Art & Design, (Dip. Photo), UK 1976 Philip Halsman & Lisette Model, The New School for Social Research, New York, NY, USA 1972-77 Concordia University, Montreal, Bachelor of Commerce (Accountancy), Canada 1970-72 Dawson College, Montreal, Canada 1969-70 High School of Montreal, Canada Selected Solo Exhibitions 2021 New Pre-Raphaelites, Holburne Museum, Bath, UK From Here to Eternity, Ryerson Image Centre, Toronto, ON, CA 2020 From Here to Eternity, The Photographers’ Gallery, London, UK 2019 Christopher Street, Hales Gallery, New York, NY, USA The Politics of Images, Brixton Tate Library, London, UK (with Charan Singh) 2018 Friends & Lovers: Coming Out in Montréal in the 1970s, Stephen Bulger Gallery, Toronto, ON, CA Dissent and Desire, Contemporary Arts Museum, Houston, TX, USA (with Charan Singh) 2017 Sunil Gupta: In Pursuit of Love, Pelz Gallery, University of London, UK Delhi: Communities of Belonging, Diffusion, Cardiff Photo Festival, Wales, UK (with Charan Singh) Delhi: Communities of Belonging, SepiaEye, New York, NY, USA(with Charan Singh) 2015 Queer Migrations, Whitney Humanities Centre, Yale University, MA, USA 2014 Sunil Gupta: Out and About in New York and New Delhi, Sepia Eye, New York, NY, USA 2012 Sun City & Other Stories Alliance Francaise Gallery, New Delhi, India 2010 The New Pre-Raphaelites, Grosvenor -
Summer 2019 Newsletter (PDF)
SUMMER 2019 SUMMER 2019 CUKCC│CHARTER MEMBERS 2 SUMMER 2019 CUKCC│CONTENTS Contents 4-5 Messages from the President, CEO & Secretariat 7 Upcoming Events 8 New Board Directors Appointed 10-12 International Trade 15-18 Economics 20-21 Energy, Mining & Natural Resourcces 24-25 Business Leasership 26-27 Your Finances 28 & 18 Women in Business 29-31 Technology Update 32-38 New Members Editor: Victoria Teeple Business Development & Office Manager +44 (0)20 7930 4553 [email protected] CANADA-UK CHAMBER OF COMMERCE 3 CUKCC│PRESIDENT, CEO & SECRETARIAT Matthew Moth, President Rising above the bedlam Uncertainty may be the new certainty for us all. Brexit continues to paralyse UK politics, Canada is gearing up for a Federal Election in the Autumn, global trade agreements (and conflict) ebb and flow, the Ukraine has elected a comedian as President. Amidst these ‘interesting times’ for globalism and populism, we have set a course for the Canada-UK Chamber of Commerce in 2019 where we remain focused on doing the things that we do well, while continuing to adapt to the unusual environment we are inhabiting. The Chamber marked its 97th anniversary in 2018 with the busiest networking programme in its history attracting over 3,500 registrations, and in 2019 our intention has been to deliver another diverse and engaging schedule of events, attractive to a broad membership base. And we’re delighted to see that so far this year, our approach to provide members and potential members at all levels with an exciting programme of networking and new business development opportunities, has been really productive. -
Fourth Plinth Commissioning Group
FOURTH PLINTH COMMISSION ARTIST INFORMATION PACK The Fourth Plinth, empty in Trafalgar Square 2 Contents 1. Background 2. Context 3. Brief 4. Commissioning Process and Submission Requirements 5. Timeline and Key Dates 6. Budget 7. Legal Implications 8. Acceptance of Invitation 9. Appendix: Technical Details 10. Appendix: Trafalgar Square 3 Introduction The Mayor of London’s Fourth Plinth Commission is now one of the most highly regarded contemporary public art programmes in the world. The programme has achieved significant national and international attention for its commitment to commissioning the very best contemporary art in one of the world’s most visited tourist destinations – Trafalgar Square, London. Approximately 4,000 people an hour go past the square and thousands more spend time in it every day. Since 1999 a series of temporary artworks have been commissioned specifically for this prestigious location in the heart of London. The artworks have always been provocative and have presented challenging propositions for the role of contemporary art in the centre of our cities. Each artwork generates high levels of discussion, amongst art professionals and members of the public alike. Discussions are about the climate in which the works are being commissioned, the square in which they are located and the city they come to represent over the period of their exhibition. 4 Mark Wallinger Ecce Homo 1999 5 Background of the programme The Fourth Plinth, located in the north-west corner of Trafalgar Square, was designed by Sir Charles Barry and built in 1841 to display an equestrian statue. Due to insufficient funds the plinth was left empty and remained so until 1998 when The Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA) commissioned a series of three works to be temporarily displayed there. -
The National Gallery Review April 2006
NG Review 2007 cover pp1-4 proof 4.qxd 21/8/07 15:49 Page 1 the national gallery review gallery the national 2007 april 2006 ‒ march gallery the national THE NATIONAL GALLERY REVIEW april 2006 ‒ march 2007 NG Review 2007 cover pp1-4 proof 4.qxd 15/8/07 18:49 Page 2 © The National Gallery 2007 Photographic credits ISBN 978-1-85709-406-0 All images © The National Gallery, London, unless ISSN 0143 9065 stated below Published by the National Gallery Company on behalf of the Trustees Front cover: Giovanni Paolo Panini, The Lottery in The National Gallery Piazza di Montecitorio (detail), 1743–4. Trafalgar Square London WC2N 5DN Back cover: Visitors at the Velázquez exhibition looking at Philip IV as a Hunter, painted about 1636 Tel: 020 7747 2885 and lent by Museo Nacional del Prado, Madrid. www.nationalgallery.org.uk Photo © The National Gallery, London. [email protected] p. 10 Printed and bound by Westerham Press Ltd. St Ives plc Manet’s drawing Aux Tuileries © Private collection Designed by Tim Harvey p. 14 Simone dei Crocefissi, The Dream of the Virgin © The Society of Antiquaries of London The Le Nain Brothers, A Quarrel © Amgueddfa Cymru – National Museum Wales pp. 15–16 All © Amgueddfa Cymru – National Museum Wales p. 17 Jan van de Cappelle, A Calm © Amgueddfa Cymru – National Museum Wales Hans Burgkmair, Portrait of Jakob Fugger and his Wife © Private collection p. 18 Claude-Oscar Monet, The Japanese Bridge © Private collection Vincent van Gogh, An Old Woman of Arles © The Van Gogh Museum Amsterdam (Vincent Van Gogh Foundation) p.