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Transgender Representation on American Narrative Television from 2004-2014
TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project. -
Trauma, Dissociation, and Amnesia: Myths and Reality in Cinema and Life
Trauma, Dissociation, and Amnesia: Myths and Reality in Cinema and Life A look at the psychological responses to trauma that include dissociation and amnesia, phenomena which are often misunderstood in the media and public perception. After looking at models that explain common responses to trauma, including post-traumatic stress, traumatic amnesia, and dissociative identity disorder (formerly called multiple personality disorder), we will screen five films that portray these conditions in various contexts. All are Hollywood produced. The stories have sometimes been manipulated to add drama so as to appeal to popular audiences, which is one of the dynamics this course will examine. Session 1 / Jan 31, 2020: Lecture/discussion: An overview of the mechanisms and dynamic of memory and the ways in which it is subject to traumatic distortion, dissociations and episodes of amnesia. We will focus on understanding dissociative and amnestic responses to trauma as defensive and self-protective mechanisms. When seen in this context, behaviors that often seem bizarre begin to make sense. Session 2 / Feb 7: Prince of Tides (1991) / the screen adaptation of Pat Conroy’s portrayal of the range of responses to childhood trauma in a dysfunctional, violent family. Starring Barbra Streisand and Nick Nolte, the film was also directed and produced by Streisand. Session 3 / Feb 14: The Three Faces of Eve (1957) / The Hollywood portrayal of a real-life case of dissociative identity disorder. This is the film that brought the phenomenon of multiple personalities to public attention, was highly acclaimed when it was released, and set up beliefs about multiplicity that lasted for decades. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
Julianne Moore Stephen Dillane Eddie Redmayne
JULIANNE MOORE STEPHEN DILLANE EDDIE REDMAYNE ELENA ANAYA Directed By Tom Kalin UNAX UGALDE Screenplay by Howard A. Rodman Based on the book by Natalie Robins & Steven M. L. Aronson BELÉN RUEDA HUGH DANCY Julianne Moore, Stephen Dillane, Eddie Redmayne Elena Anaya, Unax Ugalde, Belén Rueda, Hugh Dancy CANNES 2007 Directed by Tom Kalin Screenplay Howard A. Rodman Based on the book by Natalie Robins & Steven M.L Aronson FRENCH / INTERNATIONAL PRESS DREAMACHINE CANNES 4th Floor Villa Royale 41 la Croisette (1st door N° 29) T: + 33 (0) 4 93 38 88 35 WORLD SALES F: + 33 (0) 4 93 38 88 70 DREAMACHINE CANNES Magali Montet 2, La Croisette, 3rd floor M : + 33 (0) 6 71 63 36 16 T : + 33 (0) 4 93 38 64 58 E: [email protected] F : + 33 (0) 4 93 38 62 26 Gordon Spragg M : + 33 (0) 6 75 25 97 91 LONDON E: [email protected] 24 Hanway Street London W1T 1UH US PRESS T : + 44 (0) 207 290 0750 INTERNATIONAL HOUSE OF PUBLICITY F : + 44 (0) 207 290 0751 info@hanwayfilms.com CANNES Jeff Hill PARIS M: + 33 (0)6 74 04 7063 2 rue Turgot email: [email protected] 75009 Paris, France T : + 33 (0) 1 4970 0370 Jessica Uzzan F : + 33 (0) 1 4970 0371 M: + 33 (0)6 76 19 2669 [email protected] email: [email protected] www.dreamachinefilms.com Résidence All Suites – 12, rue Latour Maubourg T : + 33 (0) 4 93 94 90 00 SYNOPSIS “Savage Grace”, based on the award winning book, tells the incredible true story of Barbara Daly, who married above her class to Brooks Baekeland, the dashing heir to the Bakelite plastics fortune. -
The BG News March 12, 1993
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 3-12-1993 The BG News March 12, 1993 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News March 12, 1993" (1993). BG News (Student Newspaper). 5511. https://scholarworks.bgsu.edu/bg-news/5511 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. r <? The BG News Friday, March 12,1993 The BG News Volume 75, Issue 118 Part-time job P.U.S.H.This cuts possible for University by Christina Wise President Paul Olscamp in order editor-in-chief to avoid "panic in the trenches." "I don't want people to think they will lose their jobs when While a newly-formed commit- they're not going to," Olscamp tee for the study of non-academic said. "I dont want to see people functions may result in a loss of get hurt. And if they do get hurt, programming at the University, I want it to be managed in a way an even greater threat is that it that will cause the least possible may result in a loss of Jobs. pain." Norma Stickler, assistant to He said specific areas will not the vice president of Academic be targeted for cuts, but the Affairs, who serves on the com- committee will examine areas of mittee to collect information, the University which employ said while committee members permanent part-time staff. -
ACTING with an ACCENT
ACTING with an ACCENT ********************* I R I S H (Hyberno English) by DAVID ALAN STERN, PhD Copyright ©1979, 2003 DIALECT ACCENT SPECIALISTS, Inc. P.O. Box 44, Lyndonville, VT 05851 (802) 626-3121 www.LearnAccent.com No part of this manual or the accompanying audio CD may be reproduced or otherwise transmitted in any form, electronic or mechanical, including photocopying or audio dubbing, without permission in writing from Dialect Accent Specialists, Inc. 2 The ACTING WITH AN ACCENT series New York City Standard British French American Southern Cockney German Texas British North Russian Boston Irish Yiddish "Down East" Scottish Polish "Kennedyesque" Australian Norw./Swed. Chicago Spanish Arabic Mid-West Farm Italian Farsi West Indian/Black African Programs are Also Available for REDUCING Foreign Accents and American Regional Dialects Other Programs Include AMERICAN ACCENTS FOR ENGLISH ACTORS AMERICAN ACCENT FOR CANADIAN ACTORS THE SPEAKER'S VOICE ABOUT THE AUTHOR David Alan Stern received a Ph.D. in Speech from Temple University and served on the faculties of both Wichita State and Penn State before founding Dialect Accent Specialists, Inc. in Hollywood in 1980—working there exclusively as an acting and dialect coach for professional actors. Since 1993, he’s kept his foot in the industry while serving as Professor of Dramatic Arts at his alma mater, the University of Connecticut. Among the many actors he has helped to prepare for stage, television, and film roles are Geena Davis (The Accidental Tourist), Julie Harris (Carried Away), Jennifer Jason Leigh (Fast Times at Ridgemont High), Shelley Long (Outrageous Fortune), Terrence Mann (My Fair Lady), Liam Neeson (Next of Kin), Lynn Regrave (Sweet Sue), Pat Sajak (The Boys in Autumn), Forest Whitaker (Byrd and The Crying Game), and Julia Roberts, Sally Field, Olympia Dukakis, and Daryl Hannah (Steel Magnolias). -
Alan Bennett's Prize-Winning Comedy Talking Heads Will Receive Its
by BWW News Desk October 18, 2014 Alan Bennett's prize-winning comedy Talking Heads will receive its central Ohio premiere when APT launches its third professional touring production with three public performances beginning on November 13-21. Talking Heads will be performed at the BalletMet Performance Space in downtown Columbus on November 13, at the First Unitarian Universalist Church in Clintonville on November 20 and at the Abbey Theater of Dublin on November 21st. All performances are at 8 pm. Linda Dorff plays "Violet," who at nearly one hundred years of age has lost some of her memory but none of her wicked sense of humor. Kerry Shanklin is "Irene," a lonely woman who writes one-too-many poison-pen letters. Anne Diehl is "Miss Fozzard," a prim, middle-aged department store saleswoman whose sore feet lead her into a rather unusual romance. All three are members of Actors Equity Association, the union of professional actors. Originally produced on the BBC in 1988 and 1998, Talking Heads is a series of twelve prize-winning dramatic monologues focusing on seemingly unremarkable people (mostly women) whose lives are nonetheless filled with tragedy, melodrama and especially comedy. Acclaimed by critics - and now included in the advanced high school curriculum in Britain - these mini-plays have become what one critic called "a British cult classic." Talking Heads was produced in the West End (the British equivalent of Broadway) in 1992 and 1998, and has been produced on professional stages all over the English-speaking world. An award-winning Off-Broadway production in 2003 ran for two hundred performances and several of the pieces have been seen on PBS's Masterpiece Theatre. -
About the Production
Alliance Communications presents a Redeemable Features Production a film by everyone who worked on it 94 Minutes Rated PG-13 A Redeemable Features Release Press Contact: Jeremy Walker Jeremy Walker Associates (212) 595-6161 Page 2 SYNOPSIS "All I Wanna Do" is a comedy about a closely-knit group of friends set at a traditional New England all-girls boarding school in 1963. But at its core, "All I Wanna Do" is also the story of young women who recognize their own value and potential when their all- female sanctuary becomes threatened by the specter of men. The film was written and directed by Sarah Kernochan, an established screenwriter making her feature directorial debut. For Odie (Gaby Hoffmann), a pretty but moody teenager, being sent to Miss Godard's Prep School for Girls midway through the year is a little bit like being sent to prison. Miss Godard's has all kinds of rules, and a lot is expected of the girls there. But Odie soon discovers that the girls at Miss Godard's also have a lot of fun, and most important, the school is something of a haven where girls can behave, well, just like girls since there are no boys in sight. After a tour of the campus guided by Abby (Rachael Leigh Cook), an uptight, brown- nosing "monitor" on the Self-Government Committee, Odie just wants to cry. But things start looking up when Odie meets her new roommates, Verena (Kirsten Dunst) and Tinka (Monica Keena). Verena is a schemer who likes to break the rules. -
Olympia Dukakis Answers Our 5 Questions Champions Circle Monthly Giving Summer 2014 Program Allows You to Contribute Contents Vol
MAGAZINE SUMMER 2014 Death With Dignity WINS OUTSMART Dementia Olympia Dukakis Answers Our 5 Questions Champions Circle monthly giving Summer 2014 program allows you to contribute contents Vol. 13 / No. 3 automatically each month, helping us plan our work more effectively. Signing up is simple, and you can make changes or cancel at any time. FEATURES Join our Champions Circle with the 16 06 Outsmart Dementia: State Your envelope in this issue or online at End-of-Life Wishes CompassionAndChoices.org/Donate A supporter urges everyone to add C&C’s exclusive dementia provision to their advance directive. 08 Death With Dignity Is a Winning Be a CHAMPION for Choice Election Issue Increasingly, candidates are successfully campaigning on a death-with-dignity platform. 06 DEPARTMENTS 02 Inside View 03 Words & Pictures 03 04 Keeping Count 05 Words to Live (and Die) By Compassion & Choices is the nation’s oldest and largest 11 nonprofit organization working to improve care and expand Rx for Peace at Life’s End choice at the end of life. We: Knowing that I am Support patients and families “automatically, once a 12 Advocacy in Action Educate the public and professionals Advocate across the nation month, financially supporting 16 National Programs Update Advancing death with dignity since 1980. Learn more at Compassion & Choices as it CompassionAndChoices.org. assists families such as mine 21 State Spotlight: Vermont gives me great satisfaction.” 22 Five Questions for Olympia Dukakis – Kathy Cerminara, Fort Lauderdale, FL inside view words & pictures MAGAZINE Chief Editor “There’s nothing else in the United The Power Sonja Aliesch States that so many people agree Art Director with,” Compassion & Choices of You Bhavna Kumar President Barbara Coombs Lee Director of Communications told Diane Rehm on her NPR- Each of us holds the potential to & Marketing syndicated show, referring to the 70 percent of effect great change. -
A&E Spring, 1999
University of Missouri, St. Louis IRL @ UMSL Current (1990s) Student Newspapers Spring 4-10-1999 A&E Spring, 1999 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1990s Recommended Citation University of Missouri-St. Louis, "A&E Spring, 1999" (1999). Current (1990s). 304. http://irl.umsl.edu/current1990s/304 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1990s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. :.- :::~ .~ ,~.::~:< ,' . .,; : . .~~ . .:: , ,: .•.• ;~ ....... ~. .r ¥. .. C'<: .. " ~"'-':"'~~·A Ca~;t afford"Florida?· Can't take a week off work? Still want to go somewhere? We'll give you some ideas on weekend get-aways. page 4 Plus: Tips you should know before leaving St. Lou·s OTHER STUFF INSIDE -.. Did you know that UM - St. Louis' Department of Music is producing the musical Man o.f La Mancha to be perf fIned here on campus ? They are, FILM and we've talked to the director, Milton Zoth, just so M ~IC we could tell you how the production really is com Find out who will win and who attk f r"1 'pOlan the ing along. For this story turn to page 3. find oul hould \\'in an scar this year. F. r th i. t ry see page 6 ~ Also, check out the A&E calendar on page 2. Page 2 A&E - Spring '99 .. ,~qcurrent Stephanie Platt - . &E EdiuJr ~&lE Pam White- Busir IN HIS ISSUE Tom Wombacher • . -
Singing in English in the 21St Century: a Study Comparing
SINGING IN ENGLISH IN THE 21ST CENTURY: A STUDY COMPARING AND APPLYING THE TENETS OF MADELEINE MARSHALL AND KATHRYN LABOUFF Helen Dewey Reikofski Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2015 APPROVED:….……………….. Jeffrey Snider, Major Professor Stephen Dubberly, Committee Member Benjamin Brand, Committee Member Stephen Austin, Committee Member and Chair of the Department of Vocal Studies … James C. Scott, Dean of the College of Music Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Reikofski, Helen Dewey. Singing in English in the 21st Century: A Study Comparing and Applying the Tenets of Madeleine Marshall and Kathryn LaBouff. Doctor of Musical Arts (Performance), August 2015, 171 pp., 6 tables, 21 figures, bibliography, 141 titles. The English diction texts by Madeleine Marshall and Kathryn LaBouff are two of the most acclaimed manuals on singing in this language. Differences in style between the two have separated proponents to be primarily devoted to one or the other. An in- depth study, comparing the precepts of both authors, and applying their principles, has resulted in an understanding of their common ground, as well as the need for the more comprehensive information, included by LaBouff, on singing in the dialect of American Standard, and changes in current Received Pronunciation, for British works, and Mid- Atlantic dialect, for English language works not specifically North American or British. Chapter 1 introduces Marshall and The Singer’s Manual of English Diction, and LaBouff and Singing and Communicating in English. An overview of selected works from Opera America’s resources exemplifies the need for three dialects in standardized English training.