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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Alice Munro and the Anatomy of the Short Story
Alice Munro and the Anatomy of the Short Story Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Oriana Palusci and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0353-4 ISBN (13): 978-1-5275-0353-3 CONTENTS Introduction ................................................................................................. 1 Alice Munro’s Short Stories in the Anatomy Theatre Oriana Palusci Section I: The Resonance of Language Chapter One ............................................................................................... 13 Dance of Happy Polysemy: The Reverberations of Alice Munro’s Language Héliane Ventura Chapter Two .............................................................................................. 27 Too Much Curiosity? The Late Fiction of Alice Munro Janice Kulyk Keefer Section II: Story Bricks Chapter Three ............................................................................................ 45 Alice Munro as the Master -
The 2008 Book Club Master Book List Table of Contents
The 2008 Book Club Master Book List Grouped into a few categories, and sorted by author’s name. Thinned by a few deletions and updated with all the hot new additions suggested at the Sunday gathering at Larrie & Suzanne’s on January 13/2008 … Things in the Notes section are mainly taken from various Web pages or book jackets. Table of Contents Literary Fiction:______________________________________________________________ 2 Counterculture / Underground: ________________________________________________ 30 History / Historical Fiction: ___________________________________________________ 32 Biography/Autobiography: ____________________________________________________ 34 Travel / Place:_______________________________________________________________ 40 Nonfiction: _________________________________________________________________ 44 Themes:____________________________________________________________________ 50 Book Club Master Book List – 2008 edition 1 Title / Author Notes Year Literary Fiction: Lucky Jim In Lucky Jim, Amis introduces us to Jim Dixon, a junior lecturer at 2004 (Kingsley Amis) a British college who spends his days fending off the legions of malevolent twits that populate the school. His job is in constant danger, often for good reason. Lucky Jim hits the heights whenever Dixon tries to keep a preposterous situation from spinning out of control, which is every three pages or so. The final example of this--a lecture spewed by a hideously pickled Dixon--is a chapter's worth of comic nirvana. The book is not politically correct (Amis wasn't either), but take it for what it is, and you won't be disappointed. Oryx and Crake Depicts a near-future world that turns from the merely horrible to 2004 (Margaret Atwood) the horrific, from a fool's paradise to a bio-wasteland. Snowman (a man once known as Jimmy) sleeps in a tree and just might be the only human left on our devastated planet. -
Creative Displacement and Corporeal Defiance
CREATIVE DISPLACEMENT AND CORPOREAL DEFIANCE: FEMTNIST CANADIAN MODERNISM iN MARGARET LAURENCE'S MANAWAKA NOVELS A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirernents for the Degree of Doctor of Philosophy in the Department of English University of Saskatchewan Saskatoon BY Debra Lym Dudek September 2000 O Copyright Debra Lynn Dudek, 200 1. Al1 rights reserved. National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue WeUingtm Onawa ON K1A ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thése sous paper or electronic formats. la forme de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in tbïs thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fknit Ni la thèse ni des extraits substantiels may be printed or otheMrise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. PERMISSION TO USE In presenting this thesis in partial fùlfillment of the requirements for a Postgraduate degree 6om the University of Saskatchewan, 1 agree that the Libraries of this University may rnake it fieely available for inspection. 1 fùrther agree that permission for copying of this thesis in any rnanner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
COURSE OUTLINE the Course Description Is Online @
School of Arts & Science ENGLISH DEPARTMENT ENGL 270 Canadian Literature Winter 2016 COURSE OUTLINE The course description is online @ http://camosun.ca/learn/calendar/current/web/engl.html Please note: the College electronically stores this outline for five (5) years only. It is strongly recommended you keep a copy of this outline with your academic records. You will need this outline for any future application/s for transfer credit/s to other colleges/universities. 1. Instructor Information (a) Instructor: Dr. Candace Fertile (b) Office Hours: Tuesday 12:00-3:00 (or by appointment) (c) Location: Paul 337 (d) Phone: 250-370-3354 Alternative Phone: (e) Email: [email protected] (f) Website: 2. Intended Learning Outcomes (No changes are to be made to these Intended Learning Outcomes as approved by the Education Council of Camosun College.) When reading Canadian literature, the student will be encouraged to make connections, evaluate works based on established critical criteria, and recognize both the general characteristics of Canadian literature as well as those of individual authors. Upon completion of this course the student will be able to: 1. Analyze Canadian literature from the nineteenth century to the present, with emphasis on post 1950 works and the rich diversity of authors and works. 2. Evaluate a variety of genres, which may include poetry, short fiction, novels, drama, and essays, according to critical precepts appropriate to the specific genre. 3. Compare works such as those from E.J. Pratt, Earle Birney, Dorothy Livesey, P.K. Page, Al Purdy, Margaret Laurence, Margaret Atwood, Alice Munro, Timothy Findley, and Rohinton Mistry while applying concepts that demonstrate the development of Canadian literature. -
The Language of the Incontinent Body in Margaret Laurence's the Stone
Technologies of Identity: The Language of the Incontinent Body in Margaret Laurence’s The Stone Angel DONNA PALMATEER PENNEE N AN ESSAY ENTITLED “Identity, Genealogy, History” Nikolas Rose explains the Foucauldian sense of “technology” that is signalled I in this paper: Technology, here, refers to any assembly structured by a practical rationality governed by a more or less conscious goal. Human tech- nologies are hybrid assemblages of knowledges, instruments, persons, systems of judgement, buildings and spaces, underpinned at the pro- grammatic level by certain presuppositions about, and objectives for, human beings.… Perhaps the insistence upon an analytic of human technologies is one of the most distinctive features of the approach, … an analysis which does not start from the view that the technologizing of human conduct is malign, but rather examines the ways in which human beings have been simultaneously capacitated and governed by their organization within a technological field. (132; emphasis added) Rose’s terms help to clarify something of what is meant by the “produc- tivity” of “power,” and, while “not start[ing] from the view that the technologizing of human conduct is malign” can permit a more complex view of the historical field than is usually available through cause-effect lenses, I want nevertheless to address the malignancy of technologies of the self. This hurtfulness of history is represented in the literal and figu- rative workings of the incontinent body in Margaret Laurence’s The Stone Angel, a novel that displays the armature of a self simultaneously capaci- tated and governed by the force fields of negative difference. -
Agrégation D'anglais 2014-2015 Alice Munro, Dance of the Happy Shades, 1968 I. Sources Primaires II. Sources Secondaires
Bibliographie sélective établie par Héliane Ventura (Université de Toulouse-Jean Jaurès) Agrégation d’anglais 2014-2015 Alice Munro, Dance of the Happy Shades, 1968 I. Sources primaires Édition recommandée pour le concours : Alice Munro . Dance of the Happy Shades [1968]. London: Vintage, 2000. Il est vivement conseillé de lire plusieurs autres recueils de nouvelles de Munro, de préférence le second et ceux qui figurent parmi ses derniers. Recueils de nouvelles de Alice Munro Dance of the Happy Shades . Toronto: Ryerson Press, 1968. Lives of Girls and Women. Toronto: McGraw-Hill Ryerson, 1971. Something I’ve Been Meaning to Tell You. Toronto: McGraw-Hill Ryerson, 1974. Who Do You Think You Are? Toronto: Macmillan, 1978. The Moons of Jupiter. Toronto: Macmillan, 1982. The Progress of Love. Toronto: McClelland & Stewart, 1986. Friend of My Youth. Toronto: McClelland & Stewart, 1990. Open Secrets. Toronto: McClelland & Stewart, 1994. The Love of a Good Woman . Toronto: McClelland & Stewart, 1998. Hateship, Friendship, Courtship, Loveship, Marriage. Toronto: McClelland & Stewart, 2001. Runaway. Toronto: McClelland & Stewart, 2004. The View from Castle Rock. Toronto: McClelland & Stewart, 2006. Too Much Happiness. Toronto: McClelland & Stewart, 2009. Dear Life . Toronto: McClelland & Stewart, 2012. II. Sources secondaires a) Biographies *** Ross, Catherine Sheldrick. Alice Munro: A Double Life . Downsview, ON: ECW Press, 1992, 97 p. ———.“Alice Munro.” Dictionary of Literary Biography . Vol. 53. Canadian Writers since 1960 . First Series. Ed. W.H. New. Detroit: Bruccoli Clark Layman Book, Gale Research Inc, 1986. Thacker, Robert . Alice Munro Writing Her Lives . Toronto: McClelland & Stewart, 2005, 603 p. Thèse française : Bigot, Corinne. Le silence dans les nouvelles d’Alice Munro. -
Canadian Books for Schools: a Centennial Listing. INSTITUTION Alberta Teachers Association, Edmonton., PUB DATE Feb 68 NOTE 68P
DOCUMENT RESUME ED 044 397 TE 000 626 AUTHOR Snow, Kathleen M., Ed. TITLE Canadian Books for Schools: A Centennial Listing. INSTITUTION Alberta Teachers Association, Edmonton., PUB DATE Feb 68 NOTE 68p. AVAILABLE FROM National Council of Teachers of English, 508 South Sixth Street, Champaign, Illinois 61820 (Stock No. 42457R, $1.50) EDRS PRICE EDRS Price MF-$0.50 HC Not Available from EDRS. DESCRIPTORS *Annotated Bibliographies, Art, *Childrens Books, Cultural Background, *Cultural Education, Drama, Elementary Education, Folklore Books, History, *Literature, Mathematics, Poetry, Sciences, Secondary Education, Social Studies; I_ENTIFIERS *Canada ABSTRACT This annotated bibliography, prepared by the English Council and School Library Council of the Alberta Teachers' Association, lists approximately 320 works -- including novels, biographies, plays, nofiction and historical books, children's books, and books of short stories--written by Canadian authors abou'. Canada. For each entry, the information provided includes grade level (pre-K to High School), subject relevance (Art, Mathematics, Social Studies, Science, or English), Dewey classification number, and price. (3M) U.S. 01104491 OF MIK MVO & WEIF/11 OFFI(fOf IDU01)01 IIIIS DIXUSIIII P KR 191000(11 flICtlf AS IMMO 11011SME 111S011 01 010410111101 0141111116 It.P0I, ItS Of filfW 01 MIMS SIAM 00 NO SECISS11111 11111S1111 OffICIII U110, Of IDOCA11011 OS 10111101 01 POSKI. re\ CanadianBooks for Schools A CentennialListing of Published by The English Counciland School library Council The Alberta Teacher? Association,Edmonton, Alberta February, 1968 Como deep by John Snow INTRODUCTION in the effort to bring children and books together, the teacher of English and the librarian are partners.This partnership Is reflected In this listing of Canadian books for schools, the production of which has been a joint effort of the English Council and the School Library Council of The Alberta Teachers' Association. -
Engl 3803A Canadian Fiction
Carleton University Department of English Language and Literature Winter 2011 ENGL 3803A CANADIAN FICTION Time: Wednesdays and Fridays 1:00 – 2:30 p.m. Location: 402 SA [Please confirm location on Carleton Central] Dr. Eli MacLaren Office: 1903 Dunton Tower Office Hours: Wednesdays after class or by appointment [email protected] DESCRIPTION The twentieth century witnessed the transformation of English-Canadian fiction from a marginal phenomenon into a substantial category of literature, characterized by international-prize- winning writing, sustained authorial careers, and momentum in local publishing. This course will track this rise through the novels and short stories of a dozen major authors, including Sara Jeannette Duncan, Morley Callaghan, Leonard Cohen, Alice Munro, Margaret Atwood, Miriam Toews, and Eden Robinson. We will compare and contrast the factors that allowed each to flourish, and consider the ongoing process of forming new authors by examining a contemporary literary magazine. Students will engage in secondary research, write two essays, develop their oral presentation skills, and deepen their knowledge of the writers whom critics have returned to again and again in the shaping of the Canadian canon. REQUIRED BOOKS Purchase at Octopus Books, 116 Third Ave. (@ Bank St.), <http://www.octopusbooks.ca>: Leonard Cohen, The Favourite Game and Beautiful Losers (M&S 2009) (n.b. We will be reading only Beautiful Losers.) Alice Munro, Friend of My Youth (Penguin 2007) Miriam Toews, The Flying Troutmans (Knopf 2010) Julie Paul, The Jealousy Bone (Emdash 2008) Margaret Atwood, Year of the Flood (Vintage 2010) Eden Robinson, Blood Sports (Emblem 2007) Subscribe to the following Canadian literary magazine: Grain (Saskatoon: 1973–) <http://www.grainmagazine.ca/> 2 Online through Carleton University Library catalogue: Charles G.D. -
Uncovering the Grotesque in Fiction by Alice Munro and Gabrielle Roy
Uncovering the Grotesque in Fiction by Alice Munro and Gabrielle Roy Lorna Hutchison he grotesque aesthetic is at play in a diversity of fiction of the last two hundred years, including Jeremias Gotthelf’s The Black Spider (1842), Robert Louis Stevenson’s Strange Case of TDr. Jekyll and Mr. Hyde (1886), Kafka’s The Metamorphosis (1915), and numerous works by Flannery O’Connor in the mid-twentieth century, to name only a few. Today, the grotesque is a part of the art of many of Canada’s authors and has burgeoned over the last forty years into such an important aesthetic — and strategy, as I will describe it here — in this country’s body of works that the literary theory that helps read- ers, critics, and teachers to explore the many concerns, processes, and, most importantly here, effects of the literature has not kept up with its developments. The prominence of the grotesque and the doors it opens to questions of spirituality, ethics, ways of knowing, and so much more, prompts the research question What does and does not “qualify” as literature of the grotesque? Consider two quintessential characteristics of the grotesque: dual- ity and deformity. In the Strange Case of Dr. Jekyll and Mr. Hyde, for example, the divided nature and deformity of Stevenson’s Jekyll-Hyde character clearly fulfills these criteria, right down to the contradiction of Jekyll-Hyde’s ominous smile: “Mr. Hyde was pale and dwarfish, he gave an impression of deformity without any nameable malformation, he had a displeasing smile” (17). One of the authors under study here, Alice Munro, creates the aesthetic through depicting contradictory states of life and death, or life and terminal illness. -
150 Canadian Books to Read
150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J.