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Nationalism Through Sacred Chant? Research of Byzantine Musicology in Totalitarian Romania
Nationalism Through Sacred Chant? Research of Byzantine Musicology in Totalitarian Romania Nicolae GHEORGHIță National University of Music, Bucharest Str. Ştirbei Vodă nr. 33, Sector 1, Ro-010102, Bucharest, Romania E-mail: [email protected] (Received: June 2015; accepted: September 2015) Abstract: In an atheist society, such as the communist one, all forms of the sacred were anathematized and fiercly sanctioned. Nevertheless, despite these ideological barriers, important articles and volumes of Byzantine – and sometimes Gregorian – musicological research were published in totalitarian Romania. Numerous Romanian scholars participated at international congresses and symposia, thus benefiting of scholarships and research stages not only in the socialist states, but also in places regarded as ‘affected by viruses,’ such as the USA or the libraries on Mount Athos (Greece). This article discusses the mechanisms through which the research on religious music in Romania managed to avoid ideological censorship, the forms of camouflage and dissimulation of musicological information with religious subject that managed to integrate and even impose over the aesthetic visions of the Party. The article also refers to cultural politics enthusiastically supporting research and valuing the heritage of ancient music as a fundamental source for composers and their creations dedicated to the masses. Keywords: Byzantine musicology, Romania, 1944–1990, socialist realism, totalitari- anism, nationalism Introduction In August 1948, only eight months after the forced abdication of King Michael I of Romania and the proclamation of the people’s republic (30 December 1947), the Academy of Religious Music – as part of the Bucharest Academy of Music and Dramatic Art, today the National University of Music – was abolished through Studia Musicologica 56/4, 2015, pp. -
14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM Favourite Piece of Music to the Rest of the UK
Radio 3 Listings for 8 – 14 December 2012 Page 1 of 11 SATURDAY 08 DECEMBER 2012 4:34 AM favourite piece of music to the rest of the UK. In the run up to Sibelius, Jean (1865-1957) Christmas we'll be hearing about music that reminds listeners of SAT 01:00 Through the Night (b01p2wc3) Serenade No.1 in D major for violin & orchestra (Op.69a) the festive season. Jonathan Swain a recital from the 66th International Chopin Judy Kang (violin), Orchestre Symphonique de Laval, Jean- Festival in Duszniki Zdrój in Poland - Tonight Daniil Trifonov - François Rivest (conductor) winner of the 2011 Tchaikovsky Piano Competition. SAT 09:00 CD Review (b01p3mb1) 4:42 AM Building a Library: Bartok: Concerto for Orchestra 1:01 AM Tárrega, Francisco (1852-1909) Schubert, Franz [1797-1828] Recuerdos de la Alhambra With Andrew McGregor. Including Building a Library: Bartok: 4 Schubert Song transcriptions by Liszt, Franz [1811-1886] Ana Vidović (guitar) Concerto for Orchestra; Chamber music, by Schubert, Mozart, Daniil Trifonov (piano) Messiaen; Disc of the Week: Prokofiev: Violin Concerto No 2. 4:47 AM 1:17 AM Schein, Johann Hermann (1586-1630) Schumann, Robert [1810-1856] No.26 Canzon for 5 instruments in A minor 'Corollarium' - SAT 12:15 Music Matters (b01p3mb3) Widmung (Dedication), from 'Myrten, op. 25/1, (S. 566) from Banchetto Musicale, Leipzig (1617) Jonathan Harvey Tribute, William Christie, Royal Northern Daniil Trifonov (piano) Hesperion XX, Jordi Savall (descant viola da gamba & director) College of Music 1:21 AM 4:51 AM Tom Service pays tribute to composer Jonathan Harvey. Plus Liszt, Franz [1811-1886] Rossini, Gioachino (1792-1868) conductor William Christie and a celebration of 40 years of the La campanella, No. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
9 April 2010 Page 1 of 10
Radio 3 Listings for 3 – 9 April 2010 Page 1 of 10 SATURDAY 03 APRIL 2010 05:38AM WORLD ROUTES Gorczycki, Grzegorz Gerwazy (1665-1734) SAT 01:00 Through the Night (b00rpwt5) Missa Paschalis Presented by Mark Tully Susan Sharpe presents rarities, archive and concert recordings Il Canto: Produced by Roger Short from Europe's leading broadcasters 05:53AM Tel. 020 7765 4661 01:02AM Brahms, Johannes (1833-1897) Fax. 020 7765 5052 Haydn, Joseph [1732-1809], and Anonymous Rhapsody for piano (Op.79 No.1) in B minor e-mail [email protected] Die sieben letzten Worte unseres Erlösers am Kreuze Steven Osborne (piano) (Hob.XX:2) Saturday 3rd April, 3:00pm Jacques Ogg (fortepiano - modern copy of a Walter instrument 06:03AM (Vienna, 1795), Joseph Barrás (bassoon), Sergei Sprichev Mendelssohn, Felix (1809-1847) Raga Devgiri Bilawal (drums), Ensemble "Alfonso X el Sabio", Luis Lozano Concerto for violin, piano and string orchestra in D minor Ravi Shankar; accompanied by Alla Rakha (tabla) Virumbrales (director), Carlos García (narrator) Leonidas Kavakos (violin), Enrico Pace (piano), Risør Festival Album: Ravi Shankar Rare and Glorious Strings Saregama Records CDNFC 150918-9 02:27AM Puccini, Giacomo (1858 -1924) 06:41AM Ravi Shankar: Sare Jahan Se Achchha Crisantemi (Chrysanthemums) Mokranjac, Stevan (1856-1914) Bismillah Khan Moyzes Quartet Seventh Song-Wreath Album: Bismillah Khan Karolj Kolar (tenor), Belgrade Radio & Television Choir, Regal Classics D/ELRZ 13 02:34AM Mladen Jagust (conductor) Dvorák, Antonín (1841-1904) Raga Piloo Symphonic -
Musikgeschichte in Mittel- Und Osteuropa
Musikgeschichte in Mittel- und Osteuropa Musikgeschichte in Mittel- und Osteuropa Mitteilungen der internationalen Arbeitsgemeinschaft an der Universit¨at Leipzig Heft 10 in Zusammenarbeit mit den Mitgliedern der internationalen Arbeitsgemeinschaft fur¨ die Musikgeschichte in Mittel- und Osteuropa an der Universit¨at Leipzig herausgegeben von Helmut Loos und Eberhard M¨oller Redaktion Hildegard Mannheims Gudrun Schr¨oder Verlag Leipzig 2005 Gedruckt mit Unterstutzung¨ des Beauftragten der Bundesregierung fur¨ Angelegenheiten der Kultur und der Medien c 2005 by Gudrun Schr¨oder Verlag, Leipzig Redaktion und Satz: Hildegard Mannheims Kooperation: Rhytmos Verlag, PL 61-606 Pozna´n,Grochmalickiego 35/1 Alle Rechte, Nachdruck, auch auszugsweise, nur mit ausdrucklicher¨ Genehmigung des Verlags. Printed in Poland ISBN 3-926196-45-9 Inhaltsverzeichnis Vorwort . IX Briefkorrespondenzen Vladimir Gurewitsch Der Briefwechsel von Jacob von St¨ahlin . 1 Urve Lippus Elmar Arro's letters to Karl Leichter . 12 Vita Lindenberg J^azeps V^ıtols (Wihtol) Briefe aus Riga, Lub¨ eck und Danzig an Irena, Narvaite (1940{1947) . 22 Jur¯ ate_ Burokaite_ Briefe von Mikalojus Konstantinas Ciurlionisˇ und ande- ren Musikern aus Leipzig nach Litauen (1901{1924) . 27 Ma lgorzata Janicka-S lysz The Letters of Grazyna_ Bacewicz and Vytautas Bace- viˇcius . 32 Ma lgorzata Perkowska-Waszek The letters of Ignacy Jan Paderewski as a source of knowledge concerning cultural relationships in Europe . 43 Karol Bula Gregor Fitelbergs Korrespondenz aus den Jahren 1945 bis 1953 . 57 Jelena Sinkewitsch Das Leipziger Konservatorium in den Briefen von My- kola Witalijowytsch Lyssenko (1867{1869) . 63 Luba Kyyanovska Die Briefe von Vasyl Barvins'kyj aus Prag als Spiegel des Musiklebens vor dem Ersten Weltkrieg (1905{1914) 72 Marianna Kopitsa Die neuen quellenkundlichen Studien in der Ukraine im Spiegel des epistolaren Erbes von Reinhold Glier und Boris Lyatoschinski . -
Studia Musica – 1 – 2017
MUSICA 1/2017 STUDIA UNIVERSITATIS BABEŞ-BOLYAI MUSICA 1/2017 JUNE REFEREES: Acad. Dr. István ALMÁSI, Folk Music Scientific Researcher, Cluj-Napoca, Romania, Member of the Hungarian Academy of Arts – Budapest, Hungary Univ. Prof. Dr. István ANGI, „Gh. Dima” Music Academy, Cluj-Napoca, Romania Univ. Prof. Dr. Gabriel BANCIU, „Gh. Dima” Music Academy, Cluj-Napoca, Romania Univ. Prof. Dr. Habil. Stela DRĂGULIN, Transylvania University of Braşov, Romania Univ. Prof. Dr. Habil. Noémi MACZELKA DLA, Pianist, Head of the Arts Institute and the Department of Music Education, University of Szeged, "Juhász Gyula" Faculty of Education, Hungary College Prof. Dr. Péter ORDASI, University of Debrecen, Faculty of Music, Hungary Univ. Prof. Dr. Pavel PUŞCAŞ, „Gh. Dima” Music Academy, Cluj-Napoca, Romania Univ. Prof. Dr. Valentina SANDU-DEDIU, National University of Music, Bucharest, Romania Univ. Prof. Dr. Ilona SZENIK, „Gh. Dima” Music Academy, Cluj-Napoca, Romania Acad. Univ. Prof. Dr. Eduard TERÉNYI, „Gh. Dima” Music Academy, Cluj-Napoca, Romania, Member of the Hungarian Academy of Arts – Budapest, Hungary Acad. College Associate Prof. Dr. Péter TÓTH, DLA, University of Szeged, Dean of the Faculty of Musical Arts, Hungary, Member of the Hungarian Academy of Arts – Budapest, Hungary EDITOR-IN-CHIEF: Associate Prof. Dr. Gabriela COCA, Babeş-Bolyai University, Reformed Theology and Musical Pedagogy Department, Cluj-Napoca, Romania PERMANENT EDITORIAL BOARD: Associate Prof. Dr. Éva PÉTER, Babeş-Bolyai University, Reformed Theology and Musical Pedagogy Department, Cluj-Napoca, Romania Lecturer Prof. Dr. Miklós FEKETE, Babeş-Bolyai University, Reformed Theology and Musical Pedagogy Department, Cluj-Napoca, Romania Assist. Prof. Dr. Adél FEKETE, Babeş-Bolyai University, Reformed Theology and Musical Pedagogy Department, Cluj-Napoca, Romania Assist. -
ARTES Vol. 12
UNIVERSITY OF ARTS “GEORGE ENESCU” IAŞI FACULTY OF PERFORMING, COMPOSITION AND THEORETICAL MUSIC STUDIES RESEARCH CENTRE “ŞTIINŢA MUZICII” ARTES vol. 12 ARTES PUBLISHING HOUSE 2012 RESEARCH CENTRE “ŞTIINŢA MUZICII" Editor in Chief: Professor PhD Laura Otilia Vasiliu Editorial Board: Professor PhD Gheorghe Duţică, University of Arts “George Enescu” Iaşi Associate Professor PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chişinău (Republic of Moldova) Professor PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Professor PhD Valentina Sandu Dediu, National University of Music Bucharest Editorial Team: Professor Liliana Gherman Lecturer PhD Gabriela Vlahopol Lecturer PhD Diana-Beatrice Andron Cover design: Bogdan Popa ISSN 2344-3871 ISSN-L 2344-3871 © 2012 Artes Publishing House Str. Horia nr. 7-9, Iaşi, România Tel.: 0040-232.212.549 Fax: 0040-232.212.551 e-mail: [email protected] The rights on the present issue belong to Artes Publishing House. Any partial or whole reproduction of the text or the examples will punished according to the legislation in force. C O N T E N T S A. Research papers presented within the National Musicology Symposium - Stylistic indentity and contexts of Romanian music, 5th edition, 2011 ROMANIAN MUSIC IN THE 20TH CENTURY: HOW? WHERE? WHY? Associate Professor PhD. Carmen Chelaru,”George Enescu” University of Arts, Iasi, Romania……………………………………………………………………….7 THE INFLUENCE OF CENTRAL EUROPEAN MUSICAL CULTURE ON MODERN ROMANIAN COMPOSITION. CASE STUDY: PASCAL BENTOIU Professor PhD. Laura Vasiliu,”George Enescu” University of Arts, Iasi, Romania………………………………………………………………….…….…23 PASCAL BENTOIU – EMINESCIANA III. A “CONCERTO FOR ORCHESTRA” OR THE DISSIMULATION OF A SYMPHONY? Music teacher PhD. Luminiţa Duţică, The National College of Arts “Octav Băncilă”, Iasi, Romania……………………………………………………….......35 “AN ENCOMIUM TO SYMMETRY”. -
Geschäftsbericht 2013 | 2014
GESCHÄFTSBERICHT 2013 | 2014 www.wiener-staatsoper.at INHALT VORWORT ..........................................................................................................................4 OPER Premieren, Wiederaufnahmen, Musikalische Neueinstudierung ..................................8 Repertoire ........................................................................................................................26 BALLETT Premieren, Wiederaufnahmen .......................................................................................30 Repertoire ........................................................................................................................41 KINDEROPER ..................................................................................................................42 KONZERTE ......................................................................................................................46 GASTSPIELE ....................................................................................................................52 WIENER OPERNBALL ......................................................................................................54 MATINEEN .......................................................................................................................56 SONSTIGE VERANSTALTUNGEN ...................................................................................65 SONDERPUBLIKATIONEN .............................................................................................69 BALLETTAKADEMIE -
4 November 2016 Page 1 of 12
Radio 3 Listings for 29 October – 4 November 2016 Page 1 of 12 SATURDAY 29 OCTOBER 2016 Fürchte dich nicht - motet for 5 voices nozze di Figaro); Parto, parto, ma tu ben mio (from La Clemenza Cantus Cölln, Konrad Junghänel (director) di Tito) SAT 01:00 Through the Night (b0801yk6) 5:30 AM OFFENBACH: Vois sous l©archet fremissant (from Les Contes Daniele Gatti conducts the French National Orchestra Mendelssohn, Fanny Hensel (1805-1847) d©Hoffmann); Voyez dans la nuit brune (from Fantasio) Songs Without Words (Op.6) (1846) THOMAS, AMBROISE: Non, ne la suivons pas...Sommeil, ami Catriona Young presents a concert including Beethoven©s Sylviane Deferne (piano) des dieux (from Psyche) Symphony No.7 and Bartok©s Piano Concerto No.3 from the 5:41 AM Marianne Crebassa (mezzo-soprano), Mozarteum Orchestra French National Orchestra and conductor Daniele Gatti. Bernstein, Leonard [1918-1990] Salzburg, Marc Minkowski (conductor) 1:01 AM Symphonic Dances from ©West Side Story© ERATO 9029592762 (CD) Beethoven, Ludwig van (1770-1827) Minnesota Orchestra, Osmo Vänskä (conductor) Overture: The Creatures of Prometheus, Op.43 6:05 AM 9.30am Building a Library Orchestre National de France, Daniele Gatti (conductor) Takemitsu, Toru (1930-1996) Katy Hamilton compares recordings of Brahms' String Sextet No. 1:07 AM Sayonara (Goodbye) from Uta - songs for chorus 1 in B flat major, Op. 18 and recommends a version. Bartók, Béla (1881-1945) BBC Singers, Stephen Cleobury (conductor) Piano Concerto No. 3 Sz.119 6:08 AM 10.20am Deszö Ranki (piano), Orchestre National de France, Daniele Gatti Traditional, arr. Takemitsu, Toru (1930-1996) Josquin: Missa Di Dadi (conductor) Sakura (Cherry Blossoms) from Uta - songs for chorus DESPRES: Missa di dadi; Missa Une mousse de Biscaye 1:30 AM BBC Singers, Stephen Cleobury (conductor) The Tallis Scholars, Peter Phillips (conductor) Liszt, Franz (1811-1886) 6:12 AM GIMELL CDGIM048 (CD) Sancta Dorothea S.187 Gesualdo, Carlo (c.1560-1613), arr. -
Filarmonica ” Banatul” Timişoara
ROMÂNIA JUDEŢUL TIMIŞ MUNICIPIUL TIMIŞOARA _________________________________________________________________________________ RAPORT DE ACTIVITATE Pe anul 2020 FILARMONICA „BANATUL” Filarmonica „Banatul” din Timișoara este o instituție publică de cultură cu personalitate juridică, înființată prin Legea nr.131/17.04.1947 pentru înființarea Orchestrelor Filarmonice „Banatul” din Timișoara și „Oltenia” din Craiova. Instituția dispune de patrimoniu propriu iar activitatea sa este finanțată din alocații de la bugetul local, Capitolul Cultură și din venituri extrabugetare. Filarmonica „Banatul” Timișoara are 221 salariați, organigrama instituției fiind structurată astfel: 1. STRUCTURA ȘI NUMELE INSTITUȚIEI: Conducere: Manager (Director general): Gârboni Ioan Coriolan; Director adjunct (administrativ): Fonoș Ioan Marius; Director adjunct (artistic): Simion Daniel Mihail; Contabil șef: Stan Cristina; Șef birou Resurse Umane, Comunicare: Hanghicel Firuca Șef birou Juridic- Contractare: Haulică Diana Mariana. Execuție: Compartiment Funcții Artistice; Compartiment Orchestră; Compartiment Cor; Biroul Financiar - Contabil; Biroul Resurse Umane, Comunicare; Biroul Juridic - Contractare; Compartimentul Audit intern; Compartiment Auxiliar Scenă și Deservire; Deservire: Compartiment Pază - Protecție. 2. COMPONENȚA INSTITUȚIEI: - Compartiment Funcții Artistice (12 persoane) - Simion Daniel Mihail; - Compartiment Orchestră (111 persoane) - Simion Daniel Mihail; - Compartiment Cor (60 persoane) - Simion Daniel Mihail; - Biroul Financiar –Contabil (6 persoane) -
Contemporary Romanian Music For
CONTEMPORARY ROMANIAN MUSIC FOR UNACCOMPANIED CLARINET BY 2009 Cosmin Teodor Hărşian Submitted to the graduate program in the Department of Music and Dance and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________ Chairperson Committee Members ________________________ ________________________ ________________________ ________________________ Date defended 04. 21. 2009 The Document Committee for Cosmin Teodor Hărşian certifies that this is the approved version of the following dissertation: CONTEMPORARY ROMANIAN MUSIC FOR UNACCOMPANIED CLARINET Committee: ________________________ Chairperson ________________________ Advisor Date approved 04. 21. 2009 ii ABSTRACT Hărșian, Cosmin Teodor, Contemporary Romanian Music for Unaccompanied Clarinet. Doctor of Musical Arts (Performance), May 2009. Romanian music during the second half of the twentieth century was influenced by the socio-politic environment. During the Communist era, composers struggled among the official ideology, synchronizing with Western compositional trends of the time, and following their own natural style. With the appearance of great instrumentalists like clarinetist Aurelian Octav Popa, composers began writing valuable works that increased the quality and the quantity of the repertoire for this instrument. Works written for clarinet during the second half of the twentieth century represent a wide variety of styles, mixing elements from Western traditions with local elements of concert and folk music. While the four works discussed in this document are demanding upon one’s interpretative abilities and technically challenging, they are also musically rewarding. iii I wish to thank Ioana Hărșian, Voicu Hărșian, Roxana Oberșterescu, Ilie Oberșterescu and Michele Abbott for their patience and support. iv TABLE OF CONTENTS INTRODUCTION…………………………. -
FILARMONICA GEORGE ENESCU Str
BUCUREŞTI FILARMONICA GEORGE ENESCU Str. Franklin nr. 1- 3, sector 1 RAPORT DE ACTIVITATE PE ANUL 2014 Partea I-a. a) Evoluţia instituţiei în raport cu mediul în care îşi desfăşoară activitatea şi în raport cu sistemul instituţional existent: a.1. colaborarea cu instituţiile/organizaţiile culturale care se adresează aceleiaşi comunităţi - tipul / forma de colaborare, după caz, proiectele desfăşurate împreună cu acestea; În anul 2014 Filarmonica „George Enescu” a organizat concerte camerale şi recitalurile în parteneriat cu Ambasade, Institute culturale, Asociaţii şi Fundaţii ce se adresează, prin profilul lor de activitate, publicului meloman din România. Proiectele desfăşurate, în anul 2014, în parteneriat cu alte instituţii şi organizaţii culturale sunt: Nr. PROIECTUL PARTENER Finanţare Finanţare Crt. proprie (%) Partener/ colaborator (%) 1. Micro-stagiune de vară Lanto - 100% intitulată „Magic Summer” Communication 2. Recital de pian: Daria Tudor Radio Româna - 100 % 28 ianuarie 2014 Cultural şi Fundaţia Prietenii Muzicii - Serafim Antropov 3. Concert cameral Coproducători: Vox - 100 % Nuova Musica Novus (USA) European Conference Consonante Living of Promoters of New Music Foundation USA Music (ECPNM) (1994-2014) - 5 februarie Universitatea 2014 Politehnică Bucureşti - Fac. de Automatică 4 Recital de pian Institutul - 100 % Solist Jose Luis Nieto Cervantes şi 23 februarie 2014 RONDA 5 Recital de vioară: Andra Radio Româna - 100 % Lucia Andrei Cultural şi Fundaţia 25 februarie 2014 Prietenii Muzicii - Serafim Antropov 6 Concert simfonic