Roman Catholicism and the Reign of Franz Joseph
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Ancient Times (A.D
The Catholic Faith History of Catholicism A Brief History of Catholicism (Excerpts from Catholicism for Dummies) Ancient Times (A.D. 33-741) Non-Christian Rome (33-312) o The early Christians (mostly Jews who maintained their Jewish traditions) o Jerusalem’s religious establishment tolerated the early Christians as a fringe element of Judaism o Christianity splits into its own religion . Growing number of Gentile converts (outnumbered Jewish converts by the end of the first century) . Greek and Roman cultural influences were adapted into Christianity . Destruction of the Temple in Jerusalem in A.D. 70 (resulted in the final and formal expulsion of the Christians from Judaism) o The Roman persecutions . The first period (A.D. 68-117) – Emperor Nero blamed Christians for the burning of Rome . The second period (A.D. 117-192) – Emperors were less tyrannical and despotic but the persecutions were still promoted . The third period (A.D. 193-313) – Persecutions were the most virulent, violent, and atrocious during this period Christian Rome (313-475) o A.D. 286 Roman Empire split between East and West . Constantinople – formerly the city of Byzantium and now present- day Istanbul . Rome – declined in power and prestige during the barbarian invasions (A.D. 378-570) while the papacy emerged as the stable center of a chaotic world o Roman Emperor Constantine issued the Edict of Milan in A.D. 313 which legalized Christianity – it was no longer a capital crime to be Christian o A.D. 380 Christianity became the official state religion – Paganism was outlawed o The Christian Patriarchs (Jerusalem, Antioch, Alexandria, Rome, and Constantinople) . -
Reshaping a Tradition. Founding the Habsburg-Lorraine Dynastic State in the 18Th Century
Исторические исследования www.historystudies.msu.ru _____________________________________________________________________________ Лебо К. Reshaping a tradition. Founding the Habsburg-Lorraine dynastic state in the 18th century Аннотация: В статье исследуются компоненты власти в композитарной монархии Габсбургов и конструирование политической легитимности посредством управленческих практик, сочинений, речей и изображений. Монархия Габсбургов в XVIII в. не представляла собой однородного целого, объединяя территории с различной степенью интеграции. Выборность корон и их переходы от одной ветви рода к другой создавали сложную ситуацию, в которой Габсбургам удавалось утвердить свое господство, сочетая следование традиции и изменения. Административные реформы поддерживались символическим дискурсом. Династический дискурс пришел на смену истории правящего дома и стал способом утвердить принцип государственного интереса. Власть династии была основана на доминировании над территорией. Новые вертикальные связи исходили от Марии Терезии, распространяя ее господство за пределы владений Австрийского дома. На своих более чем двухстах портретах Мария Терезия всегда изображалась с регалиями, вид которых варьировался в зависимости от места, где картина должна была находиться, с тем, чтобы подчеркнуть своеобразие каждой территории и единство монархии, связь между правителем и подвластной территорией. Ключевые слова: династическое государство, дом Габсбургов, империя, институциональные реформы, композитарная монархия, наследственная монархия, символический -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
DANCE of DEATH Hubert Klocker It Would Be A
D ANCE O f DEATH It would be a misunderstanding to interpret Helmut Lang’s “Pillars”, Hubert Klocker “Spikes”, and “Planes” as abstractions. On the contrary, this group of works, which has taken shape in his studio over recent years, is about a process of reduction, condensation, and concen- tration of concrete corporeal values. For is there anything more inescapable and concrete than death? Owing particularly to their ragged, torn or fragmentary appearance, Lang’s objects stand for structures of organic material, rotted organisms, and bodies laid open down to their bones, and are visualizations of an apocalyptic pro- cess that eludes abstract language. They perhaps even convey the dark aura of the cult of the dead that, turned into gilded stone, is represented by the plague columns erected on the main squares of some Central European towns. In their magnifcent but ambivalent this-worldly sensuality, they are memo- rials to the horrifc epidemics of the 17th century — stone monuments to mental repression. One of the most splendid of these idols commemorates, with a his- trionic gesture, the 12,000 lives taken, by the lowest estimate, within a period of a few months in the last big plague epidemic to strike the city of Vienna in 1679. An inscription on the column built some twenty years later in praise of the Curia and the Habsburg system of rule is a testament not only to the all-too-ready ostrichism of the population, but rather to the manipula- tive sophistication of the secular and ecclesiastical aristocracy. It suggests that by the highest goodness of the Holy Trinity, the death of the plague was warded off. -
The Reigning Woman As a Heroic Monarch? Maria Theresa Traced As Sovereign, Wife, and Mother
The Reigning Woman as a Heroic Monarch? Maria Theresa Traced as Sovereign, Wife, and Mother Anne-Marie Metzger The Empress is one of the most beautiful princesses in Europe: despite all her vigils and puerperia, she has held up very well. When she was younger, she loved hunting, games, and theatre. Today, her only pleasures are governing her empire and the education of her children.1 This quotation from Carl Joseph, Baron of Fürst and Kupferberg, contains essen- tial aspects that can be found very often in representations of Maria Theresa: the dual nature of her representation, namely on one hand the monarch and on the other the mother. Maria Theresa consciously used – among others – these two elements to create her identity. It is interesting to see how contemporaries per- ceived these two contrary public personas and how these personas promoted the adoration of Maria Theresa as an “Austrian heroine”,2 as she was called in a eulo- gy for her husband, Francis Stephen.3 The impact was at any rate so strong that 1 All English translations, unless otherwise indicated, are my own. “Die Kaiserin ist eine der schönsten Prinzessinnen Europas: all ihren Nachtwachen und Wochenbetten zum Trotz hat sie sich sehr gut erhalten. Früher liebte sie Jagd, Spiel und Theater. Das einzige, woran sie jetzt Geschmack findet, ist die Regierung ihres Staates und die Erziehung ihrer Kinder.” Carl Joseph Maximilian Freiherr von Fürst und Kupferberg. Severin Perrig (Ed.), “Aus müt- terlicher Wohlmeinung”. Kaiserin Maria Theresia und ihre Kinder. Eine Korrespondenz, Weimar 1999, p. 17. 2 “Österreichische Heldinn”, Ignaz Mayrhoffer, Trauerrede auf Franzen den Ersten römi- schen Kaiser, Grätz 1765, p. -
Building an Unwanted Nation: the Anglo-American Partnership and Austrian Proponents of a Separate Nationhood, 1918-1934
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository BUILDING AN UNWANTED NATION: THE ANGLO-AMERICAN PARTNERSHIP AND AUSTRIAN PROPONENTS OF A SEPARATE NATIONHOOD, 1918-1934 Kevin Mason A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of PhD in the Department of History. Chapel Hill 2007 Approved by: Advisor: Dr. Christopher Browning Reader: Dr. Konrad Jarausch Reader: Dr. Lloyd Kramer Reader: Dr. Michael Hunt Reader: Dr. Terence McIntosh ©2007 Kevin Mason ALL RIGHTS RESERVED ii ABSTRACT Kevin Mason: Building an Unwanted Nation: The Anglo-American Partnership and Austrian Proponents of a Separate Nationhood, 1918-1934 (Under the direction of Dr. Christopher Browning) This project focuses on American and British economic, diplomatic, and cultural ties with Austria, and particularly with internal proponents of Austrian independence. Primarily through loans to build up the economy and diplomatic pressure, the United States and Great Britain helped to maintain an independent Austrian state and prevent an Anschluss or union with Germany from 1918 to 1934. In addition, this study examines the minority of Austrians who opposed an Anschluss . The three main groups of Austrians that supported independence were the Christian Social Party, monarchists, and some industries and industrialists. These Austrian nationalists cooperated with the Americans and British in sustaining an unwilling Austrian nation. Ultimately, the global depression weakened American and British capacity to practice dollar and pound diplomacy, and the popular appeal of Hitler combined with Nazi Germany’s aggression led to the realization of the Anschluss . -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
How History Matters for Student Performance. Lessons from the Partitions of Poland Ú Job Market Paper Latest Version: HERE
How History Matters for Student Performance. Lessons from the Partitions of Poland ú Job Market Paper Latest Version: HERE. Pawe≥Bukowski † This paper examines the effect on current student performance of the 19th century Partitions of Poland among Austria, Prussia and Russia. Despite the modern similarities of the three regions, using a regression discontinuity design I show that student test scores are 0.6 standard deviation higher on the Austrian side of the former Austrian-Russian border. This magnitude is comparable to the black vs. white test score gap in the US. On the other hand, I do not find evidence for differences on the Prussian-Russian border. Using a theoretical model and indirect evidence I argue that the Partitions have persisted through their impact on social norms toward local schools. Nevertheless, the persistent effect of Austria is puzzling given the histori- cal similarities of the Austrian and Prussian educational systems. I argue that the differential legacy of Austria and Prussia originates from the Aus- trian Empire’s policy to promote Polish identity in schools and the Prussian Empire’s efforts to Germanize the Poles through education. JEL Classification: N30, I20, O15, J24 úI thank Sascha O. Becker, Volha Charnysh, Gregory Clark, Tomas Cvrcek, John S. Earle, Irena Grosfeld, Hedvig Horvát, Gábor Kézdi, Jacek Kochanowicz, Attila Lindner, Christina Romer, Ruth M. Schüler, Tamás Vonyó, Jacob Weisdorf, Agnieszka WysokiÒska, Noam Yuchtman, the partici- pants of seminars at Central European University, University of California at Berkeley, University of California at Davis, Warsaw School of Economics, Ifo Center for the Economics of Education and FRESH workshops in Warsaw and Canterbury, WEast workshop in Belgrade, European Historical Economics Society Summer School in Berlin for their comments and suggestions. -
O Du Mein Österreich: Patriotic Music and Multinational Identity in The
O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 ABSTRACT O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 Copyright by Jason Stephen Heilman 2009 Abstract As a multinational state with a population that spoke eleven different languages, the Austro-Hungarian Empire was considered an anachronism during the age of heightened nationalism leading up to the First World War. This situation has made the search for a single Austro-Hungarian identity so difficult that many historians have declared it impossible. Yet the Dual Monarchy possessed one potentially unifying cultural aspect that has long been critically neglected: the extensive repertoire of marches and patriotic music performed by the military bands of the Imperial and Royal Austro- Hungarian Army. This Militärmusik actively blended idioms representing the various nationalist musics from around the empire in an attempt to reflect and even celebrate its multinational makeup. -
Charlemagne: the First Holy Roman Emperor
Charlemagne: The First Holy Roman Emperor - Papacy, Pope Leo III, Charlemagne, Cooperate Charlemagne: The First Holy Roman Emperor Papacy, Pope Leo III, Charlemagne, Cooperate Medieval Europe Unit This article is brought to you by the year 800 C.E. Great news! I am going to make you leader of your class. Everyone will have to do everything you say. There's just one catch. You have to listen to everything another kid wants you to do. If he does not like you, he's going to choose someone else. You get to rule . until he says you cannot. Sound fun? Kind of? This is kind of what it was like to rule in the Holy Roman Empire. The Holy Roman Empire was much smaller than the original Roman Empire and only had land in Europe. At this time, the people listened to everything the leaders of the church said. This meant that the church got to choose who would lead the people. The Catholic Church held a lot of power in the Middle Ages. Most people at that time who lived in Europe were a part of the church. This meant that most of the people who lived here thought the head of the church was the most important person in the world. The Papacy is the office of the pope, who is the head of the church. This office had so much power, it played a part in deciding who would rule the people. It had not always worked this way. Before this, the ruler was chosen based on who his or her parents were. -
St. George in Legend and Verse
____________________________________________________ St. George in Legend and Verse Jacob William LeMaster University of Florida Faculty mentor: Florin Curta, Department of History Abstract This paper investigates the emergence of the cultus of a medieval saint, St. George of Cappadocia, and correlates the production of legend with variations of the saint’s passio. It then considers the form of relics in relation to the narrative of their translationes. This is accomplished by examining the political context in which they were translated by Archbishop Hatto of Mainz and the Holy Roman Emperor. It concludes with an exploration of the variations on George’s cultus on the Reichenau monastic center and presents an updated English translation of the late ninth or tenth century Georgslied. Keywords: St. George, Reichenau, Hatto I, Georgslied, cult of the saints, relics The Emergence of the Cultus and its Liturgical Foundations In the earliest written accounts of the life and salvific death of St. George of Cappadocia, he was not yet known as a dragon-slayer nor, as he would be more immediately known, as a military hero. Franciscan friar and leading figure of the Bollandists Francis Delehaye described the legends and stories attributed to him as a “sort of Monte Testaccio” – that is, like a mound compiled from broken shards of ancient pottery (Walker, 2003, p. 111). According to Karl Krumbacher (1911), each one of the five variants of George’s passiones known (and probably produced) in the sixth century mention his soldiering, but the focus in these texts is on the physical suffering involved in his martyrdom. Large-scale veneration of the saint by localized clusters of the faithful emerged early, and the earliest evidence of the cultus can be found in in the Greek-speaking eastern edge of the Roman Empire, centered around his tomb in Lydda (Diospolis). -
The Austro-Hungarian Monarchy
Constitutional Development in 19th Century Europe: The Austro-Hungarian Monarchy Dr. Judit Beke-Martos Masterclass International Law and Constitutional Development in 19th Century Europe Legal History Institute, University of Gent, June 25, 2015. © Dr. Judit Beke-Martos 2015 Aims: 1. Concrete case study for the ”life of the law” 2. Talk about Hungary 3. Combine 1 + 2: the Austro-Hungarian Monarchy 4. To assess the 19th Century from Hungary’s perspective: was Hungary a sovereign state in this period, which could interact with other international players? Hypothesis: if the adherence to international law is a balancing act for states between the protection of their sovereignty (independence) and their interaction and reliance on other partners (interdependence), the Austro-Hungarian Monarchy’s constituting powers were co-dependent © Dr. Judit Beke-Martos 2015 Content: Part I: Constitutional History of Hungary and the Historical Constitution (1000-1825) Part II: Hungary and the Austro-Hungarian Monarchy in the 19th Century (1825-1918) Part III: Sovereignty • Internal: multi-level governance, late codification, independent domestic legal practice • External: co-dependent on the Austrian Empire © Dr. Judit Beke-Martos 2015 Part I: Constitutional History of Hungary • 1000-1301: hereditary • 1000-1222: „patrimonial” monarchy monarchy • 1222 The Golden Bull • 1301-1526 (1541): elective • 1351 Sanctity of the nobilities’ land monarchy • 1222-1405: feudal monarchy • 1526 (1541)-(1686) 1711: Turkish occupation, division into • 1405-(1526)1687: feudal- three parts: Hungarian representative monarchy Kingdom, Transylvania, • 1514 Tripartitum Occupied territories • 1687-1848: absolute monarchy • 1687-1848: absolute monarchy (Habsburg) (Habsburg) • 1723 Pragmatica Sanctio • 1848-1849: revolution, war of • 1848-1849: revolution, war of independence independence • 1849-1867: neo-absolutisms • 1848 Laws of April • 1849-1867: neo-absolutisms • 1849, 1851, 1860, 1861 © Dr.