The Filth and the Fury
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Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Get Kindle ^ the Modern Lovers the Modern Lovers (Paperback)
9UMSJOTBQF7Y « PDF ^ The Modern Lovers The Modern Lovers (Paperback) Th e Modern Lovers Th e Modern Lovers (Paperback) Filesize: 2.82 MB Reviews Completely among the finest publication I have got possibly read through. It really is rally exciting throgh reading through period. You are going to like how the writer compose this publication. (Modesta Stamm PhD) DISCLAIMER | DMCA 1DRVATHPTF9Y ~ Doc \\ The Modern Lovers The Modern Lovers (Paperback) THE MODERN LOVERS THE MODERN LOVERS (PAPERBACK) Bloomsbury Publishing PLC, United States, 2017. Paperback. Condition: New. Language: English . Brand New Book. From the War on Hippies to the Great Rock n Roll Swindle, the story of Modern Lovers is a high octane tale of Brutalist architecture, rock n roll ambition and the struggle for identity in a changing world. One of punk rock s foundational documents, the archetype for indie obsession and all but disowned by its author, The Modern Lovers was an album doomed by its own coolness from day one. Powered by the two-chord wonder Roadrunner and its proclamation that I m in love with rock n roll, The Modern Lovers is the essential document of American alienation, an escape route from the cultural wasteland of postwar suburbia. The Modern Lovers is the bridge connecting the Velvet Underground and the Sex Pistols; they were peers of the New York Dolls and friends with Gram Parsons and they would splinter into Talking Heads, The Cars, and The Real Kids. But The Modern Lovers was never meant to be an album. A collection of demos, recorded in fits and starts as Jonathan Richman and his band negotiate modernity and the music industry. -
LONS SOYC 323S Subject: Sociology Credits: 3 Semester/Term: ☐ Semester ☐ J-Term University ☒ Summer
Course Title: The Original Youth Culture: Teenagers and Subcultures in Postwar Britain Course Code: LONS SOYC 323S Subject: Sociology Credits: 3 Semester/Term: ☐ Semester ☐ J-Term University ☒ Summer Course Description: The first teenage culture explored investigated… Postwar buildings of London and Liverpool explored… Britain’s youth subcultures in the 1950s andArcadia 60s examined … From the Teddy Boys to the Mods…from Rock’n Roll to The Beatles The Battle of Brighton. The course will comprise of field studies, lectures and seminar discussions Course Required Text Requirements: 1. MOD: From Bepop tocopyright Britpop, Britain’s Biggest Youth Movement by Richard Weight (Vintage:London, 2015). ISBN: 978-0099597889, Cost: To Be Determined 2. Never Had it So Good: A History of Britain from Suez to the Beatles by Dominic Sandbrook (Little Brown: London, 2005). ISBN: 978-0349141276, Cost: To Be Determinedproperty 3. Selections from The Spiv and the Architect: Unruly Life in Postwar London by Richard Hornsey (University of Minnesota: London, 2010). ISBN: 978-0816653157, Cost: To Be Determined IntellectualAdditional Readings and Resources Articles and power-point lecture slides are available from the instructor on the course Blackboard site through Arcadia University. Assignments Course Requirements Percentages 1. Reflective Essays on Site Visits 30 % 2. Final Essay 60 % © Arcadia University | The College of Global Studies 1 3. Presentation 10 % Total 100% 1. Reflective Essays After each field study the student is expected to write a 3-page reflective essay which also incorporates ideas and thoughts from the Universityreadings. Students should discuss what is left of the subcultures in the sites we visit, and what kind of people the sites now attract. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Scenes and Subcultures
ISSN 1751-8229 IJŽS Volume Three, Number One Realizing the Scene; Punk and Meaning’s Demise R. Pope - Wilfrid Laurier University, Canada. Joplin and Hendrix set the intensive norm for rock shows, fed the rock audience’s need for the emotional charge that confirmed they’d been at a “real” event… The ramifications were immediate. Singer-songwriters’ confessional mode, the appeal of their supposed “transparency”, introduced a kind of moralism into rock – faking an emotion (which in postpunk ideology is the whole point and joy of pop performance) became an aesthetic crime; musicians were judged for their openness, their honesty, their sensitivity, were judged, that is, as real, knowable people (think of that pompous rock fixture, the Rolling Stone interview)’. -Simon Frith, from `Rock and the Politics of Memory’ (1984: 66-7) `I’m an icon breaker, therefore that makes me unbearable. They want you to become godlike, and if you won’t, you’re a problem. They want you to carry their ideological load for them. That’s nonsense. I always hoped I made it completely clear that I was as deeply confused as the next person. That’s why I’m doing this. In fact, more so. I wouldn’t be up there on stage night after night unless I was deeply confused, too’. -John Lydon, from Rotten: No Irish, No Blacks, No Dogs (1994: 107) `Gotta go over the Berlin Wall I don't understand it.... I gotta go over the wall I don't understand this bit at all... Please don't be waiting for me’ -Sex Pistols lyrics to `Holidays in the Sun’ INTRODUCTION: CULTURAL STUDIES What is Lydon on about? What is punk 'about’? Within the academy, punk is generally understood through the lens of cultural studies, through which punk’s activities are cast an aura of meaningful `resistance’ to `dominant’ forces. -
Bio.Inthismomentritu
Throughout history, art rejoices and revels in the wisdom of women. Within a deck of tarot cards, the High Priestess serves as the guardian of the unconscious. In Greek mythology, the old oracles celebrate the Mother Goddess. William Shakespeare posited portentous prescience in the form of MacBeth’s “Three Witches.” On their sixth full-length album Ritual, In This Moment—Maria Brink [vocals, piano], Chris Howorth [lead guitar], Travis Johnson [bass], Randy Weitzel [rhythm guitar], and Kent Diimel [drums]—unearth a furious and focused feminine fire from a cauldron of jagged heavy metal, hypnotic alternative, and smoky voodoo blues. It’s an evolution. It’s a statement. It’s In This Moment 2017… “It’s like we’re going into the next realm,” asserts Maria. “I had a conviction of feeling empowered in my life and with myself. I always write from a personal place, and I needed to share that sense of strength. I’ve never been afraid to hold back. Sometimes, I can be very suggestive. However, I wanted to show our fans that this is the most powerful side of myself and it’s without overt sexuality. It’s that deeper serious fire inside of my heart.” “What Maria is saying comes from deep inside,” Chris affirms. “This time, we had a bunch of ideas started before we hit the studio. There was a really clear direction. It’s different.” The group spent two years supporting their biggest album yet 2014’s Black Widow. Upon release, it seized their highest position to date on the Billboard Top 200, bowing at #8. -
GEAR Roundup!
GEAR Roundup! Post your review—or challenge ours—at the GP forum. SPECS | Hanson Musical Instruments, (773) 251-9684; hansonguitars.com MODEL CHICAGOAN CIGNO FIRENZE ST GATTO PRICE $870 direct $675 direct $599 direct $675 direct NECK Maple, set Mahogany, set Maple, bolt-on Mahogany, set FRETBOARD Ebony Rosewood Rosewood Rosewood FRETS Medium jumbo Medium jumbo Medium jumbo Medium jumbo SCALE 24.75" 24.75" 25.5" 24.75" BODY Bound maple top, back, and sides Mahogany Ash Mahogany PICKUPS Hanson mini-humbuckers Hanson P90s Hanson Blade mini-humbuckers Hanson Classic humbuckers with coil tap CONTROLS 2 Volume, 2 Tone, 3-way pickup Master Volume, Master Tone, Master Volume, Master Tone, Master Volume, Master Tone (pull selector 5-way pickup selector 5-way pickup selector for coil tap), 3-way pickup selector BRIDGE Tune-o-matic with roller saddles, TonePros TonePros TonePros Bigsby B70 tremolo TUNERS Hanson Hanson Hanson Hanson KUDOS Airy tones with great articulation. Round, ballsy sound with punch. Mini humbuckers deliver nice Fat, punchy humbucker tones. Sleek Looks retro fabulous. Looks ultra cool. Love that focused mids with a ton of spank. looks. baseball-bat neck! CONCERNS A few minor cosmetic issues. A few minor cosmetic issues. A few minor cosmetic issues. A few minor cosmetic issues. Neck may be too thick for some. 92 MARCH 2010 GUITARPLAYER.COM Hanson Chicagoan, Cigno, Firenze ST, and Gatto TESTED BY MICHAEL MOLENDA HANSON MUSICAL INSTRUMENTS OF CHICAGO STARTED OUT APPROXIMATELY five years ago making bass pickups, then guitar pickups, and, finally, gui- tars. The evolution of the product line informed the company’s approach to guitar making, as it developed a series of pickups first, and then designed guitars around the tone and vibe of each pickup. -
Feminine Charm
THE GREAT DYING A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Fine Arts in Creative Writing by Amy Purcell August, 2013 Thesis written by Amy Purcell B.S., Ohio University, 1989 M.F.A., Kent State University, 2013 Approved by Varley O’Connor, Advisor Robert W. Trogdon, Chair, Department of Psychology Raymond A. Craig, Dean, College of Arts and Sciences ii CHAPTER ONE Lucy Sullivan first noticed she was disappearing on Monday morning as she prepared to return to work at the Field Museum. This was two weeks after Sean had died, at the peak of Chicago’s worst heat wave in history, and two weeks after she had asked, politely, for time and space alone. The apartment smelled of the worn-out sympathies of friends. Baskets of shriveled oranges and pears and wilting lilies and roses moldered on the coffee table and mantle above the fireplace in the living room and anywhere else Lucy had found room to place them. She was certain there were even more baskets waiting for her outside the door of the apartment. She hadn’t opened the door during her seclusion, hadn’t touched the fruit or watered the plants. The idea that a dozen oranges or a clichéd peace plant would alleviate her grief brought on such an unreasonable rage that she’d decided it was best to ignore the whole lot. Outside it was pitch black, except for the sickly yellow-white pools of light illuminating the empty, elevated train tracks above North Sedgwick Avenue. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Music Is Made up of Many Different Things Called Elements. They Are the “I Feel Like My Kind Building Bricks of Music
SECONDARY/KEY STAGE 3 MUSIC – BUILDING BRICKS 5 MINUTES READING #1 Music is made up of many different things called elements. They are the “I feel like my kind building bricks of music. When you compose a piece of music, you use the of music is a big pot elements of music to build it, just like a builder uses bricks to build a house. If of different spices. the piece of music is to sound right, then you have to use the elements of It’s a soup with all kinds of ingredients music correctly. in it.” - Abigail Washburn What are the Elements of Music? PITCH means the highness or lowness of the sound. Some pieces need high sounds and some need low, deep sounds. Some have sounds that are in the middle. Most pieces use a mixture of pitches. TEMPO means the fastness or slowness of the music. Sometimes this is called the speed or pace of the music. A piece might be at a moderate tempo, or even change its tempo part-way through. DYNAMICS means the loudness or softness of the music. Sometimes this is called the volume. Music often changes volume gradually, and goes from loud to soft or soft to loud. Questions to think about: 1. Think about your DURATION means the length of each sound. Some sounds or notes are long, favourite piece of some are short. Sometimes composers combine long sounds with short music – it could be a song or a piece of sounds to get a good effect. instrumental music. How have the TEXTURE – if all the instruments are playing at once, the texture is thick. -
Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background