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Problems of Mimetic Characterization in Dostoevsky and Tolstoy
Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy By Chloe Susan Liebmann Kitzinger A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Eric Naiman Professor Dorothy J. Hale Spring 2016 Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy © 2016 By Chloe Susan Liebmann Kitzinger Abstract Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy by Chloe Susan Liebmann Kitzinger Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair This dissertation focuses new critical attention on a problem central to the history and theory of the novel, but so far remarkably underexplored: the mimetic illusion that realist characters exist independently from the author’s control, and even from the constraints of form itself. How is this illusion of “life” produced? What conditions maintain it, and at what points does it start to falter? My study investigates the character-systems of three Russian realist novels with widely differing narrative structures — Tolstoy’s War and Peace (1865–1869), and Dostoevsky’s The Adolescent (1875) and The Brothers Karamazov (1879–1880) — that offer rich ground for exploring the sources and limits of mimetic illusion. I suggest, moreover, that Tolstoy and Dostoevsky themselves were preoccupied with this question. Their novels take shape around ambitious projects of characterization that carry them toward the edges of the realist tradition, where the novel begins to give way to other forms of art and thought. -
War & Peace by Helen Edmundson
War & Peace by Helen Edmundson from the novel by Leo Tolstoy Education Pack by Gillian King Photo: Alistair Muir | Rehearsal Photography: Ellie Kurttz | Designed by www.stemdesign.co.uk Contents • The Pack........................................................................................... 03 • Shared Experience Expressionism.............................................................. 04 • Summary of War & Peace........................................................................ 05 • Helen Edmundson on the Adaptation Process................................................. 07 • Ideas inspired by the research trip to Russia................................................. 08 • Tolstoy’s Russia.................................................................................... 09 • Leo Tolstoy Biography............................................................................. 10 • Playing the Subtext................................................................................ 12 • What do I Want? (exploring character intentions)............................................ 14 • Napoleon’s 1812 Campaign in Russia........................................................... 17 • The Battle - Created through the Actors’ Physicality......................................... 19 • The Ensemble Process............................................................................ 20 • Russian Women...................................................................................... 22 • Is Man Nothing More Than a Puppet?.......................................................... -
Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
The University of Chicago Old Elites Under Communism: Soviet Rule in Leninobod a Dissertation Submitted to the Faculty of the Di
THE UNIVERSITY OF CHICAGO OLD ELITES UNDER COMMUNISM: SOVIET RULE IN LENINOBOD A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE SOCIAL SCIENCES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF HISTORY BY FLORA J. ROBERTS CHICAGO, ILLINOIS JUNE 2016 TABLE OF CONTENTS List of Figures .................................................................................................................... iii List of Tables ...................................................................................................................... v Acknowledgements ............................................................................................................ vi A Note on Transliteration .................................................................................................. ix Introduction ......................................................................................................................... 1 Chapter One. Noble Allies of the Revolution: Classroom to Battleground (1916-1922) . 43 Chapter Two. Class Warfare: the Old Boi Network Challenged (1925-1930) ............... 105 Chapter Three. The Culture of Cotton Farms (1930s-1960s) ......................................... 170 Chapter Four. Purging the Elite: Politics and Lineage (1933-38) .................................. 224 Chapter Five. City on Paper: Writing Tajik in Stalinobod (1930-38) ............................ 282 Chapter Six. Islam and the Asilzodagon: Wartime and Postwar Leninobod .................. 352 Chapter Seven. The -
Animals Liberation Philosophy and Policy Journal Volume 5, Issue 2
AAnniimmaallss LLiibbeerraattiioonn PPhhiilloossoopphhyy aanndd PPoolliiccyy JJoouurrnnaall VVoolluummee 55,, IIssssuuee 22 -- 22000077 Animal Liberation Philosophy and Policy Journal Volume 5, Issue 2 2007 Edited By: Steven Best, Chief Editor ____________________________________________________________ TABLE OF CONTENTS Lev Tolstoy and the Freedom to Choose One’s Own Path Andrea Rossing McDowell Pg. 2-28 Jewish Ethics and Nonhuman Animals Lisa Kemmerer Pg. 29-47 Deliberative Democracy, Direct Action, and Animal Advocacy Stephen D’Arcy Pg. 48-63 Should Anti-Vivisectionists Boycott Animal-Tested Medicines? Katherine Perlo Pg. 64-78 A Note on Pedagogy: Humane Education Making a Difference Piers Bierne and Meena Alagappan Pg. 79-94 BOOK REVIEWS _________________ Fast Food Nation: The Dark Side of the All-American Meal, by Eric Schlosser (2005) Reviewed by Lisa Kemmerer Pg. 95-101 Eternal Treblinka: Our Treatment of Animals and the Holocaust, by Charles Patterson (2002) Reviewed by Steven Best Pg. 102-118 The Longest Struggle: Animal Advocacy from Pythagoras to PETA, by Norm Phelps (2007) Reviewed by Steven Best Pg. 119-130 Journal for Critical Animal Studies, Volume V, Issue 2, 2007 Lev Tolstoy and the Freedom to Choose One’s Own Path Andrea Rossing McDowell, PhD It is difficult to be sat on all day, every day, by some other creature, without forming an opinion about them. On the other hand, it is perfectly possible to sit all day every day, on top of another creature and not have the slightest thought about them whatsoever. -- Douglas Adams, Dirk Gently’s Holistic Detective Agency (1988) Committed to the idea that the lives of humans and animals are inextricably linked, Lev Nikolayevich Tolstoy (1828–1910) promoted—through literature, essays, and letters—the animal world as another venue in which to practice concern and kindness, consequently leading to more peaceful, consonant human relations. -
Unpalatable Pleasures: Tolstoy, Food, and Sex
University of New Hampshire University of New Hampshire Scholars' Repository Languages, Literatures, and Cultures Scholarship Languages, Literatures, and Cultures 1993 Unpalatable Pleasures: Tolstoy, Food, and Sex Ronald D. LeBlanc University of New Hampshire - Main Campus, [email protected] Follow this and additional works at: https://scholars.unh.edu/lang_facpub Recommended Citation Rancour-Laferriere, Daniel. Tolstoy’s Pierre Bezukhov: A Psychoanalytic Study. London: Bristol Classical Press, 1993. Critiques: Brett Cooke, Ronald LeBlanc, Duffield White, James Rice. Reply: Daniel Rancour- Laferriere. Volume VII, 1994, pp. 70-93. This Article is brought to you for free and open access by the Languages, Literatures, and Cultures at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Languages, Literatures, and Cultures Scholarship by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. NEW ~·'T'::'1r"'T,n.1na rp.llHlrIP~ a strict diet. There needs to'be a book about food. L.N. Tolstoy times it seems to me as if the Russian is a sort of lost soul. You want to do and yet you can do nothing. You keep thinking that you start a new life as of tomorrow, that you will start a new diet as of tomorrow, but of the sort happens: by the evening of that 'very same you have gorged yourself so much that you can only blink your eyes and you cannot even move your tongue. N.V. Gogol Russian literature is mentioned, one is likely to think almost instantly of that robust prose writer whose culinary, gastronomic and alimentary obsessions--in his verbal art as well as his own personal life- often reached truly gargantuan proportions. -
Living with Death: the Humanity in Leo Tolstoy's Prose Dr. Patricia A. Burak Yuri Pavlov
Living with Death: The Humanity in Leo Tolstoy’s Prose A Thesis Submitted in Partial Fulfillment of the Requirements of the Renée Crown University Honors Program at Syracuse University Liam Owens Candidate for Bachelor of Science in Biology and Renée Crown University Honors Spring 2020 Honors Thesis in Your Major Thesis Advisor: _______________________ Dr. Patricia A. Burak Thesis Reader: _______________________ Yuri Pavlov Honors Director: _______________________ Dr. Danielle Smith, Director Abstract What do we fear so uniquely as our own death? Of what do we know less than the afterlife? Leo Tolstoy was quoted saying: “We can only know that we know nothing. And that is the highest degree of human wisdom.” Knowing nothing completely contradicts the essence of human nature. Although having noted the importance of this unknowing, using the venture of creative fiction, Tolstoy pined ceaselessly for an understanding of the experience of dying. Tolstoy was afraid of death; to him it was an entity which loomed. I believe his early involvements in war, as well as the death of his brother Dmitry, and the demise of his self-imaged major character Prince Andrei Bolkonsky, whom he tirelessly wrote and rewrote—where he dove into the supposed psyche of a dying man—took a toll on the author. Tolstoy took the plight of ending his character’s life seriously, and attempted to do so by upholding his chief concern: the truth. But how can we, as living, breathing human beings, know the truth of death? There is no truth we know of it other than its existence, and this alone is cause enough to scare us into debilitating fits and ungrounded speculation. -
Tolstoy and Zola: Trains and Missed Connections
Tolstoy and Zola: Trains and Missed Connections Nina Lee Bond Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Nina Lee Bond All rights reserved ABSTRACT Tolstoy and Zola: Trains and Missed Connections Nina Lee Bond ŖTolstoy and Zolaŗ juxtaposes the two writers to examine the evolution of the novel during the late nineteenth century. The juxtaposition is justified by the literary critical debates that were taking place in Russian and French journals during the 1870s and 1880s, concerning Tolstoy and Zola. In both France and Russia, heated arguments arose over the future of realism, and opposing factions held up either Tolstoyřs brand of realism or Zolařs naturalism as more promising. This dissertation uses the differences between Tolstoy and Zola to make more prominent a commonality in their respective novels Anna Karenina (1877) and La Bête humaine (1890): the railways. But rather than interpret the railways in these two novels as a symbol of modernity or as an engine for narrative, I concentrate on one particular aspect of the railway experience, known as motion parallax, which is a depth cue that enables a person to detect depth while in motion. Stationary objects close to a travelling train appear to be moving faster than objects in the distance, such as a mountain range, and moreover they appear to be moving backward. By examining motion parallax in both novels, as well as in some of Tolstoyřs other works, The Kreutzer Sonata (1889) and The Death of Ivan Il'ich (1886), this dissertation attempts to address an intriguing question: what, if any, is the relationship between the advent of trains and the evolution of the novel during the late nineteenth century? Motion parallax triggers in a traveler the sensation of going backward even though one is travelling forward. -
Dvigubski Full Dissertation
The Figured Author: Authorial Cameos in Post-Romantic Russian Literature Anna Dvigubski Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Anna Dvigubski All rights reserved ABSTRACT The Figured Author: Authorial Cameos in Post-Romantic Russian Literature Anna Dvigubski This dissertation examines representations of authorship in Russian literature from a number of perspectives, including the specific Russian cultural context as well as the broader discourses of romanticism, autobiography, and narrative theory. My main focus is a narrative device I call “the figured author,” that is, a background character in whom the reader may recognize the author of the work. I analyze the significance of the figured author in the works of several Russian nineteenth- and twentieth- century authors in an attempt to understand the influence of culture and literary tradition on the way Russian writers view and portray authorship and the self. The four chapters of my dissertation analyze the significance of the figured author in the following works: 1) Pushkin's Eugene Onegin and Gogol's Dead Souls; 2) Chekhov's “Ariadna”; 3) Bulgakov's “Morphine”; 4) Nabokov's The Gift. In the Conclusion, I offer brief readings of Kharms’s “The Old Woman” and “A Fairy Tale” and Zoshchenko’s Youth Restored. One feature in particular stands out when examining these works in the Russian context: from Pushkin to Nabokov and Kharms, the “I” of the figured author gradually recedes further into the margins of narrative, until this figure becomes a third-person presence, a “he.” Such a deflation of the authorial “I” can be seen as symptomatic of the heightened self-consciousness of Russian culture, and its literature in particular. -
Tolstoy in Prerevolutionary Russian Criticism
Tolstoy in Prerevolutionary Russian Criticism BORIS SOROKIN TOLSTOY in Prerevolutionary Russian Criticism PUBLISHED BY THE OHIO STATE UNIVERSITY PRESS FOR MIAMI UNIVERSITY Copyright ® 1979 by Miami University All Rights Reserved Library of Congress Cataloging in Publication Data Sorokin, Boris, 1922 Tolstoy in prerevolutionary Russian criticism. Bibliography: p. Includes index. 1. Tolstoi, Lev Nikolaevich, graf, 1828-1910—Criticism and interpretation—History. 2. Criticism—Russia. I. Title. PG3409.5.S6 891.7'3'3 78-31289 ISBN 0-8142-0295-0 Contents Preface vii 1/ Tolstoy and His Critics: The Intellectual Climate 3 2/ The Early Radical Critics 37 3/ The Slavophile and Organic Critics 71 4/ The Aesthetic Critics 149 5/ The Narodnik Critics 169 6/ The Symbolist Critics 209 7/ The Marxist Critics 235 Conclusion 281 Notes 291 Bibliography 313 Index 325 PREFACE Leo Tolstoy (1828-1910) has been described as the most momen tous phenomenon of Russian life during the nineteenth century.1 Indeed, in his own day, and for about a generation afterward, he was an extraordinarily influential writer. During the last part of his life, his towering personality dominated the intellectual climate of Russia and the world to an unprecedented degree. His work, moreover, continues to be studied and admired. His views on art, literature, morals, politics, and life have never ceased to influence writers and thinkers all over the world. Such interest over the years has produced an immense quantity of books and articles about Tolstoy, his ideas, and his work. In Russia alone their number exceeded ten thousand some time ago (more than 5,500 items were published in the Soviet Union between 1917 and 1957) and con tinues to rise. -
What Is “The Book of Breathings”?
BYU Studies Quarterly Volume 11 Issue 2 Article 5 4-1-1971 What is “The Book of Breathings”? Hugh Nibley Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Nibley, Hugh (1971) "What is “The Book of Breathings”?," BYU Studies Quarterly: Vol. 11 : Iss. 2 , Article 5. Available at: https://scholarsarchive.byu.edu/byusq/vol11/iss2/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Nibley: What is “The Book of Breathings”? what is the book of breathingsBreathings HUGH NlNIBLEYBLEY MEET THE FAMILY upon their publication in 1967 the joseph smith papyri nos X and XI were quickly and easily identified as pages from the egyptian book of breathingsBreathings the frequent occur- rence of the word susnsnsnprovided a conspicuous clue and though the last page of the book the one that usually contains the title was missing its contents closely matched that of other egyptian writings bearing the title sh fhifbishishlsh t n susnsnsn com- monly translated book of Breabreathingthingss A most welcome guide to the student was ready at hand in J de Horhorrackborrackrack s text translation and commentary on a longer and fuller version of the same work pap louvre 3284 which he published in 1878 along with another version of the text louvre no 3291 and variant readings from a half -
2015 Chekhov's Sakhalin Island De Gaulle's Visit to the USSR
ISSN 2311-911X (print) ISSN 2313-6871 (online) The Russian Word of the Year: 2015 Chekhov's Sakhalin Island De Gaulle's Visit to the USSR QR.URFU.RU Vol. 4 | 2016 | № 4 ISSN 2311-911X (print) ISSN 2313-6871 (online) QR.URFU.RU Vol. 4 | 2016 | № 4 QUAESTIO ROSSICA Vol. 4. 2016. № 4 http://qr.urfu.ru Журнал основан в 2013 г. Established in 2013 Выходит 4 раза в год (апрель, июнь, Published 4 times a year (April, June, сентябрь, декабрь) September, December) · · Учредитель – Уральский федераль- Founded by Ural Federal University ный университет имени первого named aft er the fi rst President Президента России Б. Н. Ельцина of Russia B. N. Yeltsin (УрФУ) (UrFU) 620000, Россия, Екатеринбург, 51, Lenin Ave., 620000, Yekaterinburg, пр. Ленина, 51 Russia · · Свидетельство о регистрации Journal Registration Certifi cate ПИ № ФС77-56174 от 15.11.2013 PI № FS77-56174 as of 15.11.2013 · · «Quaestio Rossica» – рецензируемый научный “Quaestio Rossica” is a peer-reviewed aca- журнал, сферой интересов которого явля- demic journal focusing on the study of ются исследования в области культуры, ис- Russia’s culture, art, history, archaeology, lit- кусства, истории, археологии, лингвистики erature and linguistics. Th e journal aims to и литературы России. Задача журнала – рас- broaden the idea of Russian studies within ширить представления о российском гума- discourse in the humanities to encompass an нитарном дискурсе в пространстве мировой international community of scholars. Priority науки. Приоритет отдается публикациям, is given to articles that consider new histori- в которых исследуются новые исторические cal and literary sources, that observe rules of и литературные источники, выполняются academic writing and objectivity, and that требования академизма и научной объек- are characterized not only by their critical тивности, историографической полноты и approach but also their historiographic полемической направленности.