Diary Mix Tracklist
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
WHITTIER • COLLEGE R October 26,2000 &
• Wait...What Are • New Courses foi • Radiohead Rules! • Football Ties for Those Blue Bins For? January and Spring First Place in SCIAC Students debate the merits of recycling Interested in wilderness, sculp We couldn't get tickets, but we Poets go 2-0 in the Conference and wonder where our environment is tures, U.F.O.s, medicine or went to the concert anyway. with a win over Occidental. headed. bookmaking? WHITTIER • COLLEGE r October 26,2000 & John Qrtaikaf Quaker The Voice Of The Campus Since 1914 http://www.whittier.edu/qc Students Hold Forum to Discuss Alleged Discrepancies impeach Collard, but to inspire appointed, including the majority • FORUM activism on campus. of the Executive Council, have "Apathy makes me sick," he that much of a similar opinion that said. it won't make a difference." by Amy Stice "I'd be happy if we had this Another anonymous group QC News Editor forum and at the end everyone posted responsive fliers in the hated us, but at least they'd have mailroom on Wednesday, Oct. 25 Fliers calling for the impeach an opinion," junior forum orga criticizing the forum's organiz ment of senior COR President nizer Travis Nass said. "[Proceed ers. These fliers directly attack Jonathan Collard were distribut ing with impeachment] depends the organizers—calling them "The ed to campus mailboxes on Mon Anti-Social Club for Non-Con on the forum turnout. If we're Field oxidated. day, Oct. 23 by an anonymous convinced at the forum that COR forming Conformists of the Con group of students, protesting that is doing what they're supposed to servative Liberal Movement"— the Council of Representatives and that Collard's actions are ap and "invite you to stand up against (COR) is not adequately repre propriate, we wouldn't [sic]. -
Is Hip Hop Dead?
IS HIP HOP DEAD? IS HIP HOP DEAD? THE PAST,PRESENT, AND FUTURE OF AMERICA’S MOST WANTED MUSIC Mickey Hess Library of Congress Cataloging-in-Publication Data Hess, Mickey, 1975- Is hip hop dead? : the past, present, and future of America’s most wanted music / Mickey Hess. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-275-99461-7 (alk. paper) 1. Rap (Music)—History and criticism. I. Title. ML3531H47 2007 782.421649—dc22 2007020658 British Library Cataloguing in Publication Data is available. Copyright C 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007020658 ISBN-13: 978-0-275-99461-7 ISBN-10: 0-275-99461-9 First published in 2007 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION 1 1THE RAP CAREER 13 2THE RAP LIFE 43 3THE RAP PERSONA 69 4SAMPLING AND STEALING 89 5WHITE RAPPERS 109 6HIP HOP,WHITENESS, AND PARODY 135 CONCLUSION 159 NOTES 167 BIBLIOGRAPHY 179 INDEX 187 ACKNOWLEDGMENTS The support of a Rider University Summer Fellowship helped me com- plete this book. I want to thank my colleagues in the Rider University English Department for their support of my work. -
ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
Resolution May/June 08 V7.4.Indd
craft Horn and Downes briefl y joined legendary prog- rock band Yes, before Trevor quit to pursue his career as a producer. Dollar and ABC won him chart success, with ABC’s The Lexicon Of Love giving the producer his fi rst UK No.1 album. He produced Malcolm McLaren and introduced the hitherto-underground world of scratching and rapping to a wider audience, then went on to produce Yes’ biggest chart success ever with the classic Owner Of A Lonely Heart from the album 90125 — No.1 in the US Hot 100. Horn and his production team of arranger Anne Dudley, engineer Gary Langan and programmer JJ Jeczalik morphed into electronic group Art Of Noise, recording startlingly unusual-sounding songs like Beat Box and Close To The Edit. In 1984 Trevor pulled all these elements together when he produced the epic album Welcome To The Pleasuredome for Liverpudlian bad-boys Frankie Goes To Hollywood. When Trevor met his wife, Jill Sinclair, her brother John ran a studio called Sarm. Horn worked there for several years, the couple later bought the Island Records-owned Basing Street Studios complex and renamed it Sarm West. They started the ZTT imprint, to which many of his artists such as FGTH were signed, and the pair eventually owned the whole gamut of production process: four recording facilities, rehearsal and rental companies, a publisher (Perfect Songs), engineer and producer management and record label. A complete Horn discography would fi ll the pages of Resolution dedicated to this interview, but other artists Trevor has produced include Grace Jones, Propaganda, Pet Shop Boys, Band Aid, Cher, Godley and Creme, Paul McCartney, Tina Turner, Tom Jones, Rod Stewart, David Coverdale, Simple Minds, Spandau Ballet, Eros Ramazzotti, Mike Oldfi eld, Marc Almond, Charlotte Church, t.A.T.u, LeAnn Rimes, Lisa Stansfi eld, Belle & Sebastian and Seal. -
Obscenity Law and Sexually Explicit Rap Music: Understanding the Effects of Sex, Attitudes, and Beliefs
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/248925838 Obscenity law and sexually explicit rap music: Understanding the effects of sex, attitudes, and beliefs Article in Journal of Applied Communication Research · August 1997 DOI: 10.1080/00909889709365477 CITATIONS READS 27 547 2 authors: Travis Dixon Daniel Linz University of Illinois, Urbana-Champaign University of California, Santa Barbara 32 PUBLICATIONS 1,503 CITATIONS 82 PUBLICATIONS 3,612 CITATIONS SEE PROFILE SEE PROFILE All content following this page was uploaded by Daniel Linz on 28 January 2014. The user has requested enhancement of the downloaded file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`0 &%C.)(.'&*%)&/-#-&(+%&(%("+%4/#5+'$#(1%.6%7&*#6.'/#&8%9&/(&%:&'0&'&%0%K'.6+$$.'%.6%7.EE@/#)&(#./%&/- C#'+)(.'%.6%("+%O&,%&/-%9.)#+(1%K'.M'&E8%4/#5+'$#(1%.6%7&*#6.'/#&8%9&/(&%:&'0&'& !.%)#(+%("#$%B'(#)*+%C#]./8%!'&5#$%OZ%&/-%O#/`8%C&/#+*%_ZaAFFHb%c<0$)+/#(1%*&,%&/-%$+]@&**1%+]D*#)#(%'&D%E@$#)2 4/-+'$(&/-#/M%("+%+66+)($%.6%$+]8%&((#(@-+$8%&/-%0+*#+6$c8%?.@'/&*%.6%BDD*#+-%7.EE@/#)&(#./%L+$+&')"8%=S2%J8%=AH%d%=TA !.%*#/e%(.%("#$%B'(#)*+2%C<N2%A>ZA>G>Y>>F>FGGFH>FJISTHH 4LO2%"((D2YY-]Z-.#Z.'MYA>ZA>G>Y>>F>FGGFH>FJISTHH PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. -
2017 America's Grasslands Conference Proceedings
AmericA’s GrAsslAnds conference UNITED FOR GRASSLAND CONSERVATION PROCEEDINGS OF THE FOURTH BIENNIAL CONFERENCE on the Conservation of ameriCa’s Grasslands novemBer 15-17, 2017 • fort Worth, texas FOURTH BIENNIAL CONFERENCE ON THE CONSERVATION OF AMERICa’s Grasslands: Conference Proceedings 1 AmericA’s GrAsslAnds conference: United for GrAsslAnd conservAtion PROCEEDINGS OF THE FOURTH BIENNIAL CONFERENCE ON THE CONSERVATION OF AMERICa’s Grasslands November 15-17, 2017 Fort Worth, Texas Edited by Lekha Knuffman, National Wildlife Federation Published September 2018 by National Wildlife Federation Suggested citation: Knuffman, L., ed. 2018. America’s Grasslands Conference: United for Grassland Conservation. Proceedings of the 4th Biennial Conference on the Conservation of America’s Grasslands. November 15-17, 2017, Fort Worth, TX. Washington, DC: National Wildlife Federation. Cover photo: Jaime Gonzalez National Wildlife Federation 1200 G Street, NW, Suite 900 Washington, D.C. 20005 www.nwf.org 2 FOURTH BIENNIAL CONFERENCE ON THE CONSERVATION OF AMERICa’s Grasslands: Conference Proceedings CONTENTS INTRODUCTION TO THE PROCEEDINGS.................................................1 Organizing Committee, Texas Planning Committee, Conference Co-chairs, Co-hosts, Sponsors........................... 2 KEYNOTE AND PLENARY SPEAKERS.....................................................3 State of America’s Grasslands: Recent Conversion and Research Frontiers........................................................3 Tyler J. Lark, University of Wisconsin-Madison -
Wszystkie 2012
30/12/2012 [ Radio RAM ] === MOONDOG / Bird's Lament [DJAZZ (12")] QUANTIC SOUL ORCHESTRA / Get A Move On [Ubiquity (LP)] GENE HARRIS w/ The Three Sounds / Eleanor Rigby [Blue Note/Dusty Groove (LP)] EDDIE JEFFERSON / Thank You Falletinme Be Mice Elf Again [Muse (LP)] WAR / Freight Train Jam [Far Out Productions (LP)] JESTOFUNK f/ Ce Ce Rogets & Fred Wesley / The Ghetto [Irma (EP)] ROLF KUEHN GROUP / 66 Park Avenue [Sonorama (7")] TIM, GARY & ROMEO / Sex Machine (Getting' Up And Doin' Out Thang) [777/Funk Night (7")] TIM, GARY & ROMEO / 777 [777/Funk Night (7")] DOKKERMAN & THE TURKEING FELLAZ / Broken [Budabeats/Tramp (7")] DOKKERMAN & THE TURKEING FELLAZ / Plan B [Budabeats/Tramp (7")] WISDOM & SLIME f/ Werd / Empty Handed (instrumental + vocal) [Goalgetter Austria (EP)] BIZARRE TRIBE / Tour Guide [Gummy Soul (LP)] BIZARRE TRIBE / Runnin' [Gummy Soul (LP)] BIZARRE TRIBE / Ya mama and stuff [Gummy Soul (LP)] BIZARRE TRIBE / Soul Flower (We've Got) [Gummy Soul (LP)] BIZARRE TRIBE / Bonita Keeps On Passin' Me By [Gummy Soul (LP)] BIZARRE TRIBE / Otha Otha Fish [Gummy Soul (LP)] BIZARRE TRIBE / 4 Better Or 4 Worse [Gummy Soul (LP)] BIZARRE TRIBE / Award Tour Guide [Gummy Soul (LP)] BIZARRE TRIBE / Trust, Pt. II [Gummy Soul (LP)] BIZARRE TRIBE / It Ain't Nothing Like [feat. Kriminul] [Gummy Soul (LP)] BIZARRE TRIBE / Lyrics To Let It Go [Gummy Soul (LP)] BIZARRE TRIBE / Doin' Time [feat. Sublime w/ The Pharcyde] [Gummy Soul (LP)] BIZARRE TRIBE / Pharcyde Of The Moon [feat. Bizarre Tribe w/ Black Moon] [Gummy Soul (LP)] FELA SOUL / Stakes -
(159) [PL5] Sample Some Of
Sample Some Of This, Sample Some Of That (160) [PL6] ✔ INEZ FOXX / Let Me Down Easy [Volt/Stax (LP)] PHFNG / Nie lubię [phfng (LP)] JOHN COLTRANE w/ Duke Ellington / My Little Brown Book [Impulse! (LP)] KAZIK / Na każdy temat [S.P. Records (LP)] JOHN COLTRANE QUARTET / Feelin' Good [UMG (LP)] FISZ / Bla bla bla [Asfalt (LP)] KRZYSZTOF KOMEDA / Niekochana [Power Bros. (LP)] FISZ / Bla bla bla (DJ 600V w autobusie remix) [Asfalt (LP)] DIONNE WARWICK / The Look Of Love [Duchesse (LP)] PEJA - SLUMS ATTACK / WOS [T1-teraz (LP)] BETTYE LAVETTE & HANK BALLARD / Hello, Sunshine [Charly (LP)] LUCJAN & SYMONO f/ Rico / Bądź luksusowy (remix) [Yaneck (LP)] GEORGE BENSON / The Changing World [CTI (LP)] DJ 600V f/ Tede / Świat zwariował w 23 lata (e?!) [RRX (LP)] PHFNG f/ Dwa Sławy / Teściowa (I used to love h.e.r.) (remix) [phfng (LP)] Sample Some Of This, Sample Some Of That (159) [PL5] ✔ VLADIMIR VYSOTSKY / Dom chrustalnyj [Melodija (LP)] KALIBER 44 / Konfrontacje [S.P. Records (LP)] SHARON REDD / Takin' A Chance On Love [Prelude (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem [RRX (LP)] JERZY MILIAN TRIO / Rewelacyjny Luciano [Polskie Nagrania (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem (remix) [RRX (LP)] NINA SIMONE / Four Women (DJ OBaH's Recycled Funk remix) [Bstrd Boots Nuggets! (7")] FISZ EMADE / Heavi Metal [Asfalt (LP)] BERNARD PURDIE / Lialeh [Light In The Attic (LP)] SINY f/ Roszja / Aleja życia [Blend (LP)] KLEEER / Tonight [Atlantic (LP)] TRZYHA/WARSZAFSKI DESZCZ / Sobota [RRX (LP)] SÈYFU YOHANNÈS / Mèla Mèla [Buda Musique (LP)] POE (PROJEKT OSTRY EMADE) / Nadzieja [Asfalt (LP)] ENNIO MORRICONE / Main Theme ("A Fistful Of Dynamite", O.S.T.) [Decca (LP)] PEJA - SLUMS ATTACK / Mój rap, moja rzeczywistość [T1-teraz (LP)] Sample Some Of This, Sample Some Of That (158) [PL4] ✔ SILNA GRUPA POD WEZWANIEM / Rozprawa o robokach [Polskie Nagrania Muza (LP)] KAZIK / Wewnętrzne sprawy [S.P. -
Hood, My Street: Ghetto Spaces in American Hip-Hop Music
Pobrane z czasopisma New Horizons in English Studies http://newhorizons.umcs.pl Data: 22/08/2019 20:22:20 New Horizons in English Studies 2/2017 CULTURE & MEDIA • Lidia Kniaź Maria Curie-SkłodowSka univerSity (uMCS) in LubLin [email protected] My City, My ‘Hood, My Street: Ghetto Spaces in American Hip-Hop Music Abstract: As a subculture created by black and Latino men and women in the late 1970s in the United States, hip-hop from the very beginning was closely related to urban environment. Undoubtedly, space has various functions in hip-hop music, among which its potential to express the group identity seems to be of the utmost importance. The goal of this paper is to examine selected rap lyrics which are rooted in the urban landscape: “N.Y. State of Mind” by Nas, “H.O.O.D” by Masta Ace, and “Street Struck,” in order to elaborate on the significance of space in hip-hop music. Interestingly, spaces such as the city as a whole, a neighborhood, and a particular street or even block which are referred to in the rap lyrics mentioned above express oneUMCS and the same broader category of urban environment, thus, words con- nected to urban spaces are often employed interchangeably. Keywords: hip-hop, space, urbanscape. Music has always been deeply rooted in everyday life of African American commu- nities, and from the very beginning it has been connected with certain spaces. If one takes into account slave songs chanted in the fields (often considered the first examples of rapping), or Jazz Era during which most blacks no longer worked on the plantations but in big cities, it seems that music and place were not only inseparable but also nat- urally harmonized. -
Luniz Lunitik Muzik Mp3, Flac, Wma
Luniz Lunitik Muzik mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Lunitik Muzik Released: 1997 Style: Thug Rap, Gangsta, Electro MP3 version RAR size: 1899 mb FLAC version RAR size: 1325 mb WMA version RAR size: 1268 mb Rating: 4.2 Votes: 731 Other Formats: FLAC AA DXD AU WMA MP4 APE Tracklist Hide Credits Intro 1 1:24 Voice – DJ Thump, Mengesha Highest Niggaz In The Industry 2 4:54 Featuring – B-Legit, E-40 Funkin Over Nuthin' 3 5:33 Featuring – Harm , Too Short In My Nature 4 5:25 Featuring – Eightball & MJG*Producer – Smoke One Productions Jus Mee & U 5 4:54 Co-producer – DJ Quik, G-OneProducer – Raphael Saadiq Game 6 1:17 Voice – T. K. Kirkland 7 My Baby Mamma 4:13 Is It Kool 8 4:35 Vocals – MoKenStef $ad Millionaire 9 4:43 Featuring – Brownstone Killaz On The Payroll 10 6:03 Featuring – Madd Maxx*, Phats Bossilini*, Poppa LQ Phillies 11 4:40 Featuring – Poppa LQ Mobb Sh.. 12 5:13 Featuring – 3X Krazy, Cydal, Swoop G Y Do Thugz Die 13 4:55 Producer – QD IIIVocals – Val Young Hypnotize 14 5:15 Featuring – RedmanProducer – Redman 15 Handcuff Your Hoes 3:21 20 Bluntz A Day (Incl. Hidden Track 11 O ´Clock News) 16 7:36 Featuring – Christion*, The 2 Live Crew Credits Executive-Producer – Chris Hicks , Eric L. Brooks Producer – Bosko (tracks: 8, 11, 12), Mike Dean (tracks: 2, 3, 10, 15, 16), Tone Capone (tracks: 2, 3, 7, 9, 10, 15, 16) Other versions Category Artist Title (Format) Label Category Country Year Noo Trybe Records, 7243 8 44966 2 3, Lunitik Muzik C-Note Records, 7243 8 44966 2 3, Luniz UK 1997 CDVUS 136 (CD, -
Smifnwessun Jeru 17.12.11 DRESDEN Pressetext
krasscore concerts presents SMIF N WESSUN & JERU THA DAMAJA „90ies Rap X-Mas Special pt.2“ date: Sa. 17.12.2011 venue: Scheune Alaunstr. 36/40 01099 Dresden acts: Smif N Wessun (Brooklyn / NYC) Jeru tha Damaja (Brooklyn / NYC) special: AFTER-SHOW-PARTY mit DJ Access (New DEF / Dresden) Einlass: 21:00 Beginn: 22:00 Eintritt: 18 € im VVK (incl. After-Show-Party!) ohne Gebühren: in allen Harlem Stores, Supreme, Titus und Späti (Striesen) zzgl. VVK-Geb.: VVK bundesweit an allen VVK-Stellen, online unter www.krasscore.com/tickets und in Dresden z.B. bei Dresden Ticket, KoKa Florentinum & Schillergalerie allen SZ-Treffpunkten (Altmarktgalerie, Elbe Park, Karstadt, Seidnitz Center) & Sax-Ticket www.krasscore.com Seit 2001 kümmert sich die Crew von krasscore concerts um die Belange der Rap-Fans in Dresden & Umgebung. Seit letztem Jahr ist es nun fast schon Tradition, dass sich alle Ami-Rap Fans am letzten Samstag vor Weihnachten auf ein Highlight in dieser Sparte freuen können. Denn am 17.12. werden nach Group Home, Dilated Peoples, Lootpack, Black Milk, Sean Price, Brand Nubian, Camp Lo, Das EFX, Masta Ace und vielen anderen amerikanischen Rap- Größen endlich auch SMIF N WESSUN die Bühne der Scheune rocken - und das zum ersten Mal überhaupt in Dresden! Um die Sache richtig abzurunden, konnte der ebenfalls aus Brooklyn stammende JERU THA DAMAJA gewonnen werden, der nach über neun Jahren Pause Dresden erneut beehren wird. Und da Weihnachten nun mal die Zeit der Geschenke ist, möchte sich das Team von krasscore bei allen Gästen für die teilweise jahrelange Treue bedanken, weshalb die Karten für das X-mas-HipHop-Spektakel im Supreme & den Harlem Stores lediglich 18 Euro kosten. -
Authenticity and Artifice in Rock and Roll: “And I Guess That I Just Don't Care”
Rock Music Studies ISSN: 1940-1159 (Print) 1940-1167 (Online) Journal homepage: http://www.tandfonline.com/loi/rrms20 Authenticity and Artifice in Rock and Roll: “And I Guess That I Just Don’t Care” Bernardo Alexander Attias To cite this article: Bernardo Alexander Attias (2016) Authenticity and Artifice in Rock and Roll: “And I Guess That I Just Don’t Care”, Rock Music Studies, 3:2, 131-147, DOI: 10.1080/19401159.2016.1155376 To link to this article: http://dx.doi.org/10.1080/19401159.2016.1155376 Published online: 21 Mar 2016. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rrms20 Download by: [Bernardo Attias] Date: 21 March 2016, At: 23:50 Rock Music Studies, 2016 Vol. 3, No. 2, 131–147, http://dx.doi.org/10.1080/19401159.2016.1155376 Authenticity and Artifice in Rock and Roll: “And I Guess That I Just Don’t Care” Bernardo Alexander Attias Musicians, journalists and academics often hold up the Velvet Underground as the paragon of authenticity in rock music, and the band indeed portrayed itself this way from the outset. While much ink has been spilled explaining the original and authentic genius that is the Velvet Underground, an equally compelling case can be made that the band’s first album marked a turn towards insincerity and inauthen- ticity in popular music. This project emerges from the tension between these identi- ties. A close textual analysis of The Velvet Underground & Nico functions as an entry into theoretical arguments about truth and meaning in popular music.