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80-93 a Study of Traditional Boats and Navigational History of Odisha, East
Author version: Man Environ., vol.40(2); 2015; 80-93 A study of Traditional Boats and Navigational History of Odisha, East coast of India Sila Tripati Marine Archaeology Centre CSIR- National Institute of Oceanography Dona Paula, Goa 403 004 Email: [email protected] Abstract It is generally believed that there were seafarers before there were farmers and potters. Man must have used some kind of craft to cross the rivers, seas, bays for collection of food during prehistoric time onwards if not earlier. With regard to the earliest voyages, it is believed that these were made around 60,000 years ago when the sea level was lower and people would have used floats or rafts for the purpose. After many centuries different types of traditional boats were constructed and used for maritime trade, fishing, warfare, etc. Indian epics and regional literature mention different types of vessels and their use and the vessels used in the seas, rivers and lakes are different in their construction, shape and size. Like other littoral states of India, references to a good number of traditional boats of Odisha are found in the contemporary literature namely Pota (dug out), Nauka, Bhela, Chapa and Padhua. There are some traditional boats, for instance teppa, padhua, nauka and patia, which are still in use and built along the Odisha Coast. The present paper details construction techniques of traditional boats of Odisha, their usages, difference between the traditional boats of Odisha and those on other parts of the east coast of India and navigational technology. Keywords: Traditional boats, Navigation, Maritime trade, Odisha, East coast of India 1 Introduction The history of boatbuilding is as old as the relationship between man and the sea. -
ACHILLES INFLATABLE BOATS a Division of Achilles USA, Inc
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Apatoons.Pdf
San Diego Sampler #3 Summer 2003 APATOONS logo Mark Evanier Cover Michel Gagné 1 Zyzzybalubah! Contents page Fearless Leader 1 Welcome to APATOONS! Bob Miller 1 The Legacy of APATOONS Jim Korkis 4 Who’s Who in APATOONS APATOONers 16 Suspended Animation Special Edition Jim Korkis 8 Duffell's Got a Brand New Bag: San Diego Comicon Version Greg Duffell 3 “C/FO's 26th Anniversary” Fred Patten 1 “The Gummi Bears Sound Off” Bob Miller 4 Assorted Animated Assessments (The Comic-Con Edition) Andrew Leal 10 A Rabbit! Up Here? Mark Mayerson 11 For All the Little People David Brain 1 The View from the Mousehole Special David Gerstein 2 “Sometimes You Don’t Always Progress in the Right Direction” Dewey McGuire 4 Now Here’s a Special Edition We Hope You’ll REALLY Like! Harry McCracken 21 Postcards from Wackyland: Special San Diego Edition Emru Townsend 2 Ehhh .... Confidentially, Doc - I AM A WABBIT!!!!!!! Keith Scott 5 “Slices of History” Eric O. Costello 3 “Disney Does Something Right for Once” Amid Amidi 1 “A Thought on the Powerpuff Girls Movie” Amid Amidi 1 Kelsey Mann Kelsey Mann 6 “Be Careful What You Wish For” Jim Hill 8 “’We All Make Mistakes’” Jim Hill 2 “Getting Just the Right Voices for Hunchback's Gargoyles …” Jim Hill 7 “Animation vs. Industry Politics” Milton Gray 3 “Our Disappearing Cartoon Heritage” Milton Gray 3 “Bob Clampett Remembered” Milton Gray 7 “Coal Black and De Sebben Dwarfs: An Appreciation” Milton Gray 4 “Women in Animation” Milton Gray 3 “Men in Animation” Milton Gray 2 “A New Book About Carl Barks” Milton Gray 1 “Finding KO-KO” Ray Pointer 7 “Ten Tips for Surviving in the Animation Biz” Rob Davies 5 Rob Davies’ Credits List Rob Davies 2 “Pitching and Networking at the Big Shows” Rob Davies 9 Originally published in Animation World Magazine, AWN.com, January 2003, pp. -
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Attack Force Z Head Credits
Opening titles: Z Special Force was a secret operations unit of the Australian Armed Services in World War Two. It was made up of volunteers from all branches of the Allied Forces and came under the direct command of General Douglas Macarthur. Z Special carried out two hundred and eighty- four war time missions in the Pacific. The most publicised of these were the successful canoe raid on Singapore harbour from the 'Krait' and the subsequent Rimau raid in which all twenty- three participants were either killed in action or executed. The events depicted in this film are an honest and unflinching account of the type of operation carried out by our unit during the war. John L. Gardner (signature) President Z Special Force Association of New South Wales 10th January, 1945. Straits of Sembalang South West Pacific John McCallum Productions Central Motion Picture Corporation presents JOHN PHILLIP LAW Lieutenant J. A. Veitch Army of the Netherland East Indies MEL GIBSON Captain P. G. Kelly Australian Imperial Forces SAM NEILL Sergeant D. J. Costello D.C.M. Australian Imperial Forces CHRIS HAYWOOD Able Seaman A.D. Bird Royal Navy JOHN WATERS Sub Lieutenant E. P. King Royal New Zealand Navy ATTACK FORCE Z (with logo sword penetrating Z) also starring KOO CHUAN-HSIUNG Lin Chan-Lang SYLVIA CHAN Chien Hua O TI Shaw Hu Executive Producers John McCallum George F. Chang Screenplay Roger Marshall Director of Photography Lin Hun-Chung Editor David Stiven Music Eric Jupp Produced by Lee Robinson Directed by Tim Burstall. -
Remembering World War Ii in the Late 1990S
REMEMBERING WORLD WAR II IN THE LATE 1990S: A CASE OF PROSTHETIC MEMORY By JONATHAN MONROE BULLINGER A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Communication, Information, and Library Studies Written under the direction of Dr. Susan Keith and approved by Dr. Melissa Aronczyk ________________________________________ Dr. Jack Bratich _____________________________________________ Dr. Susan Keith ______________________________________________ Dr. Yael Zerubavel ___________________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Remembering World War II in the Late 1990s: A Case of Prosthetic Memory JONATHAN MONROE BULLINGER Dissertation Director: Dr. Susan Keith This dissertation analyzes the late 1990s US remembrance of World War II utilizing Alison Landsberg’s (2004) concept of prosthetic memory. Building upon previous scholarship regarding World War II and memory (Beidler, 1998; Wood, 2006; Bodnar, 2010; Ramsay, 2015), this dissertation analyzes key works including Saving Private Ryan (1998), The Greatest Generation (1998), The Thin Red Line (1998), Medal of Honor (1999), Band of Brothers (2001), Call of Duty (2003), and The Pacific (2010) in order to better understand the version of World War II promulgated by Stephen E. Ambrose, Tom Brokaw, Steven Spielberg, and Tom Hanks. Arguing that this time period and its World War II representations -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Justice Ruth Bader Ginsburg
VOLUME 134 JANUARY 2021 NUMBER 3 © 2021 by The Harvard Law Review Association MEMORIAM: JUSTICE RUTH BADER GINSBURG The editors of the Harvard Law Review respectfully offer this collec- tion of tributes to Justice Ruth Bader Ginsburg. Brenda Feigen∗ Ruth Bader Ginsburg changed all our lives by profoundly influenc- ing the law that had encouraged sex discrimination in the United States for centuries. I am writing now in tribute to her. In the nineteenth century, the Supreme Court ruled that women had neither the right to practice law1 nor the right to vote.2 In the mid- twentieth century, the Court approved “beneficial” practices by states making women’s service on juries optional3 and approved Michigan’s law preventing women from working in bars unless a male relative was present when they were working.4 In 1970, while some of us were joining the call of the women’s liber- ation movement to march in protest of outrageous sex discrimination, Ruth and her husband Marty, a tax lawyer, decided to represent Charles Moritz, who lived alone with his elderly mother and had tried to obtain a tax deduction for wages paid to her caregiver.5 The Tax Court had said that type of deduction was available only “to a woman, a widower ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– ∗ J.D. 1969, Harvard Law School. Ms. Feigen directed the ACLU’s Women’s Rights Project with then-Professor Ruth Bader Ginsburg. She was National Vice President for Legislation of NOW and a cofounder of the National Women’s Political Caucus and of Ms. Magazine. She au- thored Not One of the Boys: Living Life as a Feminist (2000), republished in electronic format twenty years later with a new edition forthcoming. -
Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS -
Universidade Federal De Santa Catarina Centro Socioeconômico Departamento De Economia E Relações Internacionais Graduação Em Relações Internacionais
UNIVERSIDADE FEDERAL DE SANTA CATARINA CENTRO SOCIOECONÔMICO DEPARTAMENTO DE ECONOMIA E RELAÇÕES INTERNACIONAIS GRADUAÇÃO EM RELAÇÕES INTERNACIONAIS CAROLINA NASCIMENTO SANTANA HOLLYWOOD E A GUERRA AO TERROR: O PAPEL DO CINEMA NO IMEDIATO PÓS-11 DE SETEMBRO Florianópolis 2015. CAROLINA NASCIMENTO SANTANA HOLLYWOOD E A GUERRA AO TERROR: O PAPEL DO CINEMA NO IMEDIATO PÓS-11 DE SETEMBRO Monografia submetida ao curso de Relações Internacionais da Universidade Federal de Santa Catarina, como requisito obrigatório para a obtenção do grau de Bacharelado. Orientador: Prof. Dr. Alexandre Busko Valim FLORIANÓPOLIS, 2015 UNIVERSIDADE FEDERAL DE SANTA CATARINA CURSO DE GRADUAÇÃO EM RELAÇÕES INTERNACIONAIS A Banca Examinadora resolveu atribuir a nota 9,0 à aluna Carolina Nascimento Santana na disciplina CNM 7280 – Monografia, pela apresentação deste trabalho. Banca Examinadora: _________________________________ Prof. Dr. Alexandre Busko Valim _________________________________ Profª. Drª. Clarissa Franzoi Dri _________________________________ Msc. Rodrigo Candido da Silva AGRADECIMENTOS Este trabalho encerra uma época incrível da minha vida, proporcionada pela Universidade Federal de Santa Catarina (UFSC) e pelas pessoas extraordinárias que conheci durante esse período. Meu grande agradecimento, portanto, à UFSC por anos de aprendizado que não se concentrou nas salas de aula; Meus agradecimentos ao corpo docente e servidores da Universidade, principalmente aos da graduação em de Relações Internacionais que trabalham arduamente para construir um curso de qualidade diante dos diversos desafios acadêmicos e burocráticos para tal. À Professora Clarissa Dri pelos conselhos sobre este trabalho e por estar sempre disponível a ajudar. Ao meu orientador, Professor Alexandre Valim, por ter se disponibilizado a me orientar à distância, pelo conhecimento repassado e especialmente por ter me inspirado a seguir este tema; À equipe da Embaixada Britânica em Brasília, por ser minha segunda Universidade. -
Nebraska's Rescission of the Proposed Equal Rights Amendment, 1972-1973
THE DEVIL IS IN THE DETAILS: NEBRASKA'S RESCISSION OF THE PROPOSED EQUAL RIGHTS AMENDMENT, 1972-1973 Elizabeth F. Schnieder A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2010 Committee: Dr. Stephen R. Ortiz, Advisor Dr. Leigh Ann Wheeler © 2009 Elizabeth F. Schnieder All Rights Reserved iii ABSTRACT Dr. Stephen R. Ortiz, Advisor This thesis examines the role of a single state, Nebraska, in the lengthy and complex history of the proposed Equal Rights Amendment—specifically its impact during 1972 and 1973, the two crucial years when the amendment was passed by both the House of Representatives and the Senate and then went to the individual states for ratification. The core of this project centers on these fundamental issues: Nebraska’s unique single-house legislature and the rising New Right’s ability to take advantage of liberals’ disorganization in order to strengthen their own forces. Nebraska’s unicameral legislature, lacking the built-in checks-and-balances system inherent in bicameral legislatures, permitted propositions to be passed more quickly and reduced opportunities for in-depth debate. In 1972, Nebraska became the second state in the union to pass the ERA. In 1973, Nebraska rescinded its ERA vote just as quickly. This move would have significant impact on the actions of other states, and Nebraska would become a battleground in the struggle for power between liberal and conservative groups. Data collected and analyzed for this project came from a variety of sources, including books, articles, author interviews, newspapers, published reports, and archives.