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12 STUDI MELODICI Per Saxofono Contralto Gian Marco Bordogni (1789 - 1856) Adattamento di Danilo Russo 12 STUDI MELODICI per Saxofono Contralto Edizioni Eufonia 141372C - Via Trento, 5 - 25055 Pisogne (BS) Tel. 0364 87069 www.edizionieufonia.it Eufonia 141372C INTRODUZIONE I presenti studi sono un adattamento dei “Vocalizzi” di G. Bordogni; adattamento necessario dovuto principalmente alla scrittura vocale originaria, che ovviamente risulterebbe molto limitata nell’estensione. Lo scopo principale di questi studi è quello di permettere all’allievo di imparare il controllo del proprio suono nei cambi di registro, nei fraseggi medio lunghi e in tutte quelle situazioni che richiedono un certo tipo di lavoro di rifinitura della tecnica. Pertanto non vi si troveranno studi di elevata difficoltà tecnica e di rapidità, ma bensì studi che concentrano i propri sforzi sul legato dinamiche e cambi di registro. Sarà cura del docente far lavorare in maniera intensiva il discente in tutti quei passaggi che risultano scomodi per il legato. GIAN MARCO BORDOGNI (1789 - 1856) Bordogni proviene da quella singolare scuola tenoristica che si sviluppò a Bergamo tra il '700 e l'800 a partire da Giacomo David e che culminò con Giovanni Battista Rubini. Tenore baritonale vecchio stile, egli debuttò alla Scala di Milano nel 1813 come Argirio nel Tancredi di Rossini. Per lo stesso Rossini, nel 1825, Bordogni avrebbe creato il ruolo del Conte di Libenskof ne Il viaggio a Reims ed avrebbe contribuito a diffonderne la musica partecipando, anche in ruoli da tenore contraltino, ad un gran numero di prime cittadine delle sue opere (cfr. infra), soprattutto a Parigi, città in cui egli si esibì per lunghi anni al Théâtre des Italiens, e dove, alla fine, volle stabilirsi permanentemente, al culmine della sua carriera di valente cantante e insieme di maestro di canto di successo. Bordogni divenne infatti insegnante al Conservatorio di Parigi già nel 1820 e continuò ad insegnarvi fin quasi all'ora della sua morte, che avvenne nella stessa Parigi nel 1856. Egli fu autore di un "metodo" di canto che fu pubblicato, e compose molti set di vocalizzi che rimasero in uso per un oltre un secolo; fu anche, probabilmente, il più importante dei maestri di canto del tenore inglese Sims Reeves, che lo frequentò nel 1843, e contribuì alla formazione di due delle più grandi star della lirica di metà secolo, il tenore italiano Mario e il soprano drammatico tedesco Sophie Cruvelli (Crüwell), futura creatrice del ruolo di Hélène ne I vespri siciliani, di Verdi. Bordogni fu premiato con la Légion d'Honneur il 10 maggio 1839, insieme al direttore dell'Opéra Duponchel e al compositore Hector Berlioz, il quale ebbe a scrivere che Bordogni doveva essere considerato come il miglior maestro di canto del suo tempo. Eufonia 141372C 12 STUDI MELODICI per Saxofono Contralto 1 - 2 Gian Marco Bordogni 1 adattamento di Danilo Russo Andantino {q = c 80} 3 œ œ œ 3 ŒŒ ˙ ˙ œ ˙ œ œ ‰ œ ˙ & 4 œ J œ. P 10 œ œ œ ˙ œ œ. œ œ œ œ# œ œ j & ˙ ˙ œ œ œ œ œ œ œ œ œ ‰ œ. œ a tempo 17 j j œ œ œ œ U œ œ œ . œ œ œ œ œ# œ# œ œ œ# œn œ œ ˙ ˙ œ ˙ & œ œ œ œ ˙ œ. cresc. poco rit. f P 24 œ œ œ œ œ. œ œ# œn œ œ ‰ œ ˙ œ œ œ œ œ œ œ œ œ ŒŒ œ. œ œ œ & J œ. œ œ f 30 œ. œ œ œ j œ. œ œ œ. œ œ œ œ# œ œ & œ œ œ œ œ œ ˙ œ ‰ œ œ œ œ 36 œ œ œ œ œ œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & ˙ œ œ ‰J P 42 œ œ œ œ œ œ œ œ œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & Œ œb œ œ œ œ 48 œ œ œb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ & J ‰ œb œ œ œ œ Œ 53 œ œn œ œ œ œ œ œ# œ œ œ œ œn œ œ œ j œ. œ œ œ œ œ œ & œ# œ œ œ œ ‰ œ# 58 œ œ œ œ œ œ# œn œ œ U œ œn œ œ ˙ ˙ ˙ ˙ ˙ Œ & œ œ œ f Edizioni Eufonia 141372C - Via Trento, 5 - 25055 Pisogne (BS) Tel. 0364 87069 www.edizionieufonia.it.
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