CREEM: Americas Only Rock N Roll Magazine by Robert Matheu
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
RUSH: but WHY ARE THEY in SUCH a HURRY? What to Do When the Snow-Dog Bites! •••.•.••••..•....••...••••••.•.•••...•.•.•..•
• CARLENE CARTER • JERRY LEE LEWIS • ROSANNE CASH • BYRNE & ENO • SMOKEY acMlNSON • MARVIN GAYE THE SONG OF INJUN ADAM Or What's A Picnic Without Ants? .•.•.•••••..•.•.••..•••••.••.•••..••••••.•••••.•••.•••••. 18 tight music by brit people by Chris Salewicz WHAT YEAR DID YOU SAY THIS WAS? Hippie Happiness From Sir Doug ....••..•..••..•.••••••••.•.••••••••••••.••••..•...•.••.. 20 tequila feeler by Toby Goldstein BIG CLAY PIGEONS WITH A MIND OF THEIR OWN The CREEM Guide To Rock Fans ••.•••••••••••••••••••.•.••.•••••••.••••.•..•.•••••••••. 22 nebulous manhood displayed by Rick Johnson HOUDINI IN DREADLOCKS . Garland Jeffreys' Newest Slight-Of-Sound •••••••••••••••••••••••••••••••••••.••..••. 24 no 'fro pick. no cry by Toby Goldstein BLONDIE IN L.A. And Now For Something Different ••••.••..•.••.••.•.•••..••••••••••.••••.••••••.••..••••• 25 actual wri ting by Blondie's Chris Stein THE PSYCHEDELIC SOUNDS OF ROKY EmCKSON , A Cold Night For Elevators •••.••.•••••.•••••••••.••••••••.••.••.•••..••.••.•.•.••.•••.••.••. 30 fangs for the memo ries by Gregg Turner RUSH: BUT WHY ARE THEY IN SUCH A HURRY? What To Do When The Snow-Dog Bites! •••.•.••••..•....••...••••••.•.•••...•.•.•..•. 32 mortgage payments mailed out by J . Kordosh POLICE POSTER & CALENDAR •••.•••.•..••••••••••..•••.••.••••••.•••.•.••.••.••.••..•. 34 LONESOME TOWN CHEERS UP Rick Nelson Goes Back On The Boards .•••.••••••..•••••••.••.•••••••••.••.••••••.•.•.. 42 extremely enthusiastic obsewations by Susan Whitall UNSUNG HEROES OF ROCK 'N' ROLL: ELLA MAE MORSE .••.••••.•..•••.••.• 48 control -
A Music Critic on His First Love, Which Was Reading
them over, and get its mitts on record distribution in the bargain. Nor is it all about the Benjamins. If by popular music you mean domestic palliatives from “Home Sweet to Celine Dion, OK, that’s another realm. But most of what’s now played in concert halls and honored at the Kennedy Center has its roots in antisocial impulses—in a carpe diem hedonism that is a way of life for violent men with money to burn who know damn well they’re destined for prison or the morgue. Most music books assume or briefly acknowledge these inconvenient facts when they don’t ignore them altogether. But they’re central to two recent histories and two recent memoirs, all highly recommended. Memphis-based Preston Lauterbach’s The Chitlin’ Circuit and the Roots of Rock ’n’ Roll For anyone who cares about the history of pop—and also, in a better world, anyone relishes the criminal origins of a mostly southern black club scene from the early ’30s to who cares about the history of the avant-garde—Between Montmartre and the Mudd the late ’60s. Journalist-bizzer Dan Charnas’s history of the hip-hop industry, The Big has a big story to tell. Popular music is generally identified with the rise of Payback, steers clear of much small-timeClub thuggery and leaves brutal LA label boss Suge Knight to Ronin Ro’s Have Gun, Willsong Travel, publishing butROBERT plenty and of piano crime manufacture stories rise up inas theprofits mid-nineteenth century. But starting snowball. Ice-T’s Ice devotes twenty-fivein the 1880s, steely artists pages toand the other lucrative fringe-dwelling heisting operation weirdos have been active as pop the rapper-actor ran before he madeperformers, music his composers, job. -
Issue 6 £1.50
Issue 6 £1.50 "THE ALTERNATIVE TO CREEM" e h , r e m u s n o c e h t o t t c u d o r p s i h l l e s t ' n s e o d t n a h c r e m k n u j e h T “ sells the consumer to his product. He does not improve and improve not does He product. his to consumer the sells You're my kinda scum... kinda my You're most esteemed rag and the weirdo's who wrote it. it. wrote who weirdo's the and rag esteemed most obvs). This is my not-so-subtle nod to that once once to that nod is my not-so-subtle This obvs). writing goes, is Creem Magazine (pre-shittening, (pre-shittening, is Magazine goes, Creem writing Single Single Malt but one of the main things, as far unfluenced by all sorts of shit, from Sabbath to Sabbath from of shit, by sorts all unfluenced new new mascot, Cap'n Elmlee. Why? Well, I'm the the cover. I'm pleased to introduce you to our You You may also have noticed the cheeky chappie on n' greet. n' time you get invited to your local sex cult meet meet cult sex local to your invited get you time stick by us you won't look like such a noob next next a noob such like look won't you us by stick rama rama starting on page 4, meaning that if you kick kick off a new feature, a veritable sleaze-o- Bloodbath's Bloodbath's done-gone global! Oh yeah, and we Saturn from the California branch. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
Gonzo Weekly #363/4
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/ groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ Gonzo Daily Blog https://gonzo-multimedia.blogspot.com/ fellow when – last week – I sat down and wrote my editorial for this issue. But, as you have probably guessed, I have been overtaken by events. Dear friends, Nearly 22 years ago, I was deep in the At least once a year I end up having to Mexican desert with my partner in crime write two editorials. This is usually, as in Graham Inglis. I can’t remember exactly this case, because I have been overtaken by what happened, but something went events. terribly wrong with the equipment of the film crew with whom we were making a This week and last week I have been documentary for UK Channel 4. We were without a secretary, because Olivia is in a steep valley full of cactuses, and we starting a new job, and although she will coined a silly phrase which has become still be doing a day a week working for me, part of our parlance ever since about things she is working full time for the first couple having gone Prickly Pear Shaped. And I of weeks as she goes through induction. guess that has been the way things have gone within my life ever since. So, I thought I was being a diligent young “It is with great sadness that we received the news of the passing of John Brodie Good, aged 61, who died peacefully last Tuesday evening, 29th October, following a heart attack. -
A Chapter in Rock History Auringer’S Photos, Design Work Featured in CREEM Tribute Book
LapeerArea Thursday, December 13, 2007 VIEW Section C A chapter in rock history Auringer’s photos, design work featured in CREEM tribute book BY MIKE ARNHOLT from view. VIEW Editor CREEM has now been LAPEER — The resurrected publication this on a new month of a tribute website www. to the “golden age” creem maga- of rock ‘n’ roll, zine. com and Detroit style CREEM: with the new America’s Only Rock HarperCollins ‘n’ Roll Magazine, hit book by another bookstores across the former CREEM country with a strong photographer, local connection. Robert Matheu, Hadley native, Lapeer look of CREEM, and his along with Brian High 1964 grad and now J. Bowe. This col- VIEW Production Manager orfull hardcover Charlie Auringer was an coffeetable book integral part of CREEM for features historical its first 17 years. and I was reprints of stories, In 1964, Charlie left always too tired to party with covers and photos Lapeer and headed off to the the band.” from its beginning with com- Detroit to college at Wayne legendary Grande The years he spent at mentary from the editors and State. Ballroom, Olympia Stadium CREEM are a slice of history artists who were in CREEM He was caught up in the and Cobo Hall, including Jeff today, but at the time “We over the years. energy and excitement of Beck with Rod Stewart, Elvis were just having a lot of Charlie’s passion for design concerts by Bob Dylan, The and Cream, among others. fun,” Charlie says. remained, and he moved on Beatles and others. CREEM went national in His concert photos were to design Detroit’s alternative “It was the music that 1971 and Charlie pho- Auringer and two of his pho- electric, but he had fun with newspaper, Metro Times. -
2013/2014, I Semestre Corso Di Laurea Magistrale ( 30 Ore, 6 CFU)
LETTERATURA ANGLOAMERICANA (L-LIN/11) Anno accademico: 2013/2014, I semestre Corso di laurea magistrale (30 ore, 6 CFU) Dott. Fiorenzo Iuliano Queer Modernisms Il corso, che sarà tenuto in lingua inglese, intende analizzare una serie di testi prodotti negli Stati Uniti nei primi decenni del Novecento che problematizzano e mettono in discussione le categorie tradizionali di genere e di identità sessuale. In particolare, le lezioni si soffermeranno sui seguenti temi, esaminati in relazione ai testi letterari analizzati: (auto)rappresentazione delle donne e dell’identità femminile e crisi del ruolo maschile tradizionale nella società e nella cultura degli Stati Uniti agli inizi del Novecento; l’omosessualità come nuovo paradigma di identificazione o come stru- mento di radicale decostruzione delle categorie di gender e sessualità; rapporto tra identità sessuale e identità etnica. Bibliografia Testi primari 1. Henry James, “The Beast in the Jungle” (1903) 2. Gertrude Stein, Q.E.D. (1903) 3. Claude McKay, “The Clinic” (1923) 4. Ernest Hemingway, Fiesta. The Sun Also Rises (1926) 5. Nella Larsen, Passing (1929) Bibliografia teorico-critica 1. Rita Barnard, “Modern American Fiction”, in Walter B. Kalaidjian, ed., The Cambridge Com- panion to American Modernism, Cambridge UP, Cambridge, 2005, pp. 39-67. 2. Raman Selden, Peter Widdowson, Peter Brooker, “Gay, lesbian and queer theory”, in A Reader’s Guide to Contemporary Literary Theory (5th edition), Harlow, Longman, 2005, pp. 243-266. 3. Eve Kosofsky Sedgwick, from “Introduction: Axtiomatic”, in Epistemology of the Closet, Uni- versity of California Press, Berkeley-Los Angeles, 1990, pp. 1-22. 4. Eric Haralson, “‘The Other Half Is the Man’: the queer modern triangle of Gertrude Stein, Er- nest Hemingway, and Henry James”, in Henry James and Modernity, Cambridge UP, Cam- bridge, 2003, pp. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The New Wave (These are excerpts from my book "A History of Rock and Dance Music") New York's new Boheme TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. 1976 was a watershed year: the music industry was revitalized by the emergence of "independent" labels and the music scene was revitalized by the emergence of new genres. The two phenomena fed into each other and spiraled out of control. In a matter of months, a veritable revolution changed the way music was produced, played and heard. The old rock stars were forgotten and new rock stars began setting new trends. As far as white popular music goes, it was a sort of Renaissance after a few years of burgeoisie icons (think: Bowie), conservative sounds (country-rock, southern boogie) and exploitation of minorities (funk, reggae). During the 1970s alternative rock had survived in niches that were highly intellectual, namely German rock and progressive-rock (particularly the Canterbury school). They were all but invisible to the masses. 1976 was the year when most of those barriers (between "low" and "high" rock, between "intellectual" and "populist", between "conservative" and "progressive", between "star" and "anti-star") became not only obsolete but meaningless. -
Let It Blurt the Life and Times of Lester Bangs, Americas Greatest Rock Critic 1St Edition Pdf, Epub, Ebook
LET IT BLURT THE LIFE AND TIMES OF LESTER BANGS, AMERICAS GREATEST ROCK CRITIC 1ST EDITION PDF, EPUB, EBOOK Jim DeRogatis | 9780767905091 | | | | | Let it Blurt The Life and Times of Lester Bangs, Americas Greatest Rock Critic 1st edition PDF Book The couple named him Leslie Conway in honor of his father, Conway Leslie. Seller Inventory C I didn't even get a "Thank you"! This great book by Joe Bonomo really gets to the heart of who the Fleshtones are, and the price they paid. Average rating 3. Has used sticker s and some writing or highlighting. Q: Have you found yourself in a position where now you're Lester Bangs and some kid is reaching out to you to do an interview about being a rock critic? He told Cameron the same thing. He was more than a rock critic. In this Book. If you already know and love the band, you're sure to enjoy this book. Condition: Good. Self Steve Kelly Again, definitely! Like all great artists he was a troubled man. Because Leslie was born with a full head of black hair--enough for three or four babies! A: F no! Soft Cover. OK, I'll stop. He was a rock critic. Visit the Australia site. Let it Blurt The Life and Times of Lester Bangs, Americas Greatest Rock Critic 1st edition Writer Condition: Used - Very Good. Music was the form that he worked in, but that does not impinge on his greatness and this book works as an accompaniment, then origins of the man who if he lived might well be up there with Roth as a champion of letters. -
Download This Document
Brown, A.R. (2015) ‘Explaining the naming of heavy metal from rock’s “Back Pages”: a dialogue with Deena Weinstein’. Metal Music Studies, 1 (2): 233-261. Online at: http://dx.doi.org/10.1386/mms.1.2.233_1 ResearchSPAce http://researchspace.bathspa.ac.uk/ This version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Author’s note: This is the final draft version of the article accepted for publication by Metal Music Studies on the 2nd December 2014. The final copy-edited article is due to be published as: Brown, A.R. (2015) ‘Explaining the Naming of Heavy Metal from Rock’s “Back Pages”: A dialogue with Deena Weinstein’, Metal Music Studies, I (2): 233-261 (April). Explaining the Naming of Heavy Metal From Rock’s “Back Pages”: A Dialogue with Deena Weinstein The origins of the term heavy metal or when the genre was first named is a perennial topic of debate and conjecture among fans, popular music historians, academic-fans and fan-academics. Such debates and refutations can also be found across the web, on metal-blogs, net-cyclopedias, discographies and fan forums. -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429