Mustang Daily, December 1, 2003
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Unidentified: Inside America's Ufo Investigation with Tom
UNIDENTIFIED: INSIDE AMERICA’S UFO INVESTIGATION WITH TOM DELONGE Series 2 NEW AND EXCLUSIVE SERIES RETURNS ON HISTORY® MÅNDAGAR FRÅN 26 OKTOBER KL 21.00 (8x1) INTERVIEWS AVAILABLE ON REQUEST (Canal Digital | Com Hem | Boxer | Viasat | Telia | Telenor | Sappa | IP Sweden | Sydantenn) Website: http://www.historytv.se Facebook: facebook.com/HISTORYSverige Instagram: instagram.com/HISTORYSve Download preview clip HERE Comic Con interview “It's not often a new television series gets the U.S. government to cough up its long- held secrets. That's exactly what happened after Unidentified: Inside America’s UFO Investigation aired…” SYFY Following the recently released Pentagon UFO videos, former Blink 182 star, Tom DeLonge (pictured left) returns to HISTORY for a brand-new series of Unidentified: Inside America’s UFO investigation. In season two each episode follows a specific case of the Pentagon’s U.F.O. Task Force, the Unidentified Aerial Phenomenon (UAP) which according to The New York Times will standardise collection and reporting on sightings of unexplained aerial vehicles, and report findings to the public every six months, following a recent Senate Committee Report. Investigators followed in the series include former military intelligence official and Special Agent In-Charge, Luis Elizondo (pictured right), and former Deputy Assistant Secretary of Defence and Intelligence, Chris Mellon. The team continue to divulge what the US government know about these bizarre craft, hear additional first-hand eyewitness accounts of UAP sightings from military and civilian personnel, and share insight and information about these craft to produce tangible evidence and build the most indisputable case for the existence and threat of UAP ever assembled. -
Rock Music Trivia Questions Ii
ROCK MUSIC TRIVIA QUESTIONS II ( www.TriviaChamp.com ) 1> Which rock band includes the members Dusty Hill and Billy Gibbons? 2> VH1 ranked "Buddy Holly" as one of the "100 Greatest Songs Of The 90s". Who recorded it? 3> What band rose to international fame with their first single, "Kryptonite" in January of 2000? 4> Of the following, which is not a song featured on "Guitar Hero V"? Dancing with Myself - Billy Idol Back in Black - AC/DC Fame - David Bowie Do You Feel Like We Do - Peter Frampton 5> All of the following is true of the "Foo Fighters" except? Their 1995 debut album was titled Wasting Light They formed in Seattle in 1994 They were founded by Nirvana drummer Dave Grohl They released an album titled One by One in 2002 6> Mark Hoppus, Tom DeLonge and Travis Barker are members of what band? 7> "Dammit", "Josie" and "The Rock Show" were all hits for what American rock band? 8> What is Joan Jett's real surname? 9> Which White Stripes' song won the Grammy Award for Best Rock Song in 2004? 10> What singer's band is called the Heartbreakers? 11> Who is the best-selling "American" rock band of all time, having sold more than 150 million albums worldwide? 12> Which 2004 song by Green Day contains the line "Welcome to a new kind of tension, all across the alien nation"? 13> Bono is the lead singer to which well-known Irish rock band from Dublin? 14> What Australian rock band had a hit in 2003 with "Are You Gonna Be My Girl"? 15> The drummer for Def Leppard lost what body part in a street-racing accident? Answers: 1> ZZ Top - ZZ Top has released 14 studio albums and have sold more than 25 million albums in the United States. -
Calling All Music Lovers!
Plugged In Issue Six • the official school newspaper of Speedway Senior High School • March 1,1 2011 A pro prospect in our midst? Lost Frogs: Junior hockey star just one of the guys Four Found Greatness comes in many shapes and sizes. At Speedway and other east High, it comes in the form of 5’6”, 135-pound junior, Mason coast cities than By Sandy Bauers The Philadelphia Inquirer Jobst. He is one of the top junior hockey prospects in his age in Indianapolis. (MCT) group. Jobst has talked to In August, conservationists and The 17-year old center has lived and breathed hockey recruiters at many biologists launched a five-month nearly his entire life. It all started on his third birthday, when colleges around the search to try to find 100 “lost” species young Mason received a pair of brand new ice skates. Soon country; Colorado, of amphibians. Some 126 researchers after, he was wearing them around constantly. At age four, Minnesota, Yale, combed five continents in search of Jobst enrolled in his first youth hockey league, where he Maine, and Boston frogs, salamanders and others that had played the game for the first time at Pepsi Coliseum. College. not been seen in a decade or longer Nowadays, Mason is still playing hockey at Pepsi Mason spends a and were feared extinct. Coliseum. Recently, he had the chance to play on United lot of time working The good/bad news: They found States Hockey out. He has U18, four. They also made 11 re-discoveries League’s (USHL) Indiana Jr. -
Blink 182'S Tom Delonge Is Helping Bands Take Control of Their Digital Strategy
Innovation > Retail > Blink 182's Tom DeLonge is helping bands take control of their digital strategy BLINK 182'S TOM DELONGE IS HELPING BANDS TAKE CONTROL OF THEIR DIGITAL STRATEGY RETAIL Modlife is an online dashboard that helps bands and artists sell tickets, downloads and digital experiences direct to consumers without the middlemen. Historically the music industry has been a hugely fragmented network, with the artist and consumer attempting to connect through a whole raft of middle men, from record company executives to third-party distributors. As well as potentially diluting artists’ message, each one takes a slice of the pie leaving bands with a raw deal. Hoping to change this, Modlife is offering a solution by providing the artists themselves with all the tools they need to monetize their entire output in one simple package. Founded by Tom DeLonge — guitarist for pop-punk powerhouses Blink 182 and Angels & Airwaves — Modlife is a slick customizable dashboard that helps bands in every aspect of their online business strategies. Throught it, artists can sell digital and physical products and packages side by side, enabling them to upsell with ease and tap into the areas of the industry that are still thriving. Bands can also manage content paywalls, sell premium memberships, monitor social engagement and make their own mobile app through the service. DeLonge explains that the service works best for multimedia artists with strong visual identities and imagination, and can also be used for tangible products — from hand-printed posters to baseball caps — and to boost both digital and physical music sales. -
Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4. -
ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta
ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta 1. The first NCAA basketball game to be broadcast in primetime was played at this venue in 1968. From 1971 to 1975, this venue served as the home of its city's namesake professional baseball, football, and basketball teams. Bobby Riggs lost to Billie Jean King in the Battle of the Sexes in this venue. Before becoming the Titans in 1996, the NFL's (*) Oilers played in this stadium, which inspired the name of a form of artificial turf. A team oncecalled the "Colt 45s" later played in, for 10 points, what pioneering domed stadium in Houston, Texas? ANSWER: (NRG) Astrodome [or Houston Astrodome] <Vopava> 2. In 2005 this band's drummer and bassist formed a supergroup with Shane Gallagher while its guitarist coped with painkiller addiction. That former member of this group also formed the band Box Car Racer. A 2008 plane crash in California nearly killed both DJ A.M. and this band's (*) drummer. The lyric "she left me roses by the stairs" comes from a gift received by this band's former singer, who now spends time searching for aliens. Tom DeLonge was a member of, For 10 points, what rock band that sang "Say it ain't so / I will not go" in their hit "All the Small Things"? ANSWER: Blink-182 <Vopava> 3. A woman who married into this family resorts to performing Adele hits as singing telegrams to make money. As an adult, one member of this familytakes in Deja as a foster child, inspired by the fact that he himself was abandoned as a baby at afire station. -
A Comparative Analysis of Punk in Spain and Mexico
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2018-07-01 El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico Rex Richard Wilkins Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Spanish and Portuguese Language and Literature Commons BYU ScholarsArchive Citation Wilkins, Rex Richard, "El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico" (2018). Theses and Dissertations. 6997. https://scholarsarchive.byu.edu/etd/6997 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brian Price, Chair Erik Larson Alvin Sherman Department of Spanish and Portuguese Brigham Young University Copyright © 2018 Rex Richard Wilkins All Rights Reserved ABSTRACT El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins Department of Spanish and Portuguese, BYU Master of Arts This thesis examines the punk genre’s evolution into commercial mainstream music in Spain and Mexico. It looks at how this evolution altered both the aesthetic and gesture of the genre. This evolution can be seen by examining four bands that followed similar musical and commercial trajectories. -
2016-10-29 Saturday History Call
2016-10-29 Saturday History Call INFORMATION REGARDING CALLS PRESENTED AND/OR SUPPORTED BY 2013 RAINBOW ROUND TABLE I TO ACCESS THE THREE WEEKLY CALLS via the Internet A BBS RADIO Go To www.bbsradio.com ; click on Talk Radio Station #2; click on “64K Listen” Thursday: 9 pm – 12:00 pm EST Stargate Round Table Host: MariettaRobert Friday: 9 pm – 2 am EST Friday Night Hard News Hosts: Tara & Rama Saturday: 2:30 pm – 2 am EST History of our Galactic World & NESARA T & R Friday, Saturday: From 10 – 11 pm EST, for one hour, the call moves to the Conference Call Line [8-9 pm MST 1-641-715-3650 pin 353 863#] and then returns to BBS Radio. • BBS Toll Free # in Canada, US 1 – 888-429-5471 This # picks up the first available line. • BBS Phone Line: 1-716-748-0144 NO PIN REQUIRED: this line is very, very clear! B Conference Call: 1-641-715-3650 PIN # 353 863# C Skype: BBSradio2 D Archives for the 3 Programs listed above: ● To access the FREE BBS archives for any of these programs: • Go to BBSRadio.com/ Station 2; scroll down on LHS; click on Live Talk Radio Shows • Scroll down to Saturday History Call with Tara and Rama, and click on “Library Archives” • Click on those words and you will be taken to the listing of all program archives, the latest one being at the top. • You can download the program to your own computer or listen directly. ● The 2013 website also has an archive section: http://2013rainbowroundtable.ning.com/ look under the “Archives” tab for written notes. -
DICK, MARRISSA R., Ph.D. an African American Woman's
DICK, MARRISSA R., Ph.D. An African American Woman’s Educational Journey: Pragmatic and Pedagogical Practices of Fantasy. (2012) Directed by Dr. Kathleen Casey. 157 pp. My dissertation is an autobiographical narrative about my journey through a non-pedagogical and oppressive school system, to an oppressive marriage, and back to a graduate program that, in my opinion, epitomizes the essence of pedagogy. I explain how fantasy theory has situated itself in my life as a metacognitive tool in order to save my conscious reality as it guided me towards transcendence. I address my introduction to fantasy as a child inside of the classroom. I talk about mis-educative experiences inside of the classroom and provide examples of those experiences. I discuss microaggression and how it was played out during my earlier educational years as well as describe my experience with internal-microaggression during my master’s program. I explain how fantasy returned to my life during my marriage and divorce. I also discuss my relationship with the Black church utilizing soul therapy. I talk about my African American contemporary Christian romance novels and how writing them allowed me to be reflective on my past relationships so I could still have faith and hope of love in my future. I conclude my dissertation by providing examples of my teaching pedagogy and my inspirations for those reading my dissertation. In essence this dissertation is a qualitative culmination of past recollections, current reflections, and future endeavors as I continue to learn and transcend through my lifelong journey with education. AN AFRICAN AMERICAN WOMAN’S EDUCATIONAL JOURNEY: PRAGMATIC AND PEDAGOGICAL PRACTICES OF FANTASY by Marrissa R. -
Blink-182 Heads to Hard Rock Hotel & Casino Atlantic City
For Immediate Release BLINK-182 HEADS TO HARD ROCK HOTEL & CASINO ATLANTIC CITY FRIDAY, SEPTEMBER 21 AT 7 PM Atlantic City, NJ (July 23, 2018) – Hard Rock Hotel & Casino Atlantic City welcomes pop- punk rockers blink-182 to Hard Rock Live at Etess Arena on Friday, September 21 at 7 p.m. Tickets are on-sale this Friday, July 27 at 10 a.m. “We are always stoked to get back on the road and play for our fans” say blink-182. “We’re looking forward to playing really fun shows for you all.” Since their humble beginnings twenty-five years ago, when they started playing in a San Diego garage, blink-182 has sold over fifty million albums worldwide and rocked audiences from Adelaide to Zurich having become one of the defining rock bands of their generation. They combine high-energy dynamics with an artistic ambition that transcends any genre. Now with Matt Skiba (of Alkaline Trio) as singer/guitarist, the group has entered a new chapter. Early in 2016, Skiba finally entered the studio with bassist Mark Hoppus and drummer Travis Barker. Although the band had written more than 30 songs in the months before the sessions, once they started working with producer John Feldmann, they soon discarded all the old material and California was born. While blink-182 has already racked up more than their fair share of platinum records and blockbuster singles, Hoppus emphasized, "We're not just a greatest-hits band, although we will play the hits. Blink is alive and well and we're excited about doing cool new stuff.” According to The New York Times, "No punk band of the 1990s has been more influential than blink-182.” Tickets for blink-182 ranging from $39.00 to $59.00 go on sale this Friday, July 27 at 10 AM. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
And Type the TITLE of YOUR WORK in All Caps
A SPACE FOR CONNECTION: A PHENOMENOLOGICAL INQUIRY ON MUSIC LISTENING AS LEISURE by JOSEPH ALFRED PATE IV (Under the Direction of Corey W. Johnson) ABSTRACT This polyvocal text leveraged Post-Intentional Phenomenology (Vagle, 2010) to trouble, open up, and complexify understanding of the lived leisure experience (Parry & Johnson, 2006) of connection with and through music listening. Music listening was foregrounded as one horizon within the aural soundscape that affords deeply meaningful and significant experiences for many. Past scholarship within the Leisure Studies literature has primarily attended to the impact and relevancy of music in the lives of adolescents. This study focused on engagement with music of five adults, accessing phenomenology as both a philosophical and methodological lens to look along (Lewis, 1990) this lived-experience. Using multiple voices and styles of representation, this polyvocal work challenged traditional ways of knowing by inviting listening, music, and voice to serve as additional data embedded throughout its discursive representation. Accessing Bachelard‟s (1990) phenomenology of the resonation-reverberation doublet revealed five partial, fleeting, and tentative manifestations (Vagle, 2010) of this lived leisure experience, which included: Getting Lost: Felt Resonation and Embodiment; I‟m Open: Openness, Receptivity, and Enchantment; Serendipitous Moments; The Found Mirror: Oh There You Are; and Cairns and Echoes: The Lustering Potency of Song. Ultimately, music appeared to speak to so as to speak for participants, providing musical affirmation and sustenance throughout their lives. INDEX WORDS: Music, Listening, Leisure, Post-Intentional Phenomenology, Polyvocal Text A SPACE FOR CONNECTION: A PHENOMENOLOGICAL INQUIRY ON MUSIC LISTENING AS LEISURE by JOSEPH ALFRED PATE IV B.