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Space and Myth in Surakarta Kasunanan Palace, Indonesia
SPACE AND MYTH IN SURAKARTA KASUNANAN PALACE, INDONESIA A PRELIMINARY INVESTIGATION OF SPATIAL AND MYTHICAL QUALITIES OF THE PALACE AND HOW THEY RELATE TO THE POWER AND AUTHORITY OF THE K1NG/DOM By WAHYU DEWANTO (Architect) SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ARCHITECTURE & URBAN DESIGN UNIVERSITY OF TASMANIA LAUNCESTON U-S-T-R-A-L—I-A NOVEMBER 1997 STATEMENT OF AUTHENTICITY OF MATERIAL This dissertation contains no material which has been accepted for the award of any other degree or diploma in any institution and to the best of my knowledge and belief, the research contains no material previously published or written by another person, except where due reference has been made in the text of the dissertation. ahyu Dewanto Launceston, 21 November 1997 STATEMENT OF AUTHORITY OF ACCESS TO LOAN AND COPYING The University of Tasmania and its approved officers and representatives are authorised to loan or make limited copies of this dissertation for general dispersal in the interests of academic research, subject to the Copyright act 1968. Signed Wahyu Dewanto Launceston, 21 November 1997 111 abstract Surakarta Kasunanan palace, in central Java, is an important part of the heritage of the Indonesian nation. It is regarded as a centre of Javanese culture. The architecture of the palace represents the complexity of Indonesian culture, where local tradition and external social, cultural and religious influences are manifested in the form and structure. Surakarta Kasunanan palace as a whole is considered a sacred place, gives a religious impression and reflects the characteristics of the kingdom. -
Revisiting Transnational Media Flow in Nusantara: Cross-Border Content Broadcasting in Indonesia and Malaysia
Southeast Asian Studies, Vol. 49, No. 2, September 2011 Revisiting Transnational Media Flow in Nusantara: Cross-border Content Broadcasting in Indonesia and Malaysia Nuurrianti Jalli* and Yearry Panji Setianto** Previous studies on transnational media have emphasized transnational media organizations and tended to ignore the role of cross-border content, especially in a non-Western context. This study aims to fill theoretical gaps within this scholarship by providing an analysis of the Southeast Asian media sphere, focusing on Indonesia and Malaysia in a historical context—transnational media flow before 2010. The two neighboring nations of Indonesia and Malaysia have many things in common, from culture to language and religion. This study not only explores similarities in the reception and appropriation of transnational content in both countries but also investigates why, to some extent, each had a different attitude toward content pro- duced by the other. It also looks at how governments in these two nations control the flow of transnational media content. Focusing on broadcast media, the study finds that cross-border media flow between Indonesia and Malaysia was made pos- sible primarily in two ways: (1) illicit or unintended media exchange, and (2) legal and intended media exchange. Illicit media exchange was enabled through the use of satellite dishes and antennae near state borders, as well as piracy. Legal and intended media exchange was enabled through state collaboration and the purchase of media rights; both governments also utilized several bodies of laws to assist in controlling transnational media content. Based on our analysis, there is a path of transnational media exchange between these two countries. -
Bab 2 Industri Dan Regulasi Penyiaran Di Indonesia
BAB 2 INDUSTRI DAN REGULASI PENYIARAN DI INDONESIA 2.1. Lembaga Penyiaran di Indonesia Dalam kehidupan sehari-hari, istilah lembaga penyiaran seringkali dianggap sama artinya dengan istilah stasiun penyiaran. Menurut Peraturan Menkominfo No 43 Tahun 2009, yang ditetapkan 19 Oktober 2009, lembaga penyiaran adalah penyelenggara penyiaran, baik Lembaga Penyiaran Publik, Lembaga Penyiaran Swasta, Lembaga Penyiaran Komunitas, maupun Lembaga Penyiaran Berlangganan yang dalam melaksanakan tugas, fungsi dan tanggungjawabnya berpedoman pada peraturan perundangan yang berlaku. Jika ditafsirkan, lembaga penyiaran adalah salah satu elemen dalam dunia atau sistem penyiaran. Dengan demikian walau lembaga penyiaran bisa dilihat sebagai segala kegiatan yang berhubungan dengan pemancarluasan siaran saja, namun secara implisit ia merupakan keseluruhan yang utuh dari lembaga-lembaga penyiaran (sebagai lembaga yang memiliki para pendiri, tujuan pendiriannya/visi dan misi, pengelola, perlengkapan fisik), dengan kegiatan operasional dalam menjalankan tujuan-tujuan penyiaran, serta tatanan nilai, dan peraturan dengan perangkat-perangkat regulatornya. Sedangkan stasiun penyiaran adalah tempat di mana program acara diproduksi/diolah untuk dipancarluaskan melalui sarana pemancaran dan/atau sarana transmisi di darat, laut atau antariksa dengan menggunakan spektrum frekuensi radio melalui udara, kabel, dan/atau media lainnya untuk dapat diterima secara serentak dan bersamaan oleh masyarakat dengan perangkat penerima siaran. Sedangkan penyiaran adalah kegiatan pemancarluasan -
Radio Republik Indonesia Surakarta, 1945-1960S: Its Role in Efforts to Maintain Indonesian Independence and the Formation of National Culture
Indonesian Historical Studies, Vol. 1, No. 2, 138-153 © 2017 Radio Republik Indonesia Surakarta, 1945-1960s: Its Role in Efforts to Maintain Indonesian Independence and the Formation of National Culture Dhanang Respati Puguh Department of History, Faculty of Humanities, Diponegoro University * Corresponding Author: [email protected] Abstract This article discusses the role of Radio Republik Indonesia (RRI, The Radio of RepuBlic of Indonesia) Surakarta in the period 1945-1960s. In that period RRI Surakarta had two roles in the context of decolonization. In the period 1945-1949, RRI Surakarta had a role in the effort to maintain the independence of Indonesia. The RRI Surakarta employees struggled to maintain the existence of RRI Surakarta with rescueing the station and Received: transmitter so that the struggle of the Indonesian nation in defending the 8 DecemBer 2017 independence of Indonesia could Be Broadcasted to various parts. In the period 1950-1960s RRI Surakarta participated in efforts to formation a Accepted: 18 DecemBer 2017 national culture. When the discourse of national culture continued to Be discussed By the elite of Indonesia, since 1950 the Bureau of the Radio of RepuBlic of Indonesia had set the estaBlishment and the choice of ways to Build a national culture. In this connection, RRI should Be directed to build a national culture. Based on the policy of the Bureau of Radio of RepuBlic of Indonesia, RRI Surakarta realized that idea By organizing Javanese art Broadcasts (gamelan, wayang wong, kethoprak, and shadow puppets), “local entertainment” and national music, and organizing Radio Star Competition. RRI Surakarta Radio Star made an important role in the creation of popular music in Indonesia. -
$Tuilia I$Lailiii(A Volume 16, Number 1,2009 INDONESIAN Rcunxn- Ron Tslamlc Studres
$TUilIA I$LAilIII(A Volume 16, Number 1,2009 INDONESIAN rcunxn- ron tsLAMlc sTUDrEs DtsuNIt"y, DlsrnNcr, DISREGARo' THE POLITICAL FAILURE OF ISMVTSU IN LATE CoI-oNnr INooNnsrn Robert E. Elson THB Tno oF IsIAM: CneNc Ho nNo THE LEGACY OF CHINESE MUSLIMS IN PRE-MODERNJAVA Sumanto Al QurtubY THnAucuENTATIoN oF RADICAL lonRs eNo THE ROLE OF ISI-AMIC EOUCNTIONAL SYSTEM IN MALAYSIA Mohd Kamarulnizam Abdullah ISSN 0215-0492 STI]ilIA ISTAilIIKA lndonesian Joumd for lslamic Studies Vol.16. no.1,2009 EDITORIALBOARD: M. Quraish Shihab (UlN lakarta) Taufik Abdullah (LIPI lakarta) Nur A. Fadhil Lubis (IAIN Sumatra Utara) M.C. Ricklefs (Melbourne Uniaersity ) Martin aan Bruinessen (Utrecht Uniztersity) John R. Bowen (Washington Uniuersity, St. Louis) M. Atho Mudzhar (IAIN logyaknrta) M. Kamal Hasan (International lslamic lJniaersity, Kuala Lumpur) M. Bary Hooker (Australian National Uniaersity, Australi.tt) Virginia Matheson Hooker (Australian National Uniaersity, Australin) EDITOR-IN-CHIEF Azyrmardi Azra EDITORS lajat Burhanuddin Saiful Muiani lamhari Fu'ad labali Oman Fathurahma ASSISTANT TO THE EDITORS Ady Setiadi Sulaiman Teslriono ENGLISH LANGUAGE ADVISOR Dickaan der Meij ARABIC LANGUAGE ADVISOR Masri el-MahsyarBidin COVER DESICNER S. Prinkn STUDIA ISLAMIKA (ISSN 021 5-0492) is a journal published by the Center for the study of Islam and society QPIM) lIlN Syarif Hidayatullah, lakarta (sTT DEPPEN No. 129/SK/ bnlfN5ppC/sTi/1976). It specinlizes in Indonesian lslamic studies in particular, and South- east Asian Islamic Studies in general, and is intended to communicate original researches and. current issues on the subject. This journal watmly welcomes contributions from scholars of related disciplines. AII articles published do not necessarily represent the aiews of the journal, or other institutions to which it is affitinted. -
MEMBANGUN MEDIA PENYIARAN YANG BERDAULAT Roso Prajoko1
E-ISSN 2686 5661 INTELEKTIVA : JURNAL EKONOMI, SOSIAL & HUMANIORA VOL.01 NO. 09. APRIL 2020 MEMBANGUN MEDIA PENYIARAN YANG BERDAULAT Roso Prajoko1 1}Fakultas Ilmu Komunikasi, Universitas Boyolali Korepondensi : [email protected] ABSTRAK Media penyiaran yang kita temuai sehari-hari sangatlah penting dalam memberikan informasi, pendidikan seni, budaya dan beraneka ragam acara lain yang terdapat disitu. Jika kita tidak hati hati, maka bisa saja media penyiaran membawa dampak yang negative dan justru melanggar asas penyelenggaraan penyiaran yaitu berdasarkan Pancasila dan UUD 1945.Dalam penelitian ini peneliti menggunakan metode kualitatif untuk menganalisis data. Penelitian kualitatif berusaha untuk mengangkat secara ideografis berbagai fenomena dan realitas sosial. Hasil penelitian dan pembahasan memberikan gambaran bahwa sebagian besar masyarakat menonton dan mendengarkan radio lebih dari satu atau dua jam per hari. Adapun yang mereka lakukan dengan menonton dan mendengarkan radio ada bermacam macam tujuan dengan kebutuhan diri masing-masing penonton. Dampak positif maupun negative tergantung dari kita yang melihat, selain juga di butuhkan lembaga pengawasan yang Independen, dan tegas dalam mengawasi media penyiaran. Jangan sampai media penyiaran justru merusak integrase nasioanl. Kata kunci: Media Penyiaran, Integrasi Nasional, dan Pengawasan ABSTRACT Broadcast media that we meet everyday are very important in providing information, arts education, culture and various other events contained there. If we are not careful, then the broadcasting media could have a negative impact and actually violate the principles of broadcasting that is based on Pancasila and the 1945 Constitution. In this study the researchers used qualitative methods to analyze data. Qualitative research seeks to elevate ideographically various phenomena and social realities. The results of the study and discussion illustrate that most people watch and listen to the radio for more than one or two hours per day. -
Acoustic Parameter for Javanese Gamelan Performance in Pendopo Mangkunegaran Surakarta
Available online at www.sciencedirect.com ScienceDirect Procedia - Social and Behavioral Sciences 184 ( 2015 ) 322 – 327 5th Arte Polis International Conference and Workshop – “Reflections on Creativity: Public Engagement and The Making of Place”, Arte-Polis 5, 8-9 August 2014, Bandung, Indonesia Acoustic parameter for Javanese Gamelan Performance in Pendopo Mangkunegaran Surakarta a b b c Suyatno *, H. A. Tjokronegoro , IGN. Merthayasa , R. Supanggah aDepartment of Physics, Institut Teknologi Sepuluh Nopember, Surabaya, Indonesia bDepartment of Engineering Physics, Institut Teknologi Bandung, Bandung, Indonesia cDepartement of Karawitan, Institut Seni Indonesia, Surakarta, Indonesia Abstract Pendopo Mangkunegaran Surakarta is a building that has a volume of 3000 m3, a pyramid form of roof, and no walls. The objective of the research in this paper is to explore the condition of Listening Level (LL), a sub-sequence Reverberation Time (Tsub), Clarity (C80, D50) and Inter-Aural Cross Correlation (IACC) at Pendopo Mangkunegaran Surakarta. To quantify the acoustic parameters of the Pendopo, microphones were located in the area of the King, distinguished guests, dancers, and audience. The source of sound is located at the corner of where the Gamelan is played. The sound of Gamelan at the corner of the Pendopo produces a diverse distribution of sound and reverberation time in the room, especially in the center of the room. It is concluded that the acoustic quality of Pendopo building is appropriate for Javanese Gamelan performances with a well-developed spatial effect. © 20152015 The The Authors. Authors. Published Published by by Elsevier Elsevier Ltd. Ltd This. is an open access article under the CC BY-NC-ND license (Peerhttp://creativecommons.org/licenses/by-nc-nd/4.0/-review under responsibility of the Scientific). -
Confirming the Existence of the Kingdom: the Efforts of Territorial Consolidation and Formation of Cultural Identity During
Indonesian Historical Studies, Vol. 1, No. 2, 103-116 © 2017 Confirming the Existence of the Kingdom: The Efforts of Territorial Consolidation and Formation of Cultural Identity During the Reign of Hamengku Buwana I, 1755 – 1792 Sutarwinarmo,1* Agustinus Supriyono,2 Dhanang Respati Puguh2 1Arsip Nasional Republik Indonesia 2Master Program of History, Faculty of Humanities, Diponegoro University *Corresponding Author: [email protected] Abstract This article discusses the efforts of territorial Consolidation and formation of cultural identity during the reign of Hamengku Buwana I. This article is written using historical method and utilizing primary sources in the form of VOC archives stored in the National Archives of the Republic of Indonesia and Java manuscripts stored in Yogyakarta Sultanate, as well as secondary sources in the form of articles and books. After Giyanti Agreement in 1755, Sultan Hamengku Buwana I attempted to consolidate his territory through negotiation, dispute Received: settlement and law enforcement in order to preserve the sovereignity 30 November 2017 and territorial integrity of his kingdom. He also developed Ringgit Swargen, Yogyakarta style leather puppets that have different shape Accepted: 18 December 2017 from Surakarta style leather puppets developed by Surakarta Sunanate as one of the cultural identity of Yogyakarta Sultanate. Leather puppet show was used to control the areas that were in the territory of the Sultanate of Yogyakarta, as the leather puppet show performed outside the palace must obtain permission from the palace puppet master. The efforts of Sultan Hamengku Buwana I failed, due to the conflict that caused the war destroyed the boundaries and the peace agreement that had been made. -
Notes on the Radio Republic Indonesia
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Notes on the radio Republic Indonesia Utiek Ruktiningsih. 1984 Utiek R. (1984). Notes on the radio Republic Indonesia. In AMIC‑MPI Seminar on Communication Training in ASEAN : Kuala Lumpur, October 29‑November 2, 1984. Singapore: Asian Mass Communication Research & Information Centre. https://hdl.handle.net/10356/86367 Downloaded on 28 Sep 2021 05:53:04 SGT ATTENTION: The Singapore Copyright Act applies to the use of this document. Nanyang Technological University Library Notes On The Radio Republik Indonesia By Utiek Ruktiningsih Paper No.13 SEMINAR ON COMMUNICATION TRAINING AND THE NEEDS OF MASS MEDIA ORGANISATIONS Oct. 29-Nov. 2, 1985 Kuala Lumpur, Malaysia Country Paper: Notes on the Radio Republik Indonesia By Ms. Utiek Ruktiningsih ATTENTION: ThDirectoe Singapore Cro pyorigfh t ANewct apspli es to the use of this document. Nanyang Technological University Library Radio Republik Indonesia Jakarta, Indonesia Radio Republik Indonesia (RRI) is the official name of the national sound-broadcasting network of the Republic of Indonesia. It is a government body, given the status of directorate under the Directorate General of Radio Television and Film of the Department of Information. The chief executive of the organisation is the director. The directorate of RRI includes the folllowing: domestic services, overseas services, news service, engineering, planning and development, transmission service, Jakarta transmitters unit and administrations. Each division is headed by a division head. Domestic Service The Domestic Services provide guidance in matters of programme in accordance with government policies. It stipulates the lines of conduct to be followed by the regional RRI stations all over Indonesia. -
Sejarah Radio Republik Indonesia Denpasar
Sejarah Radio Republik Indonesia Denpasar Suasana remang-remang menjelang petang, ketika tepat jam 18.00 tanggal 9 Nopember 1950, di angkasa Pulau Dewata, terdengar untuk pertama kalinya suara panggilan (station call) “ INILAH RADIO REPUBLIK INDONESIA DENPASAR “. Suara penyiar itu menjadi “keramat”, karena menandai babak baru dalam sejarah kehidupan masyarakat serta keberadaan dunia informasi di Pulau Bali. Sesaat kemudian, terdengar untuk pertama kalinya melalui pesawat radio, pidato sambutan Presiden RI Soekarno, disusul sambutan Kepala Daerah, Ketua DPR (D) dan Komandan Regional (militer) di Bali. Dengan gelombang 61,98 meter dan pemancar yang digunakan saat itu berkekuatan 250 watt milik PTT yang disewa, RRI mulai mengudara dan siarannya berlangsung dari suatu tempat yang sangat sederhana beratapkan ilalang di Jalan Melati, Denpasar. Mulai saat itu RRI dielu-elukan masyarakat pulau Dewata dan berkumandang setiap hari dengan penampilan khasnya, terutama dalam penyelenggaraan siaran seni-budaya. Semula ada Orkes Keroncong yang hanya beranggotakan 4 orang. Kemudian dibentuk Orkes Gabungan Denpasar dengan 20 orang. Dalam usia sewindu, di RRI Denpasar ini pula dihimpun sekitar 300 sekaa (kelompok) Kesenian Bali yang secara teratur turut mengisi siaran. Selanjutnya dari tokoh- tokoh sekaa itu dibentuklah sebuah kelompok seni Wija Ratnadi di bawah pengawasan Jawatan RRI Denpasar. Masyarakat, mulai saat itu bisa mendengar berbagai siaran seni budaya, tanpa perlu langsung menonton di balai desa atau banjar. Cukup mendengar di rumah melalui siaran RRI, atau datang ke Balai Masyarakat di pusat kota Denpasar di mana sebuah corong ( speaker ) radio dipasang. Jelaslah sudah, karena itu RRI Denpasar menjadi cikal bakal pengembangan dan pelestarian kesenian Bali.Wija Ratnadi ini pula kemudian lebur menjadi Kelompok Kesenian “Candra Metu“ selanjutnya dikenal sebagai KKB – Keluarga KesenianBali sampai saat ini. -
TEACHING MODULE for ENGLISH for SPECIFIC PURPOSES
TEACHING MODULE for ENGLISH FOR SPECIFIC PURPOSES Compiled By Bertaria Sohnata Hutauruk Only for our classroom instructions (Very restricted use) FKIP UHN PEMATANGSIANTAR 2015 ACKNOWLEDGEMENT This binding is a result of compilation from the authentic material from the webs. It is a result of short browsing. The aim is to provide a suitable module for our ESP classroom sessions in the first semester of the 2011/2012 academic year in our study program. This module consists of some lessons for the concept of ESP, some lessons for ESP lesson plans used abroad and in Indonesia, ESP for some school levels, and ESP for Academic Purposes and for Occupational Purposes. The main teaching objective in our classroom is to provide the students with the competence on designing a good lesson plan to teach ESP for academic purposes and occupational purposes at any level according to its context. We fully intend that this binding is only to facilitate some compiled authentic materials from the webs for our ESP Classroom instructions. By this opportunity, we would like to extend our sincere thanks all the authors of the materials and the websites which publish them. May God the Almighty bless them all! Medan-Pematangsiantar, September 2015 The Authors, Bertaria Sohnata Hutauruk TABLE OF CONTENTS ACKNOWLEDGEMENT…………………………………………………………… TABLE OF CONTENTS…………………………………………………………….. Lesson 1 Introduction………………………………………………………………………….. Lesson 2 ESP AND ESL………………………………………………………………………. Leson 3 ESP Course at Technical Secondary Vocational School for Construction and Building Trade students………………………………………. Lesson 4 ESP Vocabulary Teaching at the Vocational Secondary School of Furniture Industry………………………….. Lesson 5 ESP International Sample lesson plan........................................................................... Lesson 6 ESP Lesson Plan in Indonesia……………………………………………………….. -
(Rri) Makassar Dalam Meningkatkan Daya Tarik Pendengar
PENGELOLAAN PROGRAM SIARAN BERITA DI RADIO REPUBLIK INDONESIA (RRI) MAKASSAR DALAM MENINGKATKAN DAYA TARIK PENDENGAR Oleh: ARHAM JURUSAN ILMU KOMUNIKASI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS HASANUDDIN MAKASSAR 2013 i PENGELOLAAN PROGRAM SIARAN BERITA DI RADIO REPUBLIK INDONESIA (RRI) MAKASSAR DALAM MENINGKATKAN DAYA TARIK PENDENGAR OLEH: ARHAM E311 07 624 Skripsi Sebagai Salah Satu Syarat Untuk Memperoleh Gelar Sarjana Pada Jurusan Ilmu Komunikasi Program Studi Jurnalistik JURUSAN ILMU KOMUNIKASI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS HASANUDDIN MAKASSAR 2013 i HALAMAN PENGESAHAN Judul Skripsi : Pengelolaan Program Siaran Berita di Radio Republik Indonesia (RRI) Makassar Dalam Meningkatkan Daya Tarik Pendengar. Nama Mahasiswa : Arham Nomor Pokok : E311 07 624 Makassar, 2013 Menyetujui, Pembimbing I Pembimbing II Drs. Kahar, M.Hum., Muliadi Mau, S.Sos., M.Si. NIP. 195910101985031005 NIP. 197012311998021002 Mengetahui, Ketua Jurusan Ilmu Komunikasi Fakultas Ilmu Sosial dan Ilmu Politik Universitas Hasanuddin Dr. H. Muhammad Farid, M.Si. NIP. 196107161987021001 ii HALAMAN PENERIMAAN TIM EVALUASI Telah diterima Tim Evaluasi Skripsi Sarjana Ilmu Sosial dan Ilmu Politik Universitas Hasanuddin untuk memenuhi sebagian syarat-syarat guna memperoleh gelar kesarjanaan dalam Jurusan Ilmu Komunikasi Konsentrasi Jurnalistik pada tanggal 23 Agustus Tahun 2013. Makassar, Agustus 2013 TIM EVALUASI Ketua : Dr. Jeanny Maria Fatimah, M.Si. (……………………….) Sekretaris : Andi Subhan Amir, S.Sos., M.Si. (……………………….) Anggota : 1. Dr. H. Muhammad