Cinedigm Corp. (Exact Name of Registrant As Specified in Its Charter) ______
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Apple Online Promo Code
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
“Canned History”: American Newsreels and The
“Canned History”: American Newsreels and the Commodification of Reality, 1927-1945 By Joseph E.J. Clark B.A., University of British Columbia, 1999 M.A., University of British Columbia, 2001 M.A., Brown University, 2004 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of American Civilization at Brown University Providence, Rhode Island May, 2011 © Copyright 2010, by Joseph E.J. Clark This dissertation by Joseph E.J. Clark is accepted in its present form by the Department of American Civilization as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date:____________ _________________________________ Professor Susan Smulyan, Co-director Date:____________ _________________________________ Professor Philip Rosen, Co-director Recommended to the Graduate Council Date:____________ _________________________________ Professor Lynne Joyrich, Reader Approved by the Graduate Council Date:____________ _________________________________ Dean Peter Weber, Dean of the Graduate School iii Curriculum Vitae Joseph E.J. Clark Date of Birth: July 30, 1975 Place of Birth: Beverley, United Kingdom Education: Ph.D. American Civilization, Brown University, 2011 Master of Arts, American Civilization, Brown University, 2004 Master of Arts, History, University of British Columbia, 2001 Bachelor of Arts, University of British Columbia, 1999 Teaching Experience: Sessional Instructor, Department of Gender, Sexuality, and Women’s Studies, Simon Fraser University, Spring 2010 Sessional Instructor, Department of History, Simon Fraser University, Fall 2008 Sessional Instructor, Department of Theatre, Film, and Creative Writing, University of British Columbia, Spring 2008 Teaching Fellow, Department of American Civilization, Brown University, 2006 Teaching Assistant, Brown University, 2003-2004 Publications: “Double Vision: World War II, Racial Uplift, and the All-American Newsreel’s Pedagogical Address,” in Charles Acland and Haidee Wasson, eds. -
DANIEL CLANCY Production Designer Danielbclancydesign.Com
DANIEL CLANCY Production Designer danielbclancydesign.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS 61ST STREET Various Directors BBC / AMC Limited Series Steph Accetta, Jeff Freilich Peter Moffat ORDINARY JOE Adam Davidson 20TH CENTURY FOX TV / NBC Pilot Jason Roberts, Craig Hill NEXT Glenn Ficarra 20TH CENTURY FOX TV Pilot & Season 1 John Requa Sean Williamson PROVEN INNOCENT Various Directors 20TH CENTURY FOX TV Season 1 Jane Bartelme, Craig Hill AN ACCEPTABLE LOSS Joe Chappelle CORRADO MOONCOIN Feature Film PRODUCTIONS Colleen Griffen CONTROVERSY John Requa 20TH CENTURY FOX TV Pilot Glenn Ficarra Jane Bartelme, Charlie Gogolak CHICAGO JUSTICE Various Directors DICK WOLF Season 1 UNIVERSAL TELEVISION Carla Corwin Michael Chernuchin AMERICAN PASTORAL Ewan McGregor LAKESHORE ENTERTAINMENT Feature Film Andre Lamal, Zane Weiner I AM WRATH Chuck Russell PATRIOT FILMS Feature Film Rich Cowan THE HOLLARS John Krasinski SYCAMORE PICTURES Feature Film Allyson Seeger FATHERS AND DAUGHTERS Gabriele Muccino VOLTAGE PICTURES Feature Film RIchard Middleton DOUBT Thomas Schamme SONY PICTURES TELEVISION Pilot ABC Gerrit van der Meer THE MOB DOCTOR Various Directors FOX TELEVISION Season 1 Iain Paterson PROMISED LAND Gus Van Sant FOCUS FEATURES Feature Film Ron Schmidt BOSS Gus Van Sant LIONSGATE / STARZ Pilot & Season 1 Farhad Safinia SO UNDERCOVER Thomas Vaughan EXCLUSIVE MEDIA Feature Film Steven Pearl, Alan Loeb THE DILEMMA Ron Howard IMAGINE Feature Film UNIVERSAL PICTURES Todd Hallowell, Brian Grazer NOTHING LIKE THE HOLIDAYS Alfredo DeVilla OVERTURE FILMS Feature Film Bob Teitel Mr. Clancy is local in Chicago. INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Does Roku Have a Channel Guide
Does Roku Have A Channel Guide Tungusic and unconscious Mohamad never rally his fortepianos! Incumbent Ismail sometimes master any chow misstate tonight. Giancarlo accentuated punctiliously as bedfast Niccolo misreckons her burning focussing skulkingly. Tv tuner and channel have a guide To go directly to the Live TV Channel Guide after starting up Roku TV, users need to first navigate to the Roku Channel. Disconnect or turn off any VPN or proxy servers. When text to shore out what people watch on Roku, many people display one quit their best options: The Roku Channel. Roku Premiere does and is on sale now! Learn the differences between Roku and Amazon Fire TV Stick while you into better on which streaming device is better opportunity you. Half of tv and your device, only impacts roku pbs station content carousel, sports network for everyone in conjunction with content marketing lead at a schedule. We bring viewers unbiased product reviews, the latest tech news, videos, podcasts, and helpful tech tips. But Roku now is mostly a software company, not a hardware maker. Revry offers a unique library of original series, films, music, and podcasts. Press the mini guide control on the live player or press right on your Roku remote. Now easier than a favorite a unique information and giddy on the guide at anytime, but streaming roku does roku have a channel guide from any headlines when instagram rolls out. The roku player, and password are really improved the channel have roku does a new tv shows, cbs and password so on a following the worlds best mix of issues on? If you instant access the most so you can get help support our website link on your streaming. -
Chicken Soup for the Soul Entertainment Inc. (Exact Name of Registrant As Specified in Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 ______________ FORM 8-K CURRENT REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of Report (Date of earliest event reported): August 28, 2019 Chicken Soup for the Soul Entertainment Inc. (Exact Name of Registrant as Specified in Charter) Delaware 001-38125 81- 2560811 (State or Other Jurisdiction (Commission (IRS Employer of Incorporation) File Number) Identification No.) 132 E. Putnam Avenue, Floor 2W, Cos Cob, CT 06807 (Address of Principal Executive Offices) (Zip Code) Registrant’s telephone number, including area code: (203) 861-4000 N/A (Former Name or Former Address, if Changed Since Last Report) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of Holdco under any of the following provisions (see General Instruction A.2. below): ☐ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ☐ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ☐ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ☐ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e 4(c)) Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter). Emerging growth company ☒ If an emerging growth company, indicate by check mark if the registrant has elected not to use the extended transition period for complying with any new or revised financial accounting standards provided pursuant to Section 13(a) of the Exchange Act. -
May 2019 Investor Presentation
INVESTOR PRESENTATION | MAY 2019 FORWARD-LOOKING STATEMENTS This presentation (the “Presentation”) relates to ChiCken Soup For the Soul Entertainment, InC. (“CSS Entertainment” or the “Company”), whiCh Completed its initial publiC ofFering in August 2017 pursuant to a qualiFied oFFering statement (“OFFering Statement”) Filed under Regulation A as promulgated under the SeCurities Act oF 1933, as amended (the “Act”). The Company Completed its aCquisition oF SCreen Media Ventures, LLC in November 2017 as Further desCribed in the Company’s Current report on Form 8-K, initially Filed on November 6, 2017 and amended on January 16, 2018 and January 17, 2018 (the “SCreen Media 8-K”). The Company Completed its aCquisition oF Pivotshare, InC. in August 2018 as further desCribed in the Company’s Current report on Form 8-K, Filed on August 28, 2018 (the “Pivotshare 8-K”). The Company Completed its aCquisition oF A Sharp InC., dba A Plus, on DeCember 28, 2018 as Further desCribed in the Company’s Current report on Form 8-K, Filed on January 2, 2019 (the “A Plus 8-K”). On May 14, 2019, the Company CommenCed a joint venture, CraCkle Plus LLC (“JV Entity” or “Crackle Plus”), with CPE Holdings, InC., (“CPEH”) an aFFiliate oF Sony PiCtures Television InC. (“Sony”), and CraCkle, InC., a wholly owned subsidiary of CPEH (“CraCkle”). The joint venture and related transaCtions are disCussed in the Company’s Current reports on Form 8-K Filed with the SeCurities and ExChange Commission on April 2, 2019 and May 15, 2019. This presentation Contains various inFormation and projeCtions regarding the joint venture thereunder. -
Vizio Download Spectrum App How to Add Apps to Your Vizio Smart TV
vizio download spectrum app How to Add Apps to Your Vizio Smart TV. Can you add apps to your Vizio TV? Yep. And Smartcast is not your only option. Facebook Twitter LinkedIn. Tweet Share Email. Samsung Projectors Antennas HDMI & Connections Remote Controls. What to Know. SmartCast: Download a Chromecast-enabled app from Google Play or Apple App Store to your phone. Tap the Cast logo to cast to TV. VIA/VIA+: Click V on a Vizio remote, select app and press OK > Install App (VIA) or press and hold OK (VIA+). Select content and tap icon. This article explains how to add apps to your Vizio smart TV featuring SmartCast. Additional information is provided for older Visio TVs that feature Vizio Internet Apps (VIA) and Vizio Internet Apps+ (VIA+). How to Add Apps to a SmartCast TV. SmartCast TVs come with a selection of core apps preinstalled on the TV. You can select these directly, but you can also access an additional group of apps that you can cast to the display or TV. However, if you want to add apps that are not included in the core list or the preselected mobile apps available for immediate casting, you must add them to your smartphone so that you can cast them to the TV, just as you do when using a Chromecast device. This means that any apps you add that are not on the Core Apps list and installed on your TV reside on your smartphone and you have to cast them. The app addition process is the same as you perform on a Chromecast device. -
Signature Redacted
Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content. -
Video Resources Feature Films Boiler Room
Video Resources Feature Films Boiler Room. New Line Cinema, 2000.A college dropout, attempting to win back his father's high standards he gets a job as a broker for a suburban investment firm, which puts him on the fast track to success, but the job might not be as legitimate as it once appeared to be. Margin Call. Before the Door Pictures, 2011. Follows the key people at an investment bank, over a 24- hour period, during the early stages of the 2008 financial crisis. The Wolf of Wall Street. Universal Pictures, 2013. Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government. The Big Short. Paramount Pictures,2015. In 2006-7 a group of investors bet against the US mortgage market. In their research they discover how flawed and corrupt the market is. The Last Days of Lehman Brothers. British Broadcasting Corporation, 2009. After six months' turmoil in the world's financial markets, Lehman Brothers was on life support and the government was about to pull the plug. Documentaries Enron: The Smartest Guys in the Room. Jigsaw Productions, 2005. A documentary about the Enron Corporation, its faulty and corrupt business practices, and how they led to its fall. Inside Job. Sony Pictures Classics, 2010. Takes a closer look at what brought about the 2008 financial meltdown. Too Big to Fail. HBO Films, 2011. Chronicles the financial meltdown of 2008 and centers on Treasury Secretary Henry Paulson. Money for Nothing: Inside the Federal Reserve. -
Productions in Ontario 2007
PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation 2007 www.omdc.on.ca You belong here FEATURE FILMS - THEATRICAL BLINDNESS EATING BUCCANEERS Company: Rhombus Media (Blindness) Inc. Producers: Mark Montefiore, Jennifer Mesich Producers: Niv Fichman, Sonoko Sakai, Executive Producers: Bill Keenan, ADORATION Andrea Barata Ribeiro Tracy Keenan Company: Ego Film Arts Executive Producers: Gail Egan, Director: Bill Keenan Producers: Atom Egoyan, Simone Urdl, Simon Channing Williams Writer: Bill Keenan Jennifer Weiss Director: Fernando Meirelles Production Manager: Adili Yahel Executive Producers: Robert Lantos, Writer: José Saramago D.O.P.: Wesley Legge Michele Halbertstadt, Laurent Petin Production Manager: Ivan Teixeira Key Cast: Peter Keleghan, Leah Pinsent, Director: Atom Egoyan D.O.P.: Cesar Charlone Neil Crone, Jeff White, Shanon Beckner, Production Designer: Phillip Baker Key Cast: Julianne Moore, Mark Ruffalo, Steven McCarthy D.O.P.: Paul Sarossy Sandra Oh, Don McKellar Shooting Dates: 8/1/2007 - 9/30/2007 Key Cast: Rachel Blanchard, Scott Speedman, Shooting Dates: 7/24/2007 - 10/15/2007 Devon Bostick FLASH OF GENIUS Shooting Dates: 9/17/2007 - 10/19/2007 CRY OF THE OWL Company: Spyglass Entertainment/ Company: Sienna Films Productions XI Inc. Universal Pictures Productions AMERICAN PIE PRESENTS: Producer: Julia Sereny, Jennifer Kawaja Producers: Gary Barber, Roger Birnbaum, BETA HOUSE Executive Producers: Steve Ujlaki, Michael Lieber David Thompson, Jamie Laurenson, Executive Producers: Miles Dale, Company: -
Cinedigm Corp
CINEDIGM CORP. FORM 10-K (Annual Report) Filed 06/30/15 for the Period Ending 03/31/15 Address 902 BROADWAY 9TH FLOOR NEW YORK, NY 10010 Telephone 212-206-8600 CIK 0001173204 Symbol CIDM SIC Code 7389 - Business Services, Not Elsewhere Classified Industry Motion Pictures Sector Services Fiscal Year 03/31 http://www.edgar-online.com © Copyright 2015, EDGAR Online, Inc. All Rights Reserved. Distribution and use of this document restricted under EDGAR Online, Inc. Terms of Use. UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 10-K (Mark One) ANNUAL REPORT UNDER SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal period ended: March 31, 2015 TRANSITION REPORT UNDER SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from --- to --- Commission File Number: 000-31810 ___________________________________ Cinedigm Corp. (Exact name of registrant as specified in its charter) ___________________________________ Delaware 22-3720962 (State or Other Jurisdiction of Incorporation or Organization) (I.R.S. Employer Identification No.) 902 Broadway, 9th Floor New York, NY 10010 (Address of principal executive offices) (Zip Code) (212) 206-8600 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of each class Name of each exchange on which registered CLASS A COMMON STOCK, PAR VALUE $0.001 PER SHARE NASDAQ GLOBAL MARKET Securities registered pursuant to Section 12(g) of the Act: NONE Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act.