ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta
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The BET HIP-HOP AWARDS '09 Nominees Are in
The BET HIP-HOP AWARDS '09 Nominees Are In ... Kanye West Leads The Pack With Nine Nominations As Hip-Hop's Crowning Night Returns to Atlanta on Saturday, October 10 and Premieres on BET Tuesday, October 27 at 8:00 p.m.* NEW YORK, Sept.16 -- The BET HIP-HOP AWARDS '09 nominations were announced earlier this evening on 106 & PARK, along with the highly respected renowned rapper, actor, screenwriter, film producer and director Ice Cube who will receive this year's "I AM HIP-HOP" Icon Award. Hosted by actor and comedian Mike Epps, the hip-hop event of the year returns to Atlanta's Boisfeuillet Jones Civic Center on Saturday, October 10 to celebrate the biggest names in the game - both on the mic and in the community. The BET HIP-HOP AWARDS '09 will premiere Tuesday, October 27 at 8:00 PM*. (Logo: http://www.newscom.com/cgi-bin/prnh/20070716/BETNETWORKSLOGO ) The Hip-Hop Awards Voting Academy which is comprised of journalists, industry executives, and fans has nominated rapper, producer and style aficionado Kanye West for an impressive nine awards. Jay Z and Lil Wayne follow closely behind with seven nominations, and T.I. rounds things off with six nominations. Additionally, BET has added two new nomination categories to this year's show -- "Made-You-Look Award" (Best Hip Hop Style) which will go to the ultimate trendsetter and "Best Hip-Hop Blog Site," which will go to the online site that consistently keeps hip-hop fans in the know non-stop. ABOUT ICE CUBE Veteran rapper, Ice Cube pioneered the West Coast rap movement back in the late 80's. -
Course Syllabus Live-Performance Disc Jockey Techniques 3 Credits
Course Syllabus Live-Performance Disc Jockey Techniques 3 Credits MUC135, Section 33575 Scottsdale Community College, Department of Music Fall 2015 (September 1 to December 18, 2015) Tuesday Evenings 6:30 PM - 9:10 PM (Room MB-136) Instructor: Rob Wegner, B.S., M.A. ([email protected] or [email protected]); Cell: 480-695-6270 Office Hours: Monday’s 6:00 - 7:30PM (Room MB-139) Recommended Text: How to DJ Right: The Art and Science of Playing Records by Bill Brewster and Frank Broughton (Grove Press, 2003). ISBN: 0-8021- 3995-7 Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (Oxford University Press, 2012). ISBN-10: 0195331125 Recommended DVD: Scratch: A Film by Doug Prey by Doug Prey (Palm Pictures, 2001). Required Gear: Headphones (for labs) Additional Suggested Reading: Off the Record by Doug Shannon (1982), Pacesetter Publishing House. Last Night A DJ Saved My Life, The History of the Disc Jockey by Bill Brewster & Frank Broughton (2000), Grove Press. On The Record: The Scratch DJ Academy Guide by Phil White & Luke Crisell (2009), St. Martin’s Griffin. Looking for the Perfect Beat by Kurt B. Reighley (2000), Pocket Books. How to Be a DJ by Chuck Fresh (2001), Brevard Marketing. DJ Culture by Ulf Poschardt (1995), Quartet Books Limited. The Mobile DJ Handbook, 2nd Edition by Stacy Zemon (2003), Focal Press. Turntable Basics by Stephen Webber (2000), Berklee Press. Course Objectives Upon successful completion of this course, you should be able to: explain the historical innovations that led to the evolution of -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
Midtown Coffeehouse Alumni WHEN: Hall Thursdays 8:00Pm Fall 2011 Schedule
WHERE: Midtown Coffeehouse Alumni WHEN: Hall Thursdays 8:00pm Fall 2011 Schedule wcsu.edu/stuaffairs/coffeehouse.asp The Connecticut based duo, Aaron and Andrew, have a diver- September 1 sified appeal that has allowed them to perform at colleges, Aaron and Andrew clubs and listening rooms throughout the east coast. They combine the musical landscapes of Snow Patrol and Coldplay Pop / Rock with the lyrical optimism of the Fray and traces of the Postal Service's electronic sounds. The Mighty Conquerors play the music of Bob September 8 Marley as a tribute to the king of reggae. The The Mighty Conquerors band members come from all different musical backgrounds—rock, soul, jazz, and pop—but are Reggae united in their love of the spirit of this music. “I'm a singer/songwriter from the beautiful state of Montana. I live part-time in Los Angeles, part-time in Montana, September 15 PAC but I’m mostly on the road touring! But I'm home SPONSORED!!! Hana Pestle wherever my guitar is. I love to meet people from myspace at shows, so check my tour dates and Acoustic / Indie / Rock come say hello! “www.myspace.com/hanatunes WestConn’s own Improv Group made up of September 22 students from the Theatre Arts Department. Western Improv Group Come on down and check out what they have to offer. Improv Theatre Matt's distinctive yet original folk sound is just right for the September 29 Coffeehouse. Matt is a student at WestConn and this is his third time being featured at the Coffeehouse. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
Musicaresfoundation
MusiCares Foundation® 3030 Olympic Boulevard, Santa Monica, CA 90404 ***TIP SHEET FOR MONDAY, MAY 12, 2014*** BILLY MORRISON, DAVE NAVARRO, AND CHAD SMITH ADDED TO PERFORMANCE LINEUP FOR 10TH ANNUAL MUSICARES MAP FUND® BENEFIT CONCERT HONORING OZZY OSBOURNE AND JEFF GREENBERG ON MAY 12 Previously Announced Performers Include Ozzy Osbourne with Special Guest Slash on Guitar, Beth Hart, Keb' Mo', and Metallica, and Host Dax Shepard Craig Ferguson and Joe Walsh to Present Awards and Mix Master Mike to DJ at Live Benefit Concert to Raise Funds for MusiCares' Addiction Recovery Services WHO: Honorees: Ozzy Osbourne, singer/songwriter and frontman for two-time GRAMMY®-winning band Black Sabbath, and Jeff Greenberg, owner/CEO of the Village studios. Greenberg will be presented with the MusiCares® From the Heart Award by GRAMMY-nominated comedian Craig Ferguson for his unconditional friendship and dedication to the mission and goals of the organization. Six-time GRAMMY winner Joe Walsh will present Osbourne with the Stevie Ray Vaughan Award for his dedication and support of the MusiCares MAP Fund®, and for his commitment to helping others with the addiction recovery process. Neil Portnow, President/CEO of The Recording Academy® and MusiCares, and Bill Silva, Board Chair of MusiCares, will be featured in the program. All proceeds will benefit the MusiCares MAP Fund, which provides members of the music community access to addiction recovery treatment regardless of their financial situation. Host: Actor and comedian Dax Shepard, currently on NBC's "Parenthood," can also be seen in Baby Mama and in upcoming films The Judge and This Is Where I Leave You. -
{PDF EPUB} His Accidental Boyfriend by Tragen Moss Series / Everything's Gonna Be Okay
Read Ebook {PDF EPUB} His Accidental Boyfriend by Tragen Moss Series / Everything's Gonna Be Okay. When his father announces that he's terminally ill, Nicholas Moss finds himself caring for his two half-sisters, autistic Matilda and temperamental Genevieve. Hilarity Ensues as Nicholas finds he has to grow up quickly. This series contains examples of: Affair? Blame the Bastard: When they were younger, Nicholas resented the hell out of Matilda and Genevieve because Matilda's birth caused his dad to move to Los Angeles. For her part, Genevieve resented Nicholas for years because their father doted on him as a compensation for all the time he spent caring for Matilda. Affectionate Nickname: Nicholas regularly uses "babe" as an affectionate towards his sisters. Genevieve later calls Tellulah "babe" while apologizing for getting her in a jam. Bad Bedroom, Bad Life: Matilda's filthy bedroom in the otherwise-clean Moss house is a fairly apt metaphor for the fact that despite the fact that she's able to project the image of a "high-functioning" autistic, she has only the barest idea of how to actually take care of herself. Or possibly it's a metaphor for the cost of her efforts to make herself seem "normal"; in later episodes, after she starts dating Drea and thus has less reason to hide her autism, her room is noticeably cleaner. Naomi Campbell pens moving tribute to godson Harry Brant after accidental overdose. Naomi Campbell is breaking her silence on the death of her godson, Harry Brant, a rising model who died from an accidental drug overdose on Sunday at age 24. -
Ted Kennedy: an Amercian Icon Les Paul
14 FRIDAY , OCT O BER 9, 2009 ARTS & ENT E RT A INM E NT VALENCIA HIG H SC hoo L TED KENNEDY : AN AM ERCIAN ICON living member of his family. A long time advocate protects those with whose views we disagree.” His By Madison Tang of health care reform, Democrats adopted the new first major bill was the Immigration Act of 1965, Reporter rallying cry, “Let’s win one for Teddy” following which served as a vital turning point in immigra- On Tuesday, August 25, 2009, Senator Ted Kennedy his death this past summer. Despite this, Kennedy tion policy by effectively eliminating discriminatory died of brain cancer at his home in was a tremendously competent quotas favoring Europeans, and he has continued Hyannis Port. He was 77 years old, legislator, and even Republicans to support significant legislation since then. Ken- and the youngest brother of Presi- referred to him as the “Lion of nedy’s family, including his wife Victoria, his sister dent John F. Kennedy and Senator the Senate.” The Senator was a Jean Kennedy Smith, and his three children and two Robert F. Kennedy. Throughout pinnacle of justice and action, lay- stepchildren, are admirably coping with their loss, the course of his career, he was ing claim to almost every major and have recently spoken publicly, thanking every- elected into the U.S. Senate nine piece of social legislation since one who supported him in his “tireless march for times, serving a total of 46 years 1962. He strove to give the power- progress toward justice.” They, along with the rest as Massachusetts’ Democratic less a voice and a sense of equal- of the world, surely agree that Ted Kennedy was a Senator. -
Racing, Region, and the Environment: a History of American Motorsports
RACING, REGION, AND THE ENVIRONMENT: A HISTORY OF AMERICAN MOTORSPORTS By DANIEL J. SIMONE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2009 1 © 2009 Daniel J. Simone 2 To Michael and Tessa 3 ACKNOWLEDGMENTS A driver fails without the support of a solid team, and I thank my friends, who supported me lap-after-lap. I learned a great deal from my advisor Jack Davis, who when he was not providing helpful feedback on my work, was always willing to toss the baseball around in the park. I must also thank committee members Sean Adams, Betty Smocovitis, Stephen Perz, Paul Ortiz, and Richard Crepeau as well as University of Florida faculty members Michael Bowen, Juliana Barr, Stephen Noll, Joseph Spillane, and Bill Link. I respect them very much and enjoyed working with them during my time in Gainesville. I also owe many thanks to Dr. Julian Pleasants, Director Emeritus of the Samuel Proctor Oral History Program, and I could not have finished my project without the encouragement provided by Roberta Peacock. I also thank the staff of the Samuel Proctor Oral History Program. Finally, I will always be grateful for the support of David Danbom, Claire Strom, Jim Norris, Mark Harvey, and Larry Peterson, my former mentors at North Dakota State University. A call must go out to Tom Schmeh at the National Sprint Car Hall of Fame, Suzanne Wise at the Appalachian State University Stock Car Collection, Mark Steigerwald and Bill Green at the International Motor Racing Resource Center in Watkins Glen, New York, and Joanna Schroeder at the (former) Ethanol Promotion and Information Council (EPIC). -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd*
Entrepreneurship & Regional Development, 2014 Vol. 26, Nos. 1–2, 165–205, http://dx.doi.org/10.1080/08985626.2013.877986 Roots radical – place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd* ALBA Graduate Business School, AHEAD, 6-8 Xenias Street, Athens 115 28, Greece (Received 5 February 2013; accepted 16 December 2013) The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepre- neurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
View Song List
Piano Bar Song List 1 100 Years - Five For Fighting 2 1999 - Prince 3 3am - Matchbox 20 4 500 Miles - The Proclaimers 5 59th Street Bridge Song (Feelin' Groovy) - Simon & Garfunkel 6 867-5309 (Jenny) - Tommy Tutone 7 A Groovy Kind Of Love - Phil Collins 8 A Whiter Shade Of Pale - Procol Harum 9 Absolutely (Story Of A Girl) - Nine Days 10 Africa - Toto 11 Afterglow - Genesis 12 Against All Odds - Phil Collins 13 Ain't That A Shame - Fats Domino 14 Ain't Too Proud To Beg - The Temptations 15 All About That Bass - Meghan Trainor 16 All Apologies - Nirvana 17 All For You - Sister Hazel 18 All I Need Is A Miracle - Mike & The Mechanics 19 All I Want - Toad The Wet Sprocket 20 All Of Me - John Legend 21 All Shook Up - Elvis Presley 22 All Star - Smash Mouth 23 All Summer Long - Kid Rock 24 All The Small Things - Blink 182 25 Allentown - Billy Joel 26 Already Gone - Eagles 27 Always Something There To Remind Me - Naked Eyes 28 America - Neil Diamond 29 American Pie - Don McLean 30 Amie - Pure Prairie League 31 Angel Eyes - Jeff Healey Band 32 Another Brick In The Wall - Pink Floyd 33 Another Day In Paradise - Phil Collins 34 Another Saturday Night - Sam Cooke 35 Ants Marching - Dave Matthews Band 36 Any Way You Want It - Journey 37 Are You Gonna Be My Girl? - Jet 38 At Last - Etta James 39 At The Hop - Danny & The Juniors 40 At This Moment - Billy Vera & The Beaters 41 Authority Song - John Mellencamp 42 Baba O'Riley - The Who 43 Back In The High Life - Steve Winwood 44 Back In The U.S.S.R.