DOCSLIB.ORG

CD-Tonträger Der ETH Zürich

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CD-Tonträger Der ETH Zürich CD-Tonträger-Verzeichnis der ETH Zürich Johann Sebastian Bach: Passions-Vertonungen Bach, J.S. Johannes-Passion Forster, Karl EMI CMS 7 64234 2 Bach, J.S. Johannes-Passion Gardiner, John Eliot Archiv 419 324-2 Bach, J.S. Johannes-Passion Harnoncourt, Nikolaus Teldec 9031-74862-2 Bach, J.S. Johannes-Passion Herreweghe, Philippe Harmonia Mundi 901 264.65 Bach, J.S. Johannes-Passion Kuijken, Sigiswald Harmonia Mundi GD 77041 Bach, J.S. Johannes-Passion Parrott, Andrew EMI CDS 7 54083 2 Bach, J.S. Johannes-Passion Richter, Karl Archiv 413 622-2 Bach, J.S. Johannes-Passion Rilling, Helmuth CBS M2K 39694 Bach, J.S. Johannes-Passion Schreier, Peter Philips 422 088-2 (Bach, J.S.) Lukas-Passion, BWV 246 Helbich, Wolfgang CPO 999 293-2 Anh. II 30 Bach, J.S. Markus-Passion Schreier, Peter Ph 456 424-2 Bach, J.S. Matthäus-Passion Gardiner, John Eliot Archiv 427 648-2 Bach, J.S. Matthäus-Passion Harnoncourt, Nikolaus Teldec 2292-42509-2 Bach, J.S. Matthäus-Passion Herreweghe, Philippe Harmonia Mundi 901 155.57 Bach, J.S. Matthäus-Passion Jochum, Eugen Philips 420 900-2 Bach, J.S. Matthäus-Passion Klemperer, Otto EMI CMS 7 63058 2 Bach, J.S. Matthäus-Passion Münchinger, Karl Decca 414 057-2 Bach, J.S. Matthäus-Passion Richter, Karl Archiv 427 704-2 Bach, J.S. Matthäus-Passion Schreier, Peter Philips 412 527-2 Bach, J.S. Matthäus-Passion Solti, Georg Decca 421 177-2 J.S. Bach: Messen, BWV 232 – 236 / Kantaten Messe (h), BWV 232 Brüggen, F. J. Smith, S.; M. Chance, Counter-T.; N. van der Philips 426 238-2 Meel, T.; H. van der Kamp, B.; Netherlands Chamber Choir; Orchestra of the 18th Century Messe (h), BWV 232 Gardiner, J.E. The Monteverdi Choir; The English Baroque Archiv 415 514-2 Soloists Messe (h), BWV 232 Giulini, C.M. R. Ziesak, S.; R. Alexander, S.; J. Van Nes, A.; Sony S 2 K 66 354 K. Lewis, T.; D. Wilson-Johnson, B.-Bariton; Chor und Orchester des Bayerischen Rundfunks; Messe (h), BWV 232 Harnoncourt, N. A.M. Blasi, S.I; D. Ziegler, S.II; J. Rappe, A; K. Teldec 8.35716 ZA Equiluz, T.; R. Holl, B.; Arnold-Schönberg-Chor; Concentus musicus, Wien Messe (h), BWV 232 Herreweghe, Ph. B. Schlick, S.I; C. Patriasz, S.II; Ch. Brett, A.; Veritas VCD 5 H. Crook, T.; P. Kooy, B.; Chorus and 45163 2 Orchestra of Collegium Vocale Gent Messe (h), BWV 232 Karajan, H.v. G. Janowitz, S.; Chr. Ludwig, A.; P. Schreier, DG 415 622-2 T.; R. Kerns, Bar.; K. Ridderbusch, B.; Wiener Singverein; Berliner Philharmoniker Messe (h), BWV 232 Klemperer, O. A. Giebel, S.I; J. Baker, S.II; N. Gedda, T.; H. EMI CMS 7 63364 Prey, Bar.; F. Crass, B; BBC Chorus; New 2 Philharmonia Orchestra Messe (h), BWV 232 Leonhardt, G. I. Poulenard, S.; G. Laurens, Mezzo-S.; R. EMI 7 47595 8 Jacobs, A.; J. Elwes, T.; M. van Egmond, B.; H. van der Kamp, B.; Collegium musicum van de Nederlandse Bachvereniging; La Petite Bande Messe (h), BWV 232 Marriner, N. M. Marshall, S.I; J. Baker, S.II; R. Tear, T.; S. Philips 416 415-2 Ramey, B.; Academy and Chorus of St. Martin- in-the-Fields Messe (h), BWV 232 Parrott, A. E. Kirkby, S.I; E. van Evera, S.II; P. Iconomou, EMI CDS 7 47293 A.; Chr. Immler, A; M. Kilian, A.; R. Covey- 8 Crump, T.; D. Thomas, B.; Taverner Consort; Taverner Players Messe (h), BWV 232 Richter, K. M. Stader, S.; H. Töpper, A.; E. Haefliger, T.; D. Archiv 427 155-2 Fischer-Dieskau, B.; K. Engen, B.; Münchener Bach-Chor; Münchener Bach-Orchester Messe (h), BWV 232 Rifkin, J. J. Nelson, S.I; J. Baird, S.II; J. Dooley, Counter- Nonesuch 9 79036- T.; F. Hoffmeister, T.; J. Opalach, B.; The Bach 2 Ensemble Messe (h), BWV 232 Schreier, P. L. Popp, S.; C. Watkinson, A.; E. Büchner, T.; Eurodisc 610089- S. Lorenz, Bar.; Th. Adam, B.; Rundfunkchor 232 Leipzig; Neues Bachisches Collegium musicum Leipzig Messe (h), BWV 232 Schreier, P. A. Auger, S.I; A. Murray, S.II; M. Lipovsek, A.; Philips 432 972-2 P. Schreier, T.; A. Scharinger, B.; Rundfunkchor Leipzig; Staatskapelle Dresden Messe (h), BWV 232 Solti, G. F. Lott, S.I; A.S. von Otter, S.II; H.P. Blochwitz, Decca 430 353-2 T.; W. Shimell, Bar.; G. Howell, B.; Chicago Symphony Chorus; Chicago Symphony Orchestra Messe (F), BWV 233 Corboz, M. W. Staempfli, S.; Cl. Perret, A.; Ph. Erato 4509-97236- Huttenlocher, B.; Ensemble Vocal de 2 Lausanne; Orchestre de Chambre de Lausanne Messe (F), BWV 233 Herreweghe, Ph. A. Mellon, S.; G. Lesne, A.; Chr. Prégardien, T.; Veritas 7596342 P. Kooy, B.; Chorus and Orchestra of Collegium Vocale Gent Messe (F), BWV 233 Rilling, H. D. Brown, S.; I. Danz, A.; W. Schöne, B.; Hänssler CD Gächinger Kantorei, Stuttgart; Franz Liszt 98.924 Kammerorchester Budapest Messe (F), BWV 233 Schreier, P. B. Bonney, S.; B. Remmert, A.; R. Trost, T.; O. Philips 438 873-2 Bär, B.; RIAS Kammerchor; Kammerorchester C.Ph.E. Bach Messe (A), BWV 234 Corboz, M. M. Capt, S.; W. Staempfli, S.; H. Schaer, A.; O. Erato 4509-97236- Dufour, T.; M. Brodard, B.; Ph. Huttenlocher, 2 B.; Ensemble Vocal de Lausanne; Orchestre de Chambre de Lausanne Messe (A), BWV 234 Herreweghe, Ph. A. Mellon, S.; G. Lesne, A.; Chr. Prégardien, T.; Veritas 7595872 P. Kooy, B.; Chorus and Orchestra of Collegium Vocale Gent Messe (A), BWV 234 Rilling, H. Chr. Schäfer, S.; I. Danz, A.; J. Taylor, T.; Th. Hänssler CD Quasthoff, B.; Gächinger Kantorei Stuttgart; 98.924 Bach-Collegium Stuttgart Messe (A), BWV 234 Schreier, P. B. Bonney, S.; B. Remmert, A.; R. Trost, T.; O. Philips 438 873-2 Bär, B.; RIAS Kammerchor; Kammerorchester C.Ph.E. Bach Messe (g), BWV 235 Corboz, M. W. Staempfli, S.; N. Rossier-Maradan, A.; H. Erato 4509-97236- Schaer, A.; J. Elwes, T.; Ph. Huttenlocher, B.; 2 Ensemble Vocal de Lausanne; Orchestre de Chambre de Lausanne Messe (g), BWV 235 Herreweghe, Ph. A. Mellon, S.; G. Lesne, A.; Chr. Prégardien, T.; Veritas 7595872 P. Kooy, B.; Chorus and Orchestra of Collegium Vocale Gent Messe (g), BWV 235 Rilling, H. I. Danz, A.; Chr. Prégardien, T.; Th. Quasthoff, Hänssler 98. 962 B.; Gächinger Kantorei Stuttgart; Bach- Collegium Stuttgart Messe (g), BWV 235 Schreier, P. B. Bonney, S.; B. Remmert, A.; R. Trost, T.; O. Philips 438 873-2 Bär, B.; RIAS Kammerchor; Kammerorchester C.Ph.E. Bach Messe (G), BWV 236 Corboz, M. W. Staempfli, S.; N. Rossier-Maradan, A.; J. Erato 4509-97236- Elwes, T.; Ph. Huttenlocher, B.; Ensemble 2 Vocal de Lausanne; Orchestre de Chambre de Lausanne 2 Messe (G), BWV 236 Herreweghe, Ph. A. Mellon, S.; G. Lesne, A.; Chr. Prégardien, T.; Veritas 7596342 P. Kooy, B.; Chorus and Orchestra of Collegium Vocale Gent Messe (G), BWV 236 Rilling, H. R. Ziesak, S.; I. Danz, A.; Chr. Prégardien, T.; Hänssler 98. 962 M. Brodard, B.; Gächinger Kantorei Stuttgart; Stuttgarter Kammerorchester Messe (G), BWV 236 Schreier, P. B. Bonney, S.; B. Remmert, A.; R. Trost, T.; O. Philips 438 873-2 Bär, B.; RIAS Kammerchor; Kammerorchester C.Ph.E. Bach Kantate BWV 40 Rilling, H. Dazu ist erschienen der Sohn Gottes Hänssler 98. 824 Kantate BWV 46 Rilling, H. Schauet doch und sehet Hänssler 98. 808 Kantate BWV 70 Rilling, H. Wachet! Betet! Hänssler 98. 866 Kantate BWV 77 Rilling, H. Du sollt Gott, deinen Herren, lieben Hänssler 98. 809 Kantate BWV 79 Rilling, H. Gott der Herr ist Sonn und Schild Hänssler 98. 866 Kantate BWV 94 Rilling, H. Was frag ich nach der Welt Hänssler 98. 808 Kantate BWV 95 Rilling, H. Christus, der ist mein Leben Hänssler 98. 812 Kantate BWV 101 Rilling, H. Nimm von uns, Herr, du treuer Gott Hänssler 98. 809 Kantate BWV 102 Rilling, H. Herr, deine Augen sehen nach dem Glauben Hänssler 98. 809 Kantate BWV 110 Rilling, H. Unser Mund sei voll Lachens Hänssler 98. 824 Kantate BWV 121 Rilling, H. Christum wir sollen loben schon Hänssler 98. 824 Kantate BWV 131 Rilling, H. Aus der Tiefe rufe ich Hänssler 98. 866 Kantate BWV 136 Rilling, H. Erforsche mich, Gott Hänssler 98. 806 Kantate BWV 138 Rilling, H. Warum betrübst du dich, mein Herz Hänssler 98. 812 Kantate BWV 161 Rilling, H. Komm, du süsse Todesstunde Hänssler 98. 812 Kantate BWV 178 Rilling, H. Wo Gott der Herr nicht bei uns hält Hänssler 98. 806 Kantate BWV 179 Rilling, H. Siehe zu, dass deine Gottesfurcht nicht Hänssler 98. 808 Heuchelei sei Kantate BWV 187 Rilling, H. Es wartet alles auf dich Hänssler 98. 806 3 Béla Bartók Kossuth, Symph. Dichtung 1903 San Francisco Symphony; H. Blomstedt Decca 443 773-2 Rhapsodie für Klavier und Sz. 26 1904 Anda, G.; Radio-Symphonie-Orchester DG 427-410-2 Orchester, op.1 Berlin; F. Fricsay Rhapsodie für Klavier und Sz. 26 1904 Kocsis, Z.; Budapest Festival Orchestra; Philips 416-831-2 Orchester, op.1 I. Fischer Scherzo für Klavier und Sz. 28 1904 Kocsis, Z.; Budapest Festival Orch.; I. Philips 416-831-2 Orchester Fischer Ungar. Volkslieder aus Csik Sz. 35a 1907 Kocsis, Z., Klavier Philips 442 016-2 Portraits (2), op.5 Sz. 37 1907-11 Ch. Juillet, V.; Orchestre symphonique Decca 436 210-2 de Montréal; Ch. Dutoit Bagatellen (14) Sz. 38 1908 Kocsis, Z., Klavier Philips 434 104-2 Leichte Klavierstücke (10) Sz. 39 1908 Béroff, M., Klavier EMI 5 68102/103 2 Streichquartett Nr. 1 Sz. 40 1908 Alban Berg Quartett EMI CDS 7 47720 8 Streichquartett Nr.
Load more

Recommended publications
  • WAGNER Die Walküre
    660172-74 bk Walküre US 17/7/06 10:28 Page 16 3 CDs Recorded at the Staatsoper Stuttgart, Germany, WAGNER on 29th September 2002 and 2nd January 2003. General Director: Prof. Klaus Zehelein Die Walküre Executive Producers: Dr Reinhard Ermen (SWR Radio), Gambill • Jun • Rootering • Denoke • Behle • Vaughn Dr Dietrich Mack (SWR TV) and Paul Smaczny (EuroArts) Staatsoper Stuttgart • Staatsorchester Stuttgart Producer: Thomas Angelkorte Editor: Irmgard Bauer Lothar Zagrosek Engineers: Brigitte Hermann and Karl-Heinz Runde This performance of Die Walküre is the second part of Wagner’s Ring cycle recorded live during Stuttgart Opera’s 2002/2003 season. For the first time in the history of the Ring cycle each of the four operas was staged with separate producers and casts. A production of EuroArts Music International GmbH and Südwestrundfunk in co-operation with ARTE Gefördert von der Medien- und Filmgesellschaft Baden-Württemberg 8.660172-74 16 660172-74 bk Walküre US 17/7/06 10:28 Page 2 Die Walküre Stuttgart Staatsorchester (The Valkyrie) Established in 1589 as the Court Orchestra of Württemberg, the Württemberg Stuttgart State Orchestra has a history The First Day of over four hundred years. Over the generations there have been collaborations with musicians of distinction, among them Leonhard Lechner, the Frobergers, Niccolò Jommelli, Johann Rudolf Zumsteeg, Konradin Kreutzer, of Johann Nepomuk Hummel and Carl Maria von Weber. Berlioz praised the orchestra, when he appeared with it as Der Ring des Nibelungen conductor, and in the 1880s Stuttgart was one of the first to stage the complete Ring cycle, conducted by the then (The Ring of the Nibelung) General Music Director Herman Zumpe, who had assisted Wagner at the first Bayreuth Festival.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • Orquestra Sinfónica & Coro
    4 Nov 2017 Orquestra 18:00 Sala Suggia – À VOLTA DO BARROCO Sinfónica CICLO BARROCO BPI & Coro Casa da Música Leopold Hager direcção musical Ruth Ziesak soprano Iris Oja meio ‑soprano Benjamin Bruns tenor Krešimir Stražanac baixo‑barítono MECENAS MÚSICA CORAL A CASA DA MÚSICA É MEMBRO DE 1ª PARTE Wolfgang Amadeus Mozart Sinfonia n.º 40, em Sol menor, KV 550 (1788; c.35min) 1. Molto allegro 2. Andante 3. Menuetto: Allegretto 4. Allegro Assai 2ª PARTE Wolfgang Amadeus Mozart/Franz Xaver Süssmayr* Requiem, KV 626 (1791; c.50min) I. Introitus: Requiem II. Kyrie III. Sequentia: – Dies irae – Tuba mirum – Rex tremendae – Recordare – Confutatis – Lacrimosa IV. Offertorium: – Domine Jesu –Hostias V. Sanctus VI. Benedictus VII. Agnus Dei VIII. Communio: Lux aeterna * I e II: Mozart; III e IV: Mozart e Süssmayr; V, VI e VII: Süssmayr; VIII: Süssmayr, sobre o Introitus e o Kyrie de Mozart Texto original e tradução nas páginas 10 a 13. 3 nunca teria escutado as suas últimas sinfonias, Wolfgang Amadeus Mozart hoje consistentemente rebatida, embora não SALZBURGO, 27 DE JANEIRO DE 1756 saibamos ao certo a que ocasião se destinava VIENA, 5 DE DEZEMBRO DE 1791 originalmente esta sinfonia. A Sinfonia n.º 40 é escrita em Sol menor, As obras que figuram neste programa datam constituindo, a par da Sinfonia n.º 25, exem‑ da fase final do percurso de Wolfgang Amadeus plo excepcional de uma sinfonia de Mozart em Mozart. Residindo o compositor em Viena tonalidade menor. O resultado musical da obra desde 1871, viveu os seus últimos anos com difi‑ é notório pela sua força expressiva, variedade culdades económicas, decorrentes da guerra de carácter e dramatismo por vezes quase entre Áustria e Turquia (1787 ‑1791) e da conse‑ operático, tudo isto conseguido com um efec‑ quente redução do investimento cultural na tivo instrumental de orquestra de cordas e 9 cidade.
    [Show full text]
  • Livres Et Documents Sur Richard Wagner (1813-1883)
    LIVRES ET DOCUMENTS SUR Richard WAGNER (1813-1883) (Mise à jour le 25 mars 2013) Médiathèque Musicale Mahler 11 bis, rue Vézelay – F-75008 Paris – (+33) (0)1.53.89.09.10 Médiathèque Musicale Mahler – Bibliographie Wagner / 2013 Livres et documents sur Richard Wagner (1813-1883) LIVRES A : Catalogues, catalogues d'expositions, programmes… 3 B : Ecrits de Richard Wagner, correspondance… 4 C: Biographies, études… 6 D : Ouvrages collectifs, colloques, symposiums… 15 E : Revues… 16 G : Analyses d'œuvres… 17 Wagner dans les ouvrages thématiques… 23 Wagner dans les biographies d'autres compositeurs… 32 PARTITIONS 36 ENREGISTREMENTS SONORES 41 REVUES 64 FONDS D'ARCHIVES 66 ARCHIVES NUMÉRISÉES 75 2 Médiathèque Musicale Mahler – Bibliographie Wagner / 2013 LIVRES BIOGRAPHIES DE RICHARD WAGNER A : catalogues… Bayreuth 1876-1976. - Bayreuth : Festspielleitung Bayreuth, 1976. - (BM WAG A14) Dossier Richard Wagner de Roger Commault. - . - (BM WAG A11 (Réserve)) Exposition Richard Wagner : Musée Galliéra, 24 juin-17 juillet 1966. - Paris : Musée Galliéra, 1966. - (BM WAG A13) Richard Wagner Kalender : Merkbüchlein über Richard Wagner's Leben, Werke und Wirken für alle Tage des Jahres. - Wien : Fromme, 1882. - (BM WAG A5 (Réserve)) Richard Wagners photographische Bildnisse. - München : Bruckmann, 1908. - (BM WAG A7) Wagner e Venezia : catalogo della mostra, Palazzo Vendramin-Calergi, 13 febbraio - 31 luglio 1983. - Venezia : Palazzo Vendramin-Calergi, 1983. - (BM WAG A10) ALLGEMEINER RICHARD-WAGNER-VEREIN. - Bayreuther Taschenkalender für das Jahr 1885. - München : Schmid, 1885. - (BM WAG A5 (Réserve)) ALLGEMEINER RICHARD-WAGNER-VEREIN. - Bayreuther Taschenkalender für das Jahr 1886. - München Leipzig : Schmid : Leede, 1886. - (BM WAG A5 (Réserve)) ASSOCIAZIONE RICHARD WAGNER DI VENEZIA. - Venezia per Wagner : progetto per la fondazione a Venezia di un museo e di un centro internazionale di studi e di ricerche dedicati a Richard Wagner.
    [Show full text]
  • Die Kunst Zu Hören
    kunst hören die zu 10 . Programmwoche 2 . März – 8. März 2019 Samstag, 2. März 2019 09.04 – 09.35 Uhr FEATURE Kaffeetrinken in Ushgorod Von Anastasia Gorokhova Gemeinsam mit meinem Freund Pasha fahre ich zum ersten Mal in seine alte Heimat fahren - nach Ushgorod, der westlichsten Stadt der Ukraine. Ich selbst bin in Russland geboren und aufgewachsen, meine Oma aber stammte aus der Ukraine. Die Fahrt nach Ushgorod ist also auch eine Reise in das Land meiner Vorfahren. Je näher die Reise rückt, desto klarer erkenne ich mein sowjetisches Erbe. Tief in mein Unterbewusstsein hat sich der Gedanke eingenistet, die Westukraine sei die Wiege des Nationalismus. Als die ukrainische Grenzbeamtin meinen russischen Pass mustert, würde ich mich am liebsten ins nächste Schlagloch verkriechen. Doch in Ushgorod angekommen, offenbaren sich mir unerwartete Geschichten. Regie: Marion Czogalla Produktion: rbb 2019 - Ursendung - 19.04 – 19.30 Uhr KULTURTERMIN „Die zweite Frau“ Ein früher Roman von Günter Kunert Von Bernd Dreiocker Der Schriftsteller Günter Kunert wird am 6. März 90 Jahre alt. Sein Roman „Die zweite Frau“ ist erst jetzt, 45 Jahre nach der Entstehung, erschienen. In Gedanken, im Traum und in der Realhandlung arbeitet sich die Hauptfigur Barthold im Ost-Berlin der 1970er Jahre an den Unzulänglichkeiten der DDR ab. Mit polterndem Scherz, beißender Satire und stilistischer Ironie beschreibt der einstige Sozialist Günter Kunert den Alltag des Landes. Der Text wäre zu DDR-Zeiten nicht gedruckt worden. Sein Autor Günter Kunert verließ das Land 1979. Sonntag, 3. März 2019 09.04 - 09.30 Uhr GOTT UND DIE WELT Aufräumen! Der ewige Kreislauf von Ordnung Unordnung Von Irene Dänzer-Vanotti Für viele Menschen ist es ein täglicher Kampf, Ordnung zu halten.
    [Show full text]
  • 1 February 2008 Page 1 of 10
    Radio 3 Listings for 26 January – 1 February 2008 Page 1 of 10 SATURDAY 26 JANUARY 2008 5.00am Castello, Dario (first half of c.17th): Sonata IV for two violins SAT 01:00 Through the Night (b008qk6l) and continuo (Venice 1629) With Jonathan Swain. Il Giardino Armonico 1.01am 5.08am Grieg, Edvard (1843-1907): Symphonic Dance No 2, Op 64 Mendelssohn, Felix (1809-1847): Hora est (antiphon and 1.08am responsorium) Halvorsen, Johan (1864-1935): Norwegian Rhapsody No 1 Denis Comtet (organ) Norwegian Radio Orchestra Radio France Chorus Ingar Bergby (conductor) Donald Palumbo (conductor) 1.20am 5.17am Debussy, Claude (1862-1918): Images for Orchestra Kodaly, Zoltan (1882-1967): Sonatina for cello and piano Norwegian Radio Orchestra Laszlo Mezo (cello) Ion Marin (conductor) Lorant Szucs (piano) 1.57am 5.27am Beethoven, Ludwig van (1770-1827): Quartet for strings in C Strauss, Richard (1864-1949), arr. Franz Hasenohrl: Till sharp minor, Op 131 Eulenspiegel – einmal anders! Paizo Quartet Festival Ensemble of the Festival of the Sound James Campbell (conductor) 2.38am Schubert, Franz (1797-1828): Piano Sonata in B flat, D 960 5.36am Naum Grubert (piano) Verdi, Giuseppe (1813-1901): Ecco l'orrido campo... Ma dall'arido (Un ballo in maschera, Act 2) 3.20am Galina Savova (soprano) Mozart, Wolfgang Amadeus (1756-1791), compl. Sussmayr: Netherlands Radio Symphony Orchestra Requiem in D minor, K626 Antoni Ros-Marba (conductor) Elizabeth Poole (soprano) Lynette Alcantara (mezzo-soprano) 5.46am Andrew Murgatroyd (tenor) Bach, Carl Philipp Emanuel (1714-1788):
    [Show full text]
  • Magazin Magazine
    X1 | 2018201X CHORMUSIK HEUTE CARUS CHORAL MUSIC TODAY MagazinMagazine DISCOVERING BACH The “other” St. John Passion ITALIAN MUSIC STARS MOZARTSacred UNVOLLEN works by- Rossini, DET Verdi, and Puccini Fragment c-Moll-Messe GOUNOD GEISTLICHSWANSONGINTEGRATION MUSIKALISCH Chorwerke fürA diereconstruction Kirche Kinderlieder of für alle Heinrich Schütz’s last opus C C Carus Carus Charles Gounod 1818–1893 200th anniversary of birth In 2018 we celebrate the 200th anniversary of Charles Gounod’s birth who is known above all for his operas. But throughout his life Gounod was also a very religious man and composed a varied range of church music. Messe solennelle de sainte Cécile Charles Carus 27.095 Gounod GOUNOD Messe solennelle de sainte Cécile The work, which was written in 1855 in honor of Messe solennelle de sainte Cécile „Leuchtende Strahlen entströmten der Messe de sainte Cécile. Zuerst war man geblendet, dann verzaubert, dann überwältigt.“ So beschreibt der Komponist Camille Saint-Saëns den Eindruck, den die wohl bekannteste Messvertonung the patron saint of churchCharles Gounods music, auf ihn gemacht hatte. Dassoon Werk, das im Jahr became1855 zu Ehren der Schutzpatronin der Kirchenmusik entstand, wurde schon bald weit über die Grenzen Frankreichs hinaus bekannt und erlangte eine Popularität wie kaum eine well-known beyond theandere geistlicheborders Komposition. Gounod verbindetof inFrance der Cäcilienmesse erhabene and Schlichtheit mit opernhaft-dramatischen Elementen und einer farbigen, effekt- acquired a popularity likevollen Instrumentation. almost no other sa- cred composition. In the Messe de sainte Cécile, Gounod combines sublime simplicity with operat- ic-dramatic elements and a colorful, effective or- chestration. Critical edition in proven Carus quality.
    [Show full text]
  • A Select Annotated Discography of the Choral Works of Wolfgang Amadeus Mozart
    A Select Annotated Discography of the Choral Works of Wolfgang Amadeus Mozart by AllenL. Borton making your choice with a little guidance he following discography has of the kind of performance you will been compiled from several encounter in each case." sources; particularly helpful "Clarity is the watchword in this latest have been the journals version" ~Sadie). Period instruments, but Gramophone and Fanfare, with "modern-sounding, slowish tempos." andT the Index to CD and Record Uses Beyer edition. Recorded at a Reviews from 1987 to the present, performance in the Grand Auditorium de published in each issue of Notes, the la Maison de la Radio RTBF, Brussels, on quarterly journal of the Music Library October 6, 1986. Association. In order to limit the scope Reviewed in Gramophone, April, 1987: 1451 (Stanley Sadie). of this article, only recordings released or reviewed since 1986 have been 2. Teresa Zylis-Gara (s); Oralia included (with but few exceptions). Dominguez (m); Peter Schrier (t); Franz Beyond the individual listings of this Crass (b); South German Madrigal Choir; article, it should be noted that in Consortium Musicum; Wolfgang honor of the bicentenary of Mozart's Gonnenwein. Angel CD2-670l4. ADD. From Angers budget Laser series. death, several recording companies are DDD (digital session recording, engaged in large-scale releases of his mixing! editing, and mastering); ADD 3. Patrizia Pace (s); Waltraud Meier (m); music. One of the most ambitious and (analog session recording, digital Frank Lopardo (t); James Morris (b); notable is that of Philips, whose mixing! editing and mastering); and Swedish Radio Choir; Stockholm Chamber Compete Mozart Edition is projected AAD (analog session recording and Choir; Berlin Philharmonic Orchestra; as a 44-volume, 180-CD set.
    [Show full text]
  • EASTER with NAXOS MUSIC of the PASSION of CHRIST Easter with Naxos
    EASTER WITH NAXOS MUSIC OF THE PASSION OF CHRIST Easter with Naxos The events of Christ’s Passion have been marked in artistic triumphs over the centuries, not least in music which has a treasure trove of works devoted to the sequence of the action. Just as the Easter story moves from darkness to light, so the works describing it represent the full spectrum of genres and resources. In this catalogue – which also includes titles from Naxos’ affiliated labels – you’ll find masterpieces representative of all musical styles: from Bach’s Passion settings to the Requiems of Mozart, Dvořák and Verdi, plus the more contemporary utterances of works. You’ll also see recordings of instrumental music, such as Messiaen’s L’Ascension, Gubaidulina’s Sieben Worte, and Haydn’s Seven Last Words in its piano version. CONTENTS Naxos Titles Listing by Composer...................................................................................................3 Collections ................................................................................................................15 Audiovisual Products ................................................................................................16 Affiliated Labels Belvedere .................................................................................................................17 Capriccio ..................................................................................................................18 Dynamic ...................................................................................................................23
    [Show full text]
  • Mcgill Community for Lifelong Learning | Rory O'sullivan Music
    Rory O’Sullivan Opera and Music DVD Collection McGill Community for Lifelong Learning McGill Community for Lifelong Learning | Rory O’Sullivan Music Collection Table of Contents Introduction ................................................................................................................ 3 Borrowing Procedure ................................................................................................. 4 DVD Request Form ................................................................................................... 5 Opera Collection ........................................................................................................ 6 Opera Compilations ...............................................................................................263 Orchestral and Other Works ..................................................................................287 Last Update: 28 March 2017 Page 2 McGill Community for Lifelong Learning | Rory O’Sullivan Music Collection Introduction McGill Community for Lifelong Learning is now in possession of a unique collection of opera DVDs. The family of the late Rory O’Sullivan has generously donated his personal collection for the pleasure and enjoyment of all MCLL members. Rory, through his very popular and legendary Opera Study Groups, inspired huge numbers with his knowledge, love and passion for opera. An architect by profession, Rory was born, raised and educated in Ireland. In his youth he participated in school productions of Gilbert and Sullivan operettas. This instilled
    [Show full text]
  • LE MONDE/PAGES<UNE>
    LE MONDE TÉLÉVISION a La télé se charge du dopage a « Survivor » sur TF1 pour l’été 2001 Demandez notre supplément www.lemonde.fr 56e ANNÉE – Nº 17368 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE DIMANCHE 26 - LUNDI 27 NOVEMBRE 2000 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI Vache folle : Manipulations génétiques, l’heure des choix la crise b Sélection des embryons, clonage : Lionel Jospin présente mardi ses projets de réforme s’étend des lois de bioéthique b Dans un entretien au « Monde », le cardinal Lustiger lance un appel à l’ensemble aux chercheurs et aux politiques b « Qui protégera les êtres humains de leurs délires ? », dit-il LE DÉBAT ÉTHIQUE va passer, culier le développement des techni- au début de la semaine prochaine, ques de diagnostic préimplan- de l’Europe sur le terrain politique. Les députés tatoire. Les instances judiciaires et commencent, mercredi 29 novem- l’opinion sont également en alerte, UN PREMIER CAS de vache folle bre, l’examen du projet de loi sur comme on l’a vu avec l’arrêt de la a été détecté, en Allemagne, vendre- l’allongement du délai légal de Cour de cassation du 17 novembre, AFP di 24 novembre dans le Schleswig- l’IVG. La veille, Lionel Jospin doit qui, dans l’affaire Nicolas Perruche, Holstein, à la frontière du Dane- présenter son avant-projet de loi a tranché en faveur de l’indemnisa- BALKANS mark. Cette découverte fait suite à destiné à modifier les lois de bioé- tion du préjudice qu’il y aurait à l’annonce de l’identification par le thique de 1994.
    [Show full text]