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Page 1 of 125 © 2016 Factiva, Inc. All Rights Reserved. Colin's Monster
Colin's monster munch ............................................................................................................................................. 4 What to watch tonight;Television.............................................................................................................................. 5 What to watch tonight;Television.............................................................................................................................. 6 Kerry's wedding tackle.............................................................................................................................................. 7 Happy Birthday......................................................................................................................................................... 8 Joke of the year;Sun says;Leading Article ............................................................................................................... 9 Atomic quittin' ......................................................................................................................................................... 10 Kerry shows how Katty she really is;Dear Sun;Letter ............................................................................................ 11 Host of stars turn down invites to tacky do............................................................................................................. 12 Satellite & digital;TV week;Television.................................................................................................................... -
TV Formats in Europe
TV Formats in Europe The value created for European broadcasters by the 100 major TV formats was $2,745 million in 2012. The 2012 figure was 5.3% up on the 2011 total, despite the number of hours broadcast increasing by 19.3%. Relative newcomer Money Drop was the top format title by value created in 2012; pushing Come Dine with Me into second place. The TV Formats in Europe report further states that The Voice entered the top 10 in 2012. Who Wants to Be a Millionaire was the top title in both 2009 and 2010, but had dropped to ninth in 2012. Endemol ($711 million – 26% of the total) was the leading distributor by value created in 2012, followed by FremantleMedia ($456 million – 17%). ITV was third, with 10% of the total. So, these three distributors combined took 53% of the total value created. These top three distributors accounted for half of the format hours screened in 2012. ITV Studios (5,425 hours) is the largest distributor by hours, mainly due to Come Dine with Me. FremantleMedia (3,316 hours and supplier of 13 titles in the top 100) and Endemol (4,231 hours and 12 titles) followed. Published in March 2013, this 172-page (23% larger than the previous edition), PDF-delivered report covers 100 major formats (double the number covered in the previous edition) on 84 channels across 16 European territories; with extensive comparison tables. Territory profiles include: Analysis of the formats in that market Overview of the TV market and the main channels Revenue generated by the top 100 formats by channel and country (2009-2012) Total -
Promaxbda EUROPE AWARDS 2018 Official Finalists Guide Promaxbda EUROPE AWARDS 2018
PromaxBDA EUROPE AWARDS 2018 Official Finalists Guide PromaxBDA EUROPE AWARDS 2018 GENERAL BRAND CAMPAIGN: CHANNEL, NETWORK OR PLATFORM ALL THAT WE SHARE TV 2 DENMARK MILLIONS OF CHOICES - IMAGE CAMPAIGN PARAMOUNT CHANNEL CEE 13EME RUE BRAND CAMPAIGN 13EME RUE - NBCUNIVERSAL ANTENA 3 SUMMER – SPLIT SCREEN ANTENA 3 TRAVEL CHANNEL: TRAVEL ETIQUETTE SCRIPPS NETWORKS INTERNATIONAL EUROSPORT - HOME OF THE OLYMPICS DIXONBAXI TVN SPRING 2017 TVN POLAND SYFY BRAND CAMPAIGN SYFY - NBCUNIVERSAL GENERAL BRAND DESIGN PACKAGE: CHANNEL, NETWORK OR PLATFORM NEW CHANNEL BRANDING ARTE ID REFRESH DISCOVERY CREATIVE LONDON ROCKIN’ROYALTY TELE 5 EPIC DRAMA VIASAT WORLD 13TH STREET RE-BRAND NBCUNIVERSAL INTERNATIONAL NETWORKS MTV REBRAND LAUNDRY DMAX IDENTS/BUMPER DISCOVERY COMMUNICATIONS DEUTSCHLAND GMBH & CO. KG FOX CRIME_GFX PACK REBRAND 2017 FOX NETWORKS GROUP ITALY FIND OUT WHO WINS LIVE AT PROMAXBDA EUROPE 2018 2 REGISTER NOW > 13 MARCH | ROME CAVALIERI PromaxBDA EUROPE AWARDS 2018 SOCIAL RESPONSIBILITY ANNOUNCEMENT SPOTS DISNEY CHANNEL- EARTHDAY INTERSTITIALS THE WALT DISNEY COMPANY BENELUX LOCAL ELECTIONS DANISH BROADCAST CORPORATION DROP YOUR CLOTHES TV 2 DENMARK EUROPEAN BROADCASTING UNION - KEEP MEDIA GOOD CAMPAIGN RED BEE IN THIS LIFE AL JAZEERA PRIX ITALIA – THE BUTTERFLY EFFECT RAI RADIOTELEVISIONE ITALIANA OTT/ON DEMAND/WEBSITE OR INTERACTIVE SERVICE SPOT FRANCE.TV USER INFO PUBLICIS CONSEIL HBO GO OCTOBER IMAGE HBO EUROPE TIRED OF CHOICE DANISH BROADCAST CORPORATION THE END FINNISH BROADCASTING COMPANY - YLE 24KITCHEN NEW WEBSITE LAUNCH FOX -
Official Finalists List Marketing Team of the Year
1 OFFICIAL FINALISTS LIST MARKETING TEAM OF THE YEAR AMC NETWORKS INTERNATIONAL UK FRANCE TELEVISIONS NETFLIX CREATIVE STUDIO TNT4 TV 2 DENMARK V CRETIVE AT VIACOMCBS AGENCY OF THE YEAR GÉDÉON MULLENLOWE FRANCE NEW LAND PIKE MEDIA LAB SO WHEN FINALISTS TBWA\NEBOKO OF THE YEAR AWARDS 1 BEST BRAND SPOT MASTERS OF THE BEAT KINO TV DISNEY+ EUROPEAN LAUNCH SPOT THE WALT DISNEY COMPANY LTD FIGHT CANCER TV 2 DENMARK NATIONAL GEOGRAPHIC: CHANNEL POSITIONING CAMPAIGN THE WALT DISNEY COMPANY SKY CINEMA BRAND PROMO SKY ITALIA DISNEY+ "MAKE THIS CHRISTMAS WONDERFUL” THE WALT DISNEY COMPANY LTD GENERAL BRAND CAMPAIGN: CHANNEL, NETWORK OR PLATFORM HBO TELEKOM EDUCATIONAL SPOTS WARNERMEDIA MERRY WEIRD CHRISTMAS TV 2 DENMARK STAY WITH THE BEST MOVISTAR+ FINALISTS MTV 2020 ERROR FOUND CHANNEL BRANDING VIACOMCBS CREATIVE YOUTH AND MUSIC EMEAA FOX INTERVALO PROJECT THE WALT DISNEY COMPANY EUROPE AND AFRICA EVERYTHING IN A CLICK COSMO SPAIN 1 GENERAL BRAND DESIGN PACKAGE: CHANNEL, NETWORK OR PLATFORM AJE CHANNEL REFRESH AL JAZEERA TG4 REBRAND RED BEE CREATIVE CVI REEL HBO EUROPE 2020 WARNERMEDIA M6 GLOBAL IDENTITY GÉDÉON POP UK REFRESH SUPERESTUDIO DISCOVERY ULTRA DISCOVERY CREATIVE EMEA PAY TV SOCIAL RESPONSIBILITY ANNOUNCEMENT SPOT RAINBOW AWARDS TV 2 DENMARK FOX WOMENS DAY THE WALT DISNEY COMPANY, EUROPE AND AFRICA FIGHT CANCER FINALISTS TV 2 DENMARK NATIONAL GEOGRAPHIC WILD: WILD CALLING- SOCIAL DISTANCING PSA CHANNEL BRANDING THE WALT DISNEY COMPANY THE SHOWS WE NEVER WANT TO MAKE ITV CREATIVE REAL TIME FOR THE ELIMINATION OF VIOLENCE AGAINST WOMEN -
Afterword: 'We Are All in This Together'
Afterword: ‘We Are All in This Together’ ‘We are all in this together.’ (Conservative Chancellor George Osborne 2009) ‘Work harder, those on benefits rely on you!’ (2012 bumper sticker) On reflection, we have found that this book, which was intended to be about the ways in which culture articulates, frames, organises and produces stories about social class, class difference and its various attachments, is also a book about the accumulation, defence, distribution and usage of resources, both material and immaterial, during periods of pronounced inequality. We stated at the out- set that we understood social class as being formed through material conditions and economic (in)securities and as being shaped by early disadvantage or privi- leges of birth and the uneven distribution of life chances which these conditions create. We also acknowledged that throughout our lives we are buffeted by chang- ing socio-economic circumstances which hammer at and refashion our classed identity, sense of self and individual status within social and civil society. But our emphasis was intended to be on how class categories continue to be com- monly used in culture and how these are ideologically loaded in popular and political discourses; used as shorthand to dispense judgement, criticism or praise, to evoke pride, fearfulness, nostalgia, disgust or shame. What we have come to appreciate as we have worked through different cultural accounts of classed rela- tions and their positioning of social groups is that the moralistic and emotional values articulated in culture are strongly attached to submerged, messy, contra- dictory and sometimes aggressive collective and individual struggles for financial resources and resources-in-kind: education, housing, healthcare, and so on. -
Broadcast Bulletin Issue Number
O fcom Broadcast Bulletin Issue number 136 22 June 2009 1 Ofcom Broadcast Bulletin, Issue 136 22 June 2009 Contents Introduction 4 Standards cases In Breach Five News at 7 Five, 5 February 2009, 19:00 5 The Alan Titchmarsh Show ITV1, 23 March 2009, 15:00 and 26 March 2009, 15:00 8 The Paul O’Grady Show Channel 4, 24 March 2009, 17:00 14 UEFA Champions League Live ITV1, 14 April 2009, 19:30 16 The MySpace Chart MTV Two, February 2009, various dates and times 18 Sponsorship of Dexter FX, May 2009, various dates and times 20 Maranam Muttuppulli Alla Global Tamil Vision, 2 November 2008, 19:00 Vanakathukuriyavarkal Global Tamil Vision, 27 November 2008, 17:10 23 Chat Café, LA Babes, 25 February 2009, 13:00 28 George Galloway Talksport, various dates and times 30 Virgin Media Advertisement, Sci-Fi Channel, 31 January 2009, 15:00 37 Not in Breach Jeni Barnett LBC 97.3FM, 7 January 2009, 14:00 39 Dispatches: The Trouble With Boris Channel 4, 30 March 2009, 20:00 45 2 Ofcom Broadcast Bulletin, Issue 136 22 June 2009 Fairness & Privacy cases Partly Upheld Complaint by Ms Judith Isherwood on behalf of the Wales Millennium Centre Waterfront, ITV1 Wales, 1 November 2007 48 Not Upheld Complaint by the Wales Millennium Centre Wales Tonight, ITV1 Wales, 2 November 2007 58 Complaint by Mr Matthew Chiappa Police Camera Action, ITV1, 21 July 2008 64 Complaint by Mr Casey Bowen on his own behalf and on behalf of Mr Martin Bowen (deceased) ITV News at Ten, ITV1, 6 August 2008 70 Complaint by Mr Casey Bowen on his own behalf and on behalf of Mr Martin Bowen (deceased) BBC News at One, BBC News at Six, BBC News at Ten, BBC1, 6 August 2008 75 Other programmes not in breach/resolved 81 3 Ofcom Broadcast Bulletin, Issue 136 22 June 2009 Introduction The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes which broadcasting licensees are required to comply. -
This Copy of the Thesis Has Been Supplied on Condition That Anyone
Gender, Class and ‘Binge’ Drinking: An ethnography of drinkers in Bournemouth’s night-time economy William Haydock A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Bournemouth University September 2009 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. 2 Gender, Class and ‘Binge’ Drinking: An ethnography of drinkers in Bournemouth’s night-time economy William Haydock In early 21st-century Britain there is a focus by media, government and academia on young people’s consumption of alcohol – often using the term ‘binge’ drinking – and how this should be understood and regulated. This thesis argues that contemporary forms of alcohol regulation can be seen as part of a broader neo-liberal mentality of government, encompassing the creation of a classed and gendered figure of the self-disciplined, responsible, ideal citizen. This ethnographic study of the night-time economy in Bournemouth, a town on the south coast of England, considers how young people’s drinking practices and discussions relate to these discourses to constitute gender and class. The location and analytical focus of the study complement previous research, which has tended to be based in formerly industrial cities and has either emphasised similarities amongst young people or focused on how drinking practices reflect people’s gender and class backgrounds. Interviews were conducted with 20 professionals alongside 45 hours of participant observation resulting in interactions with 113 drinkers. -
Reclaiming the F Word: the New Feminist Movement
| Reclaiming the Reclaiming the F Word: The New Feminist Movement In today’s ‘post-feminist’ society, feminism is often portrayed as unfashionable and irrelevant. But since the turn of the millennium, a revitalised feminist movement has emerged to challenge these assumptions and assert a vibrant new agenda. Reclaiming the F Word reveals the what, why and how of the new feminist movement and what it has to say about women’s lives today. From cosmetic surgery to celebrity culture and parenting to politics, from rape to religion and sex to singleness, this groundbreaking book reveals the seven vital issues at stake for today’s feminists, and calls a new generation back to action. ‘A lucid and lively examination of the state of contemporary feminism from two women who really know what they’re talking about. ’ Libby Brooks, Guardian ‘Savvy, witty and politically passionate, Reclaiming the F Word explains what today’s feminists want, and describes what they are doing to make it happen.’ F Deborah Cameron, University of Oxford Word ‘There has never been a better, more exciting time to be a feminist. This book … should be every woman’s – and many men’s – bedside companion.’ Zoe Margolis, aka Abby Lee, author of Girl With A One Track Mind ‘This is a book that celebrates feminist history and salutes the new generation of feminism that’s emerging.’ Alison Piepmeier, Women’s and Gender Studies Program, College of Charleston and Aune Redfern ‘… practical, positive, and refreshingly free from navel-gazing.’ Delilah Campbell, Trouble & Strife ‘With verve and immediacy, Reclaiming the F Word provides feisty retorts to those tired claims that feminism is dead.’ Chilla Bulbeck, University of Adelaide www.reclaimingthefword.net ZED BOOKS London & New York Catherine Redfern and Kristin Aune ISBN 978 1 84813 395 2 pb ISBN 978 1 84813 394 5 hb www.zedbooks.co.uk Gender | Culture reclaiming the f word about the authors catherine redfern is founder of The F Word website. -
Official Guide
EUR OPE OFFICIAL GUIDE THANK YOU & CONGRATULATIONS! We want to take a moment to acknowledge some essential people. Thank you to the hardworking awards committee, who commit to improving, streamlining, and continually elevating the awards process year-to-year. We are thrilled and grateful for our judges who give up their time to review and judge to determine our shortlist of nominees diligently and to our esteemed jury who dedicate their time and expertise to debate and deliberate over the best of the best from this year’s competition. Congratulations to all the 2021 Promax Europe Award winners and finalists! As always, you continue to inspire by setting new standards for excellence in entertainment marketing and design by producing some of the most original, refreshing, and inspirational work across the region. Sincerely, Stacy, Eileen, Sam, Joanne & Megan YOUR PROMAX AWARDS TEAM 1 EUR OPE Thank you to our 2021 JUDGES AGOSTINHO RIBEIRO FEMKE REIJN MILENA ALEXANDROVA ALESSANDRO FOSCHINI FLORIAN SACHISTHAL MILENA FILCHEVA ALEXANDER KULAKOV FRANCESCO BAGGETTA MORTEN STENSGAARD ALFONSO HUERTA FRANCOIS VAN BASTELAER NANCY THEUNISSEN AMBER BORDEWIJK FREDRIC HAMMARLUND NATALIIA VOVK ANA VICENT GERMAN SELA ORBE NICOLAI AMTER ANDREAS HOESS GILLES PRIEUR NICOLAU TUDELA BART KRAEIMA GUTI GAGAMOVA NINA FREIFRAU VON DEM BUSSCHE BENJAMIN KERNECK HELENA BRODEN NINA SCHUSTER BETIM BOZKURT HENRI WEISS OLEKSII PASICHNYK BILL BROWNING HOLGER ZEH OMER MERAL BJARTE SLINNING JAIME SAINZ PAMELA ELIA BRAM HOLZAPFEL JAN LEITZ PAUL BROLLY CARLO DE AGOSTINI JOAQUIN -
Journalism, Representation and the Public Sphere
The topic “Journalism, Representation and the Public Sphere” is dedicated to the fundamental question: How do journalism, the various representations and public spheres of European cultures and societies change? This volume con- sists of the intellectual work of the 2014 European Media and Communication Doctoral Summer School, organized in cooperation with the European Com- munication Research and Education Association (ECREA) at the ZeMKI, the Centre for Media, Communication and Information Research of the University of Bremen, Germany. The chapters cover relevant research topics, structured into four sections: “Journalism”, “Representations and Everyday Life”, “Pub- lic Sphere, Space and Politics”, “Rethinking Media Studies” and “Academic Practice”. The European Media and Communication Doctoral Summer School brings to- Journalism, gether a group of highly qualifi ed doctoral students as well as senior research- ers and professors from a diversity of European countries. The main objective of the fourteen-day summer school is to organize an innovative learning pro- cess at doctoral level, focusing primarily on enhancing the quality of individual Representation and dissertation projects through an intercultural and interdisciplinary exchange and networking programme. This said, the summer school is not merely based on traditional postgraduate teaching approaches like lectures and workshops. The summer school also integrates many group-centred and individual ap- the Public Sphere proaches, especially an individualized discussion of doctoral -
Celebrity Chav: Fame, Femininity and Social Class' Imogen Tyler
CORE Metadata, citation and similar papers at core.ac.uk Provided by Lancaster E-Prints ‗Celebrity Chav: Fame, Femininity and Social Class‘ Imogen Tyler and Bruce Bennett Lancaster University, UK This draft: November, 2009 Forthcoming: European Journal of Cultural Studies, 2010, vol. 13, no. 3 or 4 (tbc) There is nothing new about celebrity culture. It is an intrinsic feature of a world structured by digital and mechanical reproduction. However, what has been visible over the last few years in Britain is a modulation of representations of celebrity figures in entertainment and news media through reality TV series, newspapers and gossip magazines. In a somewhat cynical turn, certain celebrities have been depicted increasingly as exploitative, aspirational parvenus whose public performances we should respond to not with desire, admiration or benign interest, but rather with a pleasurable blend of contempt, envy, scepticism and prurience. This shift of representational emphasis involves the oppressive and punitive foregrounding of class, whereby selected celebrities are understood to be ineluctably anchored to an essential class identity regardless of the extent to which their social and financial circumstances have been transformed as a result of their conspicuousness or notoriety. In this article, we argue that celebrity is an increasingly significant means by which reactionary class attitudes, allegiances and judgements are communicated. In contradistinction to claims that the concept of social class has lost its analytic value in the context of contemporary consumer society with the growing ideological purchase of meritocracy and choice, we contend that class remains central to the constitution and meaning of celebrity. A central premise of this article is that celebrity culture is not only thoroughly embedded in everyday social practices but is more radically constitutive of contemporary social life. -
Jewish Settlers Are a Cancer "Leylabi Is Divisive"
Our massive festival round-up see LS2 16&17 We reveal that movies aren't <<: real LS2 10 No respect "Jewish settlers are a cancer "Leylabi is divisive" ... they are fifth" Hanif Leyiabi, President of Leeds Unite Against LUU Fascism and President of Leeds University Respect evpre,-. By Alex Doorey & Ben Schofield oreanising the protests culling fur primed incorrectly. Ellis to he sacked in April and ran in -The quote says 'anyone who clear policy it lc; urn to pre- 1'11.1 7 Vote last year's elections for the NUS' occupies someone's land' - it doesn't borders - the land has been taken ille- Welfare Officer. pick out one particular race. It says gally. Person 0 gaffer An activist has been denounced as JSOC member Tasha Remington 'Jewish settlers' because (the land( is "He could have expressed it bet- Person prejudiced and his comments inap. told Leeds Student: "It is extremely not Israeli: according to international ter. but that's the truth of it propriate after making a virulent post law they're illegal settlements.- about Jewish settlers on a student He said that later in the conversa- Re: Leeds lecturer in racism ro elm room. Tasha Remington, tion he had said similm things about Demote Timeyin. Politics second year Han if Leylah i ex-Inter Faith Moroccan settlers who settle in the Democracy and said: "Jewish settlers are cancer Officer and JSOC Western WWII. Communications because they steal land and resources member "YOU could net the strong inter- Officer and pollute Palestine.. They are filth. pretation at the quote if it came from just like anyone else who occupies someone like IBNP leader Nick] someone else's land in that way is." Griffin, who has two pet pigs report- Leylabi is also President of both "It is extremely prejudiced edly culled Anne and Frank.- he We find these comments LUU's Student Respect and Unite and inappropriate.