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Varieties of Modernist Dystopia
Towson University Office of Graduate Studies BETWEEN THE IDEA AND THE REALITY FALLS THE SHADOW: VARIETIES OF MODERNIST DYSTOPIA by Jonathan R. Moore A thesis Presented to the faculty of Towson University in partial fulfillment of the requirements for the degree Master of Arts Department of Humanities Towson University Towson, Maryland 21252 May, 2014 Abstract Between the Idea and the Reality Falls the Shadow: Varieties of Modernist Dystopia Jonathan Moore By tracing the literary heritage of dystopia from its inception in Joseph Hall and its modern development under Aldous Huxley, George Orwell, Samuel Beckett, and Anthony Burgess, modern dystopia emerges as a distinct type of utopian literature. The literary environments created by these authors are constructed as intricate social commentaries that ridicule the foolishness of yearning for a leisurely existence in a world of industrial ideals. Modern dystopian narratives approach civilization differently yet predict similarly dismal limitations to autonomy, which focuses attention on the individual and the cultural crisis propagated by shattering conflicts in the modern era. During this era the imaginary nowhere of utopian fables was infected by pessimism and, as the modern era trundled forward, any hope for autonomous individuality contracted. Utopian ideals were invalidated by the oppressive nature of unbridled technology. The resulting societal assessment offers a dark vision of progress. iii Table of Contents Introduction: No Place 1 Chapter 1: Bad Places 19 Chapter 2: Beleaguered Bodies 47 Chapter 3: Cyclical Cacotopias 72 Bibliography 94 Curriculum Vitae 99 iv 1 Introduction: No Place The word dystopia has its origin in ancient Greek, stemming from the root topos which means place. -
Japan, Russia and the "Northern Territories" Dispute : Neighbors in Search of a Good Fence
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Calhoun, Institutional Archive of the Naval Postgraduate School Calhoun: The NPS Institutional Archive Theses and Dissertations Thesis Collection 2002-09 Japan, Russia and the "northern territories" dispute : neighbors in search of a good fence Morris, Gregory L. Monterey, California. Naval Postgraduate School http://hdl.handle.net/10945/4801 NAVAL POSTGRADUATE SCHOOL Monterey, California THESIS JAPAN, RUSSIA AND THE “NORTHERN TERRITORIES” DISPUTE: NEIGHBORS IN SEARCH OF A GOOD FENCE by Gregory L. Morris September, 2002 Thesis Advisors: Mikhail Tsypkin Douglas Porch Approved for public release; distribution is unlimited THIS PAGE INTENTIONALLY LEFT BLANK REPORT DOCUMENTATION PAGE Form Approved OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instruction, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188) Washington DC 20503. 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 3. REPORT TYPE AND DATES COVERED September 2002 Master’s Thesis 4. TITLE AND SUBTITLE: Japan, Russia And The “Northern Territories” Dispute: 5. FUNDING NUMBERS Neighbors In Search Of A Good Fence n/a 6. AUTHOR(S) LT Gregory L. -
Man'yogana.Pdf (574.0Kb)
Bulletin of the School of Oriental and African Studies http://journals.cambridge.org/BSO Additional services for Bulletin of the School of Oriental and African Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here The origin of man'yogana John R. BENTLEY Bulletin of the School of Oriental and African Studies / Volume 64 / Issue 01 / February 2001, pp 59 73 DOI: 10.1017/S0041977X01000040, Published online: 18 April 2001 Link to this article: http://journals.cambridge.org/abstract_S0041977X01000040 How to cite this article: John R. BENTLEY (2001). The origin of man'yogana. Bulletin of the School of Oriental and African Studies, 64, pp 5973 doi:10.1017/S0041977X01000040 Request Permissions : Click here Downloaded from http://journals.cambridge.org/BSO, IP address: 131.156.159.213 on 05 Mar 2013 The origin of man'yo:gana1 . Northern Illinois University 1. Introduction2 The origin of man'yo:gana, the phonetic writing system used by the Japanese who originally had no script, is shrouded in mystery and myth. There is even a tradition that prior to the importation of Chinese script, the Japanese had a native script of their own, known as jindai moji ( , age of the gods script). Christopher Seeley (1991: 3) suggests that by the late thirteenth century, Shoku nihongi, a compilation of various earlier commentaries on Nihon shoki (Japan's first official historical record, 720 ..), circulated the idea that Yamato3 had written script from the age of the gods, a mythical period when the deity Susanoo was believed by the Japanese court to have composed Japan's first poem, and the Sun goddess declared her son would rule the land below. -
REVOLUTION GOES EAST Studies of the Weatherhead East Asian Institute, Columbia University
REVOLUTION GOES EAST Studies of the Weatherhead East Asian Institute, Columbia University The Studies of the Weatherhead East Asian Institute of Columbia University were inaugu rated in 1962 to bring to a wider public the results of significant new research on modern and contemporary East Asia. REVOLUTION GOES EAST Imperial Japan and Soviet Communism Tatiana Linkhoeva CORNELL UNIVERSITY PRESS ITHACA AND LONDON This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of New York University. Learn more at the TOME website, which can be found at the following web address: openmono graphs.org. The text of this book is licensed under a Creative Commons Attribution-Non Commercial-NoDerivatives 4.0 International: https://creativecommons.org/ licenses/by-nc-nd/4.0. To use this book, or parts of this book, in any way not covered by the license, please contact Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress. cornell.edu. Copyright © 2020 by Cornell University First published 2020 by Cornell University Press Library of Congress Cataloging-in-Publication Data Names: Linkhoeva, Tatiana, 1979– author. Title: Revolution goes east : imperial Japan and Soviet communism / Tatiana Linkhoeva. Description: Ithaca [New York] : Cornell University Press, 2020. | Series: Studies of the Weatherhead East Asian Institute, Columbia University | Includes bibliographical references and index. Identifiers: LCCN 2019020874 (print) | LCCN 2019980700 (ebook) | ISBN 9781501748080 (pbk) | ISBN 9781501748097 (epub) | ISBN 9781501748103 (pdf) Subjects: LCSH: Communism—Japan—History—20th century. -
Volume 19 (2012), Article 2
Volume 19 (2012), Article 2 http://chinajapan.org/articles/19/2 Fogel, Joshua A. “On Saeki Arikiyo’s Monumental Study of the ‘Treatise on the People of Wa’” Sino-Japanese Studies 19 (2012), article 2. Abstract: Saeki Ariyiko was one of the world’s premier historians of ancient Japanese and East Asian history. His knowledge of texts and his ability to use them in creative ways and thus bring antiquity to life were virtually unmatched. One of his last works was a reading of the single most commented upon text in Sino-Japanese historical and cultural relations, the Treatise on the People of Wa in the Chronicle of the Kingdom of Wei (known in Japan as Gishi Wajinden). Saeki’s book, entitled Gishi Wajingden o yomu 魏 志倭人伝を読む (Reading the Treatise on the People of Wa in the Chronicle of the Kingdom of Wei), appeared in two volumes (over 450 pages in total) and was published by Yoshikawa kōbunkan in 2000. To give a flavor of the work, I offer a translation of the introductions to each of the volumes. Sino-Japanese Studies http://chinajapan.org/articles/19/2 On Saeki Arikiyo’s Monumental Study of the “Treatise on the People of Wa” Joshua A. Fogel Saeki Ariyiko 佐伯有清 (1925-2005) was one of the world’s premier historians of ancient Japanese and East Asian history. His knowledge of texts and his ability to use them in creative ways and thus bring antiquity to life were virtually unmatched. Although I never had the honor to study with or even meet him, I have long been an admirer of his scholarship both for his approach and product. -
Sample Pages
About This Volume Brett Cooke We continue to be surprised by how the extremely rewarding world WKDW/HR7ROVWR\FUHDWHGLVDG\QDPLFVWLOOJURZLQJRQH:KHQWKH Russian writer sat down in 1863 to begin what became War and PeaceKHXWLOL]HGSRUWUDLWVRIfamily members, as well as images RIKLPVHOILQZKDWDW¿UVWFRQVWLWXWHGDOLJKWO\¿FWLRQDOL]HGfamily chronicle; he evidently used the exercise to consider how he and the SUHVHQWVWDWHRIKLVFRXQWU\FDPHWREH7KLVLQYROYHGDUHWKLQNLQJRI KRZKLVSDUHQWV¶JHQHUDWLRQZLWKVWRRGWKH)UHQFKLQYDVLRQRI slightly more than a half century prior, both militarily and culturally. Of course, one thinks about many things in the course of six highly FUHDWLYH \HDUV DQG KLV WH[W UHÀHFWV PDQ\ RI WKHVH LQWHUHVWV +LV words are over determined in that a single scene or even image typically serves several themes as he simultaneously pondered the Napoleonic Era, the present day in Russia, his family, and himself, DVZHOODVPXFKHOVH6HOIGHYHORSPHQWEHLQJWKH¿UVWRUGHUIRUDQ\ VHULRXVDUWLVWZHVHHDQWLFLSDWLRQVRIWKHSURWHDQFKDOOHQJHV7ROVWR\ posed to the contemporary world decades after War and Peace in terms of religion, political systems, and, especially, moral behavior. In other words, he grew in stature. As the initial reception of the QRYHO VKRZV 7ROVWR\ UHVSRQGHG WR WKH FRQVWHUQDWLRQ RI LWV ¿UVW readers by increasing the dynamism of its form and considerably DXJPHQWLQJLWVLQWHOOHFWXDODPELWLRQV,QKLVKDQGV¿FWLRQEHFDPH emboldened to question the structure of our universe and expand our sense of our own nature. We are all much the richer spiritually for his achievement. One of the happy accidents of literary history is that War and Peace and Fyodor 'RVWRHYVN\¶VCrime and PunishmentZHUH¿UVW published in the same literary periodical, The Russian Messenger. )XUWKHUPRUHDV-DQHW7XFNHUH[SODLQVERWKQRYHOVH[SUHVVFRQFHUQ whether Russia should continue to conform its culture to West (XURSHDQ PRGHOV VLPXOWDQHRXVO\ VHL]LQJ RQ WKH VDPH ¿JXUH vii Napoleon Bonaparte, in one case leading a literal invasion of the country, in the other inspiring a premeditated murder. -
What Is “The Book of Breathings”?
BYU Studies Quarterly Volume 11 Issue 2 Article 5 4-1-1971 What is “The Book of Breathings”? Hugh Nibley Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Nibley, Hugh (1971) "What is “The Book of Breathings”?," BYU Studies Quarterly: Vol. 11 : Iss. 2 , Article 5. Available at: https://scholarsarchive.byu.edu/byusq/vol11/iss2/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Nibley: What is “The Book of Breathings”? what is the book of breathingsBreathings HUGH NlNIBLEYBLEY MEET THE FAMILY upon their publication in 1967 the joseph smith papyri nos X and XI were quickly and easily identified as pages from the egyptian book of breathingsBreathings the frequent occur- rence of the word susnsnsnprovided a conspicuous clue and though the last page of the book the one that usually contains the title was missing its contents closely matched that of other egyptian writings bearing the title sh fhifbishishlsh t n susnsnsn com- monly translated book of Breabreathingthingss A most welcome guide to the student was ready at hand in J de Horhorrackborrackrack s text translation and commentary on a longer and fuller version of the same work pap louvre 3284 which he published in 1878 along with another version of the text louvre no 3291 and variant readings from a half -
A Historical Analysis of the Traditional Japanese Decision-Making Process in Contrast with the U.S
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1976 A historical analysis of the traditional Japanese decision-making process in contrast with the U.S. system and implications for intercultural deliberations Shoji Mitarai Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Speech and Rhetorical Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Mitarai, Shoji, "A historical analysis of the traditional Japanese decision-making process in contrast with the U.S. system and implications for intercultural deliberations" (1976). Dissertations and Theses. Paper 2361. https://doi.org/10.15760/etd.2358 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Shoji Mitarai for the Master of Arts in Speech Conununication presented February 16, 1976. Title: A Historical Analysis of the Traditional Japanese Decision-Maki~g Process in Contrast with the U.S. System and Implications for Intercultural Delibera tions. APPROVED BY MEMBERS OF THE THESIS COMMITTEES: The purpose of this research.is to (1) describe and analyze the different methods used by Japanese ·and by U.S. persons to reach ~greement in small. group deliberations, (2) discover the depth of ·conunitment and personal involvement with th~se methods by tracing their historical b~ginni~gs, and (3) draw implications 2 from (1) and (2) as to probability of success of current problem solving deliberations involving members of both ·groups. -
A New Interpretation of the Bakufu's Refusal to Open the Ryukyus To
Volume 16 | Issue 17 | Number 3 | Article ID 5196 | Sep 01, 2018 The Asia-Pacific Journal | Japan Focus A New Interpretation of the Bakufu’s Refusal to Open the Ryukyus to Commodore Perry Marco Tinello Abstract The Ryukyu Islands are a chain of Japanese islands that stretch southwest from Kyushu to In this article I seek to show that, while the Taiwan. The former Kingdom of Ryukyu was Ryukyu shobun refers to the process by which formally incorporated into the Japanese state the Meiji government annexed the Ryukyu as Okinawa Prefecture in 1879. Kingdom between 1872 and 1879, it can best be understood by investigating its antecedents in the Bakumatsu era and by viewing it in the wider context of East Asian and world history. I show that, following negotiations with Commodore Perry, the bakufu recognized the importance of claiming Japanese control over the Ryukyus. This study clarifies the changing nature of Japanese diplomacy regarding the Ryukyus from Bakumatsu in the late 1840s to early Meiji. Keywords Tokugawa bakufu, Bakumatsu, Ryukyu shobun, Commodore Perry, Japan From the end of the fourteenth century until the mid-sixteenth century, the Ryukyu kingdom was a center of trade relations between Japan, China, Korea, and other East Asian partners. According to his journal, when Commodore Matthew C. Perry demanded that the Ryukyu Islands be opened to his fleet in 1854, the Tokugawa shogunate replied that the Ryukyu Kingdom “is a very distant country, and the opening of its harbor cannot be discussed by us.”2 The few English-language studies3 of this encounter interpret this reply as evidence that 1 16 | 17 | 3 APJ | JF the bakufu was reluctant to become involved in and American sources relating to the discussions about the international status of negotiations between Perry and the bakufu in the Ryukyus; no further work has been done to 1854, I show that Abe did not draft his guide investigate the bakufu’s foreign policy toward immediately before, but rather after the Ryukyus between 1854 and the early Meiji negotiations were held at Uraga in 1854/2. -
The Making of Modern Japan
The Making of Modern Japan The MAKING of MODERN JAPAN Marius B. Jansen the belknap press of harvard university press Cambridge, Massachusetts London, England Copyright © 2000 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Third printing, 2002 First Harvard University Press paperback edition, 2002 Book design by Marianne Perlak Library of Congress Cataloging-in-Publication Data Jansen, Marius B. The making of modern Japan / Marius B. Jansen. p. cm. Includes bibliographical references and index. isbn 0-674-00334-9 (cloth) isbn 0-674-00991-6 (pbk.) 1. Japan—History—Tokugawa period, 1600–1868. 2. Japan—History—Meiji period, 1868– I. Title. ds871.j35 2000 952′.025—dc21 00-041352 CONTENTS Preface xiii Acknowledgments xvii Note on Names and Romanization xviii 1. SEKIGAHARA 1 1. The Sengoku Background 2 2. The New Sengoku Daimyo 8 3. The Unifiers: Oda Nobunaga 11 4. Toyotomi Hideyoshi 17 5. Azuchi-Momoyama Culture 24 6. The Spoils of Sekigahara: Tokugawa Ieyasu 29 2. THE TOKUGAWA STATE 32 1. Taking Control 33 2. Ranking the Daimyo 37 3. The Structure of the Tokugawa Bakufu 43 4. The Domains (han) 49 5. Center and Periphery: Bakufu-Han Relations 54 6. The Tokugawa “State” 60 3. FOREIGN RELATIONS 63 1. The Setting 64 2. Relations with Korea 68 3. The Countries of the West 72 4. To the Seclusion Decrees 75 5. The Dutch at Nagasaki 80 6. Relations with China 85 7. The Question of the “Closed Country” 91 vi Contents 4. STATUS GROUPS 96 1. The Imperial Court 97 2. -
Taylor Doctoralthesis Complete
21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. The cinema, and the cinematic text, is a complex performance whose individual components combine to produce a sum greater than the total of its parts. The cinema itself is a performance—not just the acting—participating in a cultural dialogue, continually reshaping and challenging notions of liveness, made more urgent with the ever-increasing use of digital technologies that seem to further segregate what is generally considered real performance from the final, constructed cinematic text. -
FROM the MUSIC DEPARTMENT of the NIŠ NATIONAL THEATER to the NIŠ SYMPHONY ORCHESTRA (1953–1965) UDC 785.11”1953/1965” (497.11 Niš)
FACTA UNIVERSITATIS Series: Visual Arts and Music Vol. 6, No 1, 2020, pp. 19 - 32 https://doi.org/10.22190/FUVAM2001019C Original scientific paper ORCHESTRAL PRACTICE IN NIŠ AFTER THE SECOND WORLD WAR – FROM THE MUSIC DEPARTMENT OF THE NIŠ NATIONAL THEATER TO THE NIŠ SYMPHONY ORCHESTRA (1953–1965) UDC 785.11”1953/1965” (497.11 Niš) Sonja Cvetković University of Niš, Faculty of Arts in Niš, Republic of Serbia Abstract. The paper deals with the founding of a professional orchestral practice in Niš, and its beginnings that are related to the 1950s and 1960s. The research, conducted with the aim of considering the cultural and artistic contribution of the symphony orchestra, as an institution, to the dynamics of the musical life in Niš is based on local press insights and available archival material. Frequent changes in the organizational structure, financial and personnel problems, artistic rises and falls, polemical tones of the cultural public that followed the establishing of the orchestral practice in Niš after the Second World War testify to the dynamic atmosphere during the first decade of existence and artistic work of symphony orchestras that were predecessors of the Niš Symphony Orchestra, which until the mid-1960s was the only symphony orchestra ensemble in Serbia besides the Belgrade Philharmonic Orchestra. Key words: Niš, concert orchestral practice, Music Department of the Niš National Theater, Niš Philharmonic Orchestra, City Symphony Orchestra INTRODUCTION Concert orchestral activity is a very important factor in the structure of the entire musical life of a community. Considering its continuity/discontinuity, professional engagement, and the institutional organization one can point not only to musical but also to many other aspects – ideological, cultural, economic – that have marked a certain historical period.