Ancient Atlantic Crossings
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Hƒ›R's Blindness and the Pledging of Ó›Inn's
Hƒ›r’s Blindness and the Pledging of Ó›inn’s Eye: A Study of the Symbolic Value of the Eyes of Hƒ›r, Ó›inn and fiórr Annette Lassen The Arnamagnæan Institute, University of Copenhagen The idea of studying the symbolic value of eyes and blindness derives from my desire to reach an understanding of Hƒ›r’s mythological role. It goes without saying that in Old Norse literature a person’s physiognomy reveals his characteristics. It is, therefore, a priori not improbable that Hƒ›r’s blindness may reveal something about his mythological role. His blindness is, of course, not the only instance in the Eddas where eyes or blindness seem significant. The supreme god of the Old Norse pantheon, Ó›inn, is one-eyed, and fiórr is described as having particularly sharp eyes. Accordingly, I shall also devote attention in my paper to Ó›inn’s one-eyedness and fiórr’s sharp gaze. As far as I know, there exist a couple of studies of eyes in Old Norse literature by Riti Kroesen and Edith Marold. In their articles we find a great deal of useful examples of how eyes are used as a token of royalty and strength. Considering this symbolic value, it is clear that blindness cannot be, simply, a physical handicap. In the same way as emphasizing eyes connotes superiority 220 11th International Saga Conference 221 and strength, blindness may connote inferiority and weakness. When the eye symbolizes a person’s strength, blinding connotes the symbolic and literal removal of that strength. A medieval king suffering from a physical handicap could be a rex inutilis. -
Heroes, Gods and Monsters of Celtic Mythology Ebook
HEROES, GODS AND MONSTERS OF CELTIC MYTHOLOGY PDF, EPUB, EBOOK Fiona Macdonald,Eoin Coveney | 192 pages | 01 May 2009 | SALARIYA BOOK COMPANY LTD | 9781905638970 | English | Brighton, United Kingdom Heroes, Gods and Monsters of Celtic Mythology PDF Book This book is not yet featured on Listopia. The pursuit was a long one, and Caorthannach knew St. Danu DAH-noo. Details if other :. Co Kerry icon Fungie the Dolphin spotted after fears he was dead. The pair is said to whip the horses with a human spinal cord. Though the saint was desperately thirsty, he refused to drink from the poisoned wells and prayed for guidance. Scota SKO-tah. Showing The Dullahan rides a headless black horse with flaming eyes, carrying his head under one arm. He is said to have invented the early Irish alphabet called Ogham. Patrick when he banished the snakes out of Ireland. Cancel Reply. One monster, however, managed to escape — Caorthannach, the fire-spitter. Comments Show Comments. Carman is the Celtic goddess of evil magic. Leanan Sidhe would then take her dead lovers back to her lair. Ancient site of Irish Kings and the Tuatha de Danann. Now the Fomori have returned to their waters and transformed into sea monsters who prey on humans. Bay KIL-a. Patrick would need water to quench his thirst along the way, so she spitfire as she fled, and poisoned every well she passed. Several of the digital paintings or renderings for each of the archetypes expressed by various artists. According to Irish folklore, Sluagh are dead sinners that come back as malicious spirits. -
The Hero with Three Faces
Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 1974 The Hero With Three Faces Rebecca Susanne Larson Wilfrid Laurier University Follow this and additional works at: https://scholars.wlu.ca/etd Part of the English Language and Literature Commons, and the Religion Commons Recommended Citation Larson, Rebecca Susanne, "The Hero With Three Faces" (1974). Theses and Dissertations (Comprehensive). 1523. https://scholars.wlu.ca/etd/1523 This Thesis is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. ABSTRACT THE HERO WITH THRF.F. FACES By REBECCA SUSANNF. LARSON A study of the relationship between myth and litera ture in relation to: 1) the origin and form of myth as literature developed through the Legend of King Arthur; and 2) the function of myth as literature tracing Dr. Philip Potter's motif of salvation through the novels Zorba the Greek, Don Quixote and The Once and Future King. 1 THE HERO WITH THREE FACES By REBECCA SUSANNE LARSON B.A. Waterloo Lutheran University, 1971 THESIS Submitted in partial fulfillment of the requirements for the Master of Arts deqree Wilfrid Laurier University 1974 Examining Committee Dr. Lawrence Toombs Dr. Aarne Siirala Dr. Eduard Riegert ii UMI Number: EC56506 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Sir Gawain and the Green Knight: Not Really a Chivalric Romance Mladen M
Sir Gawain and the Green Knight: Not Really a Chivalric Romance Mladen M. Jakovljević University in Kosovska Mitrovica, Faculty of Philosophy, Department of English, Filipa Višnjića bb, 38220 Kosovska Mitrovica, Serbia [email protected] Vladislava S. Gordić Petković University of Novi Sad, Faculty of Philosophy, Department of English Studies, Dr Zorana Djindjića 2, 21101 Novi Sad, Serbia [email protected] Medieval English romance Sir Gawain and the Green Knight is unique not only in its form, content and structure, but also in the poet’s skillful use of conventions that play with the reader’s expectations by introducing elements that make the poem exquisitely ambivalent and place it in the fuzzy area where reality and fiction overlap. Although the poem seemingly praises the strength and purity of chivalry and knighthood, it actually subtly criticizes and comments on their failure when practiced outside the court and in real life. This is particularly noticeable when the poem’s symbolism, its hero, and the society he comes from are read against historical context, i.e. as reflections of the realities of medieval life. Accordingly, Sir Gawain and the Green Knight can be read as a poem that praises chivalry and knighthood more by way of commenting on their dissipation than through overt affirmation, as the future of the kingdom, its rulers and society, with its faulty Christian knights, is far from bright, given the cracks and flaws that mar its seemingly glossy façade. Keywords: English literature / medieval romance / Sir Gawain and the Green Knight / love / knighthood / chivalry Sir Gawain and the Green Knight is one of the best medieval English romances and also one of the most unconventional. -
HAMLET's MILL.Pdf
Hamlet's Mill An essay on myth and the frame of time GIORGIO de SANTILLANA Professor of the History and Philosophy of Science M.l.T. and HERTHA von DECHEND apl. Professor fur Geschichte der Naturivissenschaften ]. W. Goethe-Universitat Frankfurt Preface ASthe senior, if least deserving, of the authors, I shall open the narrative. Over many years I have searched for the point where myth and science join. It was clear to me for a long time that the origins of science had their deep roots in a particular myth, that of invariance. The Greeks, as early as the 7th century B.C., spoke of the quest of their first sages as the Problem of the One and the Many, sometimes describing the wild fecundity of nature as the way in which the Many could be deduced from the One, sometimes seeing the Many as unsubstantial variations being played on the One. The oracular sayings of Heraclitus the Obscure do nothing but illustrate with shimmering paradoxes the illusory quality of "things" in flux as they were wrung from the central intuition of unity. Before him Anaximander had announced, also oracularly, that the cause of things being born and perishing is their mutual injustice to each other in the order of time, "as is meet," he said, for they are bound to atone forever for their mutual injustice. This was enough to make of Anaximander the acknowledged father of physical science, for the accent is on the real "Many." But it was true science after a fashion. Soon after, Pythagoras taught, no less oracularly, that "things are numbers." Thus mathematics was born. -
Approved Game Themes
Approved Game Themes Manufacturer Theme THEME ID Approval Date ACS Bust The Bank ACS121712_001 Dec-12 ACS Double Angels ACS121712_002 Dec-12 ACS Dr. Watts Up ACS121712_003 Dec-12 ACS Eagle's Pride ACS121712_004 Dec-12 ACS Fish Party ACS060812_001 Jun-12 ACS Golden Koi ACS121712_005 Dec-12 ACS Inca Cash ACS060812_003 Jun-12 ACS Karate Pig ACS121712_006 Dec-12 ACS Kings of Cash ACS121712_007 Dec-12 ACS Magic Rainbow ACS121712_008 Dec-12 ACS Silver Fang ACS121712_009 Dec-12 ACS Stallions ACS121712_010 Dec-12 ACS The Freak Show ACS060812_002 Jun-12 ACS Wicked Witch ACS121712_011 Dec-12 AGS Bonanza Blast AGS121718_001 Dec-18 AGS Chinatown Luck AGS121718_002 Dec-18 AGS Colossal Stars AGS021119_001 Feb-19 AGS Dragon Fa AGS021119_002 Feb-19 AGS Eastern Dragon AGS031819_001 Mar-19 AGS Emerald Princess AGS031819_002 Mar-19 AGS Enchanted Pearl AGS031819_003 Mar-19 AGS Fire Bull Xtreme Jackpots AGS021119_003 Feb-19 AGS Fire Wolf AGS031819_004 Mar-19 AGS Fire Wolf II AGS021119_004 Feb-19 AGS Forest Dragons AGS031819_005 Mar-19 AGS Fu Nan Fu Nu AGS121718_003 Dec-18 AGS Fu Nan Fu Nu Lucky Dragons AGS021119_005 Feb-19 AGS Fu Pig AGS021119_006 Feb-19 AGS Golden Dragon Red Dragon AGS021119_008 Feb-19 AGS Golden Dragon Red Dragon Xtreme Jackpots AGS021119_007 Feb-19 AGS Golden Skulls AGS021119_009 Feb-19 AGS Golden Wins AGS021119_010 Feb-19 AGS Imperial Luck AGS091119_001 Sep-19 AGS Jade Wins AGS021119_011 Feb-19 AGS Lion Wins AGS071019_001 Jul-19 AGS Longhorn Jackpots AGS031819_006 Mar-19 AGS Longhorn Jackpots Xtreme Jackpots AGS021119_012 Feb-19 AGS Luck -
Myths and Legends of the Celtic Race by Thomas William Rolleston
The Project Gutenberg EBook of Myths and Legends of the Celtic Race by Thomas William Rolleston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Myths and Legends of the Celtic Race Author: Thomas William Rolleston Release Date: October 16, 2010 [Ebook 34081] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MYTHS AND LEGENDS OF THE CELTIC RACE*** MYTHS & LEGENDS OF THE CELTIC RACE Queen Maev T. W. ROLLESTON MYTHS & LEGENDS OF THE CELTIC RACE CONSTABLE - LONDON [8] British edition published by Constable and Company Limited, London First published 1911 by George G. Harrap & Co., London [9] PREFACE The Past may be forgotten, but it never dies. The elements which in the most remote times have entered into a nation's composition endure through all its history, and help to mould that history, and to stamp the character and genius of the people. The examination, therefore, of these elements, and the recognition, as far as possible, of the part they have actually contributed to the warp and weft of a nation's life, must be a matter of no small interest and importance to those who realise that the present is the child of the past, and the future of the present; who will not regard themselves, their kinsfolk, and their fellow-citizens as mere transitory phantoms, hurrying from darkness into darkness, but who know that, in them, a vast historic stream of national life is passing from its distant and mysterious origin towards a future which is largely conditioned by all the past wanderings of that human stream, but which is also, in no small degree, what they, by their courage, their patriotism, their knowledge, and their understanding, choose to make it. -
A Ritual for the Dead: the Tablets from Pelinna (L 7Ab)
CHAPTER TWO A RITUAL FOR THE DEAD: THE TABLETS FROM PELINNA (L 7AB) Translation of tablets L 7ab from Pelinna The two tablets from Pelinna (L 7a and 7b) were found in Thessaly in 1985, on the site of ancient Pelinna or Pelinnaion. They were placed on the breast of a dead female, in a tomb where a small statue of a maenad was also found (cf. a similar gure in App. II n. 7). Published in 1987, they revolutionized what had been known and said until then about these texts, and contributed new and extremely important view- points.1 They are in the shape of an ivy leaf, as they are represented on vase paintings,2 although it cannot be ruled out that they may represent a heart, in the light of a text by Pausanias that speaks of a “heart of orichalcum” in relation to the mysteries of Lerna.3 Everything in the grave, then, including the very form of the text’s support, suggests a clearly Dionysiac atmosphere, since both the ivy and the heart evoke the presence of the power of Dionysus. The text of one of the tablets is longer than that of the other. It has been suggested4 that the text of the shorter tablet was written rst, and since the entire text did not t, the longer one was written. We present the text of the latter:5 1 These tablets were studied in depth by their \ rst editors Tsantsanoglou-Parássoglou (1987) 3 ff., and then by Luppe (1989), Segal (1990) 411 ff., Graf (1991) 87 ff., (1993) 239 ff., Ricciardelli (1992) 27 ff., and Riedweg (1998). -
Tefl Emk Örr at Efla
ôô TTaaffll eemmkk rrrr aatt eeffllaa…… -Brettspill i vikingtid og middelalder- Annette Dahl Mastergradsavhandling i nordisk vikingtids- og middelalderkultur Høst 2003 Senter for studier i vikingtid og middelalder – Universitetet i Oslo. Teflðo í túni, Teitir vóro, Var þeim vettergis Vant ór gulli, Unz þriár kvómo Þursa meyiar Ámátkar miÔk Ór iÔtunheimom. 1 Forord Da jeg først begynte å tenke på hvilket tema jeg ville velge for avhandlingen kom jeg over ufattelig mange interessante problemstillinger. Det var vanskelig å velge bare én, men brått kom ideen om brettspill! Ved siden av alle de andre de andre alternativene var dette den eminente løsning fordi jeg kunne kombinere to av de største interessene i mitt liv: Brettspill og vikingtid- og middelalderhistorie. Siden jeg finner menneskeheten så interessant som jeg gjør, falt det naturlig å inkludere det menneskelige aspektet i prosjektet. Det har vært en utrolig spennende tid. Derfor håper jeg at du som leser dette, vil erfare den samme gleden ved å lese de følgende sider, som jeg hadde da de ble skrevet. Takk til: Jesus Fernando Guerrero Rodriguez fordi du tipset meg om tilfeller av brettspill i kildene som jeg ikke hadde funnet. Kristiina Püttsepp fordi du velvillig bisto med oversettelse fra russisk. Signe Horn Fuglesang fordi du foreslo at de små bronsestatuettene av Tor og Frøy kunne ha vært brukt som spillebrikker. Gro Steinsland fordi du alltid er imøtekommende og hjelpsom, på tross av at spørsmålene kan synes merkelige. Jón Viðar Sigurðsson fordi du er streng, men rettferdig og fordi jeg slapp å vaske bilen din. Vicky Mikalsen fordi det har vært staselig å ha deg her. -
45 Crafting Materials for 5E His Document Contains a List of Different Crafting Materials That I Have Made for My Table 1: Metals Home Games
45 Crafting Materials for 5e his document contains a list of different crafting materials that I have made for my Table 1: Metals home games. Most of these are based on materials that have appeared in other versions of Dungeons and Dragons. In the descriptions, Magical Effects I have tried to remove any reference to specific All effects are non-magical effects and thus are Tplanes. Just in case you want to use them as-is maintained in anti-magic fields. This also means and don't play in a game with planar travel, but if you like the that they do not overcome non-magical resistances effects but not the descriptions I encourage you to flavor it in a way that fits your game most. Metals Name Weapon Effect Armor Effect Rarity Abyssus +1d4 to Fey, Fiends and Undead, Attacks crit on Grants resistance to cold, fire, and lightning Rare a 19 or 20 damage dealt by fiends and elementals Adamantine Deals Damage to Objects as if it was a critical hit Critical Hits against you turn into normal hits Rare Alchemical Counts as a magical weapon for the purposes of Grants resistance to Necrotic damage Uncommon Silver resistances and immunities Aururum Is able to mend itself if broken Is able to mend itself if broken Rare Baatorium +1 to damage on slashing and piercing weapons Resistance to slashing and piercing damage from Rare non-magical weapons Cold Iron +1d4 to Fey, Fiends and Undead Grants advantage on saves vs Spells Rare Entropium Whips made of Entropium deal 1d6 instead of Resistance to non-magical bludgeoning damage Uncommon 1d4 Fevrus +1 Fire damage Immune to Cold, any creature that ends it’s turn Uncommon wearing armor made from Fevrus takes 1d6 Fire damage. -
Medieval Beliefs in Arthur's Atlantic Voyages
3 MEDIEVAL BELIEFS IN ARTHUR’S ATLANTIC VOYAGES ARTHUR’S DEATH OVERSEAS IN GEOFFREY’S HISTORY Geoffrey’s Reconcilation of Two Traditions The thesis set out in this book, that Arthur sailed west to a distant land in the sixth century, here identified as North America, is not a new one. It was present at the time that Geoffrey of Monmouth wrote his famous History of the Kings of Britain in c. 1138. Geoffrey drew on a wide range of material to write his book and would have been familiar with the entry in the Annales Cambriae that Arthur died at the battle of Camlann along with Mordred (Medraut) in 537/539. Camlann was thought to be located in Britain. In his pseudo-history, Geoffrey expands this data into a tale of adultery and betrayal. He presents Mordred as Arthur’s nephew, usurping the crown and having a sexual relationship with Guinevere (Gwenhwyfar), while Arthur was fighting in Europe. Hearing this news, Arthur returns to Britain and engages Mordred in a series of battles until Mordred flees to Cornwall. There at the River Camblam (Geoffrey’s location for Camlann) the final battle took place, where Mordred is killed. However at this point Geoffrey inexplicably departs from the basic data of the Annales Cambriae. Instead of Arthur dying at Camlann, Geoffrey presents him as only being severely wounded and abruptly states that he was then carried off to the Isle of Avalon so that his wounds might be healed. No information or explanation concerning the Isle of Avalon is given. The key question of interest is why did not Geoffrey simply allow Arthur’s life to end at Camlann, as in the Annales Cambriae, dying a heroic death but winning the battle against the traitors and heathens opposed to him? The answer to this is that Geoffrey was aware of a different tradition that had Arthur dying at a distant place overseas. -
Decodingthedelugever25.4Vol1free (Pdf) Download
DECODING THE DELUGE AND FINDING THE PATH FOR CIVILIZATION Volume I Of Three Volumes by David Huttner Version 25.4; Release date: March 7, 2020 Copyright 2020, by David Huttner I hereby donate this digital version of this book to the public domain. You may copy and distribute it, provided you don’t do so for profit or make a version using other media (e.g. a printed or cinematic version). For anyone other than me to sell this book at a profit is to commit the tort of wrongful enrichment, to violate my rights and the rights of whomever it is sold to. I also welcome translations of the work into other languages and will authorize the translations of translators who are competent and willing to donate digital versions. Please email your comments, questions and suggestions to me, David Huttner, mailto:[email protected] or mailto:[email protected] . Cover by A. Watson, Chen W. and D. Huttner Other Works by David Huttner, soon to be Available Autographed and in Hardcopy at http://www.DavidHuttnerBooks.com , Include: Decoding the Deluge and finding the path for civilization, Volumes 2 & 3 Irish Mythology passageway to prehistory Stage II of the Nonviolent Rainbow Revolution The First Christmas (a short play) Making the Subjective and Objective Worlds One Just Say No to Latent Homosexual Crusades Social Harmony as Measured by Music (a lecture) The Spy I Loved secrets to the rise of the Peoples Republic of China The Selected Works of David Huttner, Volumes 1 and 2 Heaven Sent Converting the World to English 2 This work is dedicated to Robert Teyema, a Chicago policeman.