Afterword: 'We Are All in This Together'
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13273 PSA Conf Programme 2011 PRINT
Transforming Politics: New Synergies 61st Annual International Conference 18 – 21 April 2011 Novotel London West, London, UK PSA 61st Annual International Conference London, 18 –21 April 2011 www.psa.ac.uk/2011 A Word of Welcome Dear Conference delegate You are extremely welcome to this 61st Conference of the Political Studies Association, held in the UK capital. The recently refurbished Hammersmith Novotel hotel offers high quality conference facilities all under one roof. We are expecting well over 500 delegates, representing over 50 different countries. There are more than 190 panels, as well as the workshops on Monday, building on last year’s innovation, and as a new addition, dedicated posters sessions. There are also three receptions. The Conference theme is ‘Transforming Politics: New Synergies’. Keynote speakers include Professor Carole Pateman, President of APSA, revisiting the concept of participatory democracy and Professor Iain McLean giving the Government and Opposition-sponsored Leonard Schapiro lecture on the subject of coalition and minority government. On Wednesday, our after-dinner speaker is Professor Tony Wright, (UCL and Birkbeck College) former MP and Chair of the Public Administration Select Committee. Amongst other highlights, Professor Vicente Palermo will discuss Anglo-Argentine relations and John Denham MP will talk on ‘English questions’ and the Labour Party’ and Sir Michael Aaronson, former Director General of Save the Children, will be drawing on his experience working in crisis situations to reflect on whether we had a choice in Libya today. Despite the worsening economic and policy environment, this has been a particularly active and successful year for the Association. Overall membership figures, including those for the new Teachers’ Section, continue to rise. -
Tv Cad's Passion for Stuffing
DS1ST DAILY STAR, Monday, June 8, 2020 19 ‘Punish TV CAD’S PASSION FOR STUFFING breach bosses’ COMPANY bosses should be held responsible for cyber attacks that compro- mise consumer data. And 68% of consumers believe they should also be Taxi for Mr Havers! compensated for breaches, THE MIKE WARD INTERVIEW says data protection firm Veritas Technologies. The Government is pro- NIGEL HAVERS posing tougher penalties In Corrie for bosses who fail to pro- tect users, with details to ACTOR AND (to come) be finalised later this year. Simon Jelley, of Veritas, said: “As consumers, we’re COLLECTOR unforgiving of businesses that don’t take data securi- ty as seriously as we do. “If businesses don’t get these basics right, consum- ers are ready to punish their leadership.” In The Charmer Can you guess CON ARTIST: the year from ■ In Corrie as these five clues? evil Lewis Archer 1. Building work on American military HQ The Pentagon is completed. 2. High tec! Raymond Chandler novel The Lady Of The Lake is published, featuring private eye Philip Marlowe. 3. Vera Lynn stars in SMOOTHIE: We’ll Meet Again, a ■ Nigel in The musical loosely based Charmer in 1987 on her life. 4. Rolling Stones frontman Mick Jagger is born in Dartford, Kent. 5. Soviet win in the Battle of Stalingrad stops the German advance and sees World War Two turn in favour of the Allies. No Googling! Answer in tomorrow’s paper. Friday’s year: 2005 TV meal NIGEL Havers is telling me how The Bidding Room, starting this after- But that’s the way we British are. -
Page 1 of 125 © 2016 Factiva, Inc. All Rights Reserved. Colin's Monster
Colin's monster munch ............................................................................................................................................. 4 What to watch tonight;Television.............................................................................................................................. 5 What to watch tonight;Television.............................................................................................................................. 6 Kerry's wedding tackle.............................................................................................................................................. 7 Happy Birthday......................................................................................................................................................... 8 Joke of the year;Sun says;Leading Article ............................................................................................................... 9 Atomic quittin' ......................................................................................................................................................... 10 Kerry shows how Katty she really is;Dear Sun;Letter ............................................................................................ 11 Host of stars turn down invites to tacky do............................................................................................................. 12 Satellite & digital;TV week;Television.................................................................................................................... -
Play and No Work? a 'Ludistory' of the Curatorial As Transitional Object at the Early
All Play and No Work? A ‘Ludistory’ of the Curatorial as Transitional Object at the Early ICA Ben Cranfield Tate Papers no.22 Using the idea of play to animate fragments from the archive of the Institute of Contemporary Arts, this paper draws upon notions of ‘ludistory’ and the ‘transitional object’ to argue that play is not just the opposite of adult work, but may instead be understood as a radical act of contemporary and contingent searching. It is impossible to examine changes in culture and its meaning in the post-war period without encountering the idea of play as an ideal mode and level of experience. From the publication in English of historian Johan Huizinga’s Homo Ludens in 1949 to the appearance of writer Richard Neville’s Play Power in 1970, play was used to signify an enduring and repressed part of human life that had the power to unite and oppose, nurture and destroy in equal measure.1 Play, as related by Huizinga to freedom, non- instrumentality and irrationality, resonated with the surrealist roots of the Institute of Contemporary Arts (ICA) in London and its attendant interest in the pre-conscious and unconscious.2 Although Huizinga and Neville did not believe play to be the exclusive preserve of childhood, a concern for child development and for the role of play in childhood grew in the post-war period. As historian Roy Kozlovsky has argued, the idea of play as an intrinsic and vital part of child development and as something that could be enhanced through policy making was enshrined within the 1959 Declaration of the -
Tory Modernisation 2.0 Tory Modernisation
Edited by Ryan Shorthouse and Guy Stagg Guy and Shorthouse Ryan by Edited TORY MODERNISATION 2.0 MODERNISATION TORY edited by Ryan Shorthouse and Guy Stagg TORY MODERNISATION 2.0 THE FUTURE OF THE CONSERVATIVE PARTY TORY MODERNISATION 2.0 The future of the Conservative Party Edited by Ryan Shorthouse and Guy Stagg The moral right of the authors has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a re- trieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. Bright Blue is an independent, not-for-profit organisation which cam- paigns for the Conservative Party to implement liberal and progressive policies that draw on Conservative traditions of community, entre- preneurialism, responsibility, liberty and fairness. First published in Great Britain in 2013 by Bright Blue Campaign www.brightblue.org.uk ISBN: 978-1-911128-00-7 Copyright © Bright Blue Campaign, 2013 Printed and bound by DG3 Designed by Soapbox, www.soapbox.co.uk Contents Acknowledgements 1 Foreword 2 Rt Hon Francis Maude MP Introduction 5 Ryan Shorthouse and Guy Stagg 1 Last chance saloon 12 The history and future of Tory modernisation Matthew d’Ancona 2 Beyond bare-earth Conservatism 25 The future of the British economy Rt Hon David Willetts MP 3 What’s wrong with the Tory party? 36 And why hasn’t -
Mrs. Thatcher's Return to Victorian Values
proceedings of the British Academy, 78, 9-29 Mrs. Thatcher’s Return to Victorian Values RAPHAEL SAMUEL University of Oxford I ‘VICTORIAN’was still being used as a routine term of opprobrium when, in the run-up to the 1983 election, Mrs. Thatcher annexed ‘Victorian values’ to her Party’s platform and turned them into a talisman for lost stabilities. It is still commonly used today as a byword for the repressive just as (a strange neologism of the 1940s) ‘Dickensian’ is used as a short-hand expression to describe conditions of squalor and want. In Mrs. Thatcher’s lexicon, ‘Victorian’ seems to have been an interchangeable term for the traditional and the old-fashioned, though when the occasion demanded she was not averse to using it in a perjorative sense. Marxism, she liked to say, was a Victorian, (or mid-Victorian) ideo1ogy;l and she criticised ninetenth-century paternalism as propounded by Disraeli as anachronistic.2 Read 12 December 1990. 0 The British Academy 1992. Thanks are due to Jonathan Clark and Christopher Smout for a critical reading of the first draft of this piece; to Fran Bennett of Child Poverty Action for advice on the ‘Scroungermania’ scare of 1975-6; and to the historians taking part in the ‘History Workshop’ symposium on ‘Victorian Values’ in 1983: Gareth Stedman Jones; Michael Ignatieff; Leonore Davidoff and Catherine Hall. Margaret Thatcher, Address to the Bow Group, 6 May 1978, reprinted in Bow Group, The Right Angle, London, 1979. ‘The Healthy State’, address to a Social Services Conference at Liverpool, 3 December 1976, in Margaret Thatcher, Let Our Children Grow Tall, London, 1977, p. -
Thecoalition
The Coalition Voters, Parties and Institutions Welcome to this interactive pdf version of The Coalition: Voters, Parties and Institutions Please note that in order to view this pdf as intended and to take full advantage of the interactive functions, we strongly recommend you open this document in Adobe Acrobat. Adobe Acrobat Reader is free to download and you can do so from the Adobe website (click to open webpage). Navigation • Each page includes a navigation bar with buttons to view the previous and next pages, along with a button to return to the contents page at any time • You can click on any of the titles on the contents page to take you directly to each article Figures • To examine any of the figures in more detail, you can click on the + button beside each figure to open a magnified view. You can also click on the diagram itself. To return to the full page view, click on the - button Weblinks and email addresses • All web links and email addresses are live links - you can click on them to open a website or new email <>contents The Coalition: Voters, Parties and Institutions Edited by: Hussein Kassim Charles Clarke Catherine Haddon <>contents Published 2012 Commissioned by School of Political, Social and International Studies University of East Anglia Norwich Design by Woolf Designs (www.woolfdesigns.co.uk) <>contents Introduction 03 The Coalition: Voters, Parties and Institutions Introduction The formation of the Conservative-Liberal In his opening paper, Bob Worcester discusses Democratic administration in May 2010 was a public opinion and support for the parties in major political event. -
Additional Submissions to Parliament in Support of Inquiries Regarding Brexit Damian Collins MP Dear Mr Collins, Over the Past M
Additional Submissions to Parliament in Support of Inquiries Regarding Brexit Damian Collins MP Dear Mr Collins, Over the past many months, I have been going through hundreds of thousands of emails and documents, and have come across a variety of communications that I believe are important in furthering your inquiry into what happened between Cambridge Analytica, UKIP and the Leave.EU campaign. As multiple enquiries found that no work was done, I would like to appeal those decisions with further evidence that should hopefully help you and your colleagues reach new conclusions. As you can see with the evidence outlined below and attached here, chargeable work was completed for UKIP and Leave.EU, and I have strong reasons to believe that those datasets and analysed data processed by Cambridge Analytica as part of a Phase 1 payable work engagement (see the proposal documents submitted last April), were later used by the Leave.EU campaign without Cambridge Analytica’s further assistance. The fact remains that chargeable work was done by Cambridge Analytica, at the direction of Leave.EU and UKIP executives, despite a contract never being signed. Despite having no signed contract, the invoice was still paid, not to Cambridge Analytica but instead paid by Arron Banks to UKIP directly. This payment was then not passed onto Cambridge Analytica for the work completed, as an internal decision in UKIP, as their party was not the beneficiary of the work, but Leave.EU was. I am submitting the following additional materials to supplement the testimony and documents I gave to the DCMS Committee last year as follows: 1) FW PRESS INVITATION HOW TO WIN THE EU REFERENDUM INVITE ONLY.pdf a. -
Crossley, James G. "This Was England: the Similitudes of Enoch Powell." Harnessing Chaos: the Bible in English Political Discourse Since 1968
Crossley, James G. "This was England: The Similitudes of Enoch Powell." Harnessing Chaos: The Bible in English Political Discourse Since 1968. London: Bloomsbury T & T Clark, 2014. 70–92. Bloomsbury Collections. Web. 1 Oct. 2021. <http:// dx.doi.org/10.5040/9780567659347.ch-003>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 22:20 UTC. Copyright © James G. Crossley 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Chapter 3 THIS WAS ENGLAND: THE SIMILITUDES OF ENOCH POWELL 1. Rivers of Blood If you want a nigger for a neighbour, vote Liberal or Labour (‘unof¿cial’ slogan during the 1964 General Election Campaign in Smethwick, Birmingham).1 It is easy to think about 1968 being a year of revolution and student upheavals and the 1960s being a decade of dramatic cultural change. But while there were hippies, Àower-power, Vietnam protests, free-love, recreational drugs, and Christopher Hill, capitalism was not the only thing not overthrown. Even though the student upheavals would point to a future of increasingly liberal attitudes and the advent of cultural postmodernity, things were not-so-obvious on the ground, where reac- tions to change also manifested themselves in a number of cultural forms. The 1960s may have brought the world the music of The Beatles, The Rolling Stones, and Kinks but it also brought spectacular success for Cliff Richard, The Sound of Music, Ken Dodd, and Engelbert Humperdinck. As Dominic Sandbrook claimed in his perhaps overstated corrective to the nostalgic recollections of the seemingly widespread radicalism of the 1960s: ‘amid the hurly-burly of the late sixties and 1. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev. -
Characters – Reference Guide
Player’s Guides 01 Player’s Guide to Playing HeroClix 02 Player’s Guide to Powers and Abilities 03 Player’s Guide to Characters: Errata and Clarifications 04 Player’s Guide to Characters: Reference 05 Player’s Guide to Team Abilities 06 Player’s Guide to Maps 07 Player’s Guide to Tactics I: Objects, Resources, and Hordes 08 Player’s Guide to Tactics II: Feats and Battlefield Conditions Any game elements indicated with the † symbol may only be used with the Golden Age format. Any game elements indicated with the ‡ symbol may only be used with the Star Trek: Tactics game. Items labeled with a are available exclusively through Print-and-Play. Any page references refer to the HeroClix 2013 Core Rulebook. All Player’s Guides can be found at http://www.heroclix.com/downloads/rules Table of Contents Legion of Super Heroes† .................................................................................................................................................................................................. 1 Avengers† ......................................................................................................................................................................................................................... 2 Justice League† ................................................................................................................................................................................................................ 4 Mutations and Monsters† ................................................................................................................................................................................................