Confronting Modernity: “Techno-Politics” and the Limits of New World Empire
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Bio.Inthismomentritu
Throughout history, art rejoices and revels in the wisdom of women. Within a deck of tarot cards, the High Priestess serves as the guardian of the unconscious. In Greek mythology, the old oracles celebrate the Mother Goddess. William Shakespeare posited portentous prescience in the form of MacBeth’s “Three Witches.” On their sixth full-length album Ritual, In This Moment—Maria Brink [vocals, piano], Chris Howorth [lead guitar], Travis Johnson [bass], Randy Weitzel [rhythm guitar], and Kent Diimel [drums]—unearth a furious and focused feminine fire from a cauldron of jagged heavy metal, hypnotic alternative, and smoky voodoo blues. It’s an evolution. It’s a statement. It’s In This Moment 2017… “It’s like we’re going into the next realm,” asserts Maria. “I had a conviction of feeling empowered in my life and with myself. I always write from a personal place, and I needed to share that sense of strength. I’ve never been afraid to hold back. Sometimes, I can be very suggestive. However, I wanted to show our fans that this is the most powerful side of myself and it’s without overt sexuality. It’s that deeper serious fire inside of my heart.” “What Maria is saying comes from deep inside,” Chris affirms. “This time, we had a bunch of ideas started before we hit the studio. There was a really clear direction. It’s different.” The group spent two years supporting their biggest album yet 2014’s Black Widow. Upon release, it seized their highest position to date on the Billboard Top 200, bowing at #8. -
GEAR Roundup!
GEAR Roundup! Post your review—or challenge ours—at the GP forum. SPECS | Hanson Musical Instruments, (773) 251-9684; hansonguitars.com MODEL CHICAGOAN CIGNO FIRENZE ST GATTO PRICE $870 direct $675 direct $599 direct $675 direct NECK Maple, set Mahogany, set Maple, bolt-on Mahogany, set FRETBOARD Ebony Rosewood Rosewood Rosewood FRETS Medium jumbo Medium jumbo Medium jumbo Medium jumbo SCALE 24.75" 24.75" 25.5" 24.75" BODY Bound maple top, back, and sides Mahogany Ash Mahogany PICKUPS Hanson mini-humbuckers Hanson P90s Hanson Blade mini-humbuckers Hanson Classic humbuckers with coil tap CONTROLS 2 Volume, 2 Tone, 3-way pickup Master Volume, Master Tone, Master Volume, Master Tone, Master Volume, Master Tone (pull selector 5-way pickup selector 5-way pickup selector for coil tap), 3-way pickup selector BRIDGE Tune-o-matic with roller saddles, TonePros TonePros TonePros Bigsby B70 tremolo TUNERS Hanson Hanson Hanson Hanson KUDOS Airy tones with great articulation. Round, ballsy sound with punch. Mini humbuckers deliver nice Fat, punchy humbucker tones. Sleek Looks retro fabulous. Looks ultra cool. Love that focused mids with a ton of spank. looks. baseball-bat neck! CONCERNS A few minor cosmetic issues. A few minor cosmetic issues. A few minor cosmetic issues. A few minor cosmetic issues. Neck may be too thick for some. 92 MARCH 2010 GUITARPLAYER.COM Hanson Chicagoan, Cigno, Firenze ST, and Gatto TESTED BY MICHAEL MOLENDA HANSON MUSICAL INSTRUMENTS OF CHICAGO STARTED OUT APPROXIMATELY five years ago making bass pickups, then guitar pickups, and, finally, gui- tars. The evolution of the product line informed the company’s approach to guitar making, as it developed a series of pickups first, and then designed guitars around the tone and vibe of each pickup. -
Feminine Charm
THE GREAT DYING A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Fine Arts in Creative Writing by Amy Purcell August, 2013 Thesis written by Amy Purcell B.S., Ohio University, 1989 M.F.A., Kent State University, 2013 Approved by Varley O’Connor, Advisor Robert W. Trogdon, Chair, Department of Psychology Raymond A. Craig, Dean, College of Arts and Sciences ii CHAPTER ONE Lucy Sullivan first noticed she was disappearing on Monday morning as she prepared to return to work at the Field Museum. This was two weeks after Sean had died, at the peak of Chicago’s worst heat wave in history, and two weeks after she had asked, politely, for time and space alone. The apartment smelled of the worn-out sympathies of friends. Baskets of shriveled oranges and pears and wilting lilies and roses moldered on the coffee table and mantle above the fireplace in the living room and anywhere else Lucy had found room to place them. She was certain there were even more baskets waiting for her outside the door of the apartment. She hadn’t opened the door during her seclusion, hadn’t touched the fruit or watered the plants. The idea that a dozen oranges or a clichéd peace plant would alleviate her grief brought on such an unreasonable rage that she’d decided it was best to ignore the whole lot. Outside it was pitch black, except for the sickly yellow-white pools of light illuminating the empty, elevated train tracks above North Sedgwick Avenue. -
Music Is Made up of Many Different Things Called Elements. They Are the “I Feel Like My Kind Building Bricks of Music
SECONDARY/KEY STAGE 3 MUSIC – BUILDING BRICKS 5 MINUTES READING #1 Music is made up of many different things called elements. They are the “I feel like my kind building bricks of music. When you compose a piece of music, you use the of music is a big pot elements of music to build it, just like a builder uses bricks to build a house. If of different spices. the piece of music is to sound right, then you have to use the elements of It’s a soup with all kinds of ingredients music correctly. in it.” - Abigail Washburn What are the Elements of Music? PITCH means the highness or lowness of the sound. Some pieces need high sounds and some need low, deep sounds. Some have sounds that are in the middle. Most pieces use a mixture of pitches. TEMPO means the fastness or slowness of the music. Sometimes this is called the speed or pace of the music. A piece might be at a moderate tempo, or even change its tempo part-way through. DYNAMICS means the loudness or softness of the music. Sometimes this is called the volume. Music often changes volume gradually, and goes from loud to soft or soft to loud. Questions to think about: 1. Think about your DURATION means the length of each sound. Some sounds or notes are long, favourite piece of some are short. Sometimes composers combine long sounds with short music – it could be a song or a piece of sounds to get a good effect. instrumental music. How have the TEXTURE – if all the instruments are playing at once, the texture is thick. -
Black Skin, White Masks (Get Political)
Black Skin, White Masks Fanon 00 pre i 4/7/08 14:16:58 <:IEA>I>86A www.plutobooks.com Revolution, Black Skin, Democracy, White Masks Socialism Frantz Fanon Selected Writings Forewords by V.I. Lenin Homi K. Edited by Bhabha and Paul Le Blanc Ziauddin Sardar 9780745328485 9780745327600 Jewish History, The Jewish Religion Communist The Weight Manifesto of Three Karl Marx and Thousand Years Friedrich Engels Israel Shahak Introduction by Forewords by David Harvey Pappe / Mezvinsky/ 9780745328461 Said / Vidal 9780745328409 Theatre of Catching the Oppressed History on Augusto Boal the Wing 9780745328386 Race, Culture and Globalisation A. Sivanandan Foreword by Colin Prescod 9780745328348 Fanon 00 pre ii 4/7/08 14:16:59 black skin whiteit masks FRANTZ FANON Translated by Charles Lam Markmann Forewords by Ziauddin Sardar and Homi K. Bhabha PLUTO PRESS www.plutobooks.com Fanon 00 pre iii 4/7/08 14:17:00 Originally published by Editions de Seuil, France, 1952 as Peau Noire, Masques Blanc First published in the United Kingdom in 1986 by Pluto Press 345 Archway Road, London N6 5AA This new edition published 2008 www.plutobooks.com Copyright © Editions de Seuil 1952 English translation copyright © Grove Press Inc 1967 The right of Homi K. Bhabha and Ziauddin Sardar to be identifi ed as the authors of the forewords to this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 2849 2 Hardback ISBN 978 0 7453 2848 5 Paperback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. -
Netbook of Creatures
The Council’s Encyclopedia of Lifeforms Mundane and Magical … or, the Netbook of Creatures Version 005 Release Date: August 28, 2001 A project of the DnD Community Council. Product Design Team: Spencer Cooley, Project Lead, Submissions Team Leader: Templates, Vermin Scott Greene, Submissions Team Leader: Elementals, Outsiders, Plants, Undead Cliff Caddell, Submissions Team Leader: Animal, Construct, Magical Beast, Monstrous Humanoid Monte Lewis, Submissions Team Leader: Aberration, Dragon, Ooze, Shapechanger Jeff Khars, Submissions Team Leader: Beast, Fey, Giant, Humanoid Cover Art (used with permission): John Cressman, Dragon’s Art (DnD Community Council Artist ID A003) http://www.dragonsart.com Border Art (used with permission): Jelane K. Johnson, Spencer Cooley Interior Art (used with permission): JT Baldwin Edward Bourrelle Scott Purdy Frederic Simons [Contributor ID A004] Contributors: Brad Bemis, [email protected] [Contributor ID 001] Spencer Cooley, [email protected] [Contributor ID 050] Wm. Eric Downton, [email protected] [Contributor ID 022] Itzhak Even, [email protected] [Contributor ID 023] Rebecca Glenn, [email protected] [Contributor ID 011] Scott Greene, [email protected] Michael J. Kletch, [email protected] [Contributor ID 010] Scott C. Metzger, [email protected] [Contributor ID 036] Tyson Neuman, [email protected] [Contributor ID 028] Doug Rodermund, [email protected] [Contributor ID 051] Stephan Simons, [email protected] [Contributor ID 037] Submissions (or “I’ve got an idea, where do I From the Editor send it?”) August 28, 2001 - I am sure many of you are We aim to keep a high level of quality in our work. wondering what happened to the enormous 500+ To ensure that all submissions are well-polished page work that was once the TCELMM. -
Anti-Jagged Immunotherapy Inhibits Mdscs and Overcomes Tumor-Induced Tolerance Rosa A
Published OnlineFirst September 13, 2017; DOI: 10.1158/0008-5472.CAN-17-0357 Cancer Microenvironment and Immunology Research Anti-Jagged Immunotherapy Inhibits MDSCs and Overcomes Tumor-Induced Tolerance Rosa A. Sierra1, Jimena Trillo-Tinoco1, Eslam Mohamed1, Lolie Yu2, Bhagelu R. Achyut3, Ali Arbab3, Jennifer W. Bradford4, Barbara A. Osborne5, Lucio Miele2, and Paulo C. Rodriguez1 Abstract Myeloid-derived suppressor cells (MDSC) are a major obstacle and enhanced the efficacy of T-cell–based immunotherapy. to promising forms of cancer immunotherapy, but tools to Depletion of MDSC-like cells restored tumor growth in mice broadly limit their immunoregulatory effects remain lacking. In treated with anti-Jagged, whereas coinjection of MDSC-like cells this study, we assessed the therapeutic effect of the humanized from anti–Jagged-treated mice with cancer cells delayed tumor anti–Jagged1/2-blocking antibody CTX014 on MDSC-mediated growth. Jagged1/2 was induced in MDSCs by tumor-derived T-cell suppression in tumor-bearing mice. CTX014 decreased factors via NFkB-p65 signaling, and conditional deletion of tumor growth, affected the accumulation and tolerogenic activity NFkB-p65 blocked MDSC function. Collectively, our results offer of MDSCs in tumors, and inhibited the expression of immuno- a preclinical proof of concept for the use of anti-Jagged1/2 to suppressive factors arginase I and iNOS. Consequently, anti- reprogram MDSC-mediated T-cell suppression in tumors, with Jagged therapy overcame tumor-induced T-cell tolerance, implications to broadly improve the efficacy of cancer therapy. þ increased the infiltration of reactive CD8 T cells into tumors, Cancer Res; 77(20); 5628–38. Ó2017 AACR. -
Dance Music Simon Halstead
After Techno and Rave: Status and Validity in Post- Dance Music by Simon Halstead Submitted for the degree of Doctor of Philosophy Department of Music and Sound Recording University of Surrey July 2009 © Simon Halstead 2009 ProQuest Number: 27558661 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 27558661 Published by ProQuest LLO (2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. ProQuest LLO. 789 East Eisenhower Parkway P.Q. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This dissertation explores the idea of electronica as a descendent of electronic dance music, which, although embodying many related aesthetic qualities, operates within a different set of musical values. This needs to be understood in the context of how dance music's character, form and modes of performance relate to its specific cultural function. Repetitive beats (as espoused by house and techno in particular) comprise part of the cultural experience of rave. In combination with drug technologies and an ethos of collectivity, rave encapsulates a set of political phenomena that are entrenched within the formal and textural priorities of dance music. I discuss how modes of reception are affected by changes in these priorities, and to what extent post-dance music neglects the physicality that defines the political dimension of dance music's relationship to the body. -
Sick Puppies Connect Her Own on Connect, with More and That’S Rounded Us out When We on Saturday, September 7, the Other, Their Own Psyches—And Vate New Ones
K k AUGUST 2013 KWOW HALL NOTES g VOL. 25 #8 H WOWHALL.ORGk release of Tri-Polar (nearly half a up by adding Orange County, million units to date and over 2 California-bred drummer Mark million single sold) and its slew of Goodwin, who they met through a radio hits—the #1 Rock track classified ad following their move “You’re Going Down”, the Top to LA in 2006. Soon after signing Five Modern Rock/Active Rock to Paul Palmer’s indie label through hits “Odd One” and “Riptide” and Virgin Records, a fortuitous video the cross-format anthemic smash pairing with a friend led Sick “Maybe”. Now Connect (out July Puppies to online fame with the 16, 2013), with its melding of song “All The Same” (AKA the room-filling rockers and edgy yet Free Hugs video), which earned an poignant lyrics, is poised to be the astonishing 75-million-plus views Puppies’ best-selling record yet. worldwide, and led to appearances Produced, as was Tri-Polar, by on Oprah, 60 Minutes, CNN, the Rock Mafia production team Good Morning America, and The of Tim James and Antonina Tonight Show with Jay Leno. Armato, Connect also took guid- Drummer Goodwin notes: ance from another, very pure “We’re a career band. We want to source: the trio’s legions of fans. build and take the time to make With face-to-face and online inter- things right. The first time we ever action with Sick Puppies World jammed it was a massive wall of Crew, the band listened when fol- sound; amazing for a trio. -
The Rondo Hatton Report Vol Xii
THE RONDO HATTON REPORT VOL XII SEPTEMBER 21, 2012 IN THIS ISSUE This our twelfth issue now makes up a round dozen, marking a cycle of three years since our organ first exposed itself to the world. Not bad, not bad , though we do say so ourselves. Whether lurker, shirker or smirker , we hope y'all have enjoyed the show. This edition continues to bring you poetry and polemic from the usual suspects and more, ranging from a heartfelt plea for digital insertionism to another fine opportunity to ruin your life , dispensing essential insights into the counting of tuplets along the way. And lest ye forget: this is an open trans-continental platform for the riding of hobby horses , mechanical or otherwise. Bring yours to the races, why don'chya ? CONTENTS 1. LINGUA FRANKA PART VIII / Arjun von CAEMMERER 2. THE POVERTY OF COMPLETISM / Mimi GABIN-KHAN 3. WATERMELON IN EASTER HEY / Madge IMMANEY 4. ZAPPA SURVIVOR / Scott SCHROEN 5. WHEN COMPOSERS DECOMPOSE / Larry TESHMOW 6. ZAPPA: HEGEL, OR, NOT AGAIN (AGAIN) / Ben WATSON 1 1. LINGUA FRANKA PART VIII: An Office With A Foyer Arjun von Caemmerer Elvis may have left the building but it is Frank Zappa who has infiltrated the establishment. From each sidewall of my consulting room, off-centre and central, Zappa looks in, witness to the vagaries of each doctor-patient interaction. What’s a man like him doing in a place like this? Nothing. And everything: It is far more important to know what person the disease has than what disease the person has. -
New Work: Don Van Vliet
DON VAN VLIET Peel, John. "Yellow Brick Road Revisited'.' The Observer. Born in Glendale. California, 1941 6 April 1986, p. 29. DON VAN VLIET Lives and works in northern California Penck, A. R. "Don Van Vliet:' Tem.:i Celeste, no. 2 (April 1987). p. SS. SELECTED INDIVIDUAL EXHIBITIONS Penck, AR. Don Van Vliet (exhibition catalogue), Galerie 1985 Michael Werner, Cologne, 1985. Galerie Michael Werner, Cologne Penck, AR. "Na, Na. Na-forDon Van Vliet'.'Don Van Vliet Mary Boone Gallery, New York (exhibition catalogue), Galerie Mi:hael Werner, Cologne, 1986 1987. Waddington Galleries, London 1987 Rense. Rip. "Captain Beefheart: A Portrait of the Artist o Angeles 15 1982, Galerie Michael Werner. Cologne as Loner." L s Herald Examiner. October - -28. Galerie Brinkman, Amsterdam pp. D 5. D 1988 CHECKLIST Galerie Michael Werner. Cologne The Moon a Pail ofMilk Spilled Dow.1 Black in the Night. 1986 oil on linen SELECTED GROUP EXHIBITIONS 80 x 70" (203.2 x 177.8 cm) 1982 Collection of the artist Performance Video.The Museum of Modern Art, New York 1985 Bat and Cat Panda, 1987 FromOrganism toAr chitecture, New York Studio School oil on linen The Chi-Chi Show, Massimo Audiello Gallery. New York 64 x 511/:i'(162.6 x 130.8 cm) Factura, Gallery Schlesinger-Boisante. New York Collection of Jan Van Vliet, California 1987 Feather Times a Feather, 1987 Byars. Chamberlain. Salle, Fischl, Lasker. 'Ion Vliet, oil on linen Galerie Michael Werner, Cologne 64 x 511/2' (162.6 x 130.8 cm) SELECTED SOURCES Parapliers the Willow Dipped, 1987 BY DON VAN VLIET oil on linen 78 x 58" (198.1 x 147.3 cm) Skeleton Breath, Scorpion Blush. -
Youtube Playlist: Lead Guitar 1 a Survey of Lead Guitar Styles from 1967 to 1995
YouTube Playlist: Lead Guitar 1 A Survey of Lead Guitar Styles From 1967 to 1995 https://www.youtube.com/playlist?list=PLDL49rh1iMkT480P4QOuniXY2bJiuMU6W © 2019 Greg Varhaug PURPOSE This playlist will help you to get a feel for the evolution of lead guitar from its beginnngs as an electrified folk instrument to the instrument of choice for single-line leads. Lead guitar solos replaced saxophone solos starting in the 1960s. But the sound of modern lead guitar wasn’t established until the release of the Bluesbreakers album featuring Eric Clapton in 1967. Overnight, the bar was raised for professional guitarists. Clapton, Peter Green, and a handful of practitioners of this new art form showed the rest of the world a way forward. The songs in this playlist each contain elements that you should recognize, know how to reproduce, and know how to respond to as a musician. One reason why we need to go back to the birth of lead guitar is that it is important to learn what the electric guitar sounds like without electonic processing. The first few songs in this list were recorded before there were any guitar effects. In some of these recordings the overall recording quality isn’t very good. So you have to “hear through” these recordings, past their flaws, to understand the most important aspects of lead guitar, and rock music. SECRET AGENT MAN - JOHNNY RIVERS – 1966 This is an example of the sound of a typical ‘60s guitar solo, pre- Clapton. This is a good-sounding lead, even though the articulation is a little jagged.