How M6 Has Created a New Way of Consuming TV
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Seguimiento De Accesibilidad a La
SEGUIMIENTO DE ACCESIBILIDAD A LA TDT Informe de la CMT sobre accesibilidad de los contenidos televisivos Informe Económico Sectorial 2012 Comisión del Mercado de las Telecomunicaciones CMT Seguimiento de accesibilidad a la TDT ÍNDICE I. INTRODUCCIÓN ......................................................................................................................................................................................................................................................................... 4 Origen de los datos ....................................................................................................................................................................................................................................................................... 4 Operadores y canales incluidos en el informe ......................................................................................................................................................................................... 4 Porcentajes y valores de los servicios de accesibilidad en la programación de los canales según la LGCA 7/2010 ................................................................................................................................................... 5 Canales de programación de nueva emisión .............................................................................................................................................................................................. 6 Información solicitada a los -
Nov12 Presentation to Investors
GRUPO ANTENA 3 www.grupoantena3.com Presentation to investors Nov 2012 Presentation to investors_Nov 2012 1 Antena 3 Group at a glance New Antena 3 Group, a leading communication group ANTENA 3 GROUP TV RADIO OTHERS (*) ADVERTISING (*) Leased and operated by Imagina Presentation to investors_Nov 2012 2 Antena 3 Group at a glance One of the largest communication groups in Spain ANTENA 3 GROUP A3 Films A3 eventos Unipublic Others LA SEXTA XPLORA 6% LA SEXTA3 TODO CINE Onda Cero GOL T* Europa FM Radio Onda Melodía TV 11% 2011 Total revenues 83% ANTENA 3 805 M€ NEOX TV NOVA NITRO 2011 Total revenues 254 M€ Planeta-De Agostini: 41.7% RTL: 19.2% Shareh. La Sexta 7.0% Treasury stock: 7.0% Free-float: 25.1% (*) Leased and operated by Imagina Presentation to investors_Nov 2012 3 Antena 3 Group at a glance Solid market position in TV and Radio Antena 3’s market position TELEVISION RADIO 43% 17% Market share Source: Infoadex Presentation to investors_Nov 2012 4 1 SPANISH TV SECTOR Presentation to investors_Nov 2012 5 Advertising market in Spain Ad market maintains downward trend Total Ad & TV market evolution In € mill CAGR ≈+10% CAGR ≈-12% 7,985 5,459 5,505 Total Ad market 3,469 2,142 2,237 TV Ad market 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012e Source: Infoadex Presentation to investors_Nov 2012 6 Advertising market in Spain TV maintains its leadership among media Ad market by media 40.1% TV 40.6% 28.3% Press 17.6% 16.3% 10.9% Magaz 9.5% Radio 9.0% 1.3% Internet 6.9% 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 Source: -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
Press Release
PRESS RELEASE Collaboration between AGF and YouTube provides new evidence of the relevance of video in the German media landscape Frankfurt/Hamburg, Mar. 6th, 2019 — For the first time, the AGF Videoforschung (AGF) and YouTube published the results of their cooperation. Their collaboration started more than three years ago. The aim of this cooperation is to map the additional use of video through other platforms within the framework of the AGF convergence standard. The results for the observation period show that — with an average daily viewing time of 267 minutes for persons 18 years and older — the relevance of video in Germany is unbroken! During the study period, traditional linear TV usage averaged 232 minutes per day. Plus 35 minutes of streaming usage, mostly through mobile devices (60%). "It is a remarkable milestone for AGF's video research to have reached the current level together with YouTube. Everyone involved knows that we need to work continuously on this internationally unique project to best reflect the differentiated use of the platform in this dynamically changing technological environment. AGF's goal is to identify YouTube as a reliable, transparent partner in the AGF system, in line with the common market standard", said AGF Managing Director Kerstin Niederauer-Kopf. Dirk Bruns, Head of Video Sales, Google Germany: "We are very proud to be able to present the first results together with AGF Videoforschung and hope that industry representatives from other countries will follow the example of AGF. Google has long been committed to transparent measurement. And the presented data highlights the relevance of the YouTube platform for users, the advertising industry, and our content partners." 1 YouTube as platform in the AGF system Since April 2015, AGF and YouTube have collaborated intensively with the common goal of integrating the YouTube platform into the AGF system. -
Television Advertising Insights
Lockdown Highlight Tous en cuisine, M6 (France) Foreword We are delighted to present you this 27th edition of trends and to the forecasts for the years to come. TV Key Facts. All this information and more can be found on our This edition collates insights and statistics from dedi cated TV Key Facts platform www.tvkeyfacts.com. experts throughout the global Total Video industry. Use the link below to start your journey into the In this unprecedented year, we have experienced media advertising landscape. more than ever how creative, unitive, and resilient Enjoy! / TV can be. We are particularly thankful to all participants and major industry players who agreed to share their vision of media and advertising’s future especially Editors-in-chief & Communications. during these chaotic times. Carine Jean-Jean Alongside this magazine, you get exclusive access to Coraline Sainte-Beuve our database that covers 26 countries worldwide. This country-by-country analysis comprises insights for both television and digital, which details both domestic and international channels on numerous platforms. Over the course of the magazine, we hope to inform you about the pandemic’s impact on the market, where the market is heading, media’s social and environmental responsibility and all the latest innovations. Allow us to be your guide to this year’s ACCESS OUR EXCLUSIVE DATABASE ON WWW.TVKEYFACTS.COM WITH YOUR PERSONAL ACTIVATION CODE 26 countries covered. Television & Digital insights: consumption, content, adspend. Australia, Austria, Belgium, Brazil, Canada, China, Croatia, Denmark, France, Finland, Germany, Hungary, India, Italy, Ireland, Japan, Luxembourg, The Netherlands, Norway, Poland, Russia, Spain, Sweden, Switzerland, UK and the US. -
Grabstätte Des Schauspielers Und Komikers Dirk Bach Auf Dem Melatenfriedhof
Grabstätte des Schauspielers und Komikers Dirk Bach auf dem Melatenfriedhof Schlagwörter: Grab Fachsicht(en): Kulturlandschaftspflege Gemeinde(n): Köln Kreis(e): Köln Bundesland: Nordrhein-Westfalen Der Grabstein des Schauspielers und Komikers Dirk Bach auf dem Melatenfriedhof in Köln-Lindenthal (2020). Fotograf/Urheber: Katharina Grünwald .Dirk Bach (1961-2012) war ein populärer deutscher Schauspieler, Komiker, Moderator und Synchronsprecher. Die liebevoll-bunt- kitschige Gestaltung seines Grabes setzt einen farbenfrohen Akzent auf dem Friedhof Melaten. Biografie und Karriere Gesellschaftliches Engagement Grabstätte Biografie und Karriere Dirk Bach wurde am 23. April 1961 in Köln als Sohn des Messeingenieurs und Heimatforschers Willi Bach und dessen Ehefrau, Trude Bach, einer Sachbearbeiterin beim WDR, in Köln-Heimersdorf geboren, einem Stadtteil im Bezirk Chorweiler. Bereits früh konzentrierte er sich auf seine Leidenschaft, das Darstellende Spiel. Seine erste Theaterrolle erhielt er noch während seiner Schulzeit 1978 vom Kölner Intendanten Hansgünther Heyme (*1935) in Heiner Müllers (1929-1995, Pseudonym Max Messer) „Prometheus“. Im Jahr 1980 beendete er schließlich seine Schulausbildung an der Gesamtschule Köln-Chorweiler mit der mittleren Reife, nachdem er drei Mal nicht versetzt wurde. Interessanterweise erlernte Bach das Schauspielhandwerk nie an einer Schule. Stattdessen sammelte er weitere Erfahrungen am Studententheater, in der sogenannten „Off-Theater-Szene“ sowie als Mitglied verschiedener freier Theatergruppen, mit denen er unter anderem nach Amsterdam, Brüssel, London, New York City, Utrecht und Wien ging. Bereits 1985 wurde er mit dem „Filmfestival Max Ophüls Preis“ für Nachwuchstalente ausgezeichnet. Ungefähr zur selben Zeit trat er in Walter Bockmayers Theaterstück „Geierwally“ auf, welches Heimatromane parodiert und auch verfilmt wurde, und überzeugte das Publikum von seinem Talent als Komödiant. -
Accessible Programing
ATRESMEDIA 2012 ANNUAL AND CORPORATE RESPONSIBILITY REPORT ATRESMEDIA TELEVISIÓN 62 In 2012, a total of 552 spectators, formed by 69 opinion groups, contributed as- sessments of great use. These analyses were complemented by the daily audience figures provided by Kantar Media, which enabled the level of satisfaction, and the preferences and expectations of the spectators to be known. Atresmedia Televisión’s Social Responsibility actions were assessed very positive- ly in these studies. Ponle Freno became the seal of identity of the initiatives per- formed by the Group, recognizing its considerable capacity to positively influence social awareness. Moreover, Atresmedia Televisión pays special attention to the comments of navi- gators on programing, through projects of active listening in the social networks, blogs and forums. Fruit of this permanent dialogue with the audience and to meet its needs, a pro- graming was designed that was closer to its current likes and trends. The most valued television [ According to GECA, Antena 3 The image study performed by GECA (Audiovisual Communication Studies Of- was the most fice) is a research project to ascertain the image and opinion of the Spanish pop- ulation with regard to personalities, programs, channels and other aspects related highly valued with the contents broadcast by television. television channel by The 2012 GECA index was based on a macro survey of 3,200 people throughout the Spanish Spain. population in 2012. ] According to this analysis, Antena 3 was the most highly valued television chan- nel by the Spanish population in 2012. Likewise, this channel is considered by the spectators to be the most innovative channel for the second year running, and the most entertaining, and such characteristic has been consolidated over the last four years. -
¿Quién Ve La Televisión? Revisión Del Modelo Generalista En El Espacio Mediático Convergente1
Trípodos, número 40 | Barcelona 2017 | 31-54 Rebut / Received: 09/05/2017 ISSN: 1138-3305 Acceptat / Accepted: 12/06/2017 31 ¿Quién ve la televisión? Revisión del modelo generalista en el espacio mediático convergente1 Who Is Watching TV? A Revision of the Generalist Model in the Converging Media Landscape Scenario TRÍPODOS 2017 | 40 Jéssica Izquierdo Castillo Universitat Jaume I (España) La televisión actual busca un espacio Television seeks a space for relocation de reubicación dentro del panorama within the convergent media lands mediático convergente. En los últimos cape. In recent years, the multiplication años, la multiplicación de canales, la of channels, the consolidation of online consolidación de plataformas online, platforms, changes in audience habits, los cambios de hábitos del público, el the aging of the classical audience and envejecimiento de la audiencia y la the weak connection with young au débil conexión con el público joven dience have provoked transformations han provocado transformaciones que that have affected television content. han afectado a los contenidos televi This paper studies the evolution of ge sivos. neralist television during the period Este trabajo estudia la evolución de la from 2007 to 2016, when contex televisión generalista durante el perio tual and structural factors converged. do comprendido entre 2007 y 2016, These factors have determined the cu en que confluyen factores contextua rrent development of television, forming les y estructurales que han determina an oligopoly around the Atresmedia do su desarrollo actual, formando un and Mediaset groups. Together, they oligopolio en torno a los grupos Atres account for 86.4% of the advertising media y Mediaset. -
New Brochure & Film Newbrochure &Film
week 7 / 13 February 2014 PIONEERING SPIRIT How RTL Group made entertainment history PIONEERING SPIRIT How RTL Group bmaderochu entertainmentre & history New film week 7 / 13 February 2014 PIONEERING SPIRIT How RTL Group made entertainment history PIONEERING SPIRIT How RTL Group bmaderochu entertainmentre & history New film Cover Montage with covers of the Always Close To The Audience’s brochure and DVD Publisher RTL Group 45, Bd Pierre Frieden L-1543 Luxembourg Editor, Design, Production RTL Group Corporate Communications & Marketing k before y hin ou T p r in t backstage.rtlgroup.com backstage.rtlgroup.fr backstage.rtlgroup.de QUICK VIEW Happy anniversary, Plug RTL! Plug RTL p. 8–9 90 years of entertainment – captured, documented and celebrated Simon Cowell RTL Group plans return to p.4–7 The X Factor UK FremantleMedia p. 10 Mega marketing campaign for Big Picture Game Of Thrones p.12 RTL II p. 11 PEOPLE p. 13–15 In February 1924 Radio Luxembourg took to the airwaves. 90 years later, RTL Group is marking – and celebrating – the anniversary with a new brochure and film. Titled Always Close 90 YEARS To The Audience, both productions recount the vivid and rich events that OF ENTERTAINMENT – turned a modest radio station based in tiny CAPTURED, Luxembourg into the leading European DOCUMENTED AND entertainment network. CELEBRATED Luxembourg – 13 February 2014 RTL Group Collage from the Always Close To The Audience brochure: Autographe cards & advertisements for various activities 4 Hauled up in their attic in 1924, experimenting with a single radio transmitter, the Anen brothers couldn’t have begun to imagine that their modest Radio Luxembourg would not only become one of the most-listened-to and admired radio stations of their generation but would go on to develop into Europe’s largest commercial free-to-air broadcaster. -
Lit.Erw Programmheft 2009:Layout 1 13.11.08 12:22 Seite 1
lit.Erw_programmheft_2009:Layout 1 13.11.08 12:22 Seite 1 Das Programm der lit.kid.COLOGNE finden Sie ab >> 95 Das neunte Mal – herzlich willkommen! Literatur fühlen, hören, denken und tival. Zunächst aber wünschen wir Ihnen schmecken, dieses Erlebnis bieten wir viel Vergnügen bei der Lektüre unseres Ihnen ab sofort nicht nur während des Festivalprogramms, das wie jedes Jahr Festivals, sondern an 365 Tagen und eine besondere Mischung internationaler rund um die Uhr. Das erste Internetpor- und deutschsprachiger Autoren und Au- tal, in dem Sie alles über Autoren und torinnen bietet. Erleben Sie zehn Tage Bücher finden können, ab sofort unter und Nächte mit besonderen Begegnun- www.litCOLONY.de. Freuen Sie sich gen, herausragenden Schauspielern und auf viele Entdeckungen! Ob Elke Hei- zahlreichen Entdeckungen! Großer Dank denreich, Roger Willemsen oder Char- gilt dabei unseren Partnern, v. a. unseren lotte Roche – viele unserer Freunde Hauptsponsoren RheinEnergie AG und werden regelmäßig mit neuen Beiträgen Thalia-Buchhandlung, der Imhoff Stif- für Sie da sein. Autoren erzählen von tung als Förderin der lit.kid.COLOGNE ihren durchlesenen Nächten, Sie finden sowie dem WDR als Medienpartner. Lesungstermine, Buchbesprechungen, Viel Vergnügen beim Entdecken Ihres In- und Outlisten, das eigene lit.TV ganz persönlichen Highlights wünscht sowie natürlich alles rund um unser Fes- Ihr lit.COLOGNE-Team. lit.Erw_programmheft_2009:Layout 1 13.11.08 12:22 Seite 2 Donnerstag 12.3. TE G LA EN U E S R N A O L 4. Funkhaus C O A F C Europa Kriminacht T I H R E E M 04.04.09 U N A I T F E S O D STATE 20.00 Uhr >> 01 >> 02 englisch | deutsch Preise für Jugendliche: VVK € 5; AK € 7 Michael Connelly und Hans-Werner Güner Meyer kümmern Yasemin Balci sich um Harry Arabboy Bosch 18 Uhr 19.30 Uhr MS RheinEnergie/Literaturschiff Polizeipräsidium Frankenwerft, KD-Anleger, Innenstadt Walter-Pauli-Ring 2–4, Kalk VVK € 10 / AK € 13 VVK € 10 / AK € 13 Die ehemalige Sozialarbeiterin und Jour- Bosch is back. -
Edition 2016 Entertain. Inform. Engage
EDITION 2016 FULL YEAR RESULTS ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PRICE PERFORMANCE 01/01/2016 – 31/12/2016 + 6.8 % MDAX INDEX = 100 – 7.6 % EURO STOXX 600 MEDIA – 9.5 % RTL GROUP – 21.7 % PROSIEBENSAT1 RTL Group share price development for January to December 2016 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media and ProSiebenSat1 11.5 % OTHER 10.7 % DIGITAL 48.0 % 21.2 % TV ADVERTISING CONTENT 4.5 % PLATFORM REVENUE 4.1 % RADIO ADVERTISING RTL Group Revenue Split In 2016, TV advertising accounted for 48.0 per cent of RTL Group’s total revenue, making the Group one of the most diversified groups when it comes to revenue. Content represented 21.2 per cent of the total, while greater exposure to fast-growing digital revenue streams and higher margin platform revenue will further improve the mix. 2 RTL Group Full-year results 2016 Key figures REVENUE 2012 – 2016 (€ million) EBITA 2012 – 2016 (€ million) 16 6,237 16 1,205 15 6,029 15 1,167 14 5,808 14 1,144* 13 5,824* 13 1,148** 12 5,998 12 1,078 * Restated for IFRS 11 * Restated for changes in purchase price allocation ** Restated for IFRS 11 NET PROFIT ATTRIBUTABLE TO RTL GROUP SHAREHOLDERS 2012 – 2016 (€ million) EQUITY 2012 – 2016 (€ million) 16 720 16 3,552 15 789 15 3,409 14 652* 14 3,275* 13 870 13 3,593 12 597 12 4,858 * Restated for changes in purchase price allocation * Restated for changes in purchase price allocation TOTAL DIVIDEND/ MARKET CAPITALISATION* 2012 – 2016 (€ billion) DIVIDEND YIELD PER SHARE 2012 – 2016 (€ ) (%) 16 10.7 16 -
No. Channel Logo Features Comeback HD App TV
Features No. Channel Logo TV start TV comfort ComeBack HD App 1 SRF 1 HD 2 SRF zwei HD 3 Das Erste HD 4 ZDF HD 5 SAT.1 HD 6 ProSieben HD 7 RTL HD 8 3+ HD 9 4+ HD 10 RTL II HD 11 VOX HD 12 5+ HD 13 kabel eins HD 14 sixx HD 15 TV24 HD 16 S1 HD 17 ORF 1 HD 18 ORF 2 HD 19 ARTE HD 20 SRF info HD 21 TeleZüri 22 Nickelodeon CH HD 23 SUPER RTL HD 24 ServusTV HD 25 MTV CH HD 26 VIVA CH HD 27 RTL NITRO HD 28 Puls 8 HD 29 TV25 HD 30 ntv CH HD 31 Eurosport HD 33 Discovery Channel HD 34 Animal Planet HD 35 HISTORY HD 36 TNT Serie HD 37 TNT Film HD 38 AXN HD 39 MTV LIVE HD 40 FashionTV HD ftv 41 CHTV HD 42 3sat HD 43 KiKA HD 44 NDR HD 45 WDR Fernsehen HD 46 SWR HD 47 BR HD 48 ZDF Neo HD 49 ZDFinfo HD 50 PHOENIX HD 51 ANIXE HD 52 DMAX 53 TLC 54 ProSieben MAXX CH 55 SAT.1 Gold 56 TELE 5 57 gotv 58 DELUXE MUSIC 59 Schweiz 5 60 STAR TV HD 61 wetter.tv 62 Eurosport 63 SPORT1 64 Disney Channel 65 NATIONAL GEOGRAPHIC CHANNEL 66 TNT Serie 67 TNT Film 68 hr-fernsehen 69 MDR FERNSEHEN 70 rbb Fernsehen 71 ARD-alpha 72 tagesschau24 73 Einsfestival 74 N24 75 euronews 76 Deutsche Welle 77 Bloomberg TV 78 Bibel TV 79 HSE24 80 Teleclub Zoom 81 RTS Deux HD Features No.