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280 SEVENTEENTH-CENTURY NEWS conclusion to be paradoxical, it should be esteemed quite otherwise by specialists. Sophie van Romburgh. “For My Worthy Freind Mr Franciscus Junius”: An Edition of the Correspondence of Francis Junius F.F. (1591-1677). Leiden and Boston: Brill, 2004. x + 1134 pp. $317.00. Review by ERNEST B. GILMAN, NEW YORK UNIVERSITY. The indefatigable Dutch polymath whose letters are here col- lected was a jack of all scholarly trades and the master of them all. Medievalists are aware of Junius’s pioneering contributions to the study of Anglo-Saxon and Germanic philology. He was an expert in the comparative study of Old Norse, Old High German, Old Frisian, and Gothic as well as Old English. The codex in the Bodleian containing the Old English texts of Genesis A and B, Exodus, Daniel and “Christ and Satan,” still bears his name as “The Junius Manuscript.” For Renaissance art historians, The Paint- ing of the Ancients (published in Junius’s own Latin, English and Dutch versions over the period 1637-1641) represents the first comprehensive account of the visual arts in antiquity, and a cen- tral document in the history of ut pictura poesis. It stood as the standard work on the subject until the age of Winckelmann. This book was commissioned by Thomas Howard, 14th Earl of Arundel, in whose household Junius served as tutor and librarian for twenty years before the civil war. It was in this office that Junius supplied the scholarly expertise, and perhaps also his share of the enthusi- asm, behind the transnational antiquarian ventures of the “Collec- tor Earl.” Among the projects that occupied a long life devoted to scholarship was a posthumously published Catalogus, arranged al- phabetically, of all the references to objects of art (painting, sculp- ture, architecture, pottery and much else) that Junius could delve out of the archive of classical literature. -
Finding Certainty in an Age of Uncertainty the Early Eighteenth-Century Cocceian Turn Towards Natural Theology
Finding certainty in an age of uncertainty The early eighteenth-century Cocceian turn towards natural theology Masterthesis by: Niels Visscher – 3237494 Primary reader: Prof.dr. M. Mostert Secondary reader: Prof.dr. W. Mijnhardt Medieval Studies University Utrecht 19-07-2013 1 Content Preface 3 Introduction 4 Chapter I: The crisis of the Reformed mind 9 The Reformed theological system 9 Scripture and the Reformed articles of faith 10 The intellectual foundations of Reformed theology 12 Reformed theology and the challenge of Cartesianism 13 The challenge of Cartesian philosophy 14 The Voetian response to the new philosophy 15 The Cartesian philosophers 16 The Cocceian theologians 18 The rise of philosophical radicalism 20 Chapter II: Living during the crisis of the Reformed mind 24 A child prodigy 24 The University of Franeker 25 Education at the University of Franeker 27 The status of reason and the divinity of Scripture 28 Minister of the Divine Word 29 Professor of at the University of Franeker 31 The last of the Cartesians 32 Chapter III: Vindicating the divinity of Scripture 34 The Reformed view on natural theology 35 The characteristics of natural theology 36 The new approach to natural theology 37 Prolegomena 38 The doctrine of God 40 Natural religion 41 The necessity and divinity of supernatural revelation 42 Ruardus Andala on natural theology 44 Prolegomena 45 The doctrine of God 46 Natural religion 47 The necessity and divinity of supernatural revelation 48 A turn towards rationalism? 49 Conclusion 51 Bibliography 53 2 Preface Trying to obtain a master’s degree in Medieval Studies by writing a thesis on seventeenth- and eight- eenth-century developments in theology and philosophy – this turn of events will probably amaze many readers. -
Holland and the Rise of Political Economy in Seventeenth-Century Europe
Journal of Interdisciplinary History, xl:2 (Autumn, 2009), 215–238. ACCOUNTING FOR GOVERNMENT Jacob Soll Accounting for Government: Holland and the Rise of Political Economy in Seventeenth-Century Europe The Dutch may ascribe their present grandeur to the virtue and frugality of their ancestors as they please, but what made that contemptible spot of the earth so considerable among the powers of Europe has been their political wisdom in postponing everything to merchandise and navigation [and] the unlimited liberty of conscience enjoyed among them. —Bernard de Mandeville, The Fable of the Bees (1714) In the Instructions for the Dauphin (1665), Louis XIV set out a train- ing course for his son. Whereas humanists and great ministers had cited the ancients, Louis cited none. Ever focused on the royal moi, he described how he overcame the troubles of the civil war of the Fronde, noble power, and ªscal problems. This was a modern handbook for a new kind of politics. Notably, Louis exhorted his son never to trust a prime minister, except in questions of ªnance, for which kings needed experts. Sounding like a Dutch stadtholder, Louis explained, “I took the precaution of assigning Colbert . with the title of Intendant, a man in whom I had the highest conªdence, because I knew that he was very dedicated, intelli- gent, and honest; and I have entrusted him then with keeping the register of funds that I have described to you.”1 Jean-Baptiste-Colbert (1619–1683), who had a merchant background, wrote the sections of the Instructions that pertained to ªnance. He advised the young prince to master ªnance through the handling of account books and the “disposition of registers” Jacob Soll is Associate Professor of History, Rutgers University, Camden. -
'Elke Daad Is Een Werk'
‘Elke daad is een werk’ Alexander Comrie (1706-1774) over de verschillen tussen de remonstrantse en de gereformeerde rechtvaardigingsleer G.A. van den Brink Abstract The Dutch theologian Alexander Comrie (1706-1774) opposed Amyraldism vehemently. He downplayed the role of the act of faith in justification, for ‘every act is a work of man.’ However, Comrie offended many of his colleagues by suggesting that anyone who regarded the act of faith as the instrument involved in justification, was dogmatically speaking to be considered an amyraldian or even an arminian. Comrie was, in turn, accused of antinomianism. In this article the dogmatic position of Comrie is analyzed. His view on the material cause and especially on the formal cause of justification is compared with the views by Arminius, Lubbertus and others. It is concluded that Comrie mistakenly regarded the immediacy of the imputation of Christ’s righteousness as fundamental for the Reformed doctrine of justification. 1 Inleiding Toen de Schots-Nederlandse theoloog Alexander Comrie (1706-1774)1 in 1753 zijn verklaring van Zondag 1-7 van de Heidelbergse Catechismus publi- ceerde, brak er een storm van protest los. Geheel onbegrijpelijk was de verbol- genheid niet: Comrie schroomde niet om velen van zijn collega’s te bestempe- len als mensen die, al of niet bewust, een arminiaanse en semipelagiaanse opvatting huldigden ten aanzien van de leer van de rechtvaardiging. De bezorgdheid van Comrie werd ingegeven door de controverse rondom de Zwolse predikant Antonius van der Os (1722-1807).2 Deze was aangeklaagd 1 A.G. Honig, Alexander Comrie, Utrecht 1892; R.A. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. JOHANNES SWARTENHENGST (1644-1711): A DUTCH CARTESIAN IN THE HEAT OF BATTLE ESTER BERTRAND PHD THESIS UNIVERSITY OF EDINBURGH & FREE UNIVERSITY OF BRUSSELS 2014 2 JOHANNES SWARTENHENGST (1644-1711): A DUTCH CARTESIAN IN THE HEAT OF BATTLE ESTER BERTRAND The painting on the title page, entitled The Stallion, is by the accomplished Dutch painter of equestrian scenes, Philips Wouwerman (1619-1668). In agreement with the Creative Commons Licence this copy was retrieved from the following website: http://www.wouwerman.org/ PHD THESIS UNIVERSITY OF EDINBURGH & FREE UNIVERSITY OF BRUSSELS JUNE 2014 Funded by the Research Foundation Flanders (FWO), the Free University of Brussels, and the University of Edinburgh I, Ester Bertrand, hereby certify that this thesis, which is approximately 95.000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. -
Franciscus Junius: Philology and the Survival of Antiquity in the Art of Northern Europe
Franciscus Junius: Philology and the survival of Antiquity in the art of northern Europe Review of: Art and Antiquity in the Netherlands and Britain. The Vernacular Arcadia of Franciscus Junius (1591 - 1677) by Thijs Weststeijn, Leiden and Boston: Brill, 2015, 452 pp., 178 colour & b/w illus. €129,00/ $164.00, ISBN13: 9789004283619, E-ISBN: 9789004283992 Ann Jensen Adams The early modern Dutch claimed as their forbearers the Batavians, a Germanic tribe described by Tacitus as located in the far reaches of the Roman Empire. Writings about art produced by the seventeenth-century descendants of these provincial peoples were proud but defensive as they continued to treat Rome as the centre of civilization. In 1632 Constantijn Huygens, secretary to northern Netherlands stadtholder Prince Frederik Henry, confided to his diary that he wished the promising artists Rembrandt van Rijn and Jan Lievens had travelled to Italy to learn from the art of antiquity and the Renaissance masters who had absorbed its lessons. But, he noted, the two young men felt that there were plenty of Italian works to be seen conveniently enough in The Netherlands. He then lavished praise on a figure of Judas by Rembrandt that he felt powerfully expressed the kind of universal truths promulgated by Latin art. Indeed, he wrote, ‘[... ] all honor to you, Rembrandt! To have brought Ilium – even all of Asia Minor – to Italy was a lesser feat than for a Dutchman [...] to have captured for The Netherlands the trophy of artistic excellence from Greece and Italy.’1 Through the first three quarters of the twentieth century this ambivalent stance toward the art of northern Europe has run like a red thread through art history as it developed as a professional discipline identified with, and defined by, the Italian Renaissance’s revival of antiquity. -
Aspects of Arminian Soteriology in Methodist-Lutheran Ecumenical Dialogues in 20Th and 21St Century
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto ASPECTS OF ARMINIAN SOTERIOLOGY IN METHODIST-LUTHERAN ECUMENICAL DIALOGUES IN 20TH AND 21ST CENTURY Mikko Satama Master’s Thesis University of Helsinki Faculty of Theology Department of Systematic Theology Ecumenical Studies 18th January 2009 HELSINGIN YLIOPISTO − HELSINGFORS UNIVERSITET Tiedekunta/Osasto − Fakultet/Sektion Laitos − Institution Teologinen tiedekunta Systemaattisen teologian laitos Tekijä − Författare Mikko Satama Työn nimi − Arbetets title Aspects of Arminian Soteriology in Methodist-Lutheran Ecumenical Dialogues in 20th and 21st Century Oppiaine − Läroämne Ekumeniikka Työn laji − Arbetets art Aika − Datum Sivumäärä − Sidoantal Pro Gradu -tutkielma 18.1.2009 94 Tiivistelmä − Referat The aim of this thesis is to analyse the key ecumenical dialogues between Methodists and Lutherans from the perspective of Arminian soteriology and Methodist theology in general. The primary research question is defined as: “To what extent do the dialogues under analysis relate to Arminian soteriology?” By seeking an answer to this question, new knowledge is sought on the current soteriological position of the Methodist-Lutheran dialogues, the contemporary Methodist theology and the commonalities between the Lutheran and Arminian understanding of soteriology. This way the soteriological picture of the Methodist-Lutheran discussions is clarified. The dialogues under analysis were selected on the basis of versatility. Firstly, the sole world organisation level dialogue was chosen: The Church – Community of Grace. Additionally, the document World Methodist Council and the Joint Declaration on the Doctrine of Justification is analysed as a supporting document. Secondly, a document concerning the discussions between two main-line churches in the United States of America was selected: Confessing Our Faith Together. -
Calvinism and the Arts: a Re-Assessment
Durham E-Theses Calvinism and the arts: A re-assessment Joby, Christopher Richard How to cite: Joby, Christopher Richard (2005) Calvinism and the arts: A re-assessment, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2873/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Abstract Calvinism and the arts: A re-assessment Although many believe John Calvin had a negative attitude towards the arts, particularly visual art, my contention is that we find within his writings and the development of the Reformed tradition a more positive attitude to the arts than has hitherto been recognized. In chapters one and two, I look in detail at Calvin's own writings. I begin by examining exactly what type of visual art he rejected and what type he affirmed. I then look at how his eschatology and epistemology, particularly his use of the metaphor of mirror, allow us to argue for the placing of certain types of art within Reformed churches, notably history and landscape paintings. -
University of Florida Thesis Or Dissertation Formatting
SMATHERS LIBRARIES’ LATIN AND GREEK RARE BOOKS COLLECTION UNIVERSITY OF FLORIDA 2016 1 TABLE OF CONTENTS page LECTORI: TO THE READER ........................................................................................ 20 LATIN AUTHORS.......................................................................................................... 24 Ammianus ............................................................................................................... 24 Title: Rerum gestarum quae extant, libri XIV-XXXI. What exists of the Histories, books 14-31. ................................................................................. 24 Apuleius .................................................................................................................. 24 Title: Opera. Works. ......................................................................................... 24 Title: L. Apuleii Madaurensis Opera omnia quae exstant. All works of L. Apuleius of Madaurus which are extant. ....................................................... 25 See also PA6207 .A2 1825a ............................................................................ 26 Augustine ................................................................................................................ 26 Title: De Civitate Dei Libri XXII. 22 Books about the City of God. ..................... 26 Title: Commentarii in Omnes Divi Pauli Epistolas. Commentary on All the Letters of Saint Paul. .................................................................................... -
Minimal Faith and Irenic Ideals in Seventeenth-Century Scholarly Circles Hugo Grotius As a Guardian of Isaac Casaubon’S Legacy*
Church History Church History and and Religious Culture 94 (2014) 444–478 Religious Culture brill.com/chrc Minimal Faith and Irenic Ideals in Seventeenth-Century Scholarly Circles Hugo Grotius as a Guardian of Isaac Casaubon’s Legacy* Henk Nellen Huygens Institute, The Hague, The Netherlands [email protected] Abstract This article shows how the Dutch humanist Hugo Grotius (1583–1645), inspired by his friend Isaac Casaubon, sought to introduce a procedure for mitigating strife in the Christian church. He proclaimed a division between a set of self-evident, universally accepted key tenets, to be endorsed by all believers, and a larger number of secondary, not completely certain articles of faith, which were to be left open for friendly debate. The doctrine of the Trinity belonged to the second category; it should be treated in a careful, detached way, in words that did not go beyond the terminology of the Bible. However, defenders of this irenic stance laid themselves open to severe criticism: the example of the conservative Lutheran theologian Abraham Calovius illustrates how they were censured for giving up divinely inspired truth for a chimerical unionist ideal which cajoled them into reintroducing the early Christian heresy of Arianism, now called Socinianism. Keywords minimal faith – secularisation – Socinianism – exegesis – seventeenth-century intellectual life – Grotius – Casaubon * Research for this article was conducted within the project ‘Biblical Criticism and Seculariza- tion in the Seventeenth Century’ (nwo, Netherlands Organization for Scientific Research, 360–25–090). I am indebted to two anonymous reviewers for their remarks on an earlier ver- sion of this article. -
Foundations of Psychology by Herman Bavinck
Foundations of Psychology Herman Bavinck Translated by Jack Vanden Born, Nelson D. Kloosterman, and John Bolt Edited by John Bolt Author’s Preface to the Second Edition1 It is now many years since the Foundations of Psychology appeared and it is long out of print.2 I had intended to issue a second, enlarged edition but the pressures of other work prevented it. It would be too bad if this little book disappeared from the psychological literature. The foundations described in the book have had my lifelong acceptance and they remain powerful principles deserving use and expression alongside empirical psy- chology. Herman Bavinck, 1921 1 Ed. note: This text was dictated by Bavinck “on his sickbed” to Valentijn Hepp, and is the opening paragraph of Hepp’s own foreword to the second, revised edition of Beginselen der Psychologie [Foundations of Psychology] (Kampen: Kok, 1923), 5. The first edition contains no preface. 2 Ed. note: The first edition was published by Kok (Kampen) in 1897. Contents Editor’s Preface �����������������������������������������������������������������������ix Translator’s Introduction: Bavinck’s Motives �������������������������� xv § 1� The Definition of Psychology ���������������������������������������������1 § 2� The Method of Psychology �������������������������������������������������5 § 3� The History of Psychology �����������������������������������������������19 Greek Psychology .................................................................19 Historic Christian Psychology ..............................................22 -
Calvinism and Religious Toleration in France and The
CALVINISM AND RELIGIOUS TOLERATION IN FRANCE AND THE NETHERLANDS, 1555-1609 by David L. Robinson Bachelor of Arts, Memorial University of Newfoundland (Sir Wilfred Grenfell College), 2011 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Graduate Academic Unit of History Supervisor: Gary K. Waite, PhD, History Examining Board: Cheryl Fury, PhD, History, UNBSJ Sean Kennedy, PhD, Chair, History Gary K. Waite, PhD, History Joanne Wright, PhD, Political Science This thesis is accepted by the Dean of Graduate Studies THE UNIVERSITY OF NEW BRUNSWICK May, 2011 ©David L. Robinson, 2011 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91828-9 Our file Notre reference ISBN: 978-0-494-91828-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these.