The Arts and Entertainment Supplement to the Daily Nexus, For the Week of November 18-24, 1993.
THE POPPY FIELD, PAGE 4A
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THE HASKELLS, ALL ABOUT CHAD AND THE MOMMYHEADS 2 A Thursday, November 18,1993 Daily Nexus
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j Bc4 the end oí the Quarter
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J 1 m Have Your Party, Banquet, or I don’t know anyone his therapy has been so far. Special Event at who doesn’t like Warren Which brings me to the Miller. reason everybody should, I know people who ha despite the opening of this ven’t heard of Warren review, go see this movie. I Miller. So what’s the point don’t care that it is remark of writing about a guy that ably formulaic moviemak 110 Santa Barbara St. • 965-2231 everybody likes? ing. I don’t care that War Because he’s got a new ren Miller’s jokes are actu movie out. If you haven’t ally funny one time out of seen the posters all over three. I don’t even care the place, it's called B la c k that corporate sponsors’ Diamond Rush. It stars names are splashed all everyone from the men’s over the movie. TONIGHT This movie is incredibly motion shots of skiers do and women’s Olympic ski shouldn’t be done. It’s ab teams right through to entertaining. The stunts out skiing and loving it. ing insane things in fantas some ad executive at are real — and what’s It’s amazing to me that tically exotic places (like Heavenly (who, as the mo more, they’re not Holly at his 44th film, Miller can Count Dracula’s Transyl vie goes to pains to point wood stunts, where every still produce this kind of vanian Alps) really fit out, only skied eleven days one miraculously survives. incredible excitement But techno’s otherworldly in the last season. At least They’re real stunts, stuff the truth is that Warren sound. they admit that they that professional stunt Miller Entertainment is Warren Miller’s “Black shamelessly bow to corpo men wouldn’t do for all being turned over to Diamond Rush” will be r music from rate pressure and include the safety equipment and Miller’s son Kurt, and showing today in Camp some fool who barely libel insurance in MGM much of this film’s fresh bell Hall at 7 p.m. and 9 . parallels). Studios. ness and excitement p.m. It’s showing again 1 thought this might People don't always comes from a new music on Friday at the Arlington help show that what the come out OK at the end of soundtrack featuring Theater in downtown RAIN real skiers do is really, re the movie — one of the bands like The Alarm, Santa Barbara at 7 p.m. ally amazing, but it didn’t. skiers died. This isn’t sick, General Public, dada, and 9:15 p.m. Bring all Those young turks know twisted entertainment, Kirsty MacColl, and some your ski buddies. Re Hybrid Soul how to cut the snow, no either. It’s about what peo band called Arousal. member, these are trained ^ and doubt, and some idiot try ple will do to test them Techno finds a real professionals, and you TEB SGHRAM ing to get with them just selves. It’s about what can home in this movie, be shouldn’t try these things and FRIENDS shows how unsuccessful be done, not about what cause some of the slow a t h o m e —Chris George bands start at 8:30pm • $3 at the door Here’s what students are saying about all proceeds go to IV Elementary School NOTICE Sociology 91B, Alcohol & Students, Faculty & Staff 1 8 and up
The Santa Barbara Metropolitan Transit District will hold a meeting to discuss proposed bus route and schedule changes UCSB Arts & Lectures planned for January 1994. Your comments are important! Please join us... presents Monday, November 22 12 noon - Ucen Room 2
Winter Quarter, T & Th, 9-10:50 am, 2 units P/NP Don’t miss out... A few spaces are still available! James Gleick Sign up through RBT Enrollment Code 47902 For information, call 893-2914 Thursday N or. 18 KTYD 8 p.m. NISSAN PATHFINDER Isla Vista Theater PRESENTS Free An Evening with th e A u th o r Author of the bestselling book C haos, will read from and discuss his new book G enius: The Life and Science o f Richard Feynman. FREE LIFT TICKET! ♦ With every admission. Courtesy o f the UCSB Bookstore, copies o f Cenius (Vintage (Snow SunvnX Pro Season) Books, $17) and other titles will be available for purchase and \ signing at the event NOV 18 • UCSB CAMPBELL HALL H iu r , *749 pm - Sponsored b, UCS8 Sludent ArtvHiM • TdwB at Ski Shops S Studmt Body (IV) For more information, tall 893-3535. NOV 19 • ARLINGTON CENTER F rid a y *7 ft 9:15 pm • 1317 State SL, Santa Barbara * Tickets and Info at Ski Shops Daily Nexus Hiursday, November 18,1993 3 A
m m g m m wmm\ mm¡á, s xMPI W im ÊÊ fPl: ORSON'S NOT # ' $ A.S. Program Board Éïî'î#! FORGOTTEN An unfinished movie, les steps into and out of ers he found the idea for is proud to present especially one by an unre the filming. Originally in his third episode, which cognized genius of the me tended as a collection of probably would have been dium, is always the object “true” stories from around the most touching and of speculations and mixed the world, It’s All True spontaneous of the expectations. By following had to bear the burden of collection. Orson Welles through the being a worthy successor The core of the movie is difficult shooting of the to the revolutionary C iti the re-proposal of this cen complete and incomplete zen K an e. Rather than tral episode. The starting parts of It’s All True, a mo compete with himself, Or idea ts the chronicle of vie in itself is created, as an son Welles apparently de four jangadeiros (fisher autonomous and controv cided to go back to an un men) sailing on their small ersial period piece which sophisticated use of the fishing raft all the way to is much more than a medium, in order to be Rio to protest the lack of documentary. identified with the poor government support and Narrated by Miguel Fer and authentic look of his retirement benefits for rer and edited in the usual true stories. fishermen and their fami style of alternating histori However, the condes lies. The episode is shot cal background, film sequ cending Arcadian atmo with an incredible poverty ences and interviews, the sphere depicted in the rhe of means, casting people movie is a great inside toric of the poverty- from the village of the ja n with story for anyone who loves imbued first episode g ad eiros and the protes films and filmmaking. The (“Bonito and His Bull’p ters themselves. The epi documentary is compar makes evident that this sode is a deeply moving Souls of Mischief able to Filming Othello, was going to be no ageless apology of everyday life, but it is more interesting masterpiece. Fortunately, enhanced by beautiful since the struggle for au the first episode was soon light and shade shots of thenticity is inevitably to be abandoned. Political the fishermen’s faces, bound to the tentative pressures forced the direc sculpted in leather by November 30 neorealism of the filmed tor to move the shooting to winds and burned by sun action. Those who are in Brazil, during Carnival. It and salt water. terviewed are still proud to was just after Pearl Har A side note to the movie have been a part of the bor, and the Nazi influ is the supposed “commun 8pm never-finished produc ences in President Vargas’ ism” of Orson Welles, sus tion, viewing it as possibly government were feared in pected by authorities of the main event of their tire United States. subversive activities dur lives (“My name is Fran Welles had to take the ing his Brazilian period. In Campbell Hall, UCSB cisca Da Silva and I was role of a reluctant ambas Rio, the director the star of Orson Welles’ sador to sew and seal the befriended Jacare, leader movie”). alliance with Hollywood- of the jangadeiros, who The introduction is by brand golden thread. Thus died during the shooting. Tickets still on sale !!!! Welles himself, telling an Welles found himself And indeed the episode anecdote about voodoo shooting tourist-bait em has much in common with magic and his supposedly bassy ballroom scenes and many silent post-October Available at the AS Ticket Office cursed movie. However, absurd and totally Revolution epics, as the the real curses of Holly anonymous Camival-in- ensemble scenes of work To order by phone: 893-2064 wood — shifts of power Rio scenes. convey the harmony and and political manipula He was still looking for the pride of the collective. tions — soon become a “true” story, however ro But there is definitely a For information: 893-3536 evident. manticized it might be, difference between this The movie initially and apparently the fa v ela s and the filming of the So shape-shifts into a do do not lend themselves to viet working class heroes. cumentary, and an histori any epic idea. cal reconstruction of Wel Finally, in the newspap —Paolo A. Gardinali JOOflNFM JOKES a t time There comes a time in from collapsing due to ex 1-900 numbers. the existence of every cessive laughter. Wear it The team members were homo sapiens on this fine under a jacket though, or incredibly talented come planet traveling in a largely people will think you just dians, and still are, being elliptical path around our got back from shoveling able to adapt to any situa proud and glorious sun, something. Or else choose tion and add their own Feast oil the Passion, when he or she just has to from one of the many eleg character and humor to the Romance and the Magic! do something solely for ant styles and colors that the games/sketches. Of the good of humanity. are available on the course my favorite parts U 0 ) Well I’m still waiting to do market today. were when they used bath “Enormously QJ my part, but I did catch the The show lasted about room humor (like poopoo performance of Comedy an hour and a half, as the or peepee jokes) ... that Entertaining! £ Sportz at Alex’s Cantina j g O) the other day. Two Thumbs Way Up!” c ß -Roger Ebert. SISKELIEBEIT 6 0 Being my first time at this event, I was a little CO i n skeptical because I’m no LIKE VATER sports fan, unless it’s e — F ° R ------lumberjack competition, and then only the axe C H9C9LAT E throwing and custom hot screenplay by LAURA ESQUIVEL a rim by ALFONSO ARAU saw events. But since it n m i b j J q • riToour sitBEol'* !■»— ""Wj was comedy, I was willing to give it a chance. Then when I heard that it was improvisational, I practi Saturday & Sunday cally self-combusted. I’ve flipped on Comedy November 20 & 21 Central and seen bits of “Whose Line Is It Any way?” a few times too 8 & 10 pm many to not be worried ab- out improvisational humor. Storke Plaza But as the show un “Goleta Guppies” and the stuff always gets mj N folded I found myself “Santa Barbara Surf Re approval. 66 gasping (for a 79% nitro port” played improvisa gen, 21% oxygen mixture) tional games with added This past weekend was The Band Called” between chuckles, snorts, input from the audience. Comedy Sportz’s 300th © giggles, wheezes and Included were an opera, a showing, and as you might laughs. My stomach felt breath-holding/ have guessed, no two like I had been watching storytelling game, a bluf games are the same. Not FAR “Abs of Steel” for hours. I fing game and a spur of the even the players are the (They're from Sacramento) would recommend to moment joke-telling com same each time. In conclu prospective audience petition. All of them were sion, I have to say that a members to wear one of more than amusing and good time was had by all. those back supports with made the time go by faster N N the suspenders, to keep than calling those damn —David- Potter ■ 4A Thursday, November 18,1993 Daily Ne: IN A WILB MUSICAL SATIRE THE BABES MEET FEMINISM Last Friday, the Drama across without being some pretty good songs, Her performance is very New from New York: The new SpinART 7" by All Dept opened their second weighed down. From my especially with titles like good, and she is full of About Chad, Meet Me in the Hallway, is a real treat. production of the year, first glance at the program “Penis Envy Lullaby” or energy. Joanna Roberts is A SpinART mailer calls them “NYC pop gods.” Full of “Sword of the Goddess and the play’s billing as “a “Just Call Me Dr. Dick.” good as the confused Bo hooks, the title track seems to be a high school love Babes.” Directed by Jyl musical comedy adventure Unfortunately, the dica, yet her inexperience story, or a bastardization thereof. The vocalist seems Hewston, the production feminist satire fantasy,” I songs never seemed to live shows. Christina Jioras not to tahe ft all too seriously. Thaf* m« will play in the Studio was worried that it would up to their adventurous ti performed adequately as tor in how they come across, on top of loud, powerful Theatre this weekend and end up being 99% femin tles. Instead, they settled everything from the su music. “Meet me in the hallway, meet me in the the next. ism and 1 % “musical com- for lackluster melodies preme being to a barten schoolyard.” You can fill in the blanks for yourself.■ “Sword of the Goddess edy adventure satire and funny lyrics. Rather der, yet her most memor Maybe it’s a junior high love story, judging from the Babes” is the story of a fantasy.” than the songs becoming able role for me was as Dr. next track, “Chad’s Driving Me Home.’’ Fast but mel first-century Celtic Queen, I was pleasantly sur another way for the char Electra, mostly because I low, the narrator is living in the world before licenses. Bodica, thrust into the prised as the show un acters to express their feel couldn’t figure out if she “Chad’s driving me home, what a lucky dog I am, he twentieth century. folded, and it became ap ings, they became distract was a man or a woman. couldn’t leave me in the cold.” Over a brooding background, they would be a very different band if they sang like a hard-rock group. I can imagine them being pretty loud live, but softening the tone for the record. At times they sound similar to the Dambuilders. “We’re in Chad’s Corolla, and I’m the tallest kid, so I get the shotgun scat. 1 put my knees through the dashboard, and that’s all she wrote — Chad says put on your walking feet” The last line repeats. It’s a trag ic ending, as the kid walks home. Who is this Chad person? Of course, he’s the cool older kid who we all knew at some time. He’s lived a thousand lifetimes. I’ve talked plenty about SpinART in the past, but this is one label that really knows its songs-about- kids. The recently released Small Factoiy album, 1 D o Not Love You, might be their answer to the angst of aging, by acting and sounding like big kids. (I’m sort of guessing here, but songs like “What to Want” make me want to find a costume, join a pack of kids and trick-or-treat surreptitiously.) The band Suddenlyl Tammy, who have been on SpinART ever since the compilation One Last Kiss, have signed to Wamer/Reprise, says SpinART’s mail er. They are supposedly embarking on a tour with Van Halen. I don’t know if the SpinART people are lying, but I hope so. Dateline Los Angeles: It always makes me happy to see more material by The Black Watch. If there was ever an underexposed, underappreciated pop band, this is it. The new single is out on San Jacinto records. “Whatever You Need” seems on the surface to be Together with her new parent that each of toe bill ing sideshows. It also Mark Elk Baum’s effe full of unabashed warmth. Beautifully poppy and found friend Hippolyta, a ings were getting pretty seemed as if they needed minate Fashion Consul memorable, I almost had it pegged as wholeheartedly neurotic modem-day wo much equal emphasis. I more work on the presen tant was good, but his drag upbeat, with a nice fiddle tug (and a nice solo at the man, she explores the was most impressed with tation of these songs. Even performance as Buffy in end), and great vocals — really beautiful. But the twentieth century and the the fact that it was not a in the small studio theater, toe gym scene was a scene device of hiding lines like “Sometimes I just want to art of modem woman “preachy” show. The au I had a hard time hearing stealer. Christopher Cor cup your pretty little mouth, and push out all your hood. She explores eveiy thors did an excellent job toe singers, and with the bett was very good as toe pretty little teeth,” within a lush, catchy scenario is aspect of being a woman of avoiding lengthy femin combination of overpow chauvinistic male charac tricky and hard to spot. Brrrr. with Hippolyta, from ist speeches and keeping ering orchestrations and a ters, although his Dr. Dick That edge on “Whatever You Need” is another thing working out at the gym to toe activism from becom lack of power on toe be and Barfly seemed to have the Black Watch never leave far behind. It’s also there shopping for clothes. She ing too serious. This is a half of toe players, toe lyr toe same drunken charac on the B-side, "Television Addict Kid.” It's kind of a even undergoes a wild, musical comedy, for God’s ics were a blur. Director Jyl terization. Sarah Lampro funny song, but played with a straight face. And with musical gynecological ex sake! Hewston did appear to and Dana Marie Lazzares- good reason — it’s easier than ever to zone out in amination from toe self- It is toe musical aspect realize the problem, as chi were both good in their front of the TV these days. “You’re a television addict anointed Dr. Dick. of the show with which I some of toe choreography limited roles, especially as kid ... Didn’t think I’d notice but I did,” they sing over Gradually, Bodica con have toe biggest problem. seemed aimed at deliver the amazingly shallow the recording of a game show. Funny, tuneful, weird vinces Hippolyta of their Music is an important part ing toe lyrics to both sides Barb and Dawn. ... bands as nearby as L.A. don’t usually get this good. worth as women. The play in “Sword of toe Goddess of toe audience. But in toe While “Sword” is far Santa Barbara: Moving up the coast, local band ends as Bodica’s patron Babes” — with seven end, toe musical numbers from perfect, it is an enjoy The Haskells have a new 7” out on Oucht That Smarts goddess eventually shows songs in an hour-and-a- were reduced to boring able evening, and I urge Records (which is just the band’s own imprint). With up and returns her to her half show, toe songs easily melodies with lyrics you you to catch this show. a clean, fast sound, the title track "Spinning Around” own time. took up a good quarter of could hardly hear. “Sword of the Goddess sticks in your head. Above some guitar squalls, songs On toe whole, “Sword the running time, and “Sword” is full of inter B a b es” w ill b e p erform ed with upbeat simplicity reel you in. “She Said” actually of toe Goddess Babes” is a probably closer to a third. esting performances. at 8p.m. Nov. 18-20, and sounds a bit like the Verlaines. The softer “Drown in good show. It is funny and With that much of toe Sacha Denison leads toe also at 2 p.m. on Nov. 20, Me” provides an equally catchy contrast. The Haskells has just enough social ac show being dedicated to way with an insecure, in UCSB Studio Theatre. far surpass the crap that usually passes for a local tivism to get toe message singing, one would expect neurotic modern woman. ______—Davin McHenry band. Coming soon to an Anisq’ Oyo’ Park near you. San Francisco: Keep on traveling up the 101 and you will arrive in San Francisco, home of The Mommyheads. They have a new single, jointly TOGETHER ALL THREE released by the Hairy Records and Simple Machines labels. On my first listens to their A com album, I thought at first that they were kind of dissonant, or were tun MUSKETEERS WORK ing their guitars in novel ways. This does not harm the The motto, “One for all take toe holy orders of toe displays the different per king has been killed by the songs — they are very good. “The World is Round” is and all for one!” is abso church, is toe mildest of sonalities of toe characters evil Cardinal Richelieu as accessible as anything, from the start The harmo lutely appropriate for this the three friends. Sheen is when D’Artagnan is (Tim Curry), and toe bri nizing is great. There’s a lot going on in the song, as it remake of the Dumas uses his usually silent style learning how to “woo a gade of toe king’s muske tells you “I didn’t realize that the world is round.” classic, T he T hree M uske to make Aramis shine. wench,” with Aramis and teers have been disbanded The second song, “Waiting for a Remedy,” is odd teers. The folks at Disney Athos, the typically Porthos as instructors and and unarmed — with toe and engaging. The singer has a friend in the hospital. have taken toe best of all snooty French aristocrat Atoos sitting alone in a exception of toe three re He’s waiting for the test results. His parents are writ the Musketeer movies and of toe time, is well played melancholy stupor. Look bels, Aramis, Atoos, and ing him out of their will. There are strong intimations brought them together in a by Sutherland, who brings for it Porthos. of AIDS, but the song doesn’t conclusively declare colorfully exciting film. to his part toe air of playful The story begins with Curry is truly evil in a what the problem is, Director Stephen Herek arrogance he demon D’Artagnan facing off in a comical sense — a revisit The song captures the tense, restless waiting of hos has brought together a strated in L ost B oys and duel with the brother of a ing of toe Frank N. Furter pitals. Lyrics like “Why am I here at the hospital, play strange cast whose per Flatliners. young woman toe swords personality he first dis ing Chinese Checkers, as it rains?" sound funny at sonalities are as diverse as Porthos, the embodi man had deflowered. played in T he R ocky H or first, but killing time in trite ways, with worries on those in toe original story. ment of physical strength D’Artagnan defeats his ror P ictu re S how some 15 your mind, is all too familiar. The result: a film that is and good fellowship, was foe. But before he can kill years ago. “You whisper in my ear that you are dying to get fun, clever and an all- the perfect part for Pratt, him, his brothers ride in back again, but you’re waiting for a remedy.” It's hor around genuine pleasure. whose oxlike, bumbling and together they chase With a screenplay adap rifying —- that quiet, stoic hope sounds as though both The cast of Charlie movements were ideally D’Artagnan into Paris. tion by David Loughery, friends know there’s not going to be a remedy any Sheen, Kiefer Sutherland combined with his sure One of toe few flaws in The Three Musketeers time soon. The strong content is bounded by engaging and Oliver Pratt — Ara- footedness and sharp wit. the film was that may be missed by those music. mis, Atoos and Porthos, Add to these three toe D’Artagnan was not suc who feel it is just another respectively — really bring cocky playfulness of cessful in finishing toe cheap attempt to turn ad In La Brisa de la Palma, a teenage their characters to life by D’Artagnan (played by duel. The comic relief that venturism into box office providing toe proper mix Chris O’Donnell, seen in is inferred through this re gold. Well, you cynics will Rasputin takes the sting from a gin. of their own personal Scent of a Woman) and curring foe becomes rather be missing one hell of a characteristics. the die is cast. nauseating. film. —Grant McLennan Aramis, educated to A classic scene that best Meanwhile, in Paris, toe —Duke Conover >aily Nexus Thursday, November 18,1993 5A
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»» Æ m l i l i l í m HERB'S COOL :v:j:v TRIBES FALL The Pogues A Tribe Called Quest Waiting For Herb Midnight Marauders Chameleon Records Jive
W aiting F or H erb is the Since day one, A Tribe Pogues’ eighth release, ar Called Quest has gotten riving three years after very much props from their last, Hell’s Ditch, everybody in and outside and one year after the de the industiy for all the parture of Shane McGo right reasons. Who else wan, their former lead flows so much positivity so vocalist. hard? How many other Taken on its own terms, rap groups continually re Waiting For Herb is a fuse to bow into the indus great record, an incredible try’s wrong trends and combination of such un continue to stick with the likely instruments as ac original two-mic and a cordion and banjo with turntable prescription? solid lyrics and an endur And then their albums: ing punk voice. The album P eo p le’s In stin ctiv e is also a well-balanced mix Travels And The Paths of of Pogue drunken revelry cadence of “Bottle of Spider Stacy is good, but Rhythm shook so hard tures about various ‘isms’ check out “Award Tour” (“Smell of Petroleum”), Smoke.” Drawing a fren Shane was the Pogues. He from here to El Segundo in a patronizing tone — if and “We Can Get Down,” hard-boiled down-and- zied sense of excitement was their link with ’70s that the true are still asking this type of sensitivity was where the three prove they out pieces (“Sitting on Top from the music and a feel punk and the perfect em “can I kick it?” also reflected in their lyr certainly still have the of the World” and “Big ing of tragedy from Spider bodiment of their attitude Then The Low End ics, it might work. skills. City”), high spirits and Stacy’s vocals, it creates a and music, a drunken poet Theory educated most Phife-Dawg and the Ab I don’t know if this al even love songs (“My beautiful synthesis of reeling through each num everybody east of the Pa stract have played down bum was recorded on the Baby’s Gone” and “Small poetry and music: ber with incomparable pa cific on how the raps the beats quite a bit this road, or under the influ Hours”). On the whole, “Now the only deck I’d nache and robust energy. should be done. “Sce time around — maybe to ence of some distracting the music is faster and want to walk/Are the nario,” “Check the highlight their much spirit, but it matters not. more frantic than H ell’s stalks of com beneath my Oscar Wilde once said Rhime,” “Show Business,” rhyme skills? — and the The Tribe will certainly re D itch; more like some of feet/And the only sea I’d “We are all in the gutter; “Buggin’ Out” and “Every result is tried and cranky. main one of the leading the tracks on If I Should want to sail/Is the dark but some of us are looking thing Is Fair,” will always Tracks like “Sucka Nigga,” bands in hip-hop in spite Fall from Grace with ened pond in the scented at the stars.” McGowan be party favorites, “God Lives Through,” of this new release. G od. dusk/Where a kid was just such a mystical regardless. “Steve Biko” and “Clap Be sure to check out “Drunken Boat,” my fa crouched full of sadness/ guttersnipe. Fortunately, Yet this eagerly awaited Your Hands” make it diffi their live performance vorite song on the LP, Lets his boat go drifting he hasn’t disappeared al new album, Midnight cult to sit through the en with De La Soul and evokes the same mysteri out/Into the evening sun.” together. I’ve heard from a Marauders, leaves true tire album. Souls of Mischief, in ous drama as “The Turkish It’s hard not to imagine couple of people that he’s fans wondering what to But because this is a Campbell Hall on Tues Song of the Damned,” what this record would formed a new band. think. First off, there’s this Tribe recording there are day, November 30th, pre combining the same sense have been like with Shane strange female robot voice of course some very fresh sented by A.S. Program of loss with the galloping McGowan, though. —Chris Dunlap between tracks that lec- songs as well. Definitely B oard. —Martin Boer
i l É l i P g r 1W 0TOING «K* GRACED UP Cocteau Twins Grace Jones Four Calendar Cafe Sex D rive Capitol Island
As an effort to filter out So the A rtsw eek guy the discordant screams asks me if I want to do a and concert hall style of CD review. I figured sure, Isla Vista nightlife, I find it can’t be too bad. myself perplexed by the Then I saw the disc, Sex variety of sleeping aids of D rive, a mix of singles by fered to lull one to Grace Jones. slumber. “Didn’t she used to be Earplugs? No ... too some kind of a weirdo squishy. A pillow over the back in the ’70s or some head? N o... too confining. thing?” I thought to my Music? ... ah ... perfecto. self. “She was in C onan My roommate first in the Destroyer and A View troduced me to the Coc to a K ill, too.” teau Twins in my sopho Well, my mom used to more year, and the Twins like her, and my mom has and I have been sleeping pretty good taste in music together ever since. Now, stract, hypnotizing your (i.e . X, The Cramps, duced voice as the only sa I’m not claiming mono consciousness to the sub- understand the lyrics. This Smashing Pumpkins), so that kind of turned me oft vior. gamy. Mingus, Coltrane consciousness. Riding a new form of enunciation for Mom’s sake, I took the But, you know, I bet Grace and Miles still warm my wave of continuity, each shatters the dreamlike disc in hand and away we could kick Lita Ford’s ass “Relax and enjoy the sheets, but the sensuous song oozes into the next, state of their previous for go- if they ever squared off ride ... Sex Drive,” Jones euphonic vocals of singer as Fraser's telestic vocals mality as it negates their The title did at least against each other. exhorts, but that’s kind of Elizabeth Fraser have kiss your ears. traditional structure. pique my curiosity, but Where’s pay-per-view hard with the drum loops filled my bedroom for the Short but sweet, this then I started the music. when you need it? and wannabe techno past two weeks. 40-minute album of mu- Three of the songs are Drum machines and background piercing my With their eighth LP, zak for the ’90s is the remixes of “Sex Drive,” synthesizers (the bane of ears. Then again, she does The melodic gibberish Four Calendar Cafe, the sleeper of the month — while the fourth is called good music everywhere) have this Lita Ford thing of the Scottish trio ema Cocteau Twins strut a bold literally. “Typical Male.” Being the abound, leaving Jones’ going for her. nates in and out of the ab new style; you can actually —Erin Wilson atypical male that I am, sultry though overpro —Brett Chapman 6A Thursday, November 18,1993 Daily Nexus
to Tribe Called Quest, De La Soul i Nov. 30th Show — Sell back 5 CDs — Get up to S4.50 CASH or S6.00 Credit each — Enter your name for the drawing to be held HE NEVER TELLS HER ( Monday, Nov. 29th SEE STORE FOR DETAILS Remains are entrancing. before a dinner party paints a picture in every evils of the Nazi regime Images of crusty, stale, hosted by his “master.” He frame, using majestic man and the naivete of world cold, green and dark is a slave, not only to his sions, rich fabrics, won leaders, as well as that of brown matter — in a employer but to the ridi derfully dressed and their blind followers. morningjory wooden box, perhaps — culous rules and etiquette placed actors, sensational Finally it is about put come to mind when think of educated English high works of art and virtually ting blinders on. Pretend I ing about remains. Dirty society. Hopkins’ butler is perfect lighting in accor ing not to see truth, decid minds, bodies and lives are the living, breathing, em dance with each scene’s ing not to see love and de Im 910 Embarcadero_ del Norte fascinating as well. T he bodiment and definition mood. There is also a tan- nying reality; choosing w Isla Vista R em ains o f th e D ay is an of repression. talizingly subtle sound fantasy, even though the É 968-4665 enthralling, beautiful and Emma Thompson ex track. Ivory demands the fantasy is a variation on captivating film about un quisitely portrays his rep viewer’s attention — even the theme of suppressed requited love ... and what ressed equal, his tempta when there is not much ac desire. The gaze of society lurks behind gorgeous, tion, and a bitter symbol of tion on screen, there is is feared and sought by ev seemingly innocent and his failure at the part of life something to be seen. ery character in the film, PAY FOR definitely proper facades, called living. He can not The Remains of the and somewhere along the MEDICAL separate himself from the D ay shows the audience line the search for indivi SCHOOL Anthony Hopkins car work, whereas she can ad the importance of what dual identity and indepen ries the film. His perfor mit to feeling and possess goes on “behind the dent thought is forgotten. mance evokes the painful ing feelings. Her perfor scenes.” This film explores However, this film will Today’s Air Force offers a precision so key to the mance is captivating be layers of life that operate not soon be foigotten. It is scholarship program that can position of heightened cause of the control she through and around Lord a masterpiece and a suc help pay the cost of medical propriety which his char exhibits over her body lan Darlington’s estate. The cessful exercise in the art school. If selected, you can contin acter must embody as head guage and facial express house itself is full of secret of filmmaking. Hopkins ue your present studies — and butler at the home of a key ions. With a tense twitch doors, stairways and hid and Thompson remain in stop worrying about how to pay member of parliament, in a and clenched fists, she den rooms. triguing throughout and for them. Participation is based on world on the brink of conveys not only her grace The plot of R em ains is even exceed their pene competitive selection. For informa World War II. “Your per but her emotions and li full of hidden agendas. trating performances in Hitler’s influence is felt Howard’s End. tion with no obligation, talk to an formance here will influ bido under pressure. ence the course of world through Lord Darrington, Air Force representative. Call politics,” he tells his staff Director James Ivory exposing the far-reaching —Allison Dunn
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