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Cambridge University Press 978-0-521-02835-6 - Haydn Studies Edited by W. Dean Sutcliffe Index More information Index Adler, Guido, 19 Berg, Alban, 327, 332 Adorno, Theodor, 223, 225 Berlioz, Hector, 8n, 23 Aeschylus, 17 Bickerstaffe, Isaac, 81 Allanbrook, Wye J., 118, 230 Birck, Wenzel Raimund, 165 Anfossi, Pasquale, 71, 72–3, 90, 93–5, Bloom, Harold, 75 96, 101, 107, 108, 116, 116n Blume, Friedrich, 179 Aristotle, 82, 186 Bonds, Mark Evan, 128, 146, 183–6, Artaria & Co., 36 190, 191, 200 Austen, Jane, 293 Bordeu, Théophil de, 126, 127, 127n Botstiber, Hugo, 23 Bach, Carl Philipp Emanuel, 25, 152 Boulez, Pierre, 206 Bach, Johann Sebastian, 7, 10, 14, 16, Boyer, C. G., 228 19n, 20n, 21, 56, 165, 202, 325, Brahms, Johannes, 7, 14, 292, 322, 333 323, 327, 328 Badura-Skoda, Eva, 75 Brand, Carl Maria, 59 Baillot, Pierre, 163 Branscombe, Peter, 75 Bakhtin, Mikhail, 230 Brecht, Bertolt, 239 Barker-Benfield, G. J., 106–7 Breitkopf & Härtel, 6, 157 Bartók, Béla, 328 Brendel, Alfred, 323 Beatles, The, 227–8, 308 Brendel, Franz, 4–5, 7 Beaumarchais, Pierre-Augustin Britten, Benjamin, 323 Caron de, 243 Brown, A. Peter, 207, 248, 273 Beecham, Thomas, 323 Bruckner, Anton, 323, 327, 329, 333 Beethoven, Ludwig van, x, xi, 2, 3, 4, Brunswick, Theresa, 156 5, 6, 7, 9, 10, 11, 12, 13, 14, 15, Bülow, Hans von, 12 16, 17, 18, 19n, 20n, 21, 22, 24, Bürger, Gottfried, 157 25, 26, 30, 32, 33, 64, 67n, 120n, Burke, Cornelius G., 248n 121, 142, 143, 144, 156, 157–8, Burke, Edmund, 28, 28n, 30 159, 160, 162, 163, 177–9, 182, Burnham, Scott, 178 227, 263, 271, 274, 291, 292, Busoni, Ferruccio, 324 321, 322, 323, 326 Benjamin, George, 324 Caldara, Antonio, 165 Benucci, Francesco, 71 Carpani, Giuseppe Antonio, 9, 23 335 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-02835-6 - Haydn Studies Edited by W. Dean Sutcliffe Index More information index Carter, Elliott, 324 Froggatt, Arthur T., 263 Cherubini, Luigi, 163 Fux, Johann Joseph, 162 Cheyne, George, 109 Clark, Caryl, 75, 107, 117 Gassmann, Florian, 12 Clément, Félix, 25 Geiringer, Karl, 249n Coltellini, Marco, 76 Genzinger, Marianne von, 23 Cone, Edward T., 225 Gerber, Ernst Ludwig, 37–8, 233 Czerny, Carl, 144, 293 Gerlach, Sonja, 226n Gjerdingen, Robert, 179, 184, 188, Dahlhaus, Carl, 179n, 225 210–13 Dalayrac, Nicolas-Marie, 86n, 114, Gluck, Christoph Willibald, 74, 75, 118, 119 79, 118, 152, 157 d’Alembert, Jean le Rond, 127n Goellerich, August, 12n Da Ponte, Lorenzo, 98 Goethe, Johann Wolfgang von, 5, 29, David, Jacques-Louis, 9 157 Debussy, Claude, xi, 323, 324, 332 Goldoni, Carlo, 72, 76, 81, 83, 85, 88, Delacroix, Eugène, 9 243 Delius, Frederick, 323 Goldsmith, Oliver, 82 Descartes, René, 123, 124, 126, 127, Griesinger, Georg August, 35, 36, 131 72n, 78, 168 Diderot, Denis, 127n Grove, George, 156 Dies, Albert Christoph, 72n, 76n Guyer, Paul, 2 Dittersdorf, Karl Ditters von, 152, 157 Hadow, Henry, 19n Donat, Misha, 252n, 274 Handel, George Frideric, 16, 21, 165 Dorati, Antal, 323 Hanslick, Eduard, 7, 8, 11–12, 13, 21–2, 26n Elgar, Edward, 327 Hasse, Johann Adolph, 37, 71 Esterházy, Prince Nicolaus I, 31, 70, 80, 159, 173, 174, 207, 219, Haydn, Joseph 226–7 Baryton Trio Hob. XI:94 in A, 166 Esterházy, Princess Marie canzonets, 35 Hermenegild, 40 Creation, The, xii, 10, 12, 14, 22, 26, 33, 35, 39, 61, 64, 67, 74, 327, Fayolle, François Joseph Marie, 161, 329, 333 161n Il ritorno di Tobia, 37, 70 Feder, Georg, 75 ‘Lauda Sion’ hymns, 41–2 Fichte, Johann Gottlieb, 145 Lieder, 36, 65n, 227 Fielding, John, 81 masses, 35, 36, 40, 42–3, 64, 65n, 68, Friedrich, Caspar David, 9 329 336 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-02835-6 - Haydn Studies Edited by W. Dean Sutcliffe Index More information index No. 2, Missa sunt bona mixta Op. 17/4 in c, 167, 168, 202 malis in d, 40 Op. 17/6 in D, 164, 167, 168 No. 4, Missa in honorem B. V. M. Op. 20, 155, 163, 164–5, 172 in E flat, 40, 46 Op. 20/1 in E flat, 294, 318–19, No. 5, Missa Cellensis in honorem 329–30 B. V. M. in C, 40, 41, 44, 45, Op. 20/2 in C, 147, 165, 166, 172 56–60 Op. 20/3 in g, 294–5, 297, 319 No. 6, Missa Sancti Nicolai in G, Op. 20/4 in D, 167, 173, 294, 295, 40, 226 311–12, 319–20 No. 7, Missa brevis Sancti Joannis Op. 20/5 in f, 164, 165, 166, 167, de Deo in B flat, 40 168, 172, 319 No. 8, Missa Cellensis in C, 40–1 Op. 20/6 in A, 165–6, 167, No. 11, Missa in Angustiis in d, 169–72 40n, 58n Op. 33, 38, 155, 159, 160, 175, No. 14, ‘Harmoniemesse’ in B flat, 181, 218, 227, 231 44, 64–9 Op. 33/1 in b, 145, 294, 297, 300, operas, 6, 15, 27, 36, 70, 75–80, 159, 312–13 221, 327 Op. 33/2 in E flat, 143, 294 Armida, 75, 78 Op. 33/3 in C, 300 Il mondo della luna,76 Op. 33/4 in B flat, 246 La canterina, 221 Op. 33/5 in G, 189 La fedeltà premiata, 37, 70, 71, 75, Op. 33/6 in D, 299 78, 82n, 87 Op. 42, 294, 301–2 L’anima del filosofo,74 Op. 50/1 in B flat, 188, 190, La vera costanza, 70–119 298–9, 304n, 311 Le pescatrici, 37, 70, 76, 82n, 221 Op. 50/2 in C, 305, 308–11 L’incontro improvviso, 37, 70, 221 Op. 50/4 in f sharp, 305–6 L’infedeltà delusa, 37, 70, 221 Op. 50/5 in F, 294 L’isola disabitata, 37, 78, 82n Op. 54/1 in G, 138 Lo speziale, 70, 76, 221 Op. 54/2 in C, 124, 126, 128–9, Orlando Paladino, 71, 87 147–9, 285, 305, 306, 329 Philomen und Baucis, 221 Op. 54/3 in E, 145 pastorellas, 14n, 41 Op. 55/2 in f, 304, 305, 306, 310 psalms, 40n, 41 Op. 55/3 in B flat, 300–1 quartets, string, 3, 11, 19, 35, 70, 75, Op. 64/3 in B flat, 304 175, 323 Op. 74/1 in C, 189 Op. 9/2 in E flat, 167 Op. 74/3 in g, 265 Op. 9/4 in d, 167 Op. 76/1 in G, 316–18, 318n Op. 17, 167 Op. 76/2 in d, 294 Op. 17/1 in E, 168, 173 Op. 76/3 in C, 140n 337 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-02835-6 - Haydn Studies Edited by W. Dean Sutcliffe Index More information index Haydn, Joseph, quartets, string No. 6 in D, 327 (cont.) No. 7 in C, 327 Op. 77/1 in G, 295, 304 No. 8 in G, 327 Op. 77/2 in F, 294, 330–1 No. 16 in B flat, 14 Salve regina in E, 44 No. 17 in F, 202–3 Salve regina in g, 41, 44, 45–55, 65n No. 19 in D, 202n Scottish songs, 161, 163 No. 22 in E flat, 40 Seasons, The, 10, 14, 22, 24, 26, 33, No. 23 in G, 202n 34n, 35, 39, 64, 67, 74, 327, 329 No. 26 in d, 327 Seven Last Words, The, 33n, 218 No. 27 in G, 202–3 sonatas, keyboard, 12, 35, 70 No. 38 in C, 202n No. 19 in e, 169 No. 39 in g, 153 No. 23 in B, 164 No. 41 in C, 167, 173, 184 No. 31 in A flat, 164 No. 42 in D, 173, 174, 233 No. 33 in c, 152, 173 No. 43 in E flat, 167, 173, 294 Nos. 36–41 (‘Esterházy’ Sonatas), No. 44 in e, 152, 152n, 166, 167, 167, 173, 181, 207 224 No. 36 in C, 167, 208n No. 45 in f sharp, 152, 163, 164, No. 38 in F, 167 169, 172, 182, 217, 243, 249, No. 39 in D, 167 294, 327 No. 40 in E flat, 166, 181, 207–16 No. 46 in B, 163, 164, 167, 169n, No. 41 in A, 166, 167 172, 173, 181, 183–6, 190–206, No. 42 in G, 208–9 207, 208, 216, 217 No. 44 in F, 256 No. 47 in G, 163, 166, 167, 319 No. 48 in C, 208n No. 48 in C, 173 No. 49 in c sharp, 164 No. 49 in f, 152, 152n, 297–8, 309, No. 56 in D, 262 318, 327 No. 58 in C, 282–3 No. 50 in C, 222 No. 59 in E flat, 258–9, 311 No. 52 in c, 297 No. 60 in C, 281–2, 311 No. 53 in D, 221, 222, 226, 234–6, No. 62 in E flat, 127–31, 194–5, 294 257, 311 No. 54 in G, 296 Stabat mater, 36, 37, 40, 41, 46, 71, No. 55 in E flat, 173, 294 78 No. 56 in C, 297 Storm, The, 12, 29 No. 57 in D, 233, 240 symphonies, 11, 14, 16, 17, 19, 20, No. 60 in C, 222, 328 22, 27, 28, 29, 30, 33, 35, 39, 64, No. 61 in D, 221, 232–3, 234, 65, 65n, 70, 74, 75, 121, 156, 243 157, 159, 175, 181, 218, 323, No. 62 in D, 221, 222, 226, 234, 328 240, 242–5 338 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-02835-6 - Haydn Studies Edited by W.
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    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 2014 Joseph Haydn's "Te Deum for the Empress Marie Therese": A Historical Reference and Musical Analysis Clinton C. Garmane Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Garmane, Clinton C., "Joseph Haydn's "Te Deum for the Empress Marie Therese": A Historical Reference and Musical Analysis" (2014). Research Papers. Paper 531. http://opensiuc.lib.siu.edu/gs_rp/531 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. JOSEPH HAYDN’S TE DEUM FOR THE EMPRESS MARIE THERESE: A HISTORICAL REFERENCE AND MUSICAL ANALYSIS by Clinton Cory Garmane A.A., Rend Lake College, 2008 A.S., Rend Lake College, 2008 B.A., Southern Illinois University, 2011 A Research Document Submitted in Partial Fulfillment of the Requirements for the Master of Music degree. School of Music in the Graduate School Southern Illinois University Carbondale August, 2014 RESEARCH APPROVAL JOSEPH HAYDN’S TE DEUM FOR THE EMPRESS MARIE THERESE: A HISTORICAL REFERENCE AND MUSICAL ANALYSIS by Clinton Cory Garmane A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Choral Conducting Approved by: Dr. Susan Davenport, Chair Dr. Christopher Morehouse Dr. Melissa Mackey Graduate School Southern Illinois University Carbondale May 5, 2014 AN ABSTRACT OF THE Research Paper OF Clinton Cory Garmane, for the Master of Music degree in Choral Conducting, presented on May 5, 2014, at Southern Illinois University Carbondale.
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    Graduate Theses, Dissertations, and Problem Reports 2020 The Roman Catholic Ordinary Mass from circa 1750 to circa 1820: A Selected Bibliography Letícia Gabriele Grützmann Januario West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, Music Theory Commons, and the Other Music Commons Recommended Citation Grützmann Januario, Letícia Gabriele, "The Roman Catholic Ordinary Mass from circa 1750 to circa 1820: A Selected Bibliography" (2020). Graduate Theses, Dissertations, and Problem Reports. 7696. https://researchrepository.wvu.edu/etd/7696 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Graduate Theses, Dissertations, and Problem Reports