Santander Art and Culture Law Review 2/2020 (6): 87-118 DOI: 10.4467/2450050XSNR.20.012.13015 GENERAL ARTICLES Malin Thor Tureby*
[email protected] orcid.org/0000-0001-8232-8664 Department of Society, Culture and Identity Malmö University SE-205 06 Malmö, Sweden Kristin Wagrell**
[email protected] orcid.org/0000-0003-4001-0767 Tema Q, Linköpings Universitet: Campus Norrköping SE-601 74 Norrköping, Sweden Digitization, Vulnerability, and Holocaust Collections Abstract: Although digitization has become a word that is almost synonymous with democratization and citizen participation, many museums and other cultural heritage institutions have found it diffi- cult to live up to this political vision of inclusivity and access for all. In Sweden, political ambitions to digitize the cultural heritage sector * Malin Thor Tureby is Professor of History at Malmö University (Sweden) and Principal Investigator (PI) of the Swedish research team for the project “Digital Heritage in Cultural Conflicts (DigiCONFLICT)” as well as the PI in other major research projects with different but related aims such as: working to produce empirically-based knowledge on how stories from different migrant groups as well as survivor testimonies and stories have been created, collected, and archived over time and collecting and writing histories about and with Jewish women in Sweden. She worked as an appointed expert to the committee of inquiry on a museum about the Holocaust in Sweden (2019-2020). ** Kristin Wagrell is a cultural studies scholar at Linköping University (Sweden) who recently defended her PhD thesis “Chorus of the Saved”: Constructing the Holocaust Survivor in Swedish Public Discourse, 1943-1966.