DANIEL CLANCY Production Designer Danielbclancydesign.Com

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DANIEL CLANCY Production Designer danielbclancydesign.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS 61ST STREET Various Directors BBC / AMC Limited Series Steph Accetta, Jeff Freilich Peter Moffat ORDINARY JOE Adam Davidson 20TH CENTURY FOX TV / NBC Pilot Jason Roberts, Craig Hill NEXT Glenn Ficarra 20TH CENTURY FOX TV Pilot & Season 1 John Requa Sean Williamson PROVEN INNOCENT Various Directors 20TH CENTURY FOX TV Season 1 Jane Bartelme, Craig Hill AN ACCEPTABLE LOSS Joe Chappelle CORRADO MOONCOIN Feature Film PRODUCTIONS Colleen Griffen CONTROVERSY John Requa 20TH CENTURY FOX TV Pilot Glenn Ficarra Jane Bartelme, Charlie Gogolak CHICAGO JUSTICE Various Directors DICK WOLF Season 1 UNIVERSAL TELEVISION Carla Corwin Michael Chernuchin AMERICAN PASTORAL Ewan McGregor LAKESHORE ENTERTAINMENT Feature Film Andre Lamal, Zane Weiner I AM WRATH Chuck Russell PATRIOT FILMS Feature Film Rich Cowan THE HOLLARS John Krasinski SYCAMORE PICTURES Feature Film Allyson Seeger FATHERS AND DAUGHTERS Gabriele Muccino VOLTAGE PICTURES Feature Film RIchard Middleton DOUBT Thomas Schamme SONY PICTURES TELEVISION Pilot ABC Gerrit van der Meer THE MOB DOCTOR Various Directors FOX TELEVISION Season 1 Iain Paterson PROMISED LAND Gus Van Sant FOCUS FEATURES Feature Film Ron Schmidt BOSS Gus Van Sant LIONSGATE / STARZ Pilot & Season 1 Farhad Safinia SO UNDERCOVER Thomas Vaughan EXCLUSIVE MEDIA Feature Film Steven Pearl, Alan Loeb THE DILEMMA Ron Howard IMAGINE Feature Film UNIVERSAL PICTURES Todd Hallowell, Brian Grazer NOTHING LIKE THE HOLIDAYS Alfredo DeVilla OVERTURE FILMS Feature Film Bob Teitel Mr. Clancy is local in Chicago. INNOVATIVE-PRODUCTION.COM | 310.656.5151 .

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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
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Cinedigm Corp. (Exact Name of Registrant As Specified in Its Charter) ______
Dear Stockholders, Cinedigm put together a remarkable series of accomplishments over the last fiscal year, completing the Company’s business transformation by solidifying our unique position as a key player in the explosively growing OTT/streaming business. Here’s what we accomplished this year: First, we developed several new streaming channels including Comedy Dynamics and The Bob Ross Channel to build our portfolio to 16 premium streaming channels either launched or under contract to launch. We will soon be at 20 channels and plan to get to 30 in the next 18 months. This gives Cinedigm a large, meaningful and growing channel share on the program guide for every key streaming platform and device. Most of these new channels will be set up in a similar fashion to our recent Bob Ross, All 3 Media,, Team Whistle and LiveXLive channel deals, where we partnered with established branded entertainment companies that bring huge amounts of content to the table and then we operate and launch with our major distribution partners like Roku, Amazon, Tubi, and Samsung. We have a robust deal pipeline of these potential premium new partners and channels now because we have clearly established Cinedigm as the “go to” independent streaming company that can employ our state-of-the-art proprietary Matchpoint technology, an enormous streaming distribution platform and device reach, and a huge digital content library to help launch streaming channels across the entire OTT ecosystem. We can do all that quickly, cost effectively and with almost ubiquitous distribution potential on every device and platform. The quality of the business partners reflected in our new channel deals clearly demonstrates that the entertainment industry understands the advantages of doing business with Cinedigm in the exploding streaming space.
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Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content.
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Video Resources Feature Films Boiler Room
Video Resources Feature Films Boiler Room. New Line Cinema, 2000.A college dropout, attempting to win back his father's high standards he gets a job as a broker for a suburban investment firm, which puts him on the fast track to success, but the job might not be as legitimate as it once appeared to be. Margin Call. Before the Door Pictures, 2011. Follows the key people at an investment bank, over a 24- hour period, during the early stages of the 2008 financial crisis. The Wolf of Wall Street. Universal Pictures, 2013. Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government. The Big Short. Paramount Pictures,2015. In 2006-7 a group of investors bet against the US mortgage market. In their research they discover how flawed and corrupt the market is. The Last Days of Lehman Brothers. British Broadcasting Corporation, 2009. After six months' turmoil in the world's financial markets, Lehman Brothers was on life support and the government was about to pull the plug. Documentaries Enron: The Smartest Guys in the Room. Jigsaw Productions, 2005. A documentary about the Enron Corporation, its faulty and corrupt business practices, and how they led to its fall. Inside Job. Sony Pictures Classics, 2010. Takes a closer look at what brought about the 2008 financial meltdown. Too Big to Fail. HBO Films, 2011. Chronicles the financial meltdown of 2008 and centers on Treasury Secretary Henry Paulson. Money for Nothing: Inside the Federal Reserve.
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Productions in Ontario 2007
PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation 2007 www.omdc.on.ca You belong here FEATURE FILMS - THEATRICAL BLINDNESS EATING BUCCANEERS Company: Rhombus Media (Blindness) Inc. Producers: Mark Monteﬁore, Jennifer Mesich Producers: Niv Fichman, Sonoko Sakai, Executive Producers: Bill Keenan, ADORATION Andrea Barata Ribeiro Tracy Keenan Company: Ego Film Arts Executive Producers: Gail Egan, Director: Bill Keenan Producers: Atom Egoyan, Simone Urdl, Simon Channing Williams Writer: Bill Keenan Jennifer Weiss Director: Fernando Meirelles Production Manager: Adili Yahel Executive Producers: Robert Lantos, Writer: José Saramago D.O.P.: Wesley Legge Michele Halbertstadt, Laurent Petin Production Manager: Ivan Teixeira Key Cast: Peter Keleghan, Leah Pinsent, Director: Atom Egoyan D.O.P.: Cesar Charlone Neil Crone, Jeff White, Shanon Beckner, Production Designer: Phillip Baker Key Cast: Julianne Moore, Mark Ruffalo, Steven McCarthy D.O.P.: Paul Sarossy Sandra Oh, Don McKellar Shooting Dates: 8/1/2007 - 9/30/2007 Key Cast: Rachel Blanchard, Scott Speedman, Shooting Dates: 7/24/2007 - 10/15/2007 Devon Bostick FLASH OF GENIUS Shooting Dates: 9/17/2007 - 10/19/2007 CRY OF THE OWL Company: Spyglass Entertainment/ Company: Sienna Films Productions XI Inc. Universal Pictures Productions AMERICAN PIE PRESENTS: Producer: Julia Sereny, Jennifer Kawaja Producers: Gary Barber, Roger Birnbaum, BETA HOUSE Executive Producers: Steve Ujlaki, Michael Lieber David Thompson, Jamie Laurenson, Executive Producers: Miles Dale, Company:
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RENTRAK Worldwide Film Distributors
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Putney Swope
THE FILM FOUNDATION 2019 ANNUAL REPORT OVERVIEW The Film Foundation supports the restoration of films from every genre, era, and region, and shares these treasures with audiences through hundreds of screenings every year at festivals, archives, repertory theatres, and other venues around the world. The foundation educates young people with The Story of Movies, its groundbreaking interdisciplinary curriculum that has taught visual literacy to over 10 million US students. In 2019, The Film Foundation welcomed Kathryn Bigelow, Sofia Coppola, Guillermo del Toro, Joanna Hogg, Barry Jenkins, Spike Lee, and Lynne Ramsay to its board of directors. Each has a deep understanding and knowledge of cinema and its history, and is a fierce advocate for its preservation and protection. Preservation and Restoration World Cinema Project Working in partnership with archives and studios, The Film Foundation’s World Cinema Project has The Film Foundation has helped save over 850 films restored 40 films from24 countries to date. to date. Completed projects in 2019 included: Completed projects in 2019 included: THE CLOUD– William Wyler’s beloved classic, DODSWORTH; CAPPED STAR (India, 1960, d. Ritwik Ghatak), EL Herbert Kline’s acclaimed documentary about FANTASMA DEL CONVENTO (Mexico, 1934, d. Czechoslovakia during the Nazi occupation, CRISIS: Fernando de Fuentes), LOS OLVIDADOS (Mexico, A FILM OF “THE NAZI WAY”; Arthur Ripley’s film 1950, d. Luis Buñuel), LA FEMME AU COUTEAU noir about a pianist suffering from amnesia, VOICE (Côte d’Ivoire, 1969, d. Timité Bassori), and MUNA IN THE WIND; and John Huston’s 3–strip Technicolor MOTO (Cameroon, 1975, d. Jean–Pierre Dikongué– biography of Toulouse–Lautrec, MOULIN ROUGE.
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Movies That Make Money Fund Movies That Make Money Fund
MOVIES THAT MAKE MONEY FUND MOVIES THAT MAKE MONEY FUND WE PROVIDE DEVELOPMENT FINANCING, KNOWN AS FIRST MONEY IN FOR: TOP HOLLYWOOD MOVIE STUDIOS, A-LIST ACTORS & DIRECTORS. WE FINANCE & DEVELOP INTELLECTUAL PROPERTIES & CONVERT THEM INTO POLISHED SCREENPLAYS THAT CAN BE PACKAGED WITH A-LIST ACTORS & DIRECTORS READY TO BE GREEN LIT BY TOP HOLLYWOOD STUDIOS. ACTION ADVENTURE HORROR SCI-FI COMEDY ROMANTIC COMEDY DRAMA CRITICALLY ACCLAIMED AWARD WINNING MAFIA/GANGSTER MILITARY PERIOD PIECES PSYCHOLOGICAL THRILLERS YOUNG ADULT NOVELS COMIC BOOKS FAITH BASED TRUE STORIES SEC wants to let small investors into big IPOs By Thornton McEnery December 25, 2019 | 9:52pm Wall Street’s top watchdog wants mom-and-pop investors to grab a slice oF the next Facebook beFore it goes public… Jay Clayton, chairman oF the Securities and Exchange Commission, unveiled a proposal last week to water down requirements For becoming an “accredited investor” who can pour cash into hot startups alongside hedge funds. Under rules that date back to the Great Depression, such investors must have at least $1 million in assets outside their homes or earn at least $200,000 a year. The new rule, approved last week in a 3-2 vote along party lines, would allow some small investors — including certain licensed Financial advisers, private equity employees and spouses oF accredited investors — to sidestep those requirements. The old “barrier” to becoming accredited “was intended to protect investors From downside risk,” but has “shut out all but the wealthiest From upside gains that private companies have made over the last several decades,” SEC Commissioner Elad Roisman said.
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20Th Anniversary
TH ANNIVERSARY 20 EDITION LOS ANGELES 7920 Sunset Boulevard, 6th Floor, Los Angeles, CA 90046 / 323-436-5060 NEW YORK 110 West 57th Street, 6th Floor, New York, NY 10019 / 212-258-0860 FILMMAKERS FOR FILM PRESERVATION RICHARD III (1955, d. Laurence Olivier) Image courtesy of Janus Films and The Criterion Collection. Film is living, vital evidence of our existence; our thoughts, our dreams, our emotions. That’s the way FILMMAKERS FOR FILM PRESERVATION we should think about cinema. > MARTIN SCORSESE oundation. During that time, I’m proud It’s now been over 20 years since we began The Film F to say that we’ve helped identify, fund and manage the restoration and preservation of over 555 films. Under the watchful and attentive eye of our board of directors and in collaboration CHAIR IN MEMORIAM EXECUTIVE DIRECTOR ARTISTS RIGHTS ADVISORY COUNCIL with numerous major film archives, pictures of all kinds—features, silents, documentaries, Martin Scorsese Robert Altman Margaret Bodde Elliot Silverstein, Chair Stanley Kubrick Tom Cruise independent, avant-garde—have been protected and preserved for generations to come. BOARD OF DIRECTORS Sydney Pollack MANAGING DIRECTOR Harrison Ford I think you’ll all agree that this is a record in which we can take real and lasting pride. Woody Allen Jennifer Ahn Miloš Forman Paul Thomas Anderson PRESIDENT e felt that it was important to start with young ARCHIVISTS ADVISORY COUNCIL Taylor Hackford e have also developed a unique curriculum, The Story of Movies, which is distributed free Wes Anderson Taylor Hackford Dustin Hoffman W Francis Ford Coppola Robert Rosen, Chair SECRETARY-TREASURER Academy Film Archive Anjelica Huston of charge and is constantly expanding.
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Netflix Lust for `True Blood' Is Unrequited As HBO Blocks Path
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Academy Awards En
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M Ov Ie Sand E N Te Rta in Ment
Equity Research L O S ANGELES | S A N FRANCISCO | NEW Y O R K | B O S T O N | C H IC A GO | MINNEAPOLIS | MILWAUKEE | SEATTLE Movies and Entertainment October 31, 2016 Michael Pachter Alicia Reese Nick McKay (213) 688-4474 (212) 938-9927 (213) 688-4343 [email protected] [email protected] [email protected] Biweekly Review -- A Look Ahead from Late October and Our Take on Current Events in the Film Exhibition, DVD, and VOD Industries • Q4 box office appears to be tracking down 16.0% year-over-year. October ended down ≈18%, with best performing films The Girl on the Train and The Accountant collectively grossing $127 million to date (with Metacritic scores of 48 and 51 respectively) facing a tough comparison to last year’s The Martian (which grossed $228 million, and was much more favorably reviewed with a Metacritic score of 80). Boo! A Madea Halloween appears to be performing better than expectations (grossing $52 million to date), likely benefitting from a fewer number of Halloween releases this year. Doctor Strange has reportedly grossed $86 million overseas, which bodes well for the film’s US and Chinese premieres this week. Despite the potential for any individual film to outperform our expectations however, the overall comparison for Q4 to last year remains a significantly high hurdle, facing the first Star Wars title in 10 years, the Hunger Games franchise finale, Daniels Craig’s last James Bond performance, and several successful Children’s films. We are thus maintaining our estimate for Q4 of down 8%.
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