Tibetan Bodhisattvas
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Revue d’Etudes Tibétaines numéro trente — Octobre 2014 Revue d’Etudes Tibétaines numéro trente — Octobre 2014 ISSN 1768-2959 Directeur : Jean-Luc Achard. Comité de rédaction : Anne Chayet, Alice Travers, Jean-Luc Achard. Comité de lecture : Ester Bianchi (Università degli Studi di Perugia), Anne Chayet (CNRS), Fabienne Jagou (EFEO), Rob Mayer (Oriental Institute, University of Oxford), Fernand Meyer (CNRS-EPHE), Françoise Pommaret (CNRS), Ramon Prats (Universitat Pompeu Fabra, Barcelona), Charles Ramble (EPHE, CNRS), Françoise Robin (INALCO), Brigitte Steinman (Université de Lille), Alice Travers (CNRS), Jean-Luc Achard (CNRS). Périodicité La périodicité de la Revue d’Etudes Tibétaines est généralement bi-annuelle, les mois de parution étant, sauf indication contraire, Octobre et Avril. Les contributions doivent parvenir au moins six (6) mois à l’avance. Les dates de proposition d’articles au comité de lecture sont Novembre pour une parution en Avril, et Mai pour une parution en Octobre. Participation La participation est ouverte aux membres statutaires des équipes CNRS, à leurs membres associés, aux doctorants et aux chercheurs non-affiliés. Les articles et autres contributions sont proposées aux membres du comité de lecture et sont soumis à l’approbation des membres du comité de rédaction. Les articles et autres contributions doivent être inédits ou leur ré- édition doit être justifiée et soumise à l’approbation des membres du comité de lecture. Les documents doivent parvenir sous la forme de fichiers Word, envoyés à l’adresse du directeur ([email protected]). Comptes-rendus Les livres proposés pour compte-rendu doivent être envoyés à la Revue d’Etudes Tibétaines, 22, avenue du Président Wilson, 75016 Paris. -
Identifying a Tribe of Sub-Himalaya : a Socio-Cultural Aspects Oftamang
Karatoya: NBU J. Hist. Vol. 5 :41-58 (2012) ISSN: 2229-4880 Identifying a Tribe of Sub-Himalaya : A Socio-Cultural Aspects ofTamang SudashLama The society is the repository of human behavior through the ages. It reflects the ideology and various cultural dimensions of mankind. The society is also a representative of civilization and, social structure is the indicator of organized human behavior. The folk songs of the Tamang tribe start with "Amailey Hoi Amaily "1, which praised the Motherhood, and indicate that ancient Tamang society was matriarchal (Tamang: BS 2051 ). Even today the position of the women in the social activities is equivalent of men and sometime the decision of women is more influential than men. The unification of Nepal by the great king Prithivinarayan Shah2 brought the idea ofHinduization. This process led to passing of the Act of 1854, which categorized the Tamang community as 'Bhote '3 and set into the lowest category of panichal Jaat4 or Shudras of Hindu caste hierarchy. The formation of social order that took form in Nepal followed patterns presaged in the greater social history of South Asia. As Dumont recounts, those who became Shudras in Indic varna ideology were originally conceived of as servants (Holmberg: 1996:26). The inclusion of the Tamang in the Hindu caste hierarchy especially in Nepal, also reflect the significant state ideology to bring this beef eater into the order of the Hindu cultural domain. But such inclusion by the state, with the identification as carrion-beef eater gave boost to the development of Tamang's 1. See Amailey Hoi Amailey, Amailey Hoi Amaily, Rapsi chiwa Chu Damphu, Khalse Shemba Bilawa, means "Praising the Mother, and admiring the Mother, saying that the instrument that I am beating, who is the its maker" Santabir Lama Pakhrin 's Tamba Kaiten Whai Rimthim (Sam vat 2064 ), Ratna Pustak Bhandar, Kathmandu, Nepal,(p 08) 2. -
3-50 Page.Indd
MAY 2011 / Rs. 100 www.ecs.com.np ISSN 1729-2751 Art sincethetimeofArniko / Mud, sweat and madness on the mountain / There’s something about Kiwi /Mud,sweatandmadnessonthemountainThere’ssomethingaboutKiwi Art since the time of ww.ecs.com.np MAY 2011 www.ecs.com.np ARNIKO ARNIKOThe history of Nepali art is one that has seen times, both good and bad. However, its essence has remained preserved by dedicated masters. SUBSCRIBER COPY 117 AN EVENING WITH MUSIC MUSEUM OF NEPAL TRIALS AND TRAVAILS 64 KIRAN MANANDHAR 74 A group of music enthusiasts have 10 4 ON THE TRAIL The prolific artist goes candid ensured that Nepali history is documented Reaching Everest Base Camp without a guide about artists and art in Nepal. through musical instruments. and porter provides an altogether different high. Subscribe to Healthy Life For 1 Year (12( Issues) @ Rs. 600 & Pleasure Your Senses with Rs. 1000 worth of Spa Treatment at Chaitanya Spa, Bakhundole, Sanepa To subscribe sms HL at 9851047233 Choose any one of the following six packages Refl exology (Foot massage) & Head & Shoulder Massage Manicure & Steam Spa (Steam, Sauna, Jacuzzi Area Vertebral Message with Doctor Dry Massage-Shiatsu (60min) Sauna (60 min) with Sauna (60 min) Manicure is a spa beauty treatment Usage) (60 min) Consultati on (60 min) Shiatsu is a traditi onal Japanese Refl exology is a method of applying Head and shoulder massage for the fi ngernails and hands which These are forms of hydro- Applying deep pressure of the healing method which works on pressure to the feet and hand with includes massage of head and improves and increases the blood therapy. -
Abstracts Pp. 152-450
Kingship Ideology in Sino-Tibetan Diplomacy during the VII-IX centuries Emanuela Garatti In this paper I would like to approach the question of the btsan-po’s figure and his role in the international exchanges like embassies, peace agreements and matrimonial alliances concluded between the Tibetan and the Tang during the Tibetan Empire. In order to do that, I examine some passages of Tibetan and Chinese sources. Tibetan ancient documents, like PT 1287, the PT 1288, the IOL Tib j 750 and the text of the Sino-Tibetan treaty of 821/822. For the Chinese sources I used the encyclopaedia Cefu yuangui which has never been extensively used in the study of the Tibetan ancient history. Concerning the embassies one can see that they are dispatched with important gifts when the btsan-po want to present a request. Those are registered as tribute (ch. chaogong) by the Chinese authors but one can assume, analysing the dates of embassies that the Tibetan emissaries are sent to the court with presents only when they had to present a specific request from the Tibetan emperor. Moreover, the btsan-po is willing to accept the diplomatic codes but refuses all attempt of submission from the Chinese authorities like the “fish-bag” (ch. yudai) proposed to the Tibetan ambassadors as a normal gift. For the treaties, the texts of these agreements show the evolution of the position of the btsan-po towards the Chinese court and the international diplomacy: the firsts pacts see the dominant position of Tang court over the btsan-po’s delegation. -
Tibetan Buddhist Essentials: Volume One / Venerable Tenzin Tharpa
---- Tibetan Buddhist Essentials: Volume One / Venerable Tenzin Tharpa Tibetan Buddhist Essentials A Study Guide for the 21st Century Venerable Tenzin Tharpa Volume One: Introduction, Origin, and Adaptation Volume 1: Introduction, Origin, and Adaptation Volume 2: The Buddha's Teachings Volume 3: Engaging Buddhism These texts and other material are available for free download at: TenzinTharpa.com --------------------------------------------------------------------------------------------------------------------------- Copyright Author: Venerable Tenzin Tharpa Editors: Nalini Ramesh and Halley Haruta Sera Jey Monastic University, Bylakuppe, India 1st Edition - 2018 Copyright © 2018 Venerable Tenzin Tharpa Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) CreativeCommons.org This material is free to all. It may be shared, copied, downloaded, and redistributed in any medium or format, including parts, sections, images, or graphics–although credit to the au- thor(s) must be given. Schools, dharma centers, and teachers are encouraged to share, copy, and upload this material freely to students and to include it as part of their study curriculum. This material may not be altered or built upon without formal permission from its author(s). This material may not be used for commercial purposes, including distributing or selling for profit. The copyright of this material may not be modified or additional restrictions added. [i] Tibetan Buddhist Essentials: Volume One / Venerable Tenzin Tharpa About the Author Venerable Tenzin Tharpa A fully ordained American Buddhist monk in the Tibet- an Gelug Tradition, Venerable Tharpa is a teacher, au- thor, and philosopher with over two decades in Tibet- an Buddhist studies, half of which he has spent in Ti- betan Buddhist monasteries in India. Venerable Tharpa took full monastic ordination with His Holiness the Dalai Lama in Dharamsala India. -
2016-11-12. the Head of the House of Romanoff Visits Kalmykia and Moscow, September 19-29, 2016
2016-11-12. The Head of the House of Romanoff visits Kalmykia and Moscow, September 19-29, 2016 The Head of the Russian Imperial House, H.I.H. the Grand Duchess Maria of Russia, visited Russia from September 19 to September 29, 2016. Her Imperial Highness traveled to the Republic of Kalmykia on the invitation of its President, Aleksei Maratovich Orlov. She also spent several days in Moscow. On September 19, Grand Duchess Maria of Russia arrived in Moscow from Madrid. That evening, she met members of her Chancellery and received a report from the General Director of the Imperial Foundation for Cancer Research, Archpriest Alexander Tkachenko. On September 20, Her Imperial Highness departed from Moscow for the city of Elista, the capital of the Republic of Kalmykia. She was accompanied to Domodedovo Airport in Moscow by the Permanent Representative of the Republic of Kalmykia to the President of the Russian Federation, Aminula Yakubovich Gamzatov, and by the First Deputy to the Permanent Representative, Andrei Vilenovich Vorobiev, as well as by members of her Chancellery and representatives of several civic organizations in Russia. Upon her arrival in Elista, the Head of the Russian Imperial House was met by the Prime Minister of the Republic of Kalmykia, Igor Alexandrovich Zotov; the Chief of Staff of the President of the Republic of Kalmykia, Artur Terekovich Dordzhiev; His Eminence Archbishop Justinian of Elista and Kalmykia and other clergy; the Deputy Prime Minister of the Republic of Kalmykia, Boova Vasilievich Badmaev; the Minister of Culture of the Republic of Kalmykia, Khongor Badmaevich Elbikov; and by the Deputy Minister of Culture, Nikolai Dzhambulovich Sandzhiev. -
티베트 악기재료에 나타난 상징적 의미 - 티베트의 다마루(Damaru)와 캉링(Kangling)1을 중심으로
「音樂論壇」 제29집 ⓒ 2013 한양대학교 음악연구소 2013년 4월, 27-58쪽 한양대학교 티베트 악기재료에 나타난 상징적 의미 - 티베트의 다마루(Damaru)와 캉링(Kangling)1을 중심으로 - 양 인 정 (수원과학대학교 강사) Ⅰ. 들어가는 글 지구상에 존재하는 다양한 악기를 관찰하는 가장 큰 목적은 그 악기에 대한 세 세한 정보를 백과사전식으로 축적하기 위한 것에 있는 것이 아니고, 그것들이 담고 있는 문화적 신념, 음악적 사고를 이해하는데 좀 더 도움이 되기 때문이라 고 생각한다. 왜냐하면 그러한 작업을 통해 다른 문화에 좀 더 가까이 다가갈 수 있고, 또 그것이 우리가 악기에 대해 갖고 있던 고정된 관념에서 벗어나 색다 른 시각을 얻을 수 있는 기회를 제공해줄 수 있기 때문이다. 필자는 이러한 의도 에 적합한 주제를 찾다가 악기재료 중 가장 낯설게 여겨지는 사례에 관심을 갖 게 되었다. 죽은 사람에서 얻은 재료로 만든 악기가 바로 그것이다. 우리들 중 대부분은 시체에서 얻어낸 재료를 사용하여 악기를 만들었다는 사실을 접하면 경악스러워하는 것이 첫 반응일 것이다. 마치 호러(horror)물이 나 괴기영화의 장면을 연상하는 듯 섬뜩해 하는 이도 있을 것이고, 개중에는 아 주 야만적이라 여겨 혐오스러워한다거나, 비인간적인 미개한 행위라고 지탄하 거나, 혹은 원시시대에나 있을 법한 먼 옛날의 이야기로 여기는 사람들도 있을 수 있다. 왜 그러할까? 아마도 죽은 동물에서 얻어낸 재료도 아니고 ‘죽은 사람 으로부터’ 얻어낸 재료로 만들었다는 사실이 우리가 널리 알고 있는 ‘악기’라는 사물과 전혀 어울리지 않다고 여겨져서 일수도 있고, 다른 한편으로는 그것이 인간의 ‘죽음’과 연결되어 있다는 생각에 공포감을 불러일으키게 하기 때문이 1 다마루는 모래시계형의 작은 북(hourglass drum)이고 캉링은 사람의 넓적다리뼈로 만든 티베트의 관악기이다. 27 28 양 인 정 아닐까도 생각해 본다. 현대의 사람들은 죽음을 연상시키는 것들과 대면하는 것을 별로 좋아하지 않는다. 그 대표적인 예가 한자 문화권에서는 사(四)와 사(死)가 발음이 같다는 이유만으로 건물의 4층이나 14층으로 표시하는 것을 기피하는 태도에서 알 수 있다. -
Louis De La Vallée Poussin, Theodore Stcherbatsky, and Tibetan Tradition on the Place of the Absolute in Yoga¯Ca¯Ra Buddhism
Journal of Religious History Vol. 33, No. 2, June 2009 LEE CHILTON and PETER OLDMEADOW Louis de La Vallée Poussin, Theodore Stcherbatsky, and Tibetan Tradition on the Place of the Absolute in Yoga¯ca¯ra Buddhism This paper examines the contrasting approaches to the study of Buddhism of two great early twentieth-century Buddhologists, Louis de La Vallée Poussin and The- odore Stcherbatsky. La Vallée Poussin understood Buddhism primarily as ‘religion’ and saw philosophic methods as subsumed in the religious experience of salvation; Stcherbatsky, coming from the Russian school, which had direct contact with Tibetan Buddhist scholasticism, saw Buddhism primarily as ‘philosophy’ and emphasised critical enquiry and logical consistency. The paper explores how this influenced their understanding of the place of the absolute in Buddhism generally and in Yoga¯ca¯ra Buddhism in particular. It compares their disagreement to differences at the heart of Tibetan scholasticism evident in the writings of Dolpopa (1292–1361) and Tsongkhapa (1357–1419) over the proper interpretation of Yoga¯ca¯ra. The paper also explores implications of the legacy of these two scholars for recent Western schol- arship and for the understanding of Yoga¯ca¯ra. Introductionjorh_793 178..197 Debate over the classification of tenet systems (Skt. siddha¯nta, Tib. grub mtha’) and the arrangement of texts in doxographies according to the tenets they expound has an important place in Buddhist philosophy. Hermeneutics and epistemology are often attendant to these textual concerns. In the Tibetan schools and in Western scholarship, the problems of interpretation across languages and issues concerning the authority of texts have been much debated. -
Universidad Complutense De Madrid
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE GEOGRAFÍA E HISTORIA DEPARTAMENTO DE HISTORIA DEL ARTE III (CONTEMPORÁNEO) TESIS DOCTORAL El arte del Himalaya en las colecciones españolas: Los Bronces MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Rosa Comas Montoya DIRIGIDA POR Carmen García-Ormaechea Quero Madrid, 2002 ISBN: 978-84-8466-024-8 © Rosa Comas Montoya, 1993 TESIS DOCTORAL ROSA COMAS MONTOYA EL ARTE DEL HIMALAYA EN LAS COLECCIONES ESPAÑOLAS: - LOS BRONCES DIRIGIDA POR LA DOCTORA CARMEN GARCIA—ORMAECHEA TESIS DOCTORAL PRESENTADA EN EL DEPARTAMENTO DE HISTORIA DEL ARTE III FACULTAD DE GEOGRAFíA E HISTORIA UNIVERSIDAD COMPLUTENSE DE MADRID Noviembre 1993. PRESENTACION El objetivo de este trabajo de investigación es iniciar la catalogación de las manifestaciones artísticas procedentes de los paises del Himalaya que se encuentran en España; para ello se hace necesario la sistematización de los conocimientos actuales sobre el tema, que ha sido prácticamente ignorado en nuestro país, al menos desde el punto de vista de la Historia del Arte. A pesar de las dificultades que inicialmente parece presentar la localización de piezas de arte extremo—oriental en España, curiosamente es más que abundante el número de obras de arte del Himalaya que se hallan actualmente en nuestro país, aunque se encuentran dispersas y sin catalogar en su gran mayoría, Hay que tener en cuenta que estas obras han comenzado a aparecer en el mercado del arte en fechas relativamente recientes, y que aun hoy en día resulta factible su adquisición. Además de las conservadas en los museos y colecciones reseñados en este trabajo, sabemos de la existencia de muy buenas colecciones privadas, a las que sin embargo ha sido imposible acceder. -
The B Uddhist Tr Adition in Es Tonia. Es Tonian Nyingm A
THE B UDDHIST T R ADITION IN E S TONIA. E S TONIAN NYINGM A of Nyingma or Red-hats school. Both schools (White Philosophical and religious interest in Estonia increased in Estonia in the Lotus and Nyingma) have influenced each other for 1970s-80s, when a Buddhist group emerged, who practiced Buddhism as religion years. The reports form Russian missionaries in 18th and called themselves Estonian Buddhist Brotherhood. century also mention the wide range of Taoist monks in Buddhist monasteries. That this point of Väärtnõu’s is valid was shown also by the life of last Chinese empress Tzu Hsi, who was helped by two Taoist monks from The Foundation of the Buddhist Nyingma monasteries living in the backyard of her imperial palace. tradition in 1982 Väärtnõu was the only one, who already in 1970 socialist Estonia publicly called himself a Buddhist. The first Estonian Buddhist Brotherhood was established by Vello Väärtnõu in 1982 in Tal- Moving around in Tartu and Tallinn, in cultural circles, he linn. He gathered around him a group of people, who already in these soviet times were enjoyed having disputes with Christians and philosophy interested in practical Buddhism. With this Brotherhood the tradition of living and practical students and interestingly many of his conversation Buddhism and the tradition of Nyingma was established in Estonia. Under his guidance partners from these days are nowadays leaders of the Brotherhood or Taola (meaning something like Tao’s place) had set the beginnings to different religious institutions in Estonia. practical Buddhist tradition and Nyingma tradition in Estonia. Crowing interest in astrology lead Väärtnõu to establish Estonian Astrology Association in Soviet times, lecturing those with interest in the years 1980-82 about astrology Vello Väärtnõu and Buddhism in the studio of artist Jüri Arrak in Tõnismägi. -
Bleakley Collection Edited Version.Indd
ROOM NOTES Transformation through the manifest world In selecting works for the exhibition, Buyuhyn-Wana; The transformative persona, the theme of personal transformation as revealed in physical objects has informed the choices. The works in my collection largely conform to the broad category devotional objects used in seeking intervention from higher powers. The cultures reflected in the exhibition are mainly Indian and Himalayan, Australian Aboriginal or other primary cultures, as it is towards these cultures that I have been most drawn and with which I have worked professionally over more than three decades. As visual objects, the impact upon the viewer is concerned with iconography in the case of the Tibetan and Indian works, although within this there are many other elements contained. As the complexity of the icons represented is deep, I will draw attention to some aspects of this in the descriptions accompanying the objects. Other works such as the masks fulfill a variety of roles in effecting transformation through calling upon primal energies which enable the masquerader to actually embody the deity or the energy of a specific entity that is being summoned to intervene on behalf of those engaged in the ceremony. Seen as they are in the context of an exhibition, the objects are inevitably diminished in the power which they would evoke in traditional manner of use where other elements of sound, movement (both of which encode specific meanings) and of course the essential element (or spirit presence) which rises up through the collective minds of the participants in traditional ceremonies, the origins of which extend back through many centuries. -
Tibetan Buddhist Essentials: Volume Two / Venerable Tenzin Tharpa
---- Tibetan Buddhist Essentials: Volume Two / Venerable Tenzin Tharpa Tibetan Buddhist Essentials A Study Guide for the 21st Century Venerable Tenzin Tharpa Volume 2: The Buddha's Teachings Volume 1: Introduction, Origin, and Adaptation Volume 2: The Buddha's Teachings Volume 3: Engaging Buddhism These texts and other material are available for free download at: TenzinTharpa.com --------------------------------------------------------------------------------------------------------------------------- Copyright Author: Venerable Tenzin Tharpa Editors: Nalini Ramesh and Halley Haruta Sera Jey Monastic University, Bylakuppe, India 1st Edition - 2018 Copyright © 2018 Venerable Tenzin Tharpa Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) CreativeCommons.org This material is free to all. It may be shared, copied, downloaded, and redistributed in any medium or format, including parts, sections, images, or graphics–although credit to the au- thor(s) must be given. Schools, dharma centers, and teachers are encouraged to share, copy, and upload this material freely to students and to include it as part of their study curriculum. This material may not be altered or built upon without formal permission from its author(s). This material may not be used for commercial purposes, including distributing or selling for profit. The copyright of this material may not be modified or additional restrictions added. [i] Tibetan Buddhist Essentials: Volume Two / Venerable Tenzin Tharpa About the Author Venerable Tenzin Tharpa A fully ordained American Buddhist monk in the Tibet- an Gelug Tradition, Venerable Tharpa is a teacher, au- thor, and philosopher with over two decades in Tibet- an Buddhist studies, half of which he has spent in Ti- betan Buddhist monasteries in India. Venerable Tharpa took full monastic ordination with His Holiness the Dalai Lama in Dharamsala India.