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A Music Critic on His First Love, Which Was Reading
them over, and get its mitts on record distribution in the bargain. Nor is it all about the Benjamins. If by popular music you mean domestic palliatives from “Home Sweet to Celine Dion, OK, that’s another realm. But most of what’s now played in concert halls and honored at the Kennedy Center has its roots in antisocial impulses—in a carpe diem hedonism that is a way of life for violent men with money to burn who know damn well they’re destined for prison or the morgue. Most music books assume or briefly acknowledge these inconvenient facts when they don’t ignore them altogether. But they’re central to two recent histories and two recent memoirs, all highly recommended. Memphis-based Preston Lauterbach’s The Chitlin’ Circuit and the Roots of Rock ’n’ Roll For anyone who cares about the history of pop—and also, in a better world, anyone relishes the criminal origins of a mostly southern black club scene from the early ’30s to who cares about the history of the avant-garde—Between Montmartre and the Mudd the late ’60s. Journalist-bizzer Dan Charnas’s history of the hip-hop industry, The Big has a big story to tell. Popular music is generally identified with the rise of Payback, steers clear of much small-timeClub thuggery and leaves brutal LA label boss Suge Knight to Ronin Ro’s Have Gun, Willsong Travel, publishing butROBERT plenty and of piano crime manufacture stories rise up inas theprofits mid-nineteenth century. But starting snowball. Ice-T’s Ice devotes twenty-fivein the 1880s, steely artists pages toand the other lucrative fringe-dwelling heisting operation weirdos have been active as pop the rapper-actor ran before he madeperformers, music his composers, job. -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
2013/2014, I Semestre Corso Di Laurea Magistrale ( 30 Ore, 6 CFU)
LETTERATURA ANGLOAMERICANA (L-LIN/11) Anno accademico: 2013/2014, I semestre Corso di laurea magistrale (30 ore, 6 CFU) Dott. Fiorenzo Iuliano Queer Modernisms Il corso, che sarà tenuto in lingua inglese, intende analizzare una serie di testi prodotti negli Stati Uniti nei primi decenni del Novecento che problematizzano e mettono in discussione le categorie tradizionali di genere e di identità sessuale. In particolare, le lezioni si soffermeranno sui seguenti temi, esaminati in relazione ai testi letterari analizzati: (auto)rappresentazione delle donne e dell’identità femminile e crisi del ruolo maschile tradizionale nella società e nella cultura degli Stati Uniti agli inizi del Novecento; l’omosessualità come nuovo paradigma di identificazione o come stru- mento di radicale decostruzione delle categorie di gender e sessualità; rapporto tra identità sessuale e identità etnica. Bibliografia Testi primari 1. Henry James, “The Beast in the Jungle” (1903) 2. Gertrude Stein, Q.E.D. (1903) 3. Claude McKay, “The Clinic” (1923) 4. Ernest Hemingway, Fiesta. The Sun Also Rises (1926) 5. Nella Larsen, Passing (1929) Bibliografia teorico-critica 1. Rita Barnard, “Modern American Fiction”, in Walter B. Kalaidjian, ed., The Cambridge Com- panion to American Modernism, Cambridge UP, Cambridge, 2005, pp. 39-67. 2. Raman Selden, Peter Widdowson, Peter Brooker, “Gay, lesbian and queer theory”, in A Reader’s Guide to Contemporary Literary Theory (5th edition), Harlow, Longman, 2005, pp. 243-266. 3. Eve Kosofsky Sedgwick, from “Introduction: Axtiomatic”, in Epistemology of the Closet, Uni- versity of California Press, Berkeley-Los Angeles, 1990, pp. 1-22. 4. Eric Haralson, “‘The Other Half Is the Man’: the queer modern triangle of Gertrude Stein, Er- nest Hemingway, and Henry James”, in Henry James and Modernity, Cambridge UP, Cam- bridge, 2003, pp. -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429 -
Atomic Roosteratomic Rooster Are an English Progressive Rock Band, Originally Formed by Members of the Crazy World of Arthur
Atomic Rooster Atomic Rooster are an English progressive rock band, originally formed by members of The Crazy World of Arthur Brown, organist Vincent Crane and drummer Carl Palmer, in 1969; original lineup of Vincent Crane (organ), Nick Graham (bass), and Carl Palmer (drums). Their debut album, Atomic Rooster, hit number 49 in the U.K. in June 1970, after which Graham and Palmer left the group. Crane maintained the name and recruited guitarist/singer John Du Cann and drummer Paul Hammond for the second album, Death Walks Behind You, which hit number 12 in the U.K., where it featured the number 11 single "Tomorrow Night," and number 90 in the U.S. Pete French of Cactus assisted on the third album, In Hearing Of, which featured the number-four U.K. single "The Devil's Answer" and reached number 18 in England and number 167 in America. Then the group split up again, and again Crane assembled a new Atomic Rooster, this time featuring singer Chris Farlowe, guitarist Steve Bolton, bassist Bill Smith, and drummer Rick Parnell. Made in England reached number 149 in the U.S. in 1972, but the group had split again by 1974. Throughout their history, keyboardist Vincent Crane was the only constant member, and wrote the majority of their material. Their history is defined by two periods: the early-mid-1970s and the early 1980s. The band went through radical style changes, but they are best known for the hard, progressive rock sound of their hit singles, "Tomorrow Night" (UK No. 11) and "The Devil's Answer" (UK No. -
Record-World-1979-10
Dedicated to the Needs of the MusicRecord Industry OCTOBER 6, 1979 $2.25 f7Tage 'HO' NOINVO '3'N 0W13 'IS If76Z 05093d 3Ava Z9 1108-L 0 its of the SI -LES E H, WIND & RE, "IN THE S, "WHO LISTENS T' GLES, "THE LC (prod. bWhite) (writers: 010" (prod. by Solley) (w arrivalofthis Ion Foster -W (Saggifire, s:Cummings-Pendlebury) (Aus- provesthatsuperst Ninth/Irvi/Foster Free lian Tumbleweed, EMU) (3:2'). worth its weight in g EAGLES (3:32). A t single fro he 5 -man Australian bardenergy, seductive LI-TE LONG RLI Am," LP, should bec akes U.S. debut with th s sweetguitarwork third consecutive smas op - rockerfeaturingnervous every cut. "Heartach this formidable group. ad vocals and a driving beat.the title cut are c lumbia 1-11093. n nstant AOR add. Arista 0468. lum 5E-508 (8.98). CHEAP TRICK, "DREAM POLI CARTER, "D VI PEOPLE;' byWerman) (writer: E" SZ o O (Screen Gems-EMI/A al (3:14). The titlecut / P yen Visions, al new LP fulfillsthe /Unichappell, BMI) (3:26). sides feat(e past Cheap Trick effo r gives ading Simpson (Valerie powerhouse rock rhy thismic-te k': 'n for ticvocalsportrayin wro:e with .leap parancia. Epic 9-507 guitarist Joh .98) DR. HOOK, "BETTER LOVE INCEROS, "TAKE ME TO YOUR LO 1E, T T (prod. by Haffkine) LEADER" (prod. by Wisser.) Deborah Harry and pen -Keith -Slate) (H (writer:Kjeldsen)(Blackwood, succeeded wonderf BMI) (2:59). The Dr BMI) (3:30). The herky-jerky rock low -up to last year's really taken off wi beat,sparklingkeyboard adds new album is full o' hits and this look and irresistible vocal hook mak3 pop, catchy hooks withitslightda this British band's first release 3 lyrics that have m. -
The Interviews
Jeff Schechtman Interviews December 1995 to April 2017 2017 Marcus du Soutay 4/10/17 Mark Zupan Inside Job: How Government Insiders Subvert the Public Interest 4/6/17 Johnathan Letham More Alive and Less Lonely: On Books and Writers 4/6/17 Ali Almossawi Bad Choices: How Algorithms Can Help You Think Smarter and Live Happier 4/5/17 Steven Vladick Prof. of Law at UT Austin 3/31/17 Nick Middleton An Atals of Countries that Don’t Exist 3/30/16 Hope Jahren Lab Girl 3/28/17 Mary Otto Theeth: The Story of Beauty, Inequality and the Struggle for Oral Health 3/28/17 Lawrence Weschler Waves Passing in the Night: Walter Murch in the Land of the Astrophysicists 3/28/17 Mark Olshaker Deadliest Enemy: Our War Against Killer Germs 3/24/17 Geoffrey Stone Sex and Constitution 3/24/17 Bill Hayes Insomniac City: New York, Oliver and Me 3/21/17 Basharat Peer A Question of Order: India, Turkey and the Return of the Strongmen 3/21/17 Cass Sunstein #Republic: Divided Democracy in the Age of Social Media 3/17/17 Glenn Frankel High Noon: The Hollywood Blacklist and the Making of an American Classic 3/15/17 Sloman & Fernbach The Knowledge Illusion: Why We Think Alone 3/15/17 Subir Chowdhury The Difference: When Good Enough Isn’t Enough 3/14/17 Peter Moskowitz How To Kill A City: Gentrification, Inequality and the Fight for the Neighborhood 3/14/17 Bruce Cannon Gibney A Generation of Sociopaths: How the Baby Boomers Betrayed America 3/10/17 Pam Jenoff The Orphan's Tale: A Novel 3/10/17 L.A. -
The Alp in Queensland
Contents VOLUME 48 NUMBER 12 NEWS 3 Possible Federal Censure of Qld Govt; Eviction of State Opposition Leader from Parlt; Black Australians and The Future; Press Coverage ofWomen's Rights Rally. THE ALP IN QUEENSLAND A Special Report on Labor's electoral failures in Qld including an inside T.He Ar »CANI02)E£-MR93JI look at current moves to reform the Party. FEATURES WED. 9 AUGUST Major narcotics abuse problem looming; The morality of Punk; an JO JO ZEP & THE FALCONS interview .with the woman behind Women's Weekly. RAZAR $3(4zzzSUBS$2) SAT. 12 AUGUST BRISBANE'S LIVING GUIDE 25 JO JO ZEP & THE FALCONS FULLER BANKS & THE DEBENTURES The one and only complete guide to what's on-forget any pale $3(4zzzSUBS$2) imitations. WED. 16 AUGUST SAT. 19 AUGUST SIDEWINDER SIDEWINDER THE NUMBERS THE SURVIVORS REVIEW SECTION 17 $3(4zzzSUBS$2) $2.50(4zzzSUBS$2) Records, Films (including El Topo), Theatre and Food (multinationals, chemicals and the road to vegetarianism). THE QUEENS HOTEL, CNR CREEK & CHARLOTTE STS, CITY to help them get over the On the 28th July, 49 of Uiuveisity of Queensland report favourable to" the, shock. We are in the process days after lodging a change investigators. examining govenunent, this is MESSIANIC of setting up such a service, of enrohnent form for morale in Australian schools incidental to his methods. CONFUSION with the help of second semester, I received only a couple of years ago. If S.Z. can produce proof sympathetic GPs and a letter from the Registrar On the basis of a survey of of this coercion, then fme, Who the dkkens is this ministers of reli^on etc. -
Grumpy Old Rock Star Tour
a grumpy Welcome ollowing the huge success ratty, testy, grouchy, querulous, peevish, of the BBC television series crotchety and liverish.” GRUMPY OLD MEN, Rick Rick says that to him, grumpy is was commissioned to write two just “moaning about life as it is in a Fbooks for Preface, part of the funny way”, but admits that it can make very large publishers, Random House. him all of the above definitions on a The books were called GRUMPY particularly bad grumpy day. OLD ROCKSTAR and FURTHER His humor is extremely self ADVENTURES OF A GRUMPY OLD deprecating and has made him a ROCKSTAR and were household name all over instant best sellers , and Britain, and as well as TV Various because of the books and dictionaries state and radio, is now highly the TV series, Rick suddenly that “grumpy sought after on the after became known as the means irritable, dinner circuit in England. ‘Grumpy Old Rockstar’. cross, bad- Tonight’s performance tempered, crabby Rick’s one man shows grumbling edgy, will include some of Rick’s featured him performing surly, petulant, own music, plus that of a variety of the music that cantankerous... YES, DAVID BOWIE, CAT he had been associated STEVENS and classical with over the years, on the composers too such as grand piano, plus hilarious anecdotal TCHAIKOVSKY and LISTZ. stories. Some of those stories are from He is really excited about bringing the ‘Grumpy’ books and others are this show to the USA and Canada and more than likely to appear in the next hopes that it won’t be the last time volume. -
Various 50 Chartbusters & Milestones Vol. 1 Mp3
Various 50 Chartbusters & Milestones Vol. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Funk / Soul Album: 50 Chartbusters & Milestones Vol. 1 Country: Switzerland Released: 1999 Style: Rock & Roll, Pop Rock, Blues Rock, Disco, Psychedelic Rock, Glam, Hard Rock, Funk, Classic Rock MP3 version RAR size: 1895 mb FLAC version RAR size: 1927 mb WMA version RAR size: 1412 mb Rating: 4.4 Votes: 337 Other Formats: MMF ADX AHX AU RA DMF WMA Tracklist 1-1 –Ike & Tina Turner Proud Mary 3:54 1-2 –The Byrds I Won't Be Wrong 2:56 1-3 –R.B. Greaves Take A Letter Maria 2:44 1-4 –Johnny Wakelin In Zaire 1-5 –John Fred & His Playboy Band Judy In Disguise 2:53 1-6 –Joe South Games People Play 3:05 1-7 –Badfinger Suitcase 2:49 1-8 –Chicago 25 Or 6 To 4 5:09 1-9 –The Nashville Teens Tobacco Road 4:28 1-10 –Strawberry Alarm Clock Incense And Peppermints 1-11 –Alice Cooper Freak Out Song 1-12 –Redbone Witch Queen Of New Orleans 3:35 1-13 –The Glitter Band Angel Face 2:55 1-14 –Atomic Rooster Devil's Answer 3:35 1-15 –The Animals When I Was Young 3:21 1-16 –Badfinger Come And Get It 2:21 1-17 –The Yardbirds For Your Love 2:28 1-18 –Atomic Rooster Tomorrow Night 3:48 1-19 –Jan & Dean Little Deuce Coupe 1:49 1-20 –Herman's Hermits Dandy 2:07 1-21 –Pilot Magic 2:57 1-22 –Rick Springfield Just Gotta Sing 2:31 1-23 –Jimmy Gilmer Sugar Shack 1:51 1-24 –Jan & Dean Fun, Fun, Fun 2:56 1-25 –Badfinger I Don't Mind 2:31 2-1 –Jay & The Americans Cara Mia 2:34 2-2 –Christie Yellow River 2:46 2-3 –The Coasters Yakety Yak 1:48 2-4 –Eddie Floyd Knock On Wood 2:57 2-5 –Bob Marley & The Wailers Go Tell It On The Mountain 2-6 –The Foundations Baby Now That I've Found You 2:58 2-7 –Crispian St. -
The Ed Sanders Archive Including the Fugs, Peace Eye Bookstore, Fuck You/ a Magazine of the Arts, Allen Ginsberg, D.A
The Ed Sanders Archive Including the Fugs, Peace Eye Bookstore, Fuck You/ A Magazine of the Arts, Allen Ginsberg, d.a. levy, Claude Pélieu, and John Sinclair Ed Sanders backstage at the Fillmore East with his friend Janis Joplin, March 8, 1968. Introduction The Ed Sanders Archive is a remarkable record of the legendary poet, writer, editor, publisher, activist, Fugs founder and icon of American counterculture. Beginning with his first poems written while he still lived in Missouri (1955), it encompasses all of Sanders’ expansive life and career. The archive is a unique resource that allows for the exploration into Sanders’ seminal contributions to the Mimeo Revolution and American poetry, as well as his legacy in the American underground and counterculture with his political activism and his music. The archive itself has long been spoken of by scholars as well as fans. Sanders organized the archive over a 10-year period. Due to its size it is housed in multiple buildings and locations at his and his wife Miriam’s home in Woodstock, NY, where they have lived since 1974. [Unless otherwise noted all quotes are from Ed Sanders’ Fug You: An Informal History of the Peace Eye Bookstore, the Fuck You Press, the Fugs, and Counterculture in the Lower East Side (De Capo Press, 2011). Along with Ed Sanders’ notes, Fug You served as the primary source for other information in the archive’s prospectus.] Archive Contents Biography Archive Summary Archive Highlights The Fugs Peace Eye Bookstore Fuck You Press Friends Allen Ginsberg d.a. levy Claude Pélieu John Sinclair Spain Rodriguez Writing & Projects Poetry Glyphs Musical Instruments Manson Family Olson Lectures Chronological Boxes Activism & Assorted Ed Sanders Biography Left: Ed Sanders “flashing a mudra” taught to him by Allen Ginsberg in 1964. -
Atomic Rooster – Live at Paris Theatre 1970
Atomic Rooster – Live at Paris Theatre 1970 (28:56, 10″ EP, Sireena/Broken Silence, 2017) Was für ein Trio, welch ein schönes Zeitzeichen! Nach ihrem Weggang von The Crazy World Of Arthur Brown hatten Drummer Carl Palmer (u.a. ELP) und Keyboard- Wizard Vincent Crane gemeinsam mit dem nach dem Debütalbum bereits wieder aussteigenden Bassisten Nick Graham Atomic Rooster gegründet. In der wechselvollen Geschichte dieser britischen Formation stand später sogar zeitweilig der großartige Chris Farlowe (u.a. Colosseum) am Mikrofon. 1970 oblagen die Gesangsparts dem Gitarristen John Du Cann, in dessen Nachlass sich diese ursprünglich für die BBC in Paris entstandenen, roh und direkt wirkenden Mitschnitte fanden. Der Gesangspflichten entledigt sich John ordentlich bis enthusiastisch, sein Gitarrenspiel ist sogar dem seiner megavirtuosen Spielgefährten bisweilen ebenbürtig – besonders auf Track A-1. Denn nach der schnöseligen TheBeep-Ansage – A.R. darf für Taste (mit Rory Gallagher) eröffnen – steigt das Power-Trio mit seiner aktuellen Hitsingle ‚Friday The 13th‘ ein, die vergleichsweise gesanglich, straff und Gitarren-dominiert wirkt. Beim knapp neunminütigen Instrumental ‚Gershatser‘ hingegen liegen die Dinge anders: die klassisch-barock inspiriert wirkende Komposition wird von Cranes flirrendem Hammondspiel eingeleitet, das so rhythmisch stark wie fanfarenhaft heavy sein kann, wie sein alsbald folgendes großes Solo beweist. Wilde Glissandi leiten zum Tutti über, woraufhin uns der knapp zwanzigjährige Palmer zeigt, wo Hammer und Gong hängen – atemberaubend, damals wie heute. Die B-Seite hebt mit dem zunächst sanft einziehenden, alsbald aber heftig und rhythmisch besonders interessant losrockenden ‚Winter‘ an – sieben Minuten fesselnder Seventies-ProgRock britischer Provenienz! Die EP endet mit einem kleinen Mysterium: Laut Ansage handelt es sich eindeutig um ‚Before Tomorrow‘ (Crane) vom Debüt-Album „Atomic Ro-o-oster“ (1970), dem Backcover und Plattenlabel zufolge jedoch um die Du Cann- Co-Komposition ‚Shabaloo‘.