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Amelia Cormack SAG-AFTRA Theatre Kinky Boots Trish US First National Tour Priscilla, Queen of the Desert Diva 1 World Premier- Australia Priscilla, Queen of the Desert Diva 1 UK’S West End-Palace Theater Radio Times Cherry Grosvenor The Watermill Murder Mistaken Freda Jefferies Bruce James Productions The Convict’s Opera (UK/SYDNEY) Lucy Lockit/Amelia STC/Out ofJoint Side by Side Sondheim Woman 1 Promothis PTY LTD A Little Touch of Chaos (Workshop) Anne/Elaine New Musicals Australia Fame Cover Mabel/Miss Bell GFO Entertainment In a Pink Tutu Christina Sydney Fringe Festival Love Bites Woman 1 Seymour Centre The Hat Pin (workshop) Clara Neil Gooding United States of Nothing Ashley Stablemates Concerts/Cabaret Love for Sale One Woman Show Bar Me, Statement Lounge Kinky Kabaret Featured Soloist Freedom Trevor Ashley’s Showqueen Headline Act & Guest Artist The Supper Club Shopping Centre Santa Mrs. Claus Kabarett Voltaire Summer Arts Soiree Featured Soloist America/Australian Assoc. An Evening With John Bucchino Featured Soloist Life’s a Circus Featured Soloist Work of Anthony Costanzo The Craig Christie Songbook Featured Soloist Saint James Theater, UK Television/Film All Saints Alicia Clark Seven Gone Gail Working Title Films The Silence Tobacconist Jan Chapman Films Training Bachelor of Arts (Performance Studies), University of Sydney,1998-2001 Bachelor of Arts (Music Theatre), WAAPA, 2002-2004 Skills Drivers License, Violin, Piano and Guitar, Cycling, Equestrian, Skiing, Swimming, Dance Ballet, Dance Jazz, Dance Tap, Teleprompter, Voiceover, Australian Accent, BBC English Accent, Cockney Accent, Yorkshire Accent, Eastern European Accent, French Accent, Irish Accent, Jewish/Yiddish Accent, New York Accent, Scottish Accent, Southern Accent, Welsh Accent, Fluent French. Awards Winner of Green Room Award for Best Featured Ensemble for Priscilla Queen Of the Desert, 2007. Performer grant from Opera and Arts Support Group, 2009. AGENT: Brianna Ancel/Scot Reynolds / Phone: 818-509-0121 / Fax: 818-509-7729 10950 Ventura Blvd, Studio City, CA 91604 / [email protected] .

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Singing in English in the 21St Century: a Study Comparing
SINGING IN ENGLISH IN THE 21ST CENTURY: A STUDY COMPARING AND APPLYING THE TENETS OF MADELEINE MARSHALL AND KATHRYN LABOUFF Helen Dewey Reikofski Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2015 APPROVED:….……………….. Jeffrey Snider, Major Professor Stephen Dubberly, Committee Member Benjamin Brand, Committee Member Stephen Austin, Committee Member and Chair of the Department of Vocal Studies … James C. Scott, Dean of the College of Music Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Reikofski, Helen Dewey. Singing in English in the 21st Century: A Study Comparing and Applying the Tenets of Madeleine Marshall and Kathryn LaBouff. Doctor of Musical Arts (Performance), August 2015, 171 pp., 6 tables, 21 figures, bibliography, 141 titles. The English diction texts by Madeleine Marshall and Kathryn LaBouff are two of the most acclaimed manuals on singing in this language. Differences in style between the two have separated proponents to be primarily devoted to one or the other. An in- depth study, comparing the precepts of both authors, and applying their principles, has resulted in an understanding of their common ground, as well as the need for the more comprehensive information, included by LaBouff, on singing in the dialect of American Standard, and changes in current Received Pronunciation, for British works, and Mid- Atlantic dialect, for English language works not specifically North American or British. Chapter 1 introduces Marshall and The Singer’s Manual of English Diction, and LaBouff and Singing and Communicating in English. An overview of selected works from Opera America’s resources exemplifies the need for three dialects in standardized English training.
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La Salle University La Salle University Digital Commons HON499 projects Honors Program Fall 11-29-2017 A Jawn by Any Other Name: A Sociolinguistic Analysis of the Philadelphia Dialect Ryan Wall [email protected] Follow this and additional works at: http://digitalcommons.lasalle.edu/honors_projects Part of the Critical and Cultural Studies Commons, Other American Studies Commons, and the Other Linguistics Commons Recommended Citation Wall, Ryan, "A Jawn by Any Other Name: A Sociolinguistic Analysis of the Philadelphia Dialect" (2017). HON499 projects. 12. http://digitalcommons.lasalle.edu/honors_projects/12 This Honors Project is brought to you for free and open access by the Honors Program at La Salle University Digital Commons. It has been accepted for inclusion in HON499 projects by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. A Jawn by Any Other Name: A Sociolinguistic Analysis of the Philadelphia Dialect Ryan Wall Honors 499 Fall 2017 RUNNING HEAD: A SOCIOLINGUISTIC ANALYSIS OF THE PHILADELPHIA DIALECT 2 Introduction A walk down Market Street in Philadelphia is a truly immersive experience. It’s a sensory overload: a barrage of smells, sounds, and sights that greet any visitor in a truly Philadelphian way. It’s loud, proud, and in-your-face. Philadelphians aren’t known for being a quiet people—a trip to an Eagles game will quickly confirm that. The city has come to be defined by a multitude of iconic symbols, from the humble cheesesteak to the dignified Liberty Bell. But while “The City of Brotherly Love” evokes hundreds of associations, one is frequently overlooked: the Philadelphia Dialect.
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Janssen/4360990 AAVE as a class-marker in American film _________________________________________________________________________________________________________ BA Thesis By Mees Janssen s4360990 Supervisor: Jarret Geenen Second Reader: Mathilde Roza Department of English Language and Culture Janssen/4360990 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: J. Geenen Title of document: AAVE as a class-marker in American film Name of course: Bachelor Thesis American Studies resit Date of submission: 08-08-2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Mees Janssen Student number: s4360990 2 Janssen/4360990 Table of Contents 1. Introduction ............................................................................................................ 1 2. Literature review ........................................................................................................ 3 2.1. Dialects within the United States ........................................................................ 3 2.2. Dialectically based social stratification .............................................................. 5 2.3. Social stratification and AAVE .......................................................................... 6 2.4. African American representation in American film ........................................... 9 2.5. Stereotyped representation through accent .....................................................
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