Jubilee Walkway Section 5 the Jubilee Loop
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Classical Nakedness in British Sculpture and Historical Painting 1798-1840 Cora Hatshepsut Gilroy-Ware Ph.D Univ
MARMOREALITIES: CLASSICAL NAKEDNESS IN BRITISH SCULPTURE AND HISTORICAL PAINTING 1798-1840 CORA HATSHEPSUT GILROY-WARE PH.D UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2013 ABSTRACT Exploring the fortunes of naked Graeco-Roman corporealities in British art achieved between 1798 and 1840, this study looks at the ideal body’s evolution from a site of ideological significance to a form designed consciously to evade political meaning. While the ways in which the incorporation of antiquity into the French Revolutionary project forged a new kind of investment in the classical world have been well-documented, the drastic effects of the Revolution in terms of this particular cultural formation have remained largely unexamined in the context of British sculpture and historical painting. By 1820, a reaction against ideal forms and their ubiquitous presence during the Revolutionary and Napoleonic wartime becomes commonplace in British cultural criticism. Taking shape in a series of chronological case-studies each centring on some of the nation’s most conspicuous artists during the period, this thesis navigates the causes and effects of this backlash, beginning with a state-funded marble monument to a fallen naval captain produced in 1798-1803 by the actively radical sculptor Thomas Banks. The next four chapters focus on distinct manifestations of classical nakedness by Benjamin West, Benjamin Robert Haydon, Thomas Stothard together with Richard Westall, and Henry Howard together with John Gibson and Richard James Wyatt, mapping what I identify as -
Trafalgar Square & Parliament Square Garden Activities and Hires
FM Internal Guidance – Trafalgar Square & Parliament Square Garden Activities and Hires The GLA do not permit (unless in exceptional circumstances in which GLA authorisation has been given in writing): • Private or exclusive parties/functions • ‘Roadshow’ activities which only have giveaways as the primary content of the event • ‘Flash mob’ activity • Overt branding and/or advertising within the event – however, there is scope for commercial activity • Offensive or adult themed materials in any printed format or computer generated/screened format. • Handouts or giveaways without an accompanying event • Infrastructure or dressing which may damage the fabric of the Trafalgar Square • Infrastructure on any part of Parliament Square Garden • Vehicle focused events on a pedestrian space - cars, motorbikes or double decker buses as the focus for example. • Busking without an accompanying event/ purpose • Use of balloons or inflatables • Use of stickers or any adhesive material • Any act which is against the Bye Laws and/or PRSR 2011 act • Pyrotechnics, candles or any other element requiring a naked flame for ignition or that gives out sparks or smoke. • Balloon releases • Drones • Any licensable activity at any time throughout an event or hire without prior written authorisation of the GLA. Further detail 1. Sports tournament – Parliament square is in the centre of very busy roads and Trafalgar Square is surrounded on three sides by busy roads. The GLA cannot accommodate a full sports match because of the safety issues. They also conflict with the byelaws and impact public access around the square. We can accommodate sports activations as a low-key press call. 2. Cigarette/alcohol & gambling activations – The GLA does not support advertising of as this would contradict all current policy and health initiatives that the GLA is driving forward for Londoners. -
Admiralty Arch, Commissioned
RAFAEL SERRANO Beyond Indulgence THE MAN WHO BOUGHT THE ARCH commissioned We produced a video of how the building will look once restored and by Edward VII in why we would be better than the other bidders. We explained how Admiralty Arch, memory of his mother, Queen Victoria, and designed by Sir Aston the new hotel will look within London and how it would compete Webb, is an architectural feat and one of the most iconic buildings against other iconic hotels in the capital. in London. Finally, we presented our record of accountability and track record. It is the gateway between Buckingham Palace and Trafalgar Square, but few of those driving through the arch come to appreciate its We assembled a team that has sterling experience and track record: harmony and elegance for the simple reason that they see very little Blair Associates Architecture, who have several landmark hotels in of it. Londoners also take it for granted to the extent that they simply London to their credit and Sir Robert McAlpine, as well as lighting, drive through without giving it further thought. design and security experts. We demonstrated we are able to put a lot of effort in the restoration of public spaces, in conservation and This is all set to change within the next two years and the man who sustainability. has taken on the challenge is financier-turned-developer Rafael I have learned two things from my investment banking days: Serrano. 1. The importance of team work. When JP Morgan was first founded When the UK coalition government resolved to introduce more they attracted the best talent available. -
South Bank Conservation Area Statement 2007 Conservation Area
South BankSouth Bank Conservation Area Statement 2007 Conservation Area Conservation Area Statement September 2007 South Bank Conservation Area Statement 2007 Conservation Area Context Map This map shows the South Bank Conservation Area (CA 38) in its wider context which includes the following neighbouring conservation areas: - CA 09 Walcot Conservation Area (part only) CA 10 Lambeth Palace Conservation Area CA 21 Roupell Street Conservation Area CA 34 Waterloo Conservation Area CA 40 Lower Marsh Conservation Area CA 50 Lambeth Walk & China Walk Conservation Area CA 51 Mitre Road & Ufford Street Conservation Area 2 South Bank Conservation Area Statement 2007 Conservation Area Boundary Map The maps in this document are based upon Ordnance Survey material with permission of Ordnance Survey on behalf of the Controller of Her Majesty’s Stationery Office. © Crown Copyright. Unauthorised preproduction infringes Crown Copyright and may lead to prose- cution or civic proceedings. LB Lambeth 100019338 2007. 3 South Bank Conservation Area Statement 2007 CONTENTS PAGE INTRODUCTION 5 1. PLANNING FRAMEWORK 6 2. CONSERVATION AREA APPRAISAL 7 2.1 Purpose and structure of a Conservation Area Appraisal 7 2.2 Historic Development 7 2.3 City Context & Strategic Views 11 2.4 Archaeology 11 2.5 Spatial Form 11 2.6 Streetscape 14 2.7 Permeability 16 2.8 Public Realm 17 2.9 Access 17 2.10 Street Furniture 18 2.11 Public Art 19 2.12 Activity and Uses 19 2.13 Spaces 20 2.14 Built form 21 2.15 Listed Buildings 22 2.16 Locally Listed Buildings 23 2.17 Buildings making a Positive Contribution 23 2.18 Buildings Making a Neutral Contribution 26 2.19 Buildings Making a Negative Contribution 26 2.20 Spaces Making a Positive Contribution 27 2.21 Spaces Making a Neutral Contribution 28 2.22 Spaces Making A Negative Contribution 29 2.23 Important Local Trees 29 2.24 Important Local Views 29 2.25 Signs & Advertisements 30 2.26 Setting of the Conservation Area 31 2.27 Appraisal Conclusion 31 4 South Bank Conservation Area Statement 2007 PAGE 3. -
Key Bus Routes in Central London
Route 8 Route 9 Key bus routes in central London 24 88 390 43 to Stoke Newington Route 11 to Hampstead Heath to Parliament to to 73 Route 14 Hill Fields Archway Friern Camden Lock 38 Route 15 139 to Golders Green ZSL Market Barnet London Zoo Route 23 23 to Clapton Westbourne Park Abbey Road Camden York Way Caledonian Pond Route 24 ZSL Camden Town Agar Grove Lord’s Cricket London Road Road & Route 25 Ground Zoo Barnsbury Essex Road Route 38 Ladbroke Grove Lisson Grove Albany Street Sainsbury’s for ZSL London Zoo Islington Angel Route 43 Sherlock Mornington London Crescent Route 59 Holmes Regent’s Park Canal to Bow 8 Museum Museum 274 Route 73 Ladbroke Grove Madame Tussauds Route 74 King’s St. John Old Street Street Telecom Euston Cross Sadler’s Wells Route 88 205 Marylebone Tower Theatre Route 139 Charles Dickens Paddington Shoreditch Route 148 Great Warren Street St. Pancras Museum High Street 453 74 Baker Regent’s Portland and Euston Square 59 International Barbican Route 159 Street Park Centre Liverpool St Street (390 only) Route 188 Moorgate Appold Street Edgware Road 11 Route 205 Pollock’s 14 188 Theobald’s Toy Museum Russell Road Route 274 Square British Museum Route 390 Goodge Street of London 159 Museum Liverpool St Route 453 Marble Lancaster Arch Bloomsbury Way Bank Notting Hill 25 Gate Gate Bond Oxford Holborn Chancery 25 to Ilford Queensway Tottenham 8 148 274 Street Circus Court Road/ Lane Holborn St. 205 to Bow 73 Viaduct Paul’s to Shepherd’s Marble Cambridge Hyde Arch for City Bush/ Park Circus Thameslink White City Kensington Regent Street Aldgate (night Park Lane Eros journeys Gardens Covent Garden Market 15 only) Albert Shaftesbury to Blackwall Memorial Avenue Kingsway to Royal Tower Hammersmith Academy Nelson’s Leicester Cannon Hill 9 Royal Column Piccadilly Circus Square Street Monument 23 Albert Hall Knightsbridge London St. -
Deification in the Early Century
chapter 1 Deification in the early century ‘Interesting, dignified, and impressive’1 Public monuments were scarce in Ireland at the begin- in 7 at the expense of Dublin Corporation, was ning of the nineteenth century and were largely con- carefully positioned on a high pedestal facing the seat fined to Dublin, which boasted several monumental of power in Dublin Castle, and in close proximity, but statues of English rulers, modelled in a weighty and with its back to the seat of learning in Trinity College. pompous late Baroque style. Cork had an equestrian A second equestrian statue, a portrait of George I by statue of George II, by John van Nost, the younger (fig. John van Nost, the elder (d.), was originally placed ), positioned originally on Tuckey’s Bridge and subse- on Essex Bridge (now Capel Street Bridge) in . It quently moved to the South Mall in .2 Somewhat was removed in , and was re-erected at the end of more unusually, Birr, in County Offaly, featured a sig- the century, in ,8 in the gardens of the Mansion nificant commemoration of Prince William Augustus, House, facing out over railings towards Dawson Street. Duke of Cumberland (–) (fig. ). Otherwise The pedestal carried the inscription: ‘Be it remembered known as the Butcher of Culloden,3 he was com- that, at the time when rebellion and disloyalty were the memorated by a portrait statue surmounting a Doric characteristics of the day, the loyal Corporation of the column, erected in Emmet Square (formerly Cumber- City of Dublin re-elevated this statue of the illustrious land Square) in .4 The statue was the work of House of Hanover’.9 A third equestrian statue, com- English sculptors Henry Cheere (–) and his memorating George II, executed by the younger John brother John (d.). -
London Calling: BBC External Services, Whitehall and the Cold War 1944- 57
London calling: BBC external services, Whitehall and the cold war 1944- 57. Webb, Alban The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1577 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LONDON CALLING: SSC EXTERNAL SERVICES, WHITEHALL AND THE COLD WAR, 1944-57 ALBAN WEBB Queen Mary College, University of London A thesis submitted in partial fulfilment of the requirements of the University of London for the degree of Doctor of Philosophy (Ph.D) 1 Declaration: The work presented in this thesis is my own. Signed: '~"\ ~~Ue6b Alban Webb Declaration: The work presented in this thesis is my own. Signed: Alban Webb ABSTRACT The Second World War had radically changed the focus of the BBC's overseas operation from providing an imperial service in English only, to that of a global broadcaster speaking to the world in over forty different languages. The end of that conflict saw the BBC's External Services, as they became known, re-engineered for a world at peace, but it was not long before splits in the international community caused the postwar geopolitical landscape to shift, plunging the world into a cold war. At the British government's insistence a re-calibration of the External Services' broadcasting remit was undertaken, particularly in its broadcasts to Central and Eastern Europe, to adapt its output to this new and emerging world order. -
The Pall Mall Collection
The Pall Mall ColleCTion st. james’s London sW1 The Pall Mall ColleCTion 42 paLL maLL st. james’s London sW1 qualiTy living a stunning collection of three Luxury Lateral apartments and one exclusive penthouse the wide open spaces of st. james’s park and Green park are a short walk away. Beyond that are Knightsbridge and Chelsea with the renowned department stores of Harrods and Harvey nichols. to the north is mayfair with it’s fantastic restaurants and private member clubs together with the famous retail haven of Bond street. to the east and within easy walking distance are the famous theatres and cinemas of Haymarket and Leicester square. I6I the pall mall collectIon ST. JaMeS’S Park ST. JaMeS’S PaLaCe raC CLUB THe rITZ HoTeL HYDe Park TraFaLGar SQUare BUCkInGHaM PaLaCe Green Park the pall mall collection MaYFaIr ST. JaMeS’S SQUare I8I THe PaLL MaLL CoLLeCTIon The World’s Capital a unique mix of heritage, culture, business, fashion and fascinating architecture, makes London one of the most cosmopolitan and dynamic cities – truly a world’s capital. I10I the pall mall collectIon a hisTory of sT. jaMes’s 1600s 1690s - 1770s 1828 1960s st. james’s street is laid out. establishment of coffee and chocolate houses Building of Carlton House terrace within the modern office developments built in st. james’s principally in st. james’s street. many evolved grounds of the former Carlton House, designed street and elsewhere, including the economist into fashionable clubs such as Whites, the Cocoa by john nash Building (1964). 1661 tree and Boodles. -
FACE to FACE Gallery News Issue No
P FACE TO FACE Gallery News Issue no. 6 Autumn 2003 Writing in this issue: Julian Fellowes, Bruce Oldfield and Gerald Scarfe FROM THE DIRECTOR The autumn exhibition Below Stairs: 400 Years of Servants’ Portraits offers an unusual opportunity to see fascinating images of those who usually remain invisible. The exhibition offers intriguing stories of the particular individuals at the centre of great houses, colleges or business institutions and reveals the admiration and affection that caused the commissioning of a portrait or photograph. We are also celebrating the completion of the new scheme for Trafalgar Square with the young people’s education project and exhibition, Circling the Square, which features photographs that record the moments when the Square has acted as a touchstone in history – politicians, activists, philosophers and film stars have all been photographed in the Square. Photographic portraits also feature in the DJs display in the Bookshop Gallery, the Terry O’Neill display in the Balcony Gallery and the Schweppes Photographic Portrait Prize launched in November in the Porter Gallery. Gerald Scarfe’s rather particular view of the men and women selected for the Portrait Gallery is published at the end of September. Heroes & Villains, is a light hearted and occasionally outrageous view of those who have made history, from Elizabeth I and Oliver Cromwell to Delia Smith and George Best. The Gallery is very grateful for the support of all of its Patrons and Members – please do encourage others to become Members and enjoy an association with us, or consider becoming a Patron, giving significant extra help to the Gallery’s work and joining a special circle of supporters. -
Rapier House, Turnmill Street, London, EC I I'. L.Reruti,E
REDHEADS ADVERTISING LTD. SOMMERVILLE & MILNE 21 Eldon LTD. Square, Newcastle -on -Tyne, 1. 216 Bothwell Street, Glasgow, C.2. Scotland. REX PUBLICITY SERVICE LTD. Director S Manager: J. Bruce Omand. 131-134 New Bond Street, London, W.I. THE W. J. SOUTHCOMBE ADVERTISING Telephone: 'Mayfair 7571. AGENCY LTD. T.Y. Executive: R. C. Granger. 167 Strand, oLndon, W.C.2. Telephone: RIPLEY, PRESTON & CO. LTD. Temple Bar 4273. Ludgate House, 107-111 Fleet Street, Lon- SPOTTISWOODE ADVERTISING LTD. don, E.C.4. Telephone: Central 8672. 34 Brook Street, London, W.1. Telephone: T.V. Executive: Walter A. Clare. Hyde Park 1221 MAX RITSON & PARTNERS LTD. T.I Lxecutive: W. J. Barter. 33 Henrietta Street, London, W.C.2. Tele- HENRY SQUIRE & CO. LTD. phone: Temple Bar 3861. Canada House, Norfolk Street, London, W.C. T.V. Executive: Roy G. Clark. 2. Telephone: Temple Bar 9093. ROE TELEVISION LTD. I I'. L.reruti,e: S. Windridge. (F. John Roe Ltd.) 20 St. Ann's Square, STEELE'S ADVERTISING SERVICE LTD. Manchester & 73 Grosvenor Street, London, 34 Brook Street, London, W.1. W.1. Telephone: Grosvenor 8228. T.Y. Executives: Graham Roe, Derek J. Roe. STEPHENS ADVERTISING SERVICE LTD. Clarendon House, 11-12 Clifford Street, ROLES & PARKER LTD. New Bond Street, London, W.1. Telephone: Rapier House, Turnmill Street, London, E.C. Hyde Park 1. 1641. Telephone: Clerkenwell 0545. Executive: E. W. R. T.V. Executive: H. T. Parker. Galley. STRAND PUBLICITY LTD. G. S. ROYDS LTD. 10 Stanhope Row, London, W.1. Telephone: 160 Piccadilly, London, W1.. Telephone: Grosvenor 1352. Hyde Park 8238. -
Construction “Closing Date and Time”)
UNCLASSIFIED A2. TITLE A1. DEPARTMENTAL REPRESENTATIVE London Chancery Consolidation Project, United Kingdom A3. SOLICITATION NUMBER A4.PROJECT NUMBER A5.DATE Ms. Jane Bird ARD-LDN-CONST-13094/A B-LDN-135 October 20th, 2013 Project Director (Chancery Consolidation Project) A6. RFPR DOCUMENTS High Commission of Canada 1. Request for Pre-qualification Responses (“RFPR”) title page 2. Submission Requirements and Evaluations (Section “I” – “SR” provisions) Macdonald House, 1 Grosvenor Square 3. General Instructions (Section “II” – “GI” provisions) London, United Kingdom 4. Questionnaire (Section “III” – “Q” provisions) In the event of discrepancies, inconsistencies or ambiguities of the wording of these Telephone : +44 (0) 207 004 6052 documents, the document that appears first on the above list shall prevail. E-mail: [email protected] A7. RESPONSE DELIVERY In order for the Response to be valid, it must be received no later than 14:00 (2:00 pm) EST on November 15th 2013 (Ottawa, Ontario, Canada) (“Closing Date” or Construction “Closing Date and Time”). Best Value Evaluation The Response is only to be emailed to the following address; [email protected] Solicitation#: ARD-LDN-CONST-13094/A Respondents should ensure that their name, address, Closing Date, and solicitation PHASE 1 – Pre-qualification number is clearly marked on their email. Failure to comply may result in the Response of a 2-Phase Procurement being declared non-compliant and rejected from further consideration. Process A8. RESPONSE Please note SR2. Respondents must meet mandatory requirements and must obtain a for minimum rating of ‘100’. Up to six (6) Respondents with the highest score will be invited to advance to Phase 2 of the procurement process. -
State Opening of Parliament State Opening of Parliament 1
State Opening of Parliament State Opening of Parliament 1 The State Opening of Parliament marks the Start of Parliament’s year start of the parliamentary year and the Queen’s The Queen’s Speech, delivered at State Opening, is the public Speech sets out the government’s agenda. statement of the government’s legislative programme for Parliament’s next working year. State Opening is the only regular occasion when the three constituent parts of Parliament that have to give their assent to new laws – the Sovereign, the House of Lords and the House of Commons – meet. The Speech is written by the government and read out in the House of Lords. Parliamentary year Queen’s Speech A ‘parliament’ runs from one general Members of both Houses and guests election to the next (five years). It is including judges, ambassadors and high broken up into sessions which run for commissioners gather in the Lords about a year – the ‘parliamentary year’. chamber for the speech. Many wear national or ceremonial dress.The Lord State Opening takes place on the first Chancellor gives the speech to the day of a new session. The Queen’s Queen who reads it out from the Speech marks the formal start to the Throne (right and see diagram on year. Neither House can conduct any page 4). business until after it has been read. Setting the agenda The speech is central to the State Contents Opening ceremony because it sets out the government’s legislative agenda Start of Parliament’s year 1 for the year. The final words, ‘Other Buckingham Palace to the House of Lords 2 measures will be laid before you’, give How it happens 4 the government flexibility to introduce Back to work 5 other bills (draft laws).