English Pronunciation &C
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dialects in Contact Language, Resulting for New Towns and at Transplanted Varieties of Research Into Example from Urbanization and Colonization
1 observe and account for (he Directs in Contact is an aliempt to a language have on one influence mutually intelligible dialects Of examines UngttistM another when they come into contact, h and argues th.it accommodation in faee-to-face interaction Dialects in of longer-term accommodation is crucial to an understanding features, the phenomena: the geographical spread of linguistic development of 'interdialect* and the growth of new dialects. border areas and Peter Trudgill looks at the development of dialects in Contact language, resulting for new towns and at transplanted varieties of research into example from urbanization and colonization. Based on draws important English. Scandinavian and other languages, his book linguistic data. I'll f theoretical conclusions from a wide range of Science at the Universitj of Peter Trudgill is Professor in Linguistic I Geographical Reading. His books include On Dialect: Social and Blackwell series Perspectives (1983) and he is the editor of the Language in Society. In the same series Pidgin and Creole Linguistics Peter Mtihlhausler The Sociolinguistics of Society Ralph Fasold Also from Basil Blackwell On Dialect* Social and Geographical Perspectives Peter Trudgill m is not available in the USA I, ir copyright reasons this edition Alfred Stieglitz. photogravure (artist's Cover illustration: 77k- Steerage, 1907. by collection. The proof) from Camera Work no. 36. 1911. size of print. 7)4 reproduced by k.nd Museum of Modern An. New York, gilt of Alfred Stieglitz. is permission Cover design by Martin Miller LANGUAGE IN SOCIETY Dialects in Contact GENERAL EDITOR: Peter Trudgill, Professor of Linguistic Science, University of Reading PETER TRUDGILL advisory editors: Ralph Fasold, Professor of Linguistics, Georgetown University William Labov, Professor of Linguistics, University of Pennsylvania 1 Language and Social Psychology Edited by Howard Giles and Robert N. -
Singing in English in the 21St Century: a Study Comparing
SINGING IN ENGLISH IN THE 21ST CENTURY: A STUDY COMPARING AND APPLYING THE TENETS OF MADELEINE MARSHALL AND KATHRYN LABOUFF Helen Dewey Reikofski Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2015 APPROVED:….……………….. Jeffrey Snider, Major Professor Stephen Dubberly, Committee Member Benjamin Brand, Committee Member Stephen Austin, Committee Member and Chair of the Department of Vocal Studies … James C. Scott, Dean of the College of Music Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Reikofski, Helen Dewey. Singing in English in the 21st Century: A Study Comparing and Applying the Tenets of Madeleine Marshall and Kathryn LaBouff. Doctor of Musical Arts (Performance), August 2015, 171 pp., 6 tables, 21 figures, bibliography, 141 titles. The English diction texts by Madeleine Marshall and Kathryn LaBouff are two of the most acclaimed manuals on singing in this language. Differences in style between the two have separated proponents to be primarily devoted to one or the other. An in- depth study, comparing the precepts of both authors, and applying their principles, has resulted in an understanding of their common ground, as well as the need for the more comprehensive information, included by LaBouff, on singing in the dialect of American Standard, and changes in current Received Pronunciation, for British works, and Mid- Atlantic dialect, for English language works not specifically North American or British. Chapter 1 introduces Marshall and The Singer’s Manual of English Diction, and LaBouff and Singing and Communicating in English. An overview of selected works from Opera America’s resources exemplifies the need for three dialects in standardized English training. -
A Sociolinguistic Analysis of the Philadelphia Dialect Ryan Wall [email protected]
La Salle University La Salle University Digital Commons HON499 projects Honors Program Fall 11-29-2017 A Jawn by Any Other Name: A Sociolinguistic Analysis of the Philadelphia Dialect Ryan Wall [email protected] Follow this and additional works at: http://digitalcommons.lasalle.edu/honors_projects Part of the Critical and Cultural Studies Commons, Other American Studies Commons, and the Other Linguistics Commons Recommended Citation Wall, Ryan, "A Jawn by Any Other Name: A Sociolinguistic Analysis of the Philadelphia Dialect" (2017). HON499 projects. 12. http://digitalcommons.lasalle.edu/honors_projects/12 This Honors Project is brought to you for free and open access by the Honors Program at La Salle University Digital Commons. It has been accepted for inclusion in HON499 projects by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. A Jawn by Any Other Name: A Sociolinguistic Analysis of the Philadelphia Dialect Ryan Wall Honors 499 Fall 2017 RUNNING HEAD: A SOCIOLINGUISTIC ANALYSIS OF THE PHILADELPHIA DIALECT 2 Introduction A walk down Market Street in Philadelphia is a truly immersive experience. It’s a sensory overload: a barrage of smells, sounds, and sights that greet any visitor in a truly Philadelphian way. It’s loud, proud, and in-your-face. Philadelphians aren’t known for being a quiet people—a trip to an Eagles game will quickly confirm that. The city has come to be defined by a multitude of iconic symbols, from the humble cheesesteak to the dignified Liberty Bell. But while “The City of Brotherly Love” evokes hundreds of associations, one is frequently overlooked: the Philadelphia Dialect. -
The Social Perception of Three Features of New York City English
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 The Social Perception of Three Features of New York City English Giacomo Castronovo Jr. The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2654 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SOCIAL PERCEPTION OF THREE FEATURES OF NEW YORK CITY ENGLISH by GIACOMO CASTRONOVO JR. A master’s thesis submitted to the Graduate Faculty in Linguistics in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2018 © 2018 GIACOMO CASTRONOVO All Rights Reserved ii The Social Perception of Three Features of New York City English by Giacomo Castronovo Jr. This manuscript has been read and accepted for the Graduate Faculty in Linguistics in satisfaction of the thesis requirement for the degree of Master of Arts. Date Michael Newman Thesis Advisor Date Gita Martohardjono Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Social Perception of Three Features of New York City English by Giacomo Castronovo Jr. Advisor: Michael Newman Since the late 19th Century, the accent particular to New Yorker City natives of European descent has been negatively perceived by both the American general public and the speakers themselves. The stereotypification of New York City English speakers has largely been the cause of this negative evaluation, in that the features of the accent, as well as the unique New York discourse style, have long been utilized by actors and comedians to create characters of uneducated, uncultured provenance, as well as, all too often, unscrupulous behavior. -
Lauren Michele - Sag-Aftra
10/8/19, 138 PM Page 1 of 1 www.actorsaccess.com Breakdown Services, Ltd. LAUREN MICHELE - SAG-AFTRA media photos Résumé Print Résumé TELEVISION Untitled Pilot Social Happenings Expert (principal) Unknown Celebrapy Writer (principal) Ken Kushner Brain Games Featured contestant (principal) National Geographic Untitled Pilot Bossy Backup Singer (principal) Laurie Cronan Productions MTV Promo - The Devil Wears Prada Self (featured) OnSet Prods. GIRLS Lucy #2 (featured) HBO "Off the Wire" Late Night Comedy Actor UMTV - University of Miami Show FILM Rough Night Miami Pool Partygoer Lucia Aniello Coco Swimmer (special) RZA North by Northwest (dir. exerc.) Eve Kendall Minjae Jang, Columbia U. Last Tango in Paris (dir. exerc.) Jeanne Mengwei Ma, Columbia U. Oppenheimer Strategies Young Jewish Woman (featured) Joseph Cedar, Fábrica de Cine The Unbearable Lightness of Being Tereza Mengwei Ma, Columbia U. (directing exercise) Claws, Paws, & A Blue Macaw (live Lanie/Jelly (principal) Walid Chaya, Creative World screening) The Scariest Story Ever Told Scared Woman (lead) Gene Pina, New York University Bob and Janet Janet (lead) Felix Alexander Dausend Angels of America Scene Adaptation Ethel Rosenberg (lead) David Marcus Hello Lead's love interest (principal) Nicholas Nyarach Music Buddies music education videos Music student (principal) Bud Filipo THEATER Bye Bye Birdie Kim MacAfee (lead) Community Center Joseph and the Amazing Technicolor Chorus Community Center Dreamcoat The Boyfriend Dulcie (supporting) Bak School of the Arts NEW MEDIA A Day in the Life of a Student Using Student (lead) McGraw-Hill Education AccessScience Linking to Content Voiceover McGraw-Hill Education Website Testimonial Dental patient Presidential Dental Center Justin Jesso music video Wedding guest/friend Justin Jesso “Off to School” & “Splash in the Lead vocals The Weiners Water” albums “The Streets are for the Children” Feat. -
Engelse Taal En Cultuur
Janssen/4360990 AAVE as a class-marker in American film _________________________________________________________________________________________________________ BA Thesis By Mees Janssen s4360990 Supervisor: Jarret Geenen Second Reader: Mathilde Roza Department of English Language and Culture Janssen/4360990 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: J. Geenen Title of document: AAVE as a class-marker in American film Name of course: Bachelor Thesis American Studies resit Date of submission: 08-08-2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Mees Janssen Student number: s4360990 2 Janssen/4360990 Table of Contents 1. Introduction ............................................................................................................ 1 2. Literature review ........................................................................................................ 3 2.1. Dialects within the United States ........................................................................ 3 2.2. Dialectically based social stratification .............................................................. 5 2.3. Social stratification and AAVE .......................................................................... 6 2.4. African American representation in American film ........................................... 9 2.5. Stereotyped representation through accent ..................................................... -
The Origins of Epenthesis in Liquid+Sonorant Clusters in Mid-Ulster English
The origins of epenthesis in liquid+sonorant clusters in Mid-Ulster English Warren Maguire University of Edinburgh [email protected] Mid-Ulster English Originated in contact between English, Scots and Irish in the 17th and early 18th centuries As a result of the Plantations of Ulster and subsequent settlements and movements (Bardon 2011, Braidwood 1964, Corrigan 2010, Robinson 1984) Irish spoken by the native Irish, though this was the beginning of a long language shift, completed by the mid-20th century in NIr, with areas of native Irish still surviving in Donegal See Harris (1985) for a phonological overview of MUE English, Scots and Irish input to MUE MUE is an English dialect of a Midland type (with retention of many archaic features; closely related to the ancestor of Standard English) • various phonetic features, core phonology, morphology, syntax and lexis Input from Scots is obvious at all linguistic levels • quality and quantity (SVLR) of vowels, lexical distributions of certain vowels, various morpho-syntactic features, numerous lexical borrowings Input from Irish to MUE is less clear • most place-names, some dialect words, a number of morpho-syntactic patterns (though alternative explanations are possible for some) • the influence of Irish on the phonetics/phonology of MUE is less obvious, despite numerous claims that this or that feature has its origin in Irish • one of the most promising (and generally assumed) candidates is Epenthesis in liquid+sonorant clusters Epenthesis in Irish English A well known, stereotyped feature of IrE • film [ˈfɪləm], farm [ˈfaɹəm], (corn [ˈkɔɹən], girl [ˈɡɛɹəl]) Almost always ascribed to Irish influence: • e.g. -
Karen Obilom Resume
Karen Obilom SAG-AFTRA Hair: Brown Eyes: Brown Height: 5’6” Weight: 140 lbs. TELEVISION NCIS: LA Co-Star John P Kousakis Comedy Bang! Bang! Co-Star Stoney Sharp FILM Congo Cabaret Supporting Deondry & Quincy Gossfield Cultural Clash Lead Omodada Productions Hey Stacy Lead Outfest Festival: Outset Nutcracker Supporting Michael Aronson Bachelorette Party Supporting Rodrick Veal Princess Lead Bianca Emery 5AM Supporting Daryl Perle Unlikely Reunion Lead Ryan Gill NEW MEDIA Mr. Student Body President Recurring Verizon go90 A Movie For Women By Men Co Star Funny or Die American Quagmire Lead John Paul Black Boots Supporting Geno Brookes Spotlight Supporting Miller Walton Me You And Everyone We Know Lead Eloise Santa Maria THEATRE Reservoir Bitches Brown The Crucible Tituba Johanna Whitmore/Charles Hobby Midsummer Nights Dream Hippolyta/ Tituba Johanna Whitmore/Charles Hobby Our Town Mrs. Gibbs Whitmore & Hobby TRAINING AMDA Conservatory Anthony Meindl On-going Jordan Shappel Improv Workshops Katy Mushlin/ Tom Green Improv 1 Tom Christenson Improv 2 Katey Mushlin Dialects Deborah Ross-Sullivan Voice Projection 1 Giovanni Ortega Voice Projection 2 Deborah Ross-Sullivan Stage Combat: Mass Battles, Rapier & Dagger, Unarmed Dance & Movement Wendy Rosoff Movement Miming Michael Lee Cold Reading Trent Moore SKILLS Archery, Basketball, Bowling, Canoeing, Combat - Stage, Fishing, Football, Frisbee, Hula Hoop, Jump Rope, Roller Skating, Rollerblading, Running - General, Running - Long Distance, Running - Sprint, Segway, Soccer, Swimming - ability - general, -
Diplomsko Delo
UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za prevodoslovje DIPLOMSKO DELO Lidija Poto čnik Maribor, 2012 UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za prevodoslovje Graduation Thesis IRISH ENGLISH: VOCABULARY AND PRONUNCIATION Diplomsko delo IRSKA ANGLEŠ ČINA: BESEDIŠ ČE IN IZGOVORJAVA Mentorica: Kandidatka: red. prof. dr. Nada Šabec Lidija Poto čnik Maribor, 2012 Lektorica slovenskega povzetka: Polonca Kolenc Ozimic, profesorica slovenš čine in sociologije What’s in a name? That which we call a rose By any other name would smell as sweet. (Shakespeare, Romeo and Juliet) ACKNOWLEDGMENTS First, I would like to thank my mentor, prof. dr. Nada Šabec for all her help, guidance, and advice. I would also like to thank her for giving me opportunity to hand out the questionnaire to her students. I would like to thank prof. dr. Michelle Gadpaille and prof. dr. Victor Kennedy for giving me opportunity to carry out the survey among their students. I would also like to thank my family for their support, help, and encouragement during my studies and while writing this graduation thesis. IZJAVA Podpisana Lidija Poto čnik, rojena 31. 5. 1988, študentka Filozofske fakultete Univerze v Mariboru, smer prevajanje in tolma čenje angleš čina in geografija, izjavljam, da je diplomsko delo z naslovom Irish English: Vocabulary and Pronunciation pri mentorici red. prof. dr. Nadi Šabec, avtorsko delo. V diplomskem delu so uporabljeni viri in literatura korektno navedeni; teksti niso prepisani brez navedbe avtorjev. Lidija Poto čnik Maribor, 14. 12. 2012 ABSTRACT English is a world language. In UK, USA, Australia, Canada, Ireland, New Zealand it is spoken as a first language. -
Irish English for the Non-Irish
Irish English for the non-Irish The sections of this text have been extracted largely from Raymond Hickey 2014. A Dictionary of Varieties of English. Malden, MA: Wiley- Blackwell, xxviii + 456 pages with some additions from the research website Variation and Change in Dublin English. The sections consist of (i) all definitions concerning Ireland, (ii) those involving Dublin, (iii) those involving Ulster / Northern Ireland and (iv) various entries for specific features which are particularly prevalent in Ireland. Ireland An island in north-west Europe, west of England, which consists politically of (i) the Republic of Ireland and (ii) Northern Ireland, a constituent part of the United Kingdom. The island has an area of 84,000 sq km and a total population of just under 6.5m. Geographically, the country consists of a flat central area, the Midlands, and a mountainous, jagged western seaboard and a flatter east coast with Dublin, the largest city, in the centre of the east and Belfast, the main city of Northern Ireland, in the north-east. The main ethnic groups are Irish and Ulster Scots. There speakers of Ulster English in Northern Ireland but they do not constitute a recognisable ethnic group today. TRAVELLERS are a sub-group in Irish society but do not constitute a separate ethnicity. Before the arrival of Norman and English settlers in the late twelfth century Ireland was entirely Irish-speaking. In subsequent centuries both French and English established themselves, the latter concentrated in towns on the east coast. The linguistic legacy of this is an archaic dialect area from Dublin down to Waterford. -
David Pevsner
Amelia Cormack SAG-AFTRA Theatre Kinky Boots Trish US First National Tour Priscilla, Queen of the Desert Diva 1 World Premier- Australia Priscilla, Queen of the Desert Diva 1 UK’S West End-Palace Theater Radio Times Cherry Grosvenor The Watermill Murder Mistaken Freda Jefferies Bruce James Productions The Convict’s Opera (UK/SYDNEY) Lucy Lockit/Amelia STC/Out ofJoint Side by Side Sondheim Woman 1 Promothis PTY LTD A Little Touch of Chaos (Workshop) Anne/Elaine New Musicals Australia Fame Cover Mabel/Miss Bell GFO Entertainment In a Pink Tutu Christina Sydney Fringe Festival Love Bites Woman 1 Seymour Centre The Hat Pin (workshop) Clara Neil Gooding United States of Nothing Ashley Stablemates Concerts/Cabaret Love for Sale One Woman Show Bar Me, Statement Lounge Kinky Kabaret Featured Soloist Freedom Trevor Ashley’s Showqueen Headline Act & Guest Artist The Supper Club Shopping Centre Santa Mrs. Claus Kabarett Voltaire Summer Arts Soiree Featured Soloist America/Australian Assoc. An Evening With John Bucchino Featured Soloist Life’s a Circus Featured Soloist Work of Anthony Costanzo The Craig Christie Songbook Featured Soloist Saint James Theater, UK Television/Film All Saints Alicia Clark Seven Gone Gail Working Title Films The Silence Tobacconist Jan Chapman Films Training Bachelor of Arts (Performance Studies), University of Sydney,1998-2001 Bachelor of Arts (Music Theatre), WAAPA, 2002-2004 Skills Drivers License, Violin, Piano and Guitar, Cycling, Equestrian, Skiing, Swimming, Dance Ballet, Dance Jazz, Dance Tap, Teleprompter, Voiceover, Australian Accent, BBC English Accent, Cockney Accent, Yorkshire Accent, Eastern European Accent, French Accent, Irish Accent, Jewish/Yiddish Accent, New York Accent, Scottish Accent, Southern Accent, Welsh Accent, Fluent French. -
Varieties of World Englishes
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Varieties of world Englishes Bolton, Kingsley 2006 Bolton, K. (2006). Varieties of world Englishes. In Braj B. Kachru, Yamuna Kachru and Cecil L. Nelson (eds), The handbook of world Englishes. Blackwell Publishing Ltd, Oxford, UK. 289‑312. https://hdl.handle.net/10356/96189 https://doi.org/10.1002/9780470757598.ch17 © 2006 Blackwell Publishing Ltd. Downloaded on 04 Oct 2021 04:39:47 SGT 17 Varieties of World Englishes KINGSLEY BOLTON 1 Introduction The concepts of language variety and variation lie at the heart of the world Englishes enterprise, not least because many researchers in this field have identified their interests as the study of "varieties of English," "localized varieties of English," "non-native varieties of English," "second-language varieties of English," and "new varieties of English." The issue of linguistic variety is also central to both traditional dialectology and contemporary linguistics, where it is often subsumed into the study of language variation and change. The notion of world Englishes, in its turn, may be seen as having both a wider and narrower application. The wider application of the concept subsumes very many different approaches to the study of English worldwide (including varieties-based studies) ranging from the Celtic Englishes of Britain, through diverse varieties in the USA, Australia, New Zealand, and Africa to English in Europe and Asia, and also involves the study of· discourse and genre in those contexts where English is regarded as a second or foreign language. The narrower application of the term, however, refers to schools of thought closely associated with the Kachruvian approach, many of which are discussed in the other chapters to this volume.