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Learning Languages Through Walking Tours with Native Speakers
LEARNING LANGUAGES THROUGH WALKING TOURS WITH NATIVE SPEAKERS www.neweuropetours.eu SANDEMANs NEW Europe is the world’s largest city walking tour provider. With hundreds of thousands of five-star reviews, millions of satisfied guests annually and outstanding service, for a lot of travelers, SANDEMANs tours are an important part of their trip. While many customers choose SANDEMANs to get to know a city with the help of an informed, entertaining and unforgettable expert guide, there is a growing segment of guests who use SANDEMANs to learn a language. With over 600 independent guide partners, native speakers of English and Spanish as well as native speakers of the respective national language are available in all 20 cities in which SANDEMANs is active. With trained English, Spanish and German teachers and a fascinating selection of stories, SANDEMAN tours are an entertaining and interesting way to learn a language. Why SANDEMANs NEW Europe?The SANDEMANs SANDEMANsStory NEW Europe at a glance Qualified language teachers In our multilingual office team Freelance guides from 25 countries Over 600 Freelance guide partners At SANDEMANs NEW Europe, we work with tour guides who specialise in making history, society and culture come alive. These young (and young at heart) guides are experts not only in the cities they call home, but in keeping guests of all ages, nationalities and backgrounds engaged - this is particularly true for school groups. 235,000 Five-star reviews These guides are native English/Spanish and German-speakers from all over the world, giving students the opportunity to hear a range of real-life accents and vocabulary, and to interact with people from different cultures. -
Dosier Exposición Itinerante Pedro Román
Dosier EXPOSICIÓN ITINERANTE Pedro Román Fotografías de una época 1. INTRODUCCIÓN 2. DESARROLLO 2.1. Contenidos de la exposición itinerante 2.2. Destinatarios de la exposición y periodo de cesión 2.3. Características que deben reunir los lugares de exposición 2.4. Organización de la exposición 2.4.1. Tareas que asume la Diputación de Toledo a través del Centro Cultural San Clemente 2.4.2. Tareas que asumen los Ayuntamientos o entidades solicitantes 2.4.3. Condiciones de exposición de las piezas 3. CONTACTO 4. LISTADO DE OBRAS QUE COMPONEN LA EXPOSICIÓN 5. DOCUMENTACIÓN GRÁFICA 1.- INTRODUCCIÓN Pedro Román Martínez (1878-1948) fue un intelectual y artista nacido en Alcaraz (Albacete) que desarrolló gran parte de su actividad cultural y docente en la ciudad de Toledo desde finales del siglo XIX hasta mediados del XX. Se dedicó fundamentalmente a la pintura y a la fotografía. Fue profesor de la Escuela de Artes y Oficios Artísticos y uno de los fundadores de la Real Academia de Bellas Artes y Ciencias Históricas de Toledo, llegando a ser Director. Aficionado a la arqueología, plasmó en la fotografía y en la pintura una serie de yacimientos muy importantes, lo que resultó ser muy útil para su conservación posterior. Pero es gracias, fundamentalmente, al trabajo de su nieto Lorenzo Andrinal Román, investigador tenaz que ha sabido recopilar minuciosamente datos y documentos, con el respaldo de la Diputación Provincial de Toledo, que la obra de este artista está viendo la luz, mediante exposiciones fotográficas, publicaciones y conferencias. 1 A principios de 2010 la Diputación Provincial de Toledo y la familia del artista firmaron un Protocolo para la constitución del Fondo Pedro Román Martínez. -
1 One of Many Interesting Demo-Geographic Processes In
TOPIC/SESSION 401 (REGIONAL AND URBAN ISSUES) GUIDELINES OF SECOND HOMES LOCATION IN SPANISH URBAN POPULATION: SOCIAL DEMOGRAPHIC AND TERRITORIAL ANALYSIS. JUAN ANTONIO MÓDENES CABRIZO Department of Geography, Autonomous University of Barcelona and Demographic Studies Centre JULIAN LÓPEZ COLÁS Demographic Studies Centre (Barcelona, Spain) BRENDA YÉPEZ MARTÍNEZ Demographic Studies Centre (Barcelona, Spain) One of many interesting demo-geographic processes in Spain become the expansion of the second homes and the consequent transformation of wide zones close to the big cities, coasts, and interior zones which turned to be increasingly attractive. Most second homes are purchased for personal reasons. In some cases owners use their second home as a sort of refuge to temporarily escape their urban environment. Part of this demand, specially in the Mediterranean coast occurs because the international request attracted by the climate, the differential level in life standards, and the present transport facility. Nonetheless, the internal demand is very important and continues to grow. If in 1991, 12% of the Spanish resident homes possessed a secondary household, in 2001 it was already increasing to 15%. Almost one of each seven homes is immersed in multiple residence strategy. Diverse studies have demonstrated the interactions between housing characteristics, those related to the habitual residences and the possession of second homes. Generally they have concluded that the main explanatory factors are, on one hand, a dense and compact habitat, and by other hand, the socio-demographics and socioeconomic status of secondary residence users. Nevertheless, the guideline of location of this type of housing and its interaction with homes characteristics seems to be a less treated subject. -
Get £20 in Free Bets When You Stake £5
25/09/2018 DIVIDED: Experts and locals on digging up dictator Franco from the Valley of the Fallen in special Olive Press report from Madrid -… We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. ACCEPT Read more / Saber mas GET £20 IN FREE BETS WHEN YOU STAKE £5 Close the Ad NEW CUSTOMERS ONLY || || ++1188 DIVIDED: EXPERTS AND LOCALS ON DIGGING UP DICTATOR FRANCO FROM THE VALLEY OF THE FALLEN IN SPECIAL OLIVE PRESS REPORT FROM MADRID Spain is a country still divided between those nostalgic for the Franco days and those who abhorred El Generalisimo By Heather Galloway - 22 Sep, 2018 @ 09:22 A QUEUE of trac a kilometre long snakes up to the gates of the Valley of the Fallen. As we inch forward, frying in the August heat, a large tattooed man draped in the Spanish ag steps out of the car in front and urinates on the road in direct view of my 18-year-old daughter. Valley of the Fallen, near Madrid Despite living in the shadow of Europe’s only remaining monument to a fascist leader – General Francisco Franco – I had not visited this striking but sinister place since 1993 when I was given short shrift for asking awkward questions. I expected the reception to be dierent 25 years on and you could call it that. The Valle de los Caidos, 50km from Madrid, is Franco’s OTT tribute to ‘the heroes and martyrs of the Crusade’ – a monolithic monument to those who ‘fell for God and for Spain in the Holy War against indels, Masons, Marxists, homosexuals and feminists’. -
Pedro-De-Mena-Ecce-Homo-Dolorosa
Pedro de Mena th 17 century Tel: +5411 4816 2787/+5411 4816 2790 [email protected] www.jaimeeguiguren.com 1 Pedro de Mena (Granada, Spain, 1628-1688 Málaga) A New Pair of Busts: Ecce Homo and Dolorosa Partially-gilt polychrome wood Ecce Homo 31 x 24 x 15 cm Dolorosa 31 x 24 x 15 cm Provenance: Spain, Miguel Granados Tel: +5411 4816 2787/+5411 4816 2790 [email protected] www.jaimeeguiguren.com 2 Depictions of the subject of Ecce Homo and the Virgin of Sorrows bear witness to the major development of Passion imagery in the Spanish Baroque, second only to the central episode of Christian art, Christ on the cross1. The subject we are dealing with here was, in turn, particularly significant in the Granada school, the context into which we can slot Pedro de Mena’s early artistic period or stage. These types of devotional Passion images were part of the religious worship of the day, and were adapted to the demands and requirements of the Council of Trent, the famous decree dealing with the worship and veneration of holy images2, partly conceived of as a way of highlighting the painful aspects of the Passion in order to elicit an emotive response in believers. Pedro de Mena adapted his art to these exigencies with sublime skill, working the most expressive elements in an exceptional fashion and creating works that invited the viewer to prayer. His sculptures were intended to be venerated in the privacy of chapels, convents and palaces, with the aim of maximizing their emotional charge and encouraging an intimate visual connection and communication between the believer and the image depicted. -
Coastal Iberia
distinctive travel for more than 35 years TRADE ROUTES OF COASTAL IBERIA UNESCO Bay of Biscay World Heritage Site Cruise Itinerary Air Routing Land Routing Barcelona Palma de Sintra Mallorca SPAIN s d n a sl Lisbon c I leari Cartagena Ba Atlantic PORTUGALSeville Ocean Granada Mediterranean Málaga Sea Portimão Gibraltar Seville Plaza Itinerary* This unique and exclusive nine-day itinerary and small ship u u voyage showcases the coastal jewels of the Iberian Peninsula Lisbon Portimão Gibraltar between Lisbon, Portugal, and Barcelona, Spain, during Granada u Cartagena u Barcelona the best time of year. Cruise ancient trade routes from the October 3 to 11, 2020 Atlantic Ocean to the Mediterranean Sea aboard the Day exclusively chartered, Five-Star LE Jacques Cartier, featuring 1 Depart the U.S. or Canada the extraordinary Blue Eye, the world’s first multisensory, underwater Observation Lounge. This state-of-the-art small 2 Lisbon, Portugal/Embark Le Jacques Cartier ship, launching in 2020, features only 92 ocean-view Suites 3 Portimão, the Algarve, for Lagos and Staterooms and complimentary alcoholic and nonalcoholic beverages and Wi-Fi throughout the ship. Sail up Spain’s 4 Cruise the Guadalquivir River into legendary Guadalquivir River, “the great river,” into the heart Seville, Andalusia, Spain of beautiful Seville, an exclusive opportunity only available 5 Gibraltar, British Overseas Territory on this itinerary and by small ship. Visit Portugal’s Algarve region and Granada, Spain. Stand on the “Top of the Rock” 6 Málaga for Granada, Andalusia, Spain to see the Pillars of Hercules spanning the Strait of Gibraltar 7 Cartagena and call on the Balearic Island of Mallorca. -
Toledo Espa.Ol
TALAVERA DE LA REINA 80 km MADRID 70 km MOCEJÓN 13 km A A C C r a v g N-403 C N-401 A . l a o H e l rgaz st. S C B B A e O l C o n l L c e A . L N i o V o x o r t V á BARRIO DE Autopista Pl. de a le T z A é l i E al a r A l i n C . r M e M o s v a o a N n v Cuba m i i l LAS COVACHUELAS LANO DE LA IUDAD e . l a a A PLANO DE LA CIUDAD z Autovía I ERA d b D v L o ca BARRIO DE i ri e s d a a é A e d m r on i A D TAV b Carreteran nacional a LOS BLOQUES ar e T B TOLEDO U TOLEDO v a C A de ñ o ca Q e e Ctra. Red básica 1er orden O r r L r la d i U r j A o e o E C D s N d CASTILLA Ctra. Red básica 2º orden 1 a e ITINERARIO I ITINERARIO II P E E l . le D D M Estación V Carretera local C E R i A l r la º a A a de Autobuses a LE f n on R C Carreteros lo l L A.V.E.a ca M Pl. r 1.-Hospital de Tavera 8.-Catedral s A e d E A Honda s e Ferrocarril L D l C 2.-Puerta de Bisagra 9.-Ayuntamiento A Esp A ino H . -
Museo Del Traje: Breve Presentación*
011-022_MUSEO TRAJE 26/5/08 09:34 Página 13 Museo del Traje: breve presentación* Andrés Carretero Pérez El MUSEO DEL TRAJE. Centro de Investi- Centre de Documentació i Museu Tèxtil de gación del Patrimonio Etnológico, depen- Tarrasa o la Fundación y Museo Balencia- diente del Ministerio de Cultura, de ga, dedicado de manera monográfica a reciente creación, se plantea como un este gran artista español, en Guetaria. museo especializado en el estudio de la Faltaba, sin embargo, una institución de historia del traje y de la moda contempo- ámbito nacional que amparara específica- ránea en España. Sus objetivos principales mente este patrimonio, porque su repre- incluyen la valoración del vestido como sentación en los museos estatales es expresión social y creación artística, así bastante limitada, dispersa e incompleta. como de las numerosas industrias y activi- Además de los fondos que guardaba el dades relacionadas con él; el análisis de las antiguo Museo Nacional de Antropología, implicaciones técnicas, sociales, ideológi- de los que hablaremos a continuación, cas y creativas de la indumentaria a través pueden citarse las series de trajes popula- de la diversidad y el continuo cambio de res (con sus joyas y aderezos) del Museo los usos; la difusión de las características Sorolla, que el pintor adquirió y utilizó particulares de la historia del vestido en para sus pinturas de tipos populares espa- España; y la contextualización de esa pro- ñoles realizadas por encargo de la Hispa- ducción española en el marco histórico, nic Society; los escasos trajes de época social y cultural europeo al que siempre ha conservados en el Museo Romántico o el estado unido. -
Indumenta Revista Museo Del Traje
INDUMENTA REVISTA MUSEO DEL TRAJE 02/2011 INDUMENTA Revista Museo del Traje 02/2011 www.mcu.es Catálogo de publicaciones de la AGE http://publicacionesoficiales.boe.es/ MINISTERIO DE CULTURA Edita: © SECRETARÍA GENERAL TÉCNICA Subdirección General de Publicaciones, Información y Documentación © De los textos y las fotografías: sus autores NIPO: 551-11-074-6 ISSN: 1133-8741 MINISTERIO DE CULTURA Ángeles González-Sinde Ministra de Cultura Mercedes E. del Palacio Tascón Subsecretaria de Cultura Ángeles Albert Directora General de Bellas Artes y Bienes Culturales Consejo de redacción Rafael García Serrano José Luis Mingote Calderón Concha Herranz Rodríguez Helena López de Hierro D’ Audabere M.ª Antonia Herradón Figueroa Irene Seco Serra Elvira González Asenjo Juan Gutiérrez Fernández-Barja Coordinación preedición Montse Moya González M.ª José Pacheco Portela Corrección de estilo Ana Guerrero Melguizo Información e intercambio Museo del Traje. CIPE Fotografías de piezas del Museo Avda. Juan de Herrera, 2 Lucía Ybarra Zubiaga 28040 Madrid José Luis García Romero Tel.: 91 550 47 00 Miguel Ángel Otero Ibáñez Fax.: 91 544 69 70 David Serrano Pascual http://museodeltraje.mcu.es Munio Rodil Ares [email protected] ÍNDICE Pág. La moda en la Restauración, 1868-1890......................................................................................................................8 Pablo Peña González Algunas consideraciones sobre el zapato femenino burgués (1860-1900) a través de la revista La Moda Elegante...................................................................................................................37 Marta Blanco Carpintero La fortuna de un motivo. El diseño de la granada en el tejido modernista catalán.....................................................................................50 Joan Miquel Llodrà Nogueras María Rosa Salvador o la pasión por la moda........................................................................................................78 Lola Gavarrón Monedas romanas en las colecciones del Museo del Traje. -
Tales of the Alhambra
Tales of the Alhambra Architecture, poetry and meaning in fourteenth-century Granada THE ALHAMBRA Alhambra = Arabic al-ḥamrāʾ, “the red” 1st Comares Palace (Court of the Myrtles) Ismāʿīl I 2nd Comares Palace (Court of the Myrtles) Yūsuf I Garden Palace or Qaṣr al-Riyāḍ (“Court of the Lions”) Muḥammad V THE NAṢRID SULTANS (only those mentioned are shown) Ismāʿīl I (1314-1325) Muḥammad IV (1325-1333) Yūsuf I (1333-1354) Muḥammad V (1354-1359; 1362-1391) Ismāʿīl II (1359-1360) THE POETS OF THE DĪWĀN AL-INSHĀʾ (only those mentioned are shown) ʿAlī ibn al-Jayyāb (b.1274; d. of plague 1349) 1st career, 1295-1314: apprentice, secretary, head of department 2nd career, 1314-1349: secretary, head of department, vizier, double vizier, i.e. of both the pen (civil administration) and the sword (army). Ibn al-Khaṭīb (b.1313; d.1374, murdered in prison in Morocco) 1332-1371: apprentice, secretary, personal secretary to the sultan, head of department, vizier, double vizier; 1371-72, fled to Morocco. Ibn Zamrak (b.1330; d.1393, murdered with his sons) 1354-1393: apprentice, personal secretary to the sultan, head of department, vizier. THE POEMS The Arabic texts of these poems, with a Spanish translation and relevant bibliography, are to be found in García Gómez 1985. However, most of the emendations to the Arabic proposed by García Gómez have been ignored, in favour of the text of the inscriptions themselves. The free English translations (by Nadia Jamil and JJ) that follow have been made specially for this lecture; amongst several interweaving strands of meaning, they follow only those most important for the argument proposed. -
Glaming Madrid Project
GLAMING MADRID PROJECT September 7, 2015 - January 7, 2016 INDEX 1. Introduction 3 2. GLAM-WIKI 5 3. Origin of the project 6 4. Timing and spaces 9 5. Activities 10 5.1 Training sessions for the public 10 5.2 Training sessions for staff 14 5.3 Triedit-a-thon 15 5.4 Classical music concerts 16 5.6 GLAMing Madrid Challenge 18 5.7 Content donation 22 6. Diffusion 26 7. Participants experience 30 8. Learned lessons 38 9. Credits and resources 41 GLAMING MADRID PROJECT 2 INTRODUCTION Wikimedia Spain is a non-profit organization dedicated to the promotion of free knowledge, particularly projects hosted and supported by the Wikimedia Foundation, Wikipedia, Wikimedia Commons Wikidata, Wikisource, wikivoyage, Wikispecies, Wiktionary, Wikibooks, Wikinews, Wikibooks and Wikiversity, in all languages spoken in Spain. Wikipedia is one of the most visited websites and its importance to the preservation and dissemination of culture has been steadily growing. Its physical structure, such as servers and technical equipment, is funded and managed by Wikimedia Foundation. The following sentence summarizes its objectives: "Imagine a world in which every single person on the planet is given free access to the sum of all human knowledge. That's what we're doing" Wikimedia Spain is the Wikimedia chapter in Spain recognized by the Foundation. We are an independent association but linked to it by a commitment to support their projects. We provide support to wikimedians of our field of action, without distinction of language or project work. We also try to spread the spirit wiki in areas such as education and cultural institutions. -
A Student's Guide to Studying Abroad in Spain
Bowling Green State University ScholarWorks@BGSU Honors Projects Honors College Spring 4-29-2012 A Student's Guide to Studying Abroad in Spain Sara Predieri Follow this and additional works at: https://scholarworks.bgsu.edu/honorsprojects Repository Citation Predieri, Sara, "A Student's Guide to Studying Abroad in Spain" (2012). Honors Projects. 79. https://scholarworks.bgsu.edu/honorsprojects/79 This work is brought to you for free and open access by the Honors College at ScholarWorks@BGSU. It has been accepted for inclusion in Honors Projects by an authorized administrator of ScholarWorks@BGSU. A Student’s Guide to Studying Abroad in Spain Una guía de estudiantes para sus estudios internacionales en España El Palacio Real (Royal Palace) en Madrid Una estatua (statue) de Sancho Panza and Don Quijote en Alcalá 1 Table of Contents Indice More Resources pg. 3 Author’s Note pg. 4 Part I: Culture Shock General Information about Spain pg. 5 El Mapa de España pg. 7 Alcalá de Henares pg. 8 Packing for Spain pg. 10 Relationships at Home and Abroad pg. 14 Your Host Family pg. 16 Stores in Spain pg. 18 Spanish Customs pg. 19 Part II: So I’m Here, Now What? Fashion in Spain pg. 23 Social Life in Spain pg. 24 La Universidad en España pg. 25 Jobs in Spain pg. 27 Part III: Travel in Spain Types of Transportation pg. 30 Important Places to See pg. 33 Madrid pg. 34 Toledo pg. 36 Segovia pg. 37 Barcelona pg. 38 Granada pg. 40 Basic Spanish Phrases pg. 42 More Spanish Phrases pg.