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NSBA Convention Performances.Xlsx
NSBA Performances 1 Title Composer/ Arranger Publisher Grade Performing Group Director(s) Year Russian Christmas Music Alfred Reed, arr. James Curnow Hal Leonard 3.5 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 December Sky Erik Morales FJH Music 1.5 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 But for the Love of Ireland James Swearingen C.L. Barnhouse Company 3 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Burma Patrol Karl King, ed. James Swearingen C.L. Barnhouse Company 3 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Torrents of Fire Larry Neeck C.L. Barnhouse Company 3 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Pandora Randall Strandridge Grand Mesa Music 2 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 An Irish Jig for Young Feet Travis J. Weller FJH Music 2 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Girl from Ipanema Antonio Carlos Jobim/arr. Roger Holmes Hal Leonard Kearney High School Jazz Ensemble Nathan LeFeber 2015 Old Black Magic Arlene and Mercer/arr. Jerry Dotson Unpublished Kearney High School Jazz Ensemble Nathan LeFeber 2015 Pick up the Pieces arr. Victor Lopez Alfred Music Kearney High School Jazz Ensemble Nathan LeFeber 2015 Misty Burke and Garner/arr. Mike Lewis Alfred Music Kearney High School Jazz Ensemble Nathan LeFeber 2015 Blue Hue Dominic Spera C.L. Barnhouse Company Kearney High School Jazz Ensemble Nathan LeFeber 2015 Everlasting Gordon Goodwin Belwin Kearney High School Jazz Ensemble Nathan LeFeber 2015 Bottom Line Blues Jon Phelps Kendor Music Publications Kearney High School Jazz Ensemble Nathan LeFeber 2015 All of Me Marks and Simon/arr. -
The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next. -
Wallace Roney Joe Fiedler Christopher
feBrUARY 2019—ISSUe 202 YOUr FREE GUide TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BILLY HART ENCHANCING wallace joe christopher eddie roney fiedler hollyday costa Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East feBrUARY 2019—ISSUe 202 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : wallace roney 6 by anders griffen [email protected] Andrey Henkin: artist featUre : joe fiedler 7 by steven loewy [email protected] General Inquiries: on the cover : Billy hart 8 by jim motavalli [email protected] Advertising: encore : christopher hollyday 10 by robert bush [email protected] Calendar: lest we forGet : eddie costa 10 by mark keresman [email protected] VOXNews: LAbel spotliGht : astral spirits 11 by george grella [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or oBitUaries 12 by andrey henkin money order to the address above or email [email protected] FESTIVAL REPORT 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, CD reviews 14 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Miscellany Tom Greenland, George Grella, 31 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, event calendar Matthew Kassel, Mark Keresman, 32 Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Brian Charette, Steven Loewy, As unpredictable as the flow of a jazz improvisation is the path that musicians ‘take’ (the verb Francesco Martinelli, Annie Murnighan, implies agency, which is sometimes not the case) during the course of a career. -
Blues in the Blood a M U E S L B M L E O O R D
March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz. -
Title Arranger / Composer Arranger / Composer
Title Arranger / Composer Arranger / Composer (Back Home Again In) Indiana FULL Big Band Barduhn+ (I Got You) Under My Skin FULL Big Band Vocal (I Love You) For Sentimental Reasons FULL Big Band Osser (Shes) Sexy + 17 FULL Big Band Lowden Stray Cats (Up A) Lazy River FULL Big Band Sy Zentner (Up A) Lazy River FULL Big Band (Vocal) Wess Bobby Darin 1237 On A Saturday Afternoon FULL Big Band Persons 2 At A Time FULL Big Band Persons 2 Bone BBQ FULL Big Band Cobine 20 Nickles FULL Big Band Beach 21st Century Schizoid Man FULL Big Band 23 Chuckles FULL Big Band Paul Clark 23 Red FULL Big Band Bill Chase Woody Herman Orchestra 23o N 82oW Full Big Band 25 Or 6 To 4 FULL Big Band Blair Chicago+ 25 Or 6 To 4 FULL Big Band Lamm Chicago 42nd Street Medley FULL Big Band Lowden 5 Foot 2 FULL Big Band (Trombone Feature) Amy 50's Medley FULL Big Band Unk 61st & Rich' It FULL Big Band Thad Jones+ 7 Come 11 FULL Big Band Henderson Benny Goodman 720 In The Books FULL Big Band Wolpe 720 In The Books FULL Big Band (Vocal) Mason 88 Basie Street Sammy Nestico 88 Basie Street Full Big Band Nestico 920 Special FULL Big Band Bunton 920 Special FULL Big Band Collins Count Basie+ 920 Special FULL Big Band Murphy A That's Freedom FULL Big Band Thad Jones A Beautiful Friendship FULL Big Band Nestico A Big Band Christmas FULL Big Band Strommen A Big Band Christmas II FULL Big Band Strommen A Brazilian Affair FULL Big Band Mintzer A Change Of Pace FULL Big Band Unk A Child Is Born FULL Big Band Thad Jones A Childrens Song FULL Big Band Mintzer A Cool Shade Of Blue -
BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S
IN THIS ISSUE: An interview with BILL TOLE BIG * k Reviews of BOOKS AND RECORDS to consider BAND ★ A SMALL GROUPS JUMP TRIVIA QUIZ NEWSLETTER ★ LETTERS TO THE EDITOR about PAT FRIDAY, LORRAINE ELLIOTT, VIBES, TURNTABLES, BALLROOMS & OTHERS BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE Atlanta, GA 30355 PAID Atlanta, GA Permit No. 2022 % \\ V % BIG BAND JIMP VOLUME LXXIV BIG BAND JUMP NEWSLETTER MAY-J UNE 2001 BILL TOLE INTERVIEW The Background For years we’ve seen the name Bill Tole listed as a member of the trombone section of various bands recorded on the west coast, then we became ac quainted with two CDs he had released with a solid band under his own name. Little by little, as information tends to accumulate, we discovered that Bill Tole is the brother of singer Nancy Knorr, who works with the Bill Tole as Bill Tole Jimmy Dorsey orchestra directed by Jim Miller. We also found out that Bill has a brother who is also a trombonist, and also works in the west coast studios. We got to know Bill Tole on a one-to-one basis when he led a Tommy Dorsey style orchestra on a spring BBJ cruise on the S.S. Rembrandt. We didn’t know until then that he’d portrayed Tommy Dorsey in a feature motion picture years earlier, assuming the Dorsey mannerisms, and of course playing the Dorsey music. He is a personable, easy-to-know musician who is fully dedicated to just that.... being the best musician he can be. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
May 2008AAJ-NY.Qxd
NEW YORK May 2008 | No. 73 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com AHMAD JAMAL IT'S MAGIC Vince Giordano • George Garzone • Les Disques Victo • Dizzy’s Club • Event Calendar NEW YORK May is significant in the history of Miles Davis. Not only is the 26th the late trumpeter’s birthday but many of his most enduring works were New York@Night recorded during this month, including the Charlie Parker All-Stars (1948); the 4 Miles Davis-Tadd Dameron Quintet’s run in Paris (1949), most of the Workin’, Steamin’ and Relaxin’ triumvirate by the quintet with John Coltrane (1956), Miles Interview: Vince Giordano Ahead and At Carnegie Hall, both with the Gil Evans Orchestra (1957 and 1961 6 by Michael Hittman respectively); and the bulk of Miles in the Sky (1968). Now in May 2008, another chapter to the Miles Legacy will be written with an ambitious concert at Town Artist Feature: George Garzone Hall May 9th, “Miles From India”. A companion concert to a just-released album 7 by Matthew Miller of the same name, the concert brings together musicians who played with the legend throughout his career as well as a number of classical Indian musicians for Label Spotlight: Les Disques Victo what is billed as a “cross-cultural summit meeting”. Our Encore this month, 8 by Kurt Gottschalk guitarist Pete Cosey, is participating in what is sure to be a monumental event. But, as is typical for New York, the happenings don’t stop happening there. Club Profile: Dizzy’s Club Pianist Ahmad Jamal (Cover) brings his trio to Blue Note in a pre-release by Laurel Gross celebration of his first new album in three years, It’s Magic (Birdology-Dreyfus), due out in June. -
LP Inventory
Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie -
Mwft F 1 7 1 a I 0
J^ mwft7 1f 1 a i 0 /Y- / DEVELOPING A GUIDE TO THE TECHNIQUES OF IMITATING SELECTED COMMERCIAL MUSIC STYLES THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Jeffrey M. King, B. M. Denton, Texas August, 1975 King, Jeffrey M., Developing a Guide to the Techniques of Imitating Selected Commercial Music Style. Master of Music, August, 1975, 285 pp., 55 illustrations, 24 tables, bibliography, 45 titles. The purpose of this study was to develop a guide to help teach commercial music style imitation, Styles selected were ragtime, dixieland, Whiteman, Goodman, Miller, bop, Berry, Presley, Motown, hard rock, horn band, soft rock, straight ahead big band, Ellington, Basie, country rock, bluegrass, Country-Western, Mantovani, Boston Pops, and Love Unlimited Orchestra. Melody, harmony, rhythm, voicing, instrumentation, form, special effects, performance techniques, electronic alteration, and articulation were discussed for each style. A table summarizing each discussion, and an arrangement and recording of the same melody in each style were included, The guide appears successful, judging from commercial writers' estimations, The work will probably aid writers, performers, researchers, and publishers. Similar works could be done on other commercial and ethnic styles. PREFACE The aspiring commercial music arranger/composer faces many obstacles in his preparation for the profession. One of the main problems encountered is locating sources which can provide information about the imitation of com- mercial music styles, The television viewer and radio listener, as wel4. as the movie-goer, are exposed to massive doses of music every time they engage in one of these pastimes. -
Seldon Powell
1 The TENORSAX of SELDON POWELL Solographer: Jan Evensmo Last update: Feb. 16, 2021 2 Born: Lawrenceville, Virginia, Nov. 15, 1928 Died: New York, Jan. 25, 1997 Introduction: I remember very well our first encounter with Seldon Powell; through the exciting 1956 Atlantic album “Boss Of The Blues” with Joe Turner. We enjoyed his music very much from the start, and realizing the enormous number of recording sessions he had taken part in, we called him a ‘tenorsax potato’, suitable for all jazz dishes. It was meant as an honour. In our opinion, SP did never get the recognition he deserved History: First musical studies at Brooklyn and New York Conservatories 1947-49 and graduated at Juillard 1957. First job with the band of Betty Mays 1949, Tab Smith at Savoy Ballroom 1949 and Dec. 1949 with Lucky Millinder until 1951. Did army service 1951-52 playing in bands in France and Germany where he was stationed. After discharge returned to New York and played with Sy Oliver, Erskine Hawkins, Neal Hefti, Louis Bellson and Don Redman 1952-55. Studied at Juillard. In 1958 he travelled to Europe with Benny Goodman’s band, and then he played briefly with Woody Herman. In the 1960s he worked chiefly for ABC TV but also recorded heavily. His numerous recordings as a studio musician include many made in the late 1960s and early 1970s with soul and soul-jazz musicians, including Groove Holmes (ca. 1973) and sessions in the big bands that accompanied Gato Barbieri (1974) and Anthony Braxton and Dizzy Gillespie (both 1976).