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A New Perspective on the Presley Legend
JULY, 1986 Vol 10 No 6 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust A New Perspective on the Presley Legend ARE YOU LONESOME TONIGHT? by Alan Bleasdale Directed by Robin Lefevre Designed by Voytek Lighting designed by John Swaine Musical direction by Frank Esler-Smith Cast: Martin Shaw, David Franklin, Peta Toppano, Marcia Hines, John Derum, Lynda Stoner, Mervyn Drake, Ron Hackett and Jennifer West Her Majesty's Theatre heap of foil-wrapped Cadillac bon A nets (or is it crushed Cadillacs) form a stage upon a stage to set the mood for ARE YOU LONESOME TONIGHT?, Alan Bleasdale's play with songs about the life and death of Elvis Presley. On the lower stage, Gracelands, the garish pink Presley mansion with its outrageous chandeliers, is portrayed. Here, on the last day of his life, is "The King", now ageing, bloated, pill-popping and wear ing a purple jumpsuit and sunglasses. He watches his old movies and fumes because one of his trusted "aides" is ex posing his secrets to a newspaperman. In a series of flashbacks, Elvis relives his earlier experiences, the death of the twin brother whom he believes was his alter ego and stronger half, the death of his mother while he was a GI in Ger many, and the adulation poured on him as the lean, sexy king of rock. HiS manager, Colonel Tom Parker, is por trayed as his manipulator, holding a Presley dummy and gloating over the Martin Shaw as the ageing Presley in ARE profits. LONESOME TONIGHT? and (inset) as himself Author Bleasdale wrote the play to achieve a personal vindication of Presley, London critics were not always kind of $9.00 per ticket). -
Text Pages Layout MCBEAN.Indd
Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
Australian Radio Series
Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language. -
AWB Scandal Timeline
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright MEDIATING JUSTICE INVESTIGATING THE FRAMING OF THE 2006 COLE INQUIRY Nonée Philomena Walsh Thesis submitted in fulfilment of the requirements for a Master of Arts (Research) within the Department of Media and Communications, School of Letters, Art, and Media, The University of Sydney 2015 © Nonée Walsh CERTIFICATE OF ORIGINAL AUTHORSHIP I hereby certify that the thesis entitled, Mediating justice: Investigating the framing of the 2006 Cole Inquiry, submitted to fulfil the conditions of a Master of Arts (Research), is the result of my own original research, except where otherwise acknowledged, and that this work has not been submitted previously, in whole or in part, to qualify for any other academic award. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
Codgers Press
RealPlayMedia in association with National Seniors Australia present MEDIA KIT MEDIA CONTACTS AUSTRALIAN & NEW ZEALAND DISTRIBUTOR PRODUCTION COMPANY John L Simpson REAL PLAY MEDIA TITAN VIEW Pty Ltd Grant Dodwell T 02 8819 6724 E. [email protected] F 02 8819 6731 Raj Sidhu E [email protected] E. [email protected] codgersthemovie.com 09.09.11 1 Five Aussie codgers meet at the gym each week to exercise, chew the fat, sling off, sing and have a bloody good laugh! Among the jokes and the secrets, the back strain and biceps, they learn that ‘difference’ is more to do with your point of view and that no matter what, ‘you wouldn’t be dead for quids!’ A heart-warming comedy about life, friendship and being a codger. 2 Five senior Aussie men, four of them mates since war service, meet one morning each week in a gymnasium…they exercise together, chew the fat together about their families, laugh, tease and sing. They solve the problems of the world, agreeing to disagree. But some surprising and disturbing elements enter to test and challenge their comfortable relationships with each other and the world around them. Secrets, differences and loss of trust threaten to destroy the long-established friendships. JIMMY, the jokester, worries about having something to leave his grand-daughter; old LES has to cope with losing his marbles; conservative PATRICK suspects his mate KEITH of having an affair; and good-natured ribbing about old political sores becomes tense when a newcomer’s enthusiasm to join the group ruffles everyone’s feathers and exposes long-held prejudices. -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
NEWSLETTER Vol.2 Issue 2 Date: March/April 2020 Web
STRATHFIELD-HOMEBUSH DISTRICT HISTORICAL SOCIETY NEWSLETTER Vol.2 Issue 2 Date: March/April 2020 Web: www.strathfieldhomebushhistory.org MOSQUITO HEALTH CAMPAIGNS By Cathy Jones trathfield Council has a long history of running campaigns and initiatives to improve the public health of the community S including immunisation, infectious diseases controls, fly reduction, rat eradication, fire safety and mosquito control. As noted in the book Oasis in the West (Jones 1985: 107) describing actions to reduce flies: “The Inspector of Nuisances was particularly keen to reduce the fly menace, particularly severe at Strathfield because of the proximity of the sale yards and abattoirs at Homebush. 1917 saw an extensive anti-fly campaign co-ordinated by a committee; 119 children wrote essays about flies in a Council- organised competition. The Inspector experimented successfully with treating manure to make it unattractive to flies and Nock and Kirbys provided a free display of fly control equipment, some of which was stolen – a sign of a severe fly problem”. The Council, following and supporting its crusading Inspector, distributed pamphlets. According to reports, statues and posters of large flies advertised the campaign. Some of the signs were pulled down and the Inspector grimly noted in the minutes that this action suggested people who had not The Sun 27 February 1929, p11 evolved from primeval man who would have to shoulder guns in wars to improve their ‘miserable carcasses”. Another campaign involved eradication of mosquitos in the 1920s. Mosquitos were a problem in Strathfield and Homebush due to the presence of marshes, low lying land particularly around the Cooks River forming puddles with stagnant water, mangroves around Powells Creek and Parramatta River and the nearby sheep and cattle saleyards. -
Engaging Iran Australian and Canadian Relations with the Islamic Republic Engaging Iran Australian and Canadian Relations with the Islamic Republic
Engaging Iran Australian and Canadian Relations with the Islamic Republic Engaging Iran Australian and Canadian Relations with the Islamic Republic Robert J. Bookmiller Gulf Research Center i_m(#ÆAk pA'v@uB Dubai, United Arab Emirates (_}A' !_g B/9lu( s{4'1q {xA' 1_{4 b|5 )smdA'c (uA'f'1_B%'=¡(/ *_D |w@_> TBMFT!HSDBF¡CEudA'sGu( XXXHSDBFeCudC'?B uG_GAE#'c`}A' i_m(#ÆAk pA'v@uB9f1s{5 )smdA'c (uA'f'1_B%'cAE/ i_m(#ÆAk pA'v@uBª E#'Gvp*E#'B!v,¢#'E#'1's{5%''tDu{xC)/_9%_(n{wGLi_m(#ÆAk pA'v@uAc8mBmA' , ¡dA'E#'c>EuA'&_{3A'B¢#'c}{3'(E#'c j{w*E#'cGuG{y*E#'c A"'E#'c CEudA%'eC_@c {3EE#'{4¢#_(9_,ud{3' i_m(#ÆAk pA'v@uBB`{wB¡}.0%'9{ymA'E/B`d{wA'¡>ismd{wd{3 *4#/b_dA{w{wdA'¡A_A'?uA' k pA'v@uBuCc,E9)1Eu{zA_(u`*E @1_{xA'!'1"'9u`*1's{5%''tD¡>)/1'==A'uA'f_,E i_m(#ÆA Gulf Research Center 187 Oud Metha Tower, 11th Floor, 303 Sheikh Rashid Road, P. O. Box 80758, Dubai, United Arab Emirates. Tel.: +971 4 324 7770 Fax: +971 3 324 7771 E-mail: [email protected] Website: www.grc.ae First published 2009 i_m(#ÆAk pA'v@uB Gulf Research Center (_}A' !_g B/9lu( Dubai, United Arab Emirates s{4'1q {xA' 1_{4 b|5 )smdA'c (uA'f'1_B%'=¡(/ © Gulf Research Center 2009 *_D All rights reserved. No part of this publication may be reproduced, stored in |w@_> a retrieval system, or transmitted in any form or by any means, electronic, TBMFT!HSDBF¡CEudA'sGu( XXXHSDBFeCudC'?B mechanical, photocopying, recording or otherwise, without the prior written permission of the Gulf Research Center. -
Gonzo Weekly #363/4
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/ groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ Gonzo Daily Blog https://gonzo-multimedia.blogspot.com/ fellow when – last week – I sat down and wrote my editorial for this issue. But, as you have probably guessed, I have been overtaken by events. Dear friends, Nearly 22 years ago, I was deep in the At least once a year I end up having to Mexican desert with my partner in crime write two editorials. This is usually, as in Graham Inglis. I can’t remember exactly this case, because I have been overtaken by what happened, but something went events. terribly wrong with the equipment of the film crew with whom we were making a This week and last week I have been documentary for UK Channel 4. We were without a secretary, because Olivia is in a steep valley full of cactuses, and we starting a new job, and although she will coined a silly phrase which has become still be doing a day a week working for me, part of our parlance ever since about things she is working full time for the first couple having gone Prickly Pear Shaped. And I of weeks as she goes through induction. guess that has been the way things have gone within my life ever since. So, I thought I was being a diligent young “It is with great sadness that we received the news of the passing of John Brodie Good, aged 61, who died peacefully last Tuesday evening, 29th October, following a heart attack. -
Margaret Throsby 50 Not out As Marian Wilkinson Retires
UpdateDecember 2017 Vol 25, No. 3 Thrice Yearly Newsletter Margaret Throsby 50 not out as Marian Wilkinson retires Amanda Meade the Guardian argaret Throsby has just clocked up 50 years at the ABC. It Mwas 1967 when Throsby was hired as an announcer – alongside 28 male announcers – and then made positions at all ... You could rise only world with her partner, Matthew Moore, a the first female newsreader in 1978. so far and that was it and it would have former Sydney Morning Herald journalist. Her appointment was reported thus: been shocking if a woman had been Fresh from leading the Four Corners “Australia’s newest sex symbol appointed to any senior role investigation of the Paradise Papers, is not a naughty nurse from in management. Roll the film Wilkinson announced her retirement from The Young Doctors, a titillating forward to 2017 and we have a the program and was farewelled by her teacher from Glenview High or lot of women on air – probably Four Corners colleagues on Thursday. 50-50 women in my state, NSW. a passionate policewoman from The multi award-winning former We also have women in senior Cop Shop. Believe it or not, executive producer of Four Corners roles and a female managing she’s an ABC newsreader and has made her mark across print, radio director.” mother of a teenage son.” and television and has covered politics, Throsby says: “When I joined the One of those senior women at national security, terrorism, environment ABC, I was the only woman on Marian the ABC is investigative reporter and refugee issues as well as writing air and there were no women Marian Wilkinson, who is retiring several books, including Dark Victory in management or executive Wilkinson after a stellar career to travel the with David Marr. -
Use of Theses
THESES SIS/LIBRARY TELEPHONE: +61 2 6125 4631 R.G. MENZIES LIBRARY BUILDING NO:2 FACSIMILE: +61 2 6125 4063 THE AUSTRALIAN NATIONAL UNIVERSITY EMAIL: [email protected] CANBERRA ACT 0200 AUSTRALIA USE OF THESES This copy is supplied for purposes of private study and research only. Passages from the thesis may not be copied or closely paraphrased without the written consent of the author. Affect, Belonging, Community Asylum Seekers and Refugees in Performance and Writing in post-2001 Australia Emma Cox A thesis submitted for the degree of Doctor of Philosophy of The Australian National University October 2009 Acknowledgements I have been fortunate to have as principal advisor Jacqueline Lo, whose energy, intellectual rigour and positive spirit have been vital to this project. I am grateful also to Helen Gilbert for her generous support and incisive critical engagement. Thank you to my associate advisors, Jennifer Webb and Caroline Turner. And to Raewyn Arthur and Margaret Brown of the School of Humanities at the Australian National University, whose help and efficiency are greatly appreciated. A number of people and institutions have provided crucial assistance and research material: Victoria Carless; Towfiq Al-Qady; Rosie Scott; Leah Mercer; Rand Hazou; Alison Jeffers and Rachel Finn (In Place of War, Manchester); Linda Anchell; Susan Metcalfe; Helen Leeder; Don Reid; Sandy McCutcheon; Ryan Paine; Stephanie Johnston (Wakefield Press, Adelaide); Ann Morrow; Les Morgan; The Refugee Council Archive, University of East London; the Refugee Claimants Support Centre, Brisbane; Royal Holloway, University of London. Special thanks are due to Shahin Shafaei for sharing his time, experience and knowledge, to Ardeshir Gholipour and Jane Watson, who put the values of generosity and hospitality into practice, and to the effervescent Christine Bacon (Actors for Human Rights, UK).