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La Casa Amatller Quilòmetre Zero Del Modernisme Planetari Salvador Tarragó
arquitectura històrica secció a càrrec d’Antonio Armesto i Salvador Tarragó La casa Amatller Quilòmetre zero del Modernisme planetari Salvador Tarragó Autors dels plànols: Salvador Tarragó, Eliana Vieria, Maria Turull i Martín Capeluto, arquitectes Casa Amatller La casa Amatller Kilometer zero of the Kilómetro cero planetary “Modernisme” del Modernismo planetario Una façana trencadora 0 A ground-breaking façade Una fachada rompedora Projecte de façana Josep Puig i Cadafalch consideró a Ildefons Josep Puig i Cadafalch va considerar Ildefons Cerdà i antecessora de la casa Josep Puig i Cadafalch considered Ildefons Amatller, obra del Cerdà and Barcelona’s Eixample as great Cerdà y el ensanche de Barcelona como sus l’Eixample de Barcelona com els seus grans antagonistes mestre d’obres Antoni antagonists that spurred him to produce grandes antagonistas que le incentivaron a que el van incentivar a elaborar una idea pròpia de l’ar- Robert i Morera. his own idea of architecture and the city, elaborar una idea propia de la arquitectura y de la ciudad, rechazo compartido por la quitectura i de la ciutat, un rebuig compartit per bona Arxiu Administratiu a rejection shared by the majority of de l’Ajuntament de modernist architects. mayoría de arquitectos modernistas. part dels arquitectes modernistes. Barcelona. La façana de la casa Amatller fou la primera que va The façade of Casa Amatller was the first La fachada de la casa Amatller fue la primera en romper la ordenanza de la trencar l’ordenança de l’horitzontalitat del terrat com a to break the regulation of horizontality of the roof terrace as the building’s crowning horizontalidad del terrado como corona- coronament de l’edifici, amb l’increment de l’alçada amb feature, its height being increased using the miento del edificio, con el incremento de su l’excusa de l’estudi fotogràfic del propietari i amb un pi- excuse of the owner’s photography studio altura con la excusa del estudio fotográfico del propietario y con un piñón escalonado. -
Constructing Contemporary Nationhood in the Museums and Heritage Centres of Catalonia Colin Breen*, Wes Forsythe**, John Raven***
170 Constructing Contemporary Nationhood in the Museums and Heritage Centres of Catalonia Colin Breen*, Wes Forsythe**, John Raven*** Abstract Geographically, Spain consists of a complex mosaic of cultural identities and regional aspirations for varying degrees of autonomy and independence. Following the end of violent conflict in the Basque country, Catalonia has emerged as the most vocal region pursuing independence from the central Spanish state. Within the Catalan separatist movement, cultural heritage sites and objects have been appropriated to play an intrinsic role in supporting political aims, with a variety of cultural institutions and state-sponsored monumentality playing an active part in the formation and dissemination of particular identity-based narratives. These are centred around the themes of a separate and culturally distinct Catalan nation which has been subject to extended periods of oppression by the varying manifestations of the Spanish state. This study addresses the increasing use of museums and heritage institutions to support the concept of a separate and distinctive Catalan nation over the past decade. At various levels, from the subtle to the blatant, heritage institutions are propagating a message of cultural difference and past injustice against the Catalan people, and perform a more consciously active, overt and supportive role in the independence movement. Key words: Catalonia, museums, heritage, identity, nationhood Across contemporary Europe a range of nationalist and separatist movements are again gaining momentum (Borgen 2010). From calls for independence in Scotland and the divisive politics of the Flemish and Walloon communities in Belgium, to the continually complicated political mosaic of the Balkan states, there are now a myriad of movements striving for either greater or full autonomy for their region or peoples. -
Itinerario-Barcelona-5-Dias
ITINERARIO POR BARCELONA PARA 5 DIAS: PRIMER DIA: Hay diversas tarjetas para usar los transportes públicos de la ciudad y que sirven para metro, bus, ferrocarriles de la Generalitat (unas líneas de metro que van a la parte alta de la ciudad) y el tranvía. En cualquier caso, como os aconsejo andar mucho, es preferible comprar la T-10 que es la que usan la mayoría de barceloneses. Son 10 viajes en todos los transportes mencionados y en cada viaje se pueden hacer transbordos gratuitos entre ellos en un espacio de hora y media. Este primer día nos vamos al Passeig de Gràcia, que comenzamos a subirlo desde la Plaça de Catalunya. Allí ya admiramos un edificio modernista en la esquina y no será el único. Subiendo el paseo comprobamos la estructura del eixample (el ensanche que unió la Barcelona medieval con los pueblos de los alrededores con una red de calles). En cada esquina hay un chaflán, es decir una esquina en ángulo cortado que permite a los conductores vislumbrar los que vienen por la calle perpendicular y al viandante admirar perfectamente las esquinas de los edificios. Dentro de cada manzana de casas existe un amplísimo patio, muchas veces más amplio que las calles (como veremos después en alguna de las casas que visitaremos) Más arriba podemos ver a la izquierda la llamada illa de la discordia (la manzana de la discordia), porque confluyen diversas casas modernistas de diversos arquitectos, que rivalizaban por erigir la casa más rompedora. En la esquina de Consell de Cent encontramos la casa Lleó Morera (el edificio de Loewe) y más arriba, en la misma manzana, las casas Ametller y Batlló. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
Crèdits De Les Imatges Del Vídeo “Josep Puig I Cadafalch. Arquitecte De Catalunya”
Generalitat de Catalunya Departament de Cultura CRÈDITS DE LES IMATGES DEL VÍDEO “JOSEP PUIG I CADAFALCH. ARQUITECTE DE CATALUNYA” IMATGE Tall TÍTOL, AUTOR I DESCRIPCIÓ FONT i DRETS D’AUTOR 00:00 Logotip de l’Any Puig i Cadafalch. Departament de Cultura. Film 0:13 “Gent i paisatge de Catalunya”, 1926. Filmoteca de Catalunya. El modest benestar. Els orígens 00:20 Despatx de Josep Puig i Cadafalch al seu Arxiu Fotogràfic Ramon Manent. Tots els drets reservats. domicili de Barcelona. 00:26 Dibuix de Josep Puig i Cadafalch el 1942. Arxiu Nacional de Catalunya. Fons Josep Puig i Cadafalch. Autor: Joaquim Mascaró 1 Generalitat de Catalunya Departament de Cultura 00:33 Vista de la platja de Mataró. Autor: Fergui. Arxiu Municipal de Mataró. Fons Carreras. Tots els drets AMM. Col·lecció de postals. reservats. 00:36 Mataró. Arrabal de l’Estació. Autor: Mauri. Arxiu Municipal de Mataró. Fons Carreras. Tots els drets AMM. Col·lecció de postals. reservats. 00:42 Mataró. Estació de Ferrocarril. Autor: Arxiu Municipal de Mataró. Fons Carreras. Tots els drets Mauri. AMM. Col·lecció de postals. reservats. 00:51 Mataró. Final de la Rambla. Autor: Mauri. Arxiu Municipal de Mataró. Fons Carreras. Tots els drets AMM. Col·lecció de postals. reservats. 2 Generalitat de Catalunya Departament de Cultura 00:57 Mataró. Monument i Pl. Sta. Anna. Autor: Arxiu Municipal de Mataró. Fons Carreras. Tots els drets Schoenfeld. AMM. Col·lecció de postals. reservats. 01:05 Mataró. Rambla Castelar. Autor: Thomas. Arxiu Municipal de Mataró. Fons Carreras. Tots els drets AMM. Col·lecció de postals. reservats. 01:10 Mataró. -
2019 Barcelona Intensive Course Abroad Itinerary Draft: Subject to Updating
2019 BARCELONA INTENSIVE COURSE ABROAD ITINERARY DRAFT: SUBJECT TO UPDATING Sunday Arrival in BarCelona Sept. 8 Morning Transport from El Prat Airport: Take the train* to Plaça de Sants; transfer to Metro* Line 1 (direction Fondo); take metro to Marina; walk to the residencia THS Campus Marina (address below).* A sinGle, 1 zone ticket costs 2 €, a Group can share a T-10 ticket (10 rides for 9.25 €). For more transit information, Go to: www.tmb.cat/en/el-teu- transport. NOTE: Prepare today for the week’s transit needs: ** purchase a 5- day travel card, to be initiated on the morning of Sunday, September 6th. ** Points of sale: www.tmb.cat/en/bitllets-i-tarifes/-/bitllet/52 - Metro automatic vendinG machines Intensive Course Abroad beGins in Barcelona at our accommodations: THS Campus Marina Carrer Sancho de Ávila, 22 08018 Barcelona, Spain Telephone: + 34 932178812 Web: www.melondistrict.com/en/location Metro: L1-Marina Afternoon Meet for an orientation; Walk to: 15:00 Museu del Disseny de BarCelona Architecture: MBM Studio (Martorell-BohiGas-Mackay), 2013 Plaça de les Glories Catalanes, 37 Dinner Group dinner (paid for by program), location to be determined 19:00 pm Monday Exploring great designs by Gaudi and DomèneCh; The Sept. 9 Contemporary City around the Plaça de las Glòries Catalanes, the Avinguda Diagonal, and DistriCt 22@bcn. Lobby 8:15 BrinG Metro Card and Articket. Early start! Morning BasiliCa de la Sagrada Familia 9:00-12:00 Architect: Antoni Gaudí, 1883-1926, onGoinG work by others Visit/SketChing Carrer de Mallorca, 401 1 Metro: L2+5 SaGrada Familia (open daily 9am-8pm / 13 or 14,30 € ) LunCh Many fast food options nearby 12:00-12:45 Afternoon Hospital de la Santa Creu i Sant Pau 13:00-14:00 Architect: Lluís Domènech i Montaner, 1901-1930 (under renovation as a museum and cultural center, access currently limited) Sant Pau Maria Claret, 167. -
Ourgeois Taste in Decorative Arts in the Collections of the Museu Nacional D'art De Catalunya
SHORT ourgeois Taste in Mariàngels ARTICLESB Decorative Arts Fondevila Spain ART NOUVEAU in the Collections of the Museu Nacional D'Art de Catalunya Gaspar Homar (1870-1955) Settee with side cabinets and marquetry panel Circa 1905 120 x 154 x 4 cm Oak wood, marquetry, green velvet upholstery and leaded glass Inv. number: 071703-000 Purchased 1967 Museu Nacional d'Art de Catalunya (Barcelona) Lluís Domènech i Montaner In 1880 the Italian travel writer Edmondo de (1850-1923) Amicis observed while visiting Barcelona: Hydraulic floor tiles There are large buildings, long streets, regular squares. Circa 1900 210 x 120 x 3,5 cm Luxurious homes are being constructed in the Hydraulic floor tiles Eixample for the new middle and upper classes. Inv. number: 153252-CJT Donated by OCSA, By the end of the century, Barcelona had beco- 1991 me the most industrialized, populous, and cul- Museu Nacional d'Art turally advanced city in Spain, open to the de Catalunya outside world and proud of its economic (Barcelona) potential after the success of its Universal Ex- position of 1888. Modernisme was made pos- sible in Catalonia by the growth of construc- tion through the urban development project of the Eixample (expansion) following a plan by Ildefonso Cerdà. The old walls were demo- lished in 1854, and a new city sprang up. The emerging bourgeoise, enriched thanks in parti- cular to the textile sector, was looking for ways to show off its power. This was a golden age for the architects, the real protagonists of Mo- dernisme, who broadened horizons and excer- cised their skills in other fields. -
Modernist Movement
THE MODERNIST MOVEMENT MODERNIST ARCHITECTURE MODERNISMIN ARCHITECTURE AND THE INDUSTRIAL ARTS AND, CONSEQUENTLY, IN DESIGN, CAN BE CONSIDERED THE MOST IMPORTANT ARTISTIC MOVEMENT IN MODERN CATALAN CULTURE. THE MODERNIST MOVEMENT are not only important as architects but also for their extensive humanistic training. Although Gaudí had the same training, his circumstances were very dif- ferent from those of the others. Our study of this architectural movement must be seen as a debate with the central idea of Gaudí, of whom we spoke in the odernism in architecture and the first issue of this magazine, as a count- sought with faith and courage and industrial arts and, consequently, erpoint to the other two architects, without renouncing the past. Oin design, can be considered the without taking this to mean that he was With this purely theoretical outlook, most important artistic movement in situated between Domknech and Puig i Domenech started his professional ca- modem Catalan culture. The movement Cadafalch. reer. He finished his training in 1873 gained such importance and strength that The controversy between Lluís Dome- and 8 years later work started on his first it cannot really be studied in the same nech i Montaner and Gaudí centred on project, the Editorial Montaner i Simón, light as its contemporary European the aspect of space, that between Puig i 255, Aragó street, Barcelona, completed movements such as Art Nouveau, Cadafalch and Gaudí on ornamentation. in 1884. Jugendstil, Sezession, Liberty o Floreale, In 1878, the same year Gaudí finished his This building, along with Gaudí's Casa to name just the best-known. -
Pdf 1 20/04/12 14:21
Discover Barcelona. A cosmopolitan, dynamic, Mediterranean city. Get to know it from the sea, by bus, on public transport, on foot or from high up, while you enjoy taking a close look at its architecture and soaking up the atmosphere of its streets and squares. There are countless ways to discover the city and Turisme de Barcelona will help you; don’t forget to drop by our tourist information offices or visit our website. CARD NA O ARTCO L TIC K E E C T R A B R TU ÍS T S I U C B M S IR K AD L O A R W D O E R C T O E L M O M BAR CEL ONA A A R INSPIRES C T I I T C S A K Í R E R T Q U U T E O Ó T I ICK T C E R A M A I N FOR M A BA N W RCE LO A L K I NG TOU R S Buy all these products and find out the best way to visit our city. Catalunya Cabina Plaça Espanya Cabina Estació Nord Information and sales Pl. de Catalunya, 17 S Pl. d’Espanya Estació Nord +34 932 853 832 Sant Jaume Cabina Sants (andén autobuses) [email protected] Ciutat, 2 Pl. Joan Peiró, s/n Ali-bei, 80 bcnshop.barcelonaturisme.cat Estación de Sants Mirador de Colom Cabina Plaça Catalunya Nord Pl. dels Països Catalans, s/n Pl. del Portal de la Pau, s/n Pl. -
Un Seísmo Causa Más De
i LUNES CONSELL DE CENTPAÍS: 425-427 Españawww.elperiodico.com DIRECTOR FRECUENCIA: Diario 1,30 18 DE ABRIL DEL 2016 BARCELONA. TEL. 93.265.53.53 www.grupozeta.es ENRIC HERNÀNDEZ PÁGINAS: 1-4 O.J.D.: 89305 TARIFA: 77026 € E.G.M.: 513000 lu. ÁREA: 3330 CM² - 313% SECCIÓN: PORTADA 18 Abril, 2016 PARA GENTE COMPROMETIDA 18 El modernismo abre las puertas Las casas museo afloran en BCN por el interés turístico de la arquitectura TEMA DEL DÍA Páginas 2 a 4 3 PANORAMA EL PAÍS SUDAMERICANO VIVE SU PEOR TRAGEDIA EN DÉCADAS Página 14 3 Un seísmo causa más de 230 muertos en Ecuador EFE / JOSÉ JÁCOME El terremoto, que sacudió la zona costera, provocó más de 1.600 heridos El presidente Correa regresa de urgencia a Quito y decreta el estado de emergencia VECINOS AL RESCATE Varias personas sacan de los escombros a un hombre en Pedernales. q JORDI COTRINA REUNIÓN DE DOHA El choque de El Barça Irán y Arabia culmina Saudí dinamita su semana un pacto por el petróleo trágica El Valencia gana en el Riad exige en la cumbre de 3Camp Nou (1-2) y pone 3Catar que Teherán también la Liga en máximo peligro congele la producción de crudo PRIMERA FILA PANORAMA Páginas 42 a 45 Neymar y Suárez se lamentan. Páginas 24 y 25 3 3 PAÍS: España FRECUENCIA: Diario LUNES 2 Conexión a internet: http://www.elperiodico.com 18 DE ABRIL DEL 2016 PÁGINAS: 1-4 O.J.D.: 89305 TARIFA: 77026 € E.G.M.: 513000 ÁREA: 3330 CM² - 313% SECCIÓN:El patrimonioPORTADA arquitectónico 18 Abril, 2016Tema del día Páginas 2 a 4 LA CIUDAD Y SU HISTORIA Las casas museo afloran en Barcelona El interés turístico -
El Descubrimiento De La Arquitectura Medieval: Josep Puig I Cadafalch
LIBRO 3/10/11 18:04 Página 91 EL DESCUBRIMIENTO DE LA ARQUITECTURA MEDIEVAL: JOSEP PUIG I CADAFALCH MARÍA PILAR POBLADOR MUGA* Resumen: Cada página de la historia se escribe con la suma de diversos acon- tecimientos, protagonizados por muchas vidas anónimas y unos pocos persona- jes célebres; pero si tuviéramos que ilustrar cada capítulo con la biografía de alguien que haya merecido destacar, en el periodo de la transición del siglo XIX al XX, uno de ellos bien pudiera ser Josep Puig i Cadafalch. Mirar hacia atrás, hacia un pasado no tan lejano, resulta fascinante para intentar dibujar con nitidez el perfil de un hombre que representó, como pocos, los convulsos avatares de su tiempo, permitiendo conocer algo mejor una época tan apasionante y compleja como su propia trayectoria profesional. Palabras clave: Historiografía, Arquitectura, Edad Media, Josep Puig i Cadafalch. Summary: Each page of history is written with the sum of diverse events, sta- rred by a lot of anonymous lives and some famous characters; but if we have to illustrate each chapter with the biography of somebody that have deserved to stand out, in the period of the transition of 19th to the XXth century, one of them could be the catalan architect and historian Josep Puig i Cadafalch. Looking back to a past not so far, it results fascinating to try draw with accuracy the profile of a man that symbolizes as few ones, the convulsed vicissitudes of his time, allo- wing us to know slightly better such an exciting and complex epoch as his own professional path. -
ENGLISH EDITION! ENGLISH 2 Buy Tickets & Book Restaurants at & Time out Barcelona in English the Best April 2015
OFFICIAL GUIDE OF BCN ENGLISH EDITION! ENGLISH 2 Buy tickets & book restaurants at www.timeout.com/barcelona & www.visitbarcelona.com Time Out Barcelona in English The Best April 2015 of BCN MARIA DIAS Features 14. The most romantic day Barcelona gets all loved up on April 23. Hannah Pennell explains what it’s all about. 20. They’ve got rhythm Groove on down as Marta Salicrù talks to four local funk and soul bands. 24. Time for the chop Need to get your tresses cut? Eugènia Sendra reveals the city’s top hair salons. 26. Temptation calls Laura Conde makes a huge sacriƁ ce and tries out some of BCN’s best chocolate offerings. Love chocolate? Feast on our 28. Put your money away selection of the best choccie treats around p. 26 Many Barcelona museums have free-entry days. Jan Fleischer lists a few to check out. Regulars 30. Shopping & Style 34. Things to Do 42. The Arts 54. Food & Drink 62. Clubs 64. LGBT 65. Getaways GALLERY 2015. COURTESY GALERIE PERROTIN&PAULA PARIS, SOPHIE CALLE / ADAGAP, We talk to French artist Sophie Calle, as Barcelona Take part in the vermouth revival that is currently 66. BCN Top Ten hosts a retrospective of her work p. 42 taking the city by storm p. 58 Via Laietana, 20, 1a planta | 08003 Barcelona | T. 93 310 73 43 ([email protected]) Impressió LitograƁ a Rosés Publisher Eduard Voltas | Finance manager Judit Sans | Business manager Mabel Mas | Editor-in-chief Andreu Gomila | Deputy editor Hannah Pennell | Features & Distribució S.A.D.E.U.